SMITTEN Review: For the love of women and reading — When Women Inspire

Recently I was gifted with an advance copy of the poetry anthology SMITTEN. I was intrigued upon hearing that all of the poems had one theme: the exploration of love between women. 46 more words

via SMITTEN Review: For the love of women and reading — When Women Inspire

Thank you so much to Christy Birmingham of http://www.whenwomeninspire.com for this incredible review of SMITTEN due out Fall, 2019. Please read the full review and consider following http://www.whenwomeninspire.com as it’s an incredible site and Christy is a remarkable woman.

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What kind of lesbian would I be if I were born today?

two women kissing while wrapped in rainbow flag
Photo by Karina Irias on Pexels.com

I see your pictures on social media

a part of me is envious

of your freedom

even though women many years before

either of us

had absolutely no freedom and only those

with enough money could consider taking

a woman as their lover

it is hard to imagine

each generation I suspect

forgets the sacrifices of the last

cannot envision a time when

it was illegal to love

my experience was never that awful

I had freedoms many women still do not possess

and I am grateful for that

but sometimes when I see your

youthful face and the grace with which you accept love

how natural and easy it feels

I recall how I began

hiding in dark bars, trying to fit in, failing

never one to play endless games of poker face

I didn’t fit in with my own kind then

but if I’d been you

born in the sun with your turquoise eyes like the Donovan song

I might have had on my arm

a whole host of dreams and not

dabbled in boys for a few futile and unhappy years or

felt I couldn’t have had children and let

my fear and my constraint decide for me

the future

you are the age my daughter might be

and I would like to think I’d have

done all you have done had I been born

in a time of greater acceptance where

women who love women can grow their hair

and not have to cling to stereotypes or subterfuge

carrying knots of shame and confusion

like blankets never stretched out and slept on

I would have gotten a tattoo and maybe

been less shy and apologetic

I remember at 18 that’s all I seemed to do

sorry to my family for not having turned out straight

sorry to my friends for being the odd one out

sorry to the gays on the march who thought

with my dresses and my long tresses I was a weekend

lesbian

if they only knew

what it took and what I sacrificed

maybe they understand now

but we’re all a little older and

you don’t recapture what you felt at 18

you remember it like a language

I spoke the language of trial and error

I suspect you speak the language of love

just a little freer

so forgive me if I envy you as you walk past me

hand in hand, laughing, the edges of your hair

hitting your waist

like a Summer tidal wave.

SMITTEN – This is What Love Looks Like – Poetry by women for women – an anthology of poetry published by Indie Blu(e) will be out OCTOBER 2019 and available through all good book sellers. Please consider following SMITTEN’s FB page at https://www.facebook.com/SMITTENwomen/

If you are interested in supporting this project in any way please contact me @ candicedaquin@gmail.com. All LGBTQ projects are a little more challenging to succeed and we want the 120_+ poets who have work in SMITTEN to be read by many! Indie Blu(e) and their submissions rules can be found at www.indieblu.net69885770_486778818770380_803119555336470528_n

Kristiana Reed’s pre-print review of SMITTEN

Thank you to the incredible Kristiana Reed for this advance review of SMITTEN, Indie Blu(e)’s latest poetry anthology which will be published this Fall. 

Candice Daquin and the editors at Indie Blu(e) Publishing have worked their magic once more in raising a powerful chorus of voices.

Daquin is a woman who has always sought to empower others from the first moment I became acquainted with her work and her nature. I also cannot think of a better person and writer to spearhead a body of work which celebrates love between two women. 

The writers and styles within this collection, which Daquin has woven seamlessly together, are varied – eclectic and powerful yet with the same, strong undercurrent coursing through every piece that this is what love looks like.

It is possible people will read the sub-heading of SMITTEN and assume this is an exclusive collection; only accessible if you are woman who loves or has loved a woman. But, what is truly wonderful is this isn’t true at all. Instead, SMITTEN holds and nurtures love poems to be read and enjoyed by anyone. After all, for centuries, we have consumed and enjoyed love poems written about women, by men. Why should the fact that the poet is a woman cause the response to be any different? 

‘Testimony’ by Carolyn Martin is one of the best examples of this. The nature of love and relationships does not suddenly change if it is not heterosexual; the essence of loving someone beyond belief even on the days they annoy you to distraction, remains. 

However, even though SMITTEN is not exclusive, it must be recognised as an anthology paving a new way for literature. All of the writers are female and all of the subject matter is female, lesbian, bisexual and more. Pieces such as ‘Lesbian’ by Avital Abraham and ‘Pulse’ by Melissa Fadul drive home why Daquin’s decision to create a collection like this is needed and welcomed. 

Too often we sideline LGBTQ+ work as a genre of its own, when it should be mainstream; literary works which are written by people to be enjoyed by people, no matter what their race, sexuality, gender and/or religion. 

Yet, until this happens, I applaud Daquin and Indie Blu(e) Publishing for brazenly making a stand. Until labels are but words and not identifiers, it is important that writers like those in this collection share their voices and stories, ever-lasting love and heartbreak, and their hopes and fears, to remind the literary world they will be heard, no matter what the response may be. 

Kristiana Reed August, 2019.

SMITTEN will be available this Fall via all good book sellers. For bulk orders, ARC copies or more information please contact Candice Daquin or Indie Blu(e) directly or go to the SMITTEN Facebook website

69885770_486778818770380_803119555336470528_n

 

Want & Ritual

Helmut-SPREAD-6FI grew up fetishizing

the nubile antonyms of beauty

Helmut Newton’s exploitation

penis behind camera stroking

sloe-eyed girls with tired mouths

smoking yellow papered Gauloises

nipples grazing peach crinoline

men’s eyes like dry stones, seeking squeezing

I grew up thinking

contortion and bondage was

an art form not

excuse for masochism

as unsupervised child, I’d look through

graphic design manuals

that inexplicably had vulvas and

perky breasts

to illustrate Pantone

it was after all

the seventies

what did I know? Except

women on beaches without tops

giving me francs for not spilling their dirty martini’s

Mon sucre d’orge, sois gentil, va me chercher mes cigarettes

always gentleman watching

the rise and fall of female throats

nicotine mouths, stained vermillion

long tan legs swept beneath chiffon

men taking them to hotel rooms

children

smoking the leftovers whilst adults

fucked behind closed doors

wondering

when I grow up

how can I lie beneath

a girl whose sweat glistens

like marzipan

and if she should

sip on me I think I’d scream

all my silver bracelets falling off

like metal flowers on hotel carpet

after all

life is a film

where we tie ourselves up

with want and ritual

debris of the unsaid

row-boat-painting-surrealism-woman-dreaming-row-boat-in-hair-beautiful-painting-art-row-boat-in-storm-paintingOnce

the storm

predicted and prepared for

still

blew away the thatch of your house

sent water pouring like words with lament

and whilst

i was sickening

i thought I heard you row

across the expanse of us

holding your roof as umbrella

your feet bare and needy

opened my cabinet of questions

gave you a draft of why?

to which you descended beneath brackish waters

places submerged in lost question

claiming to surface

a moment where you spun in orange pekoe light

sitting stroking Gato before he

tested his claws on a tree the buyers tore down years hence

i climbed that tree in my high heels

you took a photo aping for the camera

and one fixing your sink in mini skirt

that’s my girl you said

we bathed because then you had a bath and I had heated arms to wrap you whole

the ocean of the past drawing in and receding

with it, debris of unsaid and unchained

time behind and unrecoverable

Once

i told you I was sick and couldn’t swim

you held me above waves with your will

till you decided I weighed too heavy

on the stitch of your skin to keep

we both

and neither of us

strangers and familiar

deciding and without decision

lost that year to the storm

as it set its pulse on our sundial and drank all hope in its spiraling eye

(there are many forms of love, you chose certainty over depth)

and once

i took a raft made of need and dragged the silty water

searching for what was lost

of us

who we were and were not

for you told fate you never knew me after all

an error of thinking … no more

then the storm left and all we knew was flat and broken

even trees we climbed were crushed like sad-faced dolls

as if an avalanche had glossed over the details

leaving behind a shiny surface and no more beneath

but dull reflection

Evermore

Do you feel me touching you through time?

Gentle the light shines on worn wooden board

Where you dance unseen

Yet I have always been, closer for holding in my heart, your motion

Through the filament of hours, our bond unbreakable

You … as long as you breathe and afterward too

Shall ever feel me standing, holding you up

Not the string pulling you to act

I am instead, arms supporting your effort

To Slough off the grief and find surity in one heart

In this ransacked world we call ours, you are home

You are the northern star

You burn behind my eyelids when they are shut

You tattoo your pigment into mine

We are woven together throughout time

When I reach, you leap, light as startled spring deer

Joining beneath the shade of night, mixed into each other’s color

I know nothing of being without you

For all of myself began

The day I saw you turn

And smile with knowing

You

Who is dearest

Shall never long for nurture or companion

I am the locket around your neck

I sleep in your dreams guarding yet

Any that may hurt you, let them try

For you are

My celestial bride

No distance or passing shall thwart

Energy recognized, even in death

Behind you I shall evermore walk

Safe ascent

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This unspoiled place

holds a silence and a sound both

in the careen of wild bird, dove-tailing against light

swish tailed-fox, caught in glimpsing treeline, scar of russet

your wool pulled and caught like thoughts on wire

I felt you inside, like mercury, descending to places I’d locked

tight against battering fists and claim

how did you learn the maze and possess

parts of me I had yet to give permission?

though all of us are like the wool, caught and fluttering

against a world of happen-chance and calamity

it is only perhaps, in those untethered moments

love, unexplained by all things

captures in unguarded step

drowning tightly held belief

we are our own master

and in this yield

in your arms and the void calling overhead

a vast sky holds swell of rain

just long enough

for our safe ascent