What kind of lesbian would I be if I were born today?

two women kissing while wrapped in rainbow flag
Photo by Karina Irias on Pexels.com

I see your pictures on social media

a part of me is envious

of your freedom

even though women many years before

either of us

had absolutely no freedom and only those

with enough money could consider taking

a woman as their lover

it is hard to imagine

each generation I suspect

forgets the sacrifices of the last

cannot envision a time when

it was illegal to love

my experience was never that awful

I had freedoms many women still do not possess

and I am grateful for that

but sometimes when I see your

youthful face and the grace with which you accept love

how natural and easy it feels

I recall how I began

hiding in dark bars, trying to fit in, failing

never one to play endless games of poker face

I didn’t fit in with my own kind then

but if I’d been you

born in the sun with your turquoise eyes like the Donovan song

I might have had on my arm

a whole host of dreams and not

dabbled in boys for a few futile and unhappy years or

felt I couldn’t have had children and let

my fear and my constraint decide for me

the future

you are the age my daughter might be

and I would like to think I’d have

done all you have done had I been born

in a time of greater acceptance where

women who love women can grow their hair

and not have to cling to stereotypes or subterfuge

carrying knots of shame and confusion

like blankets never stretched out and slept on

I would have gotten a tattoo and maybe

been less shy and apologetic

I remember at 18 that’s all I seemed to do

sorry to my family for not having turned out straight

sorry to my friends for being the odd one out

sorry to the gays on the march who thought

with my dresses and my long tresses I was a weekend

lesbian

if they only knew

what it took and what I sacrificed

maybe they understand now

but we’re all a little older and

you don’t recapture what you felt at 18

you remember it like a language

I spoke the language of trial and error

I suspect you speak the language of love

just a little freer

so forgive me if I envy you as you walk past me

hand in hand, laughing, the edges of your hair

hitting your waist

like a Summer tidal wave.

SMITTEN – This is What Love Looks Like – Poetry by women for women – an anthology of poetry published by Indie Blu(e) will be out OCTOBER 2019 and available through all good book sellers. Please consider following SMITTEN’s FB page at https://www.facebook.com/SMITTENwomen/

If you are interested in supporting this project in any way please contact me @ candicedaquin@gmail.com. All LGBTQ projects are a little more challenging to succeed and we want the 120_+ poets who have work in SMITTEN to be read by many! Indie Blu(e) and their submissions rules can be found at www.indieblu.net69885770_486778818770380_803119555336470528_n

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Only child

pexels-photo-573266

I’m sitting in a linoleum room with ghosts, specters and occasional stranger

a girl with long legs like a foal, is pulling elastic pink lines of gum from her full mouth

and snapping them back, loudly

I wonder if I have ever sat so evenly in a chair, if I ever had peach hair, light on my skin like that

it reminds me of my friend who competed in gymkhanas, we made up our own horses, hers was called Mars and mine, BeTwix and we ran

so fast our hearts thundered up her grandmother’s hill in the La Roque-Gageac

her legs were like those of a foal,  even at eleven, the waiters watched her with wet lips

I think of The Object Of Beauty, how Liv Tyler gleamed, coming out of the oval swimming pool

What men must think when underage girls begin to fruit.

My ghosts routinely tell me, I am without worth, they remind me if I had anything worth having

my mother wouldn’t be absent

a life time of inadequacy, wouldn’t be my legacy

I disappoint myself, not just the ghosts, sometimes I think

I don’t belong in this American world, where women are proud to work sixty hour weeks and go the gym at 9pm

still feeling they haven’t worked hard enough.

I think I am forever running in the Nouvelle-Aquitaine, with my imaginary horse

watching a girl turn into a woman, aware of too much even then, and not enough

the specters mock my lack of confidence, whispering in my detached earlobe

nobody likes a wuss, confidence is the American calling card, haven’t you noticed?

Even silly people and indifferent people get somewhere, if they believe in their

silly people and indifferent selves. And brilliant people, who doubt, will fester

like a ring someone lost in a river, glitters too deeply for marbled birds to

pluck it out and restore to light.

I lost a ring once, you’d given it to me when we were 14 and I didn’t have coltish legs

or peach fuss on my skin, but rather, the strong bones of a kid who drank milk with her cereal and got a stomach ache

reading Asterix at the pine breakfast table, with her stuffed toys.

I can still hear the plastic clock and hum of the washing machine

a warm symphony of my childhood, as I delayed leaving for school

and the inevitable crush of humanity, I had long decided was not for me

in fact, my trajectory was so far from that world of push and pull

competition and attention, fan fare and nose-pick small talk

I inhabited the after school hours like an addict of one

rejoicing in the quiet and empty spaces where

my mind could roam and gallop

sometimes I would sit on the roof tops of outdoor storage buidings

eating my soggy paper bag of sweets, stuck together from being

crunched in my pocket, head stuck in a book about

beautiful places with kind people and fantastic things

wild roses growing like thoughts from arching cracks

in concrete, their soft heads and sharp thorns

not the decapitated baby bird, I buried beneath the acorn tree

its silvered blind eyes, swollen and bulging

wings pressed like cries of regret for having never spread

in flight

something horrifying in everywhere you looked

like the terror you feel when you realize you are truly alone.

That kitchen clock would change day and month

but never really the precision of its emptiness

I learned it is better, to rely upon fantasy and avoidance

than the pinch and grope of society.

Often, a stranger would ask

why are you playing outside so late?

I would run away into the eclipsing shadows

behind the corrugated iron fences that separated

the good neighborhood from the skeletons

those bombed, bleached, bones of former homes

where a kid of twenty years ago had lain

watching paper airplanes cycle

above their head, clutching something with glass eyes

and faux fur, as I still did

funny, to find some comfort in the inanimate manufacture

of nature

my toys looked at me in the darkness and spoke

words of love, I needed to consume

their salty fur held

the cups of my early disenchantment

when teachers commented on my red eyes

I said; hay-fever and they believed me

because I wore a dragon tail

this was surely an adjusted child

with avid imagination

cantering alongside her friend

with the honey colored hair and long bare arms

absorbing sun like a shining fruit

I knew then how different I was

how quiet pain, how loud silence

my mother always looked so beautiful in

floral dresses with her trim ankles and long neck

I, the stranger behind her

admiring and shameful in her artlessness.

it was among the lost in forest, I claimed my place

when first love failed, when promises became

paper envelopes containing no letter

dishing out school diner and homework

leaving my scuffed shoes at the door

I climb

into the ivy

away from the party

a reflection I see of myself

gathering stillness like a blanket

she is fetching her best smile

for the emptiness of years

staring into emulous clouds, watching

for signs and miracles and unspent words

the sound of others laughter

rinsing through tall green shadows

like echoes of

someone else’s life

 

 

Its shining watch

Then make me a tree

that I may reach through earth

lengthening root

climb up, take form

gather again, that moment shook

from memory never

where moon was twice its natural size

reflected in your angry eyes

sitting in idling car

my sticky throated youth

your still punching vigor

movement then, as taught immemorial

of lovers who are not yet.

watchful of your thin wrist

flickering just before touch

warm air, window down

languid stroke of time

painting all these years hence

something you have

absented from, like unpicked fruit

in turning, strange and unfamiliar

I dial that feeling

quite often

not fantasy, no

something real

painted over

turned to shellac, too hard to prize

open again

I watch her in time

the girl I was

wondering at her thoughts

as I know them almost

unformed and loose

like her hair, thicker and tumbling than now

the auburn xylophone of her back

I could fall in love with

each of us again

the blush of your pomegranate lips

how your dark eyes soak up light

extinguish it black

no wonder, I say … no wonder

yet, would I be here now?

if I had not

beseeched night in stolen lament;

if it is meant …  let her call

fate or you obey, though months had passed

a moment, as electric as fire burns oxygen

like fingers on your neck portend soft doom

female silhouettes of trees sway in night breeze

would they have whispered?

no don’t do it, don’t go, turn back

heavy keys in light fabric, jingle like steps

wide open un-rehearsed land rushing past

silence and folded roosting birds, holding their breath

it wasn’t lust

it wasn’t yet love

something other

we were always

in between, time and sense

every song written about

when you leaned, close enough

fusion then, a kind of glory

unspoken of to this day

sealing our fate

like flightless coin

run over many times

shall silver

in tarmac, make

an echo of the very stars

blessing

its

shining

watch

Moonshine

(inspired by finding an old photograph of a fancy-dress party I attended at University that I hadn’t seen in years)

One of them is me

but which holds the key? Later perhaps we

shall know our fruiting journey through

maze of youth

and slow pull of stocking

for kind of touch best found

in satiny afternoon glow

outside I hear my dim-eyed neighbor

mowing lawns until he aches silver

because his wife has turned away

nobody touches him anymore with

the dreams of yesteryear

so we sprint toward each

invisible finish line

with emptiness in our hearts

filled with busy distraction

nothing lasting, nothing to

endure or sate cold claim

of climbing into bed

unwanted or alone

the feel of darkness, our shroud

from terrible disappointment

and then

then I had it all and didn’t know

standing on the precipice

we laughed at our indomitable

facility to thrive

not yet diseased

not yet rawboned with stretch marks

nipping their silver lines like unwanted lace

or sagging pieces shaking to no

good beat

not yet diminished on shallow waxen wheel

of male adoration

though for me this was never

a piece I wished to carve for myself

it was the love of a woman I craved

like first drink from fountain

on a hot day with no clouds in sight

languorously we exult

in

crocheted certainty, time will stand still

make for ourselves exceptions and grand entrance

the labor of hope so easy and lubricated

then

we’ll never be shaken off

like a dull wet thing

nor left to gather dust

as something once favored

we are surely, gleaming warm heads

of our own personal state

if I could have heard the warning

should I have been able

to listen?

likely not for

day is long and hour far

we take lovers for bread and jam

hate yet a curiosity

our parents live robust

we can yet still, the freedom to

go home

there are structures protecting

the hollow timber of our hearts

from these days what we can we learn?

as growing up and away

truth becomes stretched and gray

friends falling away

the bounty of never-never coming to claim

her inevitable duality

delight in youth, for contrast is cruel

all should have its value

but we are flippant with our boon

and when the cold night comes

we usher ourselves to greater darkness

in the strangeness of change

not able to see what is portent

nor later

the freedom

released from expectation

to unfold our wings

take flight

no more a shining thing

but something effervescent

and filled with

light

casting its thrall

as long ago, diving for pearls

we claimed the moon

Behind your eyes

DSJPQ56W0AEq2Dl.jpg largeWhen I stopped dancing full-time and entered delayed puberty

my breasts swelled like a lily in a pond

at first it was kinda cool getting attention from boys

then I hated how they jutted out and called ahead

like car headlights

slowly tracking, flashing, blinding

in those days of Flashdance and Fame

the three L’s; leggings, leg warmers, leotards

loving in the afternoon, running to studio

dancing with the smell of sex on my stomach

other girls ate salad and cardboard

threw up in the bathrooms

bound their breasts with cloth

I admired their long necks and sinewy thighs

the tightness of their waists and flat chests

my own puberty felt like something out of control

foreign and unwanted to me

I wanted the lean girl of childhood back

the one who climbed trees with one hand

hung upside down

eating apples

there was too much

attached to owning breasts and thighs

even his circle of me dimmed

looking at some of my friends

the ones with slimmer hips and shoulders

still in their girl-doll-bodies

I with my woman seeping out

became a thing of disgust, or so I thought

when I carried his child, my breasts grew even more

wetting the front of my nightshirt with wasteful milk

his eyes took in the sum of me and disgusted

he looked away

always preferring me hairless and skinny

like a girl not a woman

no make-up, wearing little thin things

someone he could control

so I had a sickness in myself

of warped images, desire and lost babies

starving myself beyond the pale

it wasn’t hard, I had little to lose

soon I ran for buses on the breath of feathers

circling my waist he’d say

you remind me of Audrey Hepburn

being tiny, I decided it had been a dream

no child, no loss, no lack of desire

he sexed me every night until sate

leaving bruises on my legs and arms like

vampire bites

but always turning his head away

like he was thinking of someone else

when he left me for that girl

who was dark-skinned and voluptuous and healthy

I realized being a little girl didn’t keep me safe at all

after that I never gave myself away

to people with eyes that looked straight through me

or hands that grabbed to own

a piece of me or what I possessed

though I had no idea what

that was

lying by myself in a small room

smoking hashish in the dark listening to

Tunnel of Love on repeat

I tried to turn my heart to glass

only my body wanted to be awoken from her slumber

a virginal boy, with no grace and long hair

filled my nights and my bed for a time

I taught him how

to roll the perfect joint

and study, where time ended and pleasure began

once he asked

why do you bind your breasts every morning?

they are beautiful

I turned from him

my skin burning with secrets

and did not ever reply

for who can disclose the litany of pain?

as it lies

like a sleeping child

behind your eyes?

Want & Ritual

Helmut-SPREAD-6FI grew up fetishizing

the nubile antonyms of beauty

Helmut Newton’s exploitation

penis behind camera stroking

sloe-eyed girls with tired mouths

smoking yellow papered Gauloises

nipples grazing peach crinoline

men’s eyes like dry stones, seeking squeezing

I grew up thinking

contortion and bondage was

an art form not

excuse for masochism

as unsupervised child, I’d look through

graphic design manuals

that inexplicably had vulvas and

perky breasts

to illustrate Pantone

it was after all

the seventies

what did I know? Except

women on beaches without tops

giving me francs for not spilling their dirty martini’s

Mon sucre d’orge, sois gentil, va me chercher mes cigarettes

always gentleman watching

the rise and fall of female throats

nicotine mouths, stained vermillion

long tan legs swept beneath chiffon

men taking them to hotel rooms

children

smoking the leftovers whilst adults

fucked behind closed doors

wondering

when I grow up

how can I lie beneath

a girl whose sweat glistens

like marzipan

and if she should

sip on me I think I’d scream

all my silver bracelets falling off

like metal flowers on hotel carpet

after all

life is a film

where we tie ourselves up

with want and ritual

Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

Fear for a child is very different to the adult and exactly the same the child inhabits another decade, in the past, another life before they knew they were who they become the child wets the bed because she misses her mother who is beautiful, ethereal, slender and absent the smell of her still lingers […]

via Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION