Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

Fear for a child is very different to the adult and exactly the same the child inhabits another decade, in the past, another life before they knew they were who they become the child wets the bed because she misses her mother who is beautiful, ethereal, slender and absent the smell of her still lingers […]

via Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

Advertisements

Not even ourselves

Why and when did people stop being interested?

as kids we would sit on benches and talk about our pain

there seemed then, such a mercy in the air

it hung like cobwebbed dew around us and

despite the hardships we bore, our friends were

our succor

Why and when did people stop being interested?

and grief was labeled an annoyance?

why does growing-up mean we no longer write

poems like this

do we no longer feel the same

or just hide it away?

and if it is hidden how does it stay so

with the swell and the surge and the blistering salt

I hear rain falling into a tin can somewhere

and briefly I remember eating out of cans in summer

my lips sticky with apricot

it was a luxury then and my grandmother carefully

spooned each peachy globule out and added ice-cream

I hated the taste of ice-cream and I loved

the feeling of lying high in a big tree smelling apple leaves

in those days

when tragedy struck

we children who are called resilient

had the hope or the armor of youth

and the cherish of our friends

I saw her running toward me across the fields separating our houses

her red hair and freckled face red with exertion

we ate stale cucumber sandwiches left over from her mother’s

garden party and she held my hand in her own

clammy seedy palm

as if I were a starfish

I told her of my disappointments and the ache in my chest

all those who had forsaken and gone their own way

with the wisdom of child she wrinkled up her eyes against the sun

told me what I needed to do was pretend I didn’t care a damn

because one day you’ll grow up and nobody will be able to hurt you

I held onto that advice like a piece of paper framed in my chest

but it wasn’t true it wasn’t true

and I wonder where she is now

if she has children

if she is the same kind of mother she was as a friend

if I could see her again I would say

thank you for giving me the hope to get to this point

maybe it wasn’t true, maybe adults fool themselves into

thinking they are not children with ageing hearts and

brittle bones

maybe being an adult is harder than any childhood

because you don’t have afterwards to dream of

and the future as yet unsummoned

with all your magic and all your wistfulness

seen through the eyes of someone not old enough

to know the reality

I would tell her don’t tell your children the truth

let them dream as we did just a bit more

where I can still hear my grandmother knocking over pots

as she makes an apple pie and the smell

of summer is all about us in a haze

and your red hair makes mine look blonde

and your freckles tan your legs whilst mine remain blue

and your hand in mine is the first hand of friendship

I would thank you for running when I called

because nobody has run since and I suspect

adults have ways of doing things

us children never quite understand

I’m thinking if I could choose a side

I’d go through time and clasp your wrist and run

into the high grass fields out the back and where

nobody would find us

not even ourselves

years from now

Last call to Submit Writing and/or Art for “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard!

Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.

 

Time Sensitive Call For Submissions: “We Will Not Be Silenced”

photo-1534030819-e584013b0531

Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.

All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Please re-blog and get the word out.

With life

She is nude

Dearticulate

Her nipples graze the passage of her downfall

Blood is dry and hennaed between her thighs

Who stand witness

To aborted possibility cut short

Held glistening above her in crucifixed parody

She will never bear life

It is not her weft and the thick choker around her neck

Tightens as reminder

If she grows swollen it will be from loss not gain

No feeling of a child pushing its way out

Only the deadening cold taste of metal on her skin

A doctor’s “tut, tut” and rough handling, his voice a graze

Staining her inevitable socially affixed shame

She stares out of a small window

Paint pealing like tears on the empty sill

Where a bird sits sheltering from rain

She thinks of him cutting his way into her with flint eyes

Hands around her throat, pulling her apart

A flashlight douses darkness, shining on blood and her hand

Reaching out

She is empty now

Passion snuffed, an ember no longer close to surface

She is an arroyo dried and crusted over

She is a gourd grown without seed

Disappointment is her meal, she is a featherless bird on wire

Dried empty by sun and rinsed of music

Before this, her watermelon body swayed in water-sprinklers

Feasting on her abundance and possibility

All that would be, all that would be

Is laid waste

Tumbleweed and Joshua tree

Punishment and consequence

The rapist will return at night to his wife and

Three blonde children

She will recover from her tears and cuts

Even the shame of feeling his soil enveloping her

But she will never

Never

Forget what he took in miscarried act

What would happen if we swapped vision?

The fridgidity of growth or a certain constraint

Because if you split my casing I would possess less chance

My surround would envelop your shadows and night cross twice

For women have a shorter life and a longer one

Small boned with narrow shoulders and deep set eyes

Stretching barren like a long road through desert

If she could turn the knife around

Press it gently against his steady pulse

Cut out the evil as he removed her chance

To fill her arms

With life

What they have to learn

The teacher hadn’t enjoyed teaching in a long while

ever since her notions and reality rubbed against one another

exploding the myth she held in teaching college, of making a difference

her students

whom the administrators asked her to refer to as clients

wanted to pay for a degree, not to learn

we don’t have time to study they lamented

we are too busy with everything else which is, so much more important

the students

did not respect her because she earned less than

they believed they would earn in a few years time

she wanted to say DREAM ON but it was no longer acceptable

to tell the truth

especially with college administrators

(who were paid well, to shuffle papers from desk to desk)

watching in the wings

she recalled why

she had wanted to be a teacher

at eight she’d been sent to a foster home

where the ‘father’ decided to show and tell

using his fingers in wrong positions

she ran away and lived

underneath a bridge for the night

listening to the stars wink on and off

and the weave and fall of the world

the next day they found her, dirty and lost

spanked her for making up lies about being abused

and sent her to another foster home

this time the mother

starved her lean

told her she was fat and ugly

when she hardly weighed in

got her to clean and cook and scrub

she preferred that kind of reality

it didn’t involve lies it was honest in its

taste of cruel

when summer was over and she returned to school

a new teacher had begun work

she had the faraway eyes of a dreamer

and her voice was soft like bird song

without saying a word she knew the children who

had been neglected and abused

she’d encourage them often and whisper in their ears

this may seem like this is all there is

but there’s so much more!

one day you will be free to escape your confines

you can shrug off your sadness and become

anything you want

so when the time came for her to age out of the system

she didn’t bring flowers and a card for her foster-mother

instead she packed her single bag and left before

morning showed in the sky

the room was bare and emptied but somehow

it didn’t look so different to when she’d lain there

trying to take up the smallest space

funny that we can inhabit a place for so many years and

when we leave it’s like we were never there

a wraith who didn’t get heard or couldn’t

break out of her little mincing trap of potted meat

she hated the flabby jowls and empty eyes

of those who pretended to keep

her safe

being old enough now to look after herself she

enrolled in teaching college hoping one day

she could reach a child who sat at the back of class

with dirty socks and a mouth full of regret

but time moves on and things change even as they stay the same

kids become hardened, demanding, insolent

hurry up, please it’s time!

parents throw expectations like rocks and call educators

pathetic losers who can’t do, so they teach

she wondered

is cruelty a vein, like in a rock

inherited over time to savage and destabilize

our yearning for safety?

standing there, in her cheap hose and one good pair of shoes

the scuff blacked out by polishing

she saw in the sassing faces of her classroom

a loss of care for changing the world

her own longing to reach through time and alter

one person’s trajectory lost

in the hustle bustle of uncaring formula

spitting out diplomas and marching forward

not thinking at all

about what they have to learn

Written for World Teacher Day. In appreciation of teachers.

How many women does it take?

It was raining the day the movers truck pulled up

piling furniture into the back, exposed to wet streets

everything dirty and unfamiliar

when you take your safety out of its box

when you unlatch your secrets

and expose the insides of a locket

sticky mouths seek to further that exposure

until nothing of your peace remains

but the belly of your secrets on display

as if you were sitting in class without underwear

as if the abuse etched in your soul were a t-shirt

as if his fingers weren’t in the dark but had been

dipped in luminescent paint and everywhere they went

left their grimy imprint / yet you think

this horror may have been the very best thing

as wretched as exposure may taste

at least it wouldn’t be a case of disbelief

how many women does it take?

for one person to not hesitate

how many must say;

he did this / that happened / we are not okay

because of this / why do I have to prove / with gore

and soiled soul / the truth / why isn’t it sufficient that I say

why why why

did he lay a hand on me?

how many women does it take?

a juror in the Bill Cosby case disclosed the reason for his guilty verdict;

I believed he was guilty because he said he had drugged girls

hearing it from the horses mouth got my vote

are we bidding on a horse? Did you check the inside of his mouth?

what of the SIXTY women who spoke?

their voices do not warrant proof?

were people just speaking words?

to deaf sign posts stating;

move on / get over it / don’t make a fuss / why should we believe you?

one person has lied before / you must be lying / that’s our automatic default

what hope then

for one girl?

one single soul

violated in the dark

of a house when all is moved out

and she is left inside a shell, within a shell

the echoes of trucks taking memories

somewhere else

how many women does it take?

to be heard.