Last call to Submit Writing and/or Art for “We Will Not Be Silenced” Anthology

Midnight, Monday 15^th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard!

Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

• Submission of previously published pieces is acceptable if you still own the rights to your work.
• Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
• Using a pen name or publishing anonymously is acceptable.
• All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.

 

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Time Sensitive Call For Submissions: “We Will Not Be Silenced”

Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

• Submission of previously published pieces is acceptable if you still own the rights to your work.
• Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
• Using a pen name or publishing anonymously is acceptable.

All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Please re-blog and get the word out.

The song of rape

It took one finger to break into her

one finger to make her feel violated and dirty

two to make her scream

the boys laughed afterward mockingly

why you so upset girl? we didn’t deflower you

you should thank us bitch

or maybe we should just do what we came here to do

they pinned her down, her tights stretched between her legs

like her fractured hymen

she saw the beginning of tears and inside felt

the raw and hurt center cry out

don’t come back don’t ever come back

they were only eleven years old

lying on the floor in the outside toilets

staring at the stars hardly there because of all the smog

her lungs filled with hurt

they were her friends

until they became rabid dogs

she didn’t know what switched the switch or why

they felt she was there to poke and prod

they were too small and she was too small and everything about it

was premature

which meant

waiting until it happened again

she wasn’t a victim but some things reoccur

as if on some awful cycle

sometimes she’d shudder thinking about

their little hard cocks

trying to pry their way in

the way it felt to be hurt like that

with unwashed fingers scrabbling and opening

the parts of her nobody should

she could visualize the cement beneath her

the smell of urinals and their unwashed genitals

if they had known enough to put them in her mouth

they would have

thankful for small mercies she knew

kids these days wouldn’t be so innocent

they see porn before they know how to spell

pornography

what ideas they must get and how

many bad things go on behind closed doors

or even ones held shut by little boys

seeking to immitate older brothers

she would have impaled them with

her rage if she wasn’t so ashamed

so she said absolutely nothing to anyone

least of all the teachers who would have

called her a slut who asked for it

even at eleven years old.

***

When she reached fourteen

the Golem returned

held her down, muffled her mouth

stuck it in like a needle threading through skin

her scream pierced every limb

and nobody heard

nobody wondered why

she wasn’t home for dinner

her plate was left in the fridge

she was emptied of the last piece

of her soul

left gasping where her privacy had been

legs spread and men hustling in

one after the other took their turn

after all wasn’t it a party? Make it count!

her face closed off and remote like she was dead

some of them were small and bony

their penises hardly large enough to feel

between the soreness and the swelling

others bore into her like a metalic truck

thrusting her back onto her thin tail bone

hands around her neck

fingers pinching her nipples and breasts

they filled her with a disgusting smell

she was never going to be whole again

or clean

and when it was over, it had just begun

face after face, cock after cock

a tape on repeat of her worst nightmare

they came, they came and they went

the only evidence there staining the bed

and her rubbery legs unable to flee

tied and sodomized like a string of beads

she flew out of her crumpled body

a bird of wing and feather only

she saw someone she almost recognized

torn and ribboned and splayed

a garish doll, a parody, a destroyed shape

someone she was no longer

as she lifted, higher and higher, beyond that point

no pain anymore just the thick blush of shame

hidden in plumage

she felt nothing but

a choking word on her tongue

WRONG

WRONG

WRONG

her child’s form

her hardly grown self

the silence of nothing

then it did not matter

what time she wasn’t coming home

all the world was quiet now

movement had stilled

the door was shut

nobody knocked

nobody unbuttoned their pants

and sank to their knees

lifting her up for one more final

free fuck

as if she were no more than a hole

not a human

not a worthy soul

immitation the greatest form of flattery

is not

she was cold now to the touch

her spirit somewhere in the stars

it took one finger to break into her

and a record set on repeat playing

over and over until it scratched

and could not play

anymore

the song of rape.

For all the survivors whose voices are quashed.

With life

She is nude

Dearticulate

Her nipples graze the passage of her downfall

Blood is dry and hennaed between her thighs

Who stand witness

To aborted possibility cut short

Held glistening above her in crucifixed parody

She will never bear life

It is not her weft and the thick choker around her neck

Tightens as reminder

If she grows swollen it will be from loss not gain

No feeling of a child pushing its way out

Only the deadening cold taste of metal on her skin

A doctor’s “tut, tut” and rough handling, his voice a graze

Staining her inevitable socially affixed shame

She stares out of a small window

Paint pealing like tears on the empty sill

Where a bird sits sheltering from rain

She thinks of him cutting his way into her with flint eyes

Hands around her throat, pulling her apart

A flashlight douses darkness, shining on blood and her hand

Reaching out

She is empty now

Passion snuffed, an ember no longer close to surface

She is an arroyo dried and crusted over

She is a gourd grown without seed

Disappointment is her meal, she is a featherless bird on wire

Dried empty by sun and rinsed of music

Before this, her watermelon body swayed in water-sprinklers

Feasting on her abundance and possibility

All that would be, all that would be

Is laid waste

Tumbleweed and Joshua tree

Punishment and consequence

The rapist will return at night to his wife and

Three blonde children

She will recover from her tears and cuts

Even the shame of feeling his soil enveloping her

But she will never

Never

Forget what he took in miscarried act

What would happen if we swapped vision?

The fridgidity of growth or a certain constraint

Because if you split my casing I would possess less chance

My surround would envelop your shadows and night cross twice

For women have a shorter life and a longer one

Small boned with narrow shoulders and deep set eyes

Stretching barren like a long road through desert

If she could turn the knife around

Press it gently against his steady pulse

Cut out the evil as he removed her chance

To fill her arms

With life

How many women does it take?

It was raining the day the movers truck pulled up

piling furniture into the back, exposed to wet streets

everything dirty and unfamiliar

when you take your safety out of its box

when you unlatch your secrets

and expose the insides of a locket

sticky mouths seek to further that exposure

until nothing of your peace remains

but the belly of your secrets on display

as if you were sitting in class without underwear

as if the abuse etched in your soul were a t-shirt

as if his fingers weren’t in the dark but had been

dipped in luminescent paint and everywhere they went

left their grimy imprint / yet you think

this horror may have been the very best thing

as wretched as exposure may taste

at least it wouldn’t be a case of disbelief

how many women does it take?

for one person to not hesitate

how many must say;

he did this / that happened / we are not okay

because of this / why do I have to prove / with gore

and soiled soul / the truth / why isn’t it sufficient that I say

why why why

did he lay a hand on me?

how many women does it take?

a juror in the Bill Cosby case disclosed the reason for his guilty verdict;

I believed he was guilty because he said he had drugged girls

hearing it from the horses mouth got my vote

are we bidding on a horse? Did you check the inside of his mouth?

what of the SIXTY women who spoke?

their voices do not warrant proof?

were people just speaking words?

to deaf sign posts stating;

move on / get over it / don’t make a fuss / why should we believe you?

one person has lied before / you must be lying / that’s our automatic default

what hope then

for one girl?

one single soul

violated in the dark

of a house when all is moved out

and she is left inside a shell, within a shell

the echoes of trucks taking memories

somewhere else

how many women does it take?

to be heard.

I said no and you said yes

I said no and you said yes

The first time was before I can remember

adults do not have dominion over children’s souls

but that’s what happens when you touch a child and cause her to be unwhole

the second time was in nursery school so I suppose your foray of my body had begun

as I emulated what was done

in the back of a toy caravan with my pretend boyfriend and he liked it a lot

made me feel dirty though, I did not know what that meant at the time

seeded a doubt in the core of my person, like a rod of copper slowly turning green

the third time I lay face down on a dirty carpet and three boys played marbles across my back

they got the idea from a porno mag their father hadn’t hidden very well

and their kid sister watched from the doorway, and I told her with my eyes, go to your room or you will be next

I said no and you said yes

it became as normal as something bad can be, I wanted to see her, so I had to cross the gauntlet and you were the gatekeeper

nobody believes you when it is easier to disbelieve and go on thinking respectable people don’t lie

you taught me to hate games shows as they were our background noise

and grandma would come in laughing and I’d see the guilt in her eyes

sacrifice the daughter, sacrifice the child, sweep the dirt underneath the bruises of generations

at nine I fell in love for the first time with a boy who wiggled above me but he of all, respected my desire to be unmolested and we hung upside down from the monkey puzzle tree holding hands

I said no and you said yes

James Brown was your name like the singer, and you didn’t take no for an answer

you climbed my bunk bed and pulled down your pants and if the door bell hadn’t rung you would have got your way

I wonder who came after me and if they were saved by the bell?

I said no and you said yes

yes yes yes you know you want this

no no no I really don’t

but you asked for it, you tempted me, you flirted, you caused me to have a hard-on, this is YOUR FAULT

I kissed a boy in the garages outside school and it felt dirty and wrong because it reminded me of what others had done

before I made decisions of my own

I said no and you said yes

I felt guilty about touching myself because of the Jahovah witnesses and the Mormons and the teacher who stapled my confession together and said we won’t talk of it

when I tried to tell her, this is what happened to me

and you didn’t feel guilty about playing yatzee and karatee on your father’s bed with the nylon sheets and the little bobbles they made when you made a tent and put your fingers in

and you didn’t feel badly when you lied and said you would only touch and instead you went too far and before I knew you were pinning me against a table

I said no and you said yes

children who are violated don’t always know what’s best for them

they are broken and they are scattered and they are stomped on and they hate how they look when the light is on

but they want to fit in and they want to be normal and sometimes in trying they get it all wrong

the neighbor told my parents; your little girl is using bad words and teaching my boys how to curse

and I said fucking hell what does it matter?

but it did, it mattered a lot, to stay in the confine of childhood and not grow up

because growing up meant it was real and you had to deal with it and whilst you were a child

nobody believed it could happen anyway so you could pretend it did not

I said no and you said yes

yes yes yes I know you want to

no no no I really don’t

and my second boyfriend said he wouldn’t go too far

but he did and he did and he did

and I ran through the streets holding myself up and I shouted to the trees that had fallen because of the high wind

why do people pretend? because I didn’t understand and it was a language impenetrable

but I was not … impenetrable

I was just a place of conquer

I wanted to find a lock and keep myself closed

but they kept battering down the door one after the other

because patterns are sometimes all we have to show

for the cycle of abuse

I said no and you said yes

the last time was in a public street

dragged off and soon the roads diminished and the woods were thick

he moved like a silver fish cutting his way into my secrets

I lay staring at the knife

he told me, I won’t cut you if you are nice

I was very, very nice

no no no

yes yes yes

the policeman said; I have to ask, it’s my job, did you want to have sex with this homeless man?

and I pulled up my torn skirt and my ripped hose and my shredded blouse and my dismembered bra and my bloody underwear and I said

if you can even ask that question

you will not recognize justice if it comes

no no no

I said no and you said yes

the last time and the first time and all the rest

when children become girls, become women, become less

than the worth that is owed them

yes yes yes !

Expansion

Gaining weight used to feel

dangerous

body parts blowing up, smothering familiarity

she wanted to be in control of everything and nothing could be controlled

so she took what she could instead …

her own flimsy pounds of flesh

the shrinking and expanding of time

denial and suppression, weezing like old men

enraptured by ballet dancer who starves herself to death

if she ignored her bodies longing to transform, she stayed small

and boys could circle her waist and say; you haven’t changed a bit! She could believe the lie and retrace time

could still be a slip of a girl, wearing her old clothes from when she was free of the demands of adulthood and blood, blood that did not rinse clear even when scrubbed

and this she did, for far too long, for fear of else

for what more was she? Not a mother, not since hurtling down the stairs, pushed by love, she saw her baby break into knots of placenta and gore

now not sure of whom she had become, in absenting herself it was easier, to dwell in the old shell and not

expand

comfort in knowing one’s exact circumfrance

and how it would feel to place a hand upon her flesh

a control without anything behind it, empty strawman, left without match to kindle, burn and diminish

she stayed the same whilst the rest of the world changed

grew wider, grew taller, grew inside and out

she was a fascimile of her damp past

it wasn’t until a sickening reduced her to almost empty

where she rattled and she clacked and she was hollow cheeked and pigeon chested

then her heart flickered on and off and she knew

the danger of staying still, was too great

she ate, though the taste was gone and appetite nil

outgrowing her own well known shape, she became something new

it was a frightening feeling to find what she would be

now that she had turned the corner and let the adult in

would she be like her mother with tiny little legs and arms?

or more of her father’s broad shoulders and freckled stomach

she was nobodies lover and nobodies mother

it hurt to cut herself out of the place she’d been so long, though long stale

and try to break out on her own, one unfamiliar piece at a time

in the bath she would gaze at her new body

bearing the marks of where she had visited

the underworld and the center of the sun

burning and drowning simultaneously

Her chest resembled the teets of a tiger, her thighs wide and strong

Readied to climb mountains, burst dams, forge expectancy

nothing else seemed important least of all

if she fitted into or fitted out of

the places she used to belong

this was a new version

she was going to gain more

than mere pounds and stone

she was going to quit starving to remain familiar

and learn the value of expansion

One hand

At fifteen a lewd boy, only 5’5 asked;

Will you pose for me with your legs spread?

She hadn’t shaved in three days, the stubble rubbed the backs of her calf where she pressed against enamel bath

A maelstrom in her eyes instead of pupils

He said; good, good, excellent, just like that … ba-aby

Now … Open them

And she remembered the first time she unfurled

Like those Chinese paper flowers that grow in water

A warm rose bud disturbed by prying fingers

She recalled the way unwanted thumb pealed her exposed

A fruit chewed on before ripening

The sting afterwards

Like she’d dried out all her moisture and hung like a salted fish to be slapped and dismissed

If she gave this boy, with sweat on his lip instead of hair, his hand down his pants yanking something terrible, a rolling storm, tattooing bruised landscape

His way would become her path

What would be next?

Can you scissor yourself over my friend and lower down like a stray bullet?

We’ll make money and you’ll have value

I’ll take care of you, afterward you can pretend it didn’t happen

We’ll smoke away the taste and I’ll move inside you until you release

Regret

It’s easier to prostitute yourself when nobody has your back and you didn’t learn how

To save yourself, to feel your worth

The sabotage within, so achingly familiar

If I do it’ll be like every other time I ruined myself over nothing, you say

Feeling deserving of the pain, shame is a funny fellow, makes you quite attached

When you’re adrift and running on empty

Who knew how easy it was to ruin a child?

Set in place, steps of greater sabotage

She could feel their sticky fingers on her thighs

The voices murmuring, it’s what you deserve

Sickness in a learned desire to be debased

On her knees being ridden like a horse, the riders

Grabbing her innocence, one handful of hair at a time

Til she was all used up and another empty set of eyes

Waiting for the next fix

She saw herself at thirty, dying in an empty room

And the boy who encouraged her now, high on himself and the vigor of youth

Didn’t know how easy it would be for her to tumble down the rabbit hole, he only thought of

Getting his cock sucked and how he could brag if she’d pose for his fantasies

She wasn’t his, she didn’t want to be the next hole, willingly bent over

She wasn’t a plastic doll or his fist, she didn’t exist for him to spank himself off

Her image was sacrosanct, her body inviolate

Her legs weren’t going to open and be his willing whore

Just because she felt empty inside and his thin flattery pretended to assuage, all the pain and losses

That wasn’t her path

He didn’t get to see her center or hold her up for inspection

The fine line between loss and lost is not so fine

She stood up for herself for the first time and learned

What we do, matters, impacts us, stays like a cancer

Life already hard, she needed all the breaks she could get

It began with leaving and not looking back

At the boy holding a camera in one hand

You got out

(Part of a new series of poems about people whom I have met, who profoundly moved me).

They said

no it’s not a person, it’s a trash bag, or wad of clothing

as I turned the car around

knowing it was a girl, curled into herself

it was for her, the end of a long night

for me, an early morning drive

into rising sun

indigo girl

her limbs thin enough, to resemble twigs

hair colored black, face still-water of a child

she waved us off

no, no, no, I’m fine here

in the fetal position, on the cement

lying by the side of road exhaust

as predator number 10, idles his car and asks

do you want me to take you home

baby?

I press myself to the window glass

no, don’t get in the car!

he looks angry when she says

I’m just taking a nap, goodnight

his lust drives off, leaving fuel staining like road kill

I wonder

what he would have done if

all 90 pounds of her, in tiny shorts and torn top

had accepted his bearly, concealed hunger

how many predators comb

early morning side walks, hoping

to pick up lost girls?

she’s got sense and she also, doesn’t know

but I do

I was her once

crawling out of an abandoned warehouse

knife wounds, waltzing on my throat

cold semen in my belly

clawmarks designating, my survival

bearly

the car that stopped then

a light in darkness

they took me away, from near death

when so easily

I could have been picked up, a second time

a third,

by hands with bad intention

when you are fallen

people often crowd in, to help you

fall again

like wolves who smell

the coming of blood and

vulnerabilities, we think we hide

I told her

don’t get into a car with a lone man, or group of men

they may not show their fangs but

you are a little piece of goodness

sometimes people who prowl, want to hurt

that shining within you

we drove

she was looking out the window

with her unslept eyes and the residue of last night

still high on her pain

and for the first time in my life

I no longer felt a victim

but one of the imaginary horses, I used to ride

speeding away from slick, sales-man, cough

of curb-side prowler

I wanted to make her better

but sometimes you can only

patch and release

to maybe nothing safer than hope

with a few words

wishing, that when she’s sober

waking without assault

she remembers

you were her once

and you got out

 

Uninterrupted innocence

Pigeon-chested children with streaming noses

dive weightless into still water

breaking circles into smaller circles, rebounding against

sunlight

their laughter feels like a cold hand around my neck

as I imagine their futures

the girl with the black hair, she’ll be raped by her uncle

her mother will tell her, she is a dirty little liar

she will start taking pills at ten and graduate to heroin

when the school counselor asks her, where it all went wrong

she will think of the sunlight through trees

elm, willow, plain oak and cypress

the sound of her unmolested body, falling into water

as if baptized in reverse

the turn of her mother’s neck, in denial

her thick coral lips, mouthing betrayal

my brother would not do that

her own diminishing and the feeling

of wet, cold, bathing suit

sticking

cloying

admonishing

and she will not know, how to verbalize

that separation of self or why

it seemed permissible to sell her body for drugs

let men cut her up, into shards of her former wholeness

like fast food tastes bad

once it has been opened

she does not know, how it stopped mattering

if she protected, those broken walls within her

they were already torn down

that’s what she’d say, if she hadn’t

consumed her tongue and turned it hard

like a cliffs edge seems strong but crumbles

and the counselor, sighs and shakes her head

going home, only to wonder what more

she could do, to reach lost children

and the black-haired girl, gets her fix and slips

once more beneath glassy-eyed waves

this time, she can see herself

her blanched face, her loose fingers empty

letting go of all pain and slipping

like worry beads

deeper and deeper

and if I could, I would

walk backward in time

pluck her drenched and empty

fill her with sunlight and sound

reverberating like a crack in the world

opens and reveals a new passageway

she would come with me into the forest

her younger self remaining

jumping from the jetty with her friends

caught in elasticized moments

too free to escape the laughter

of uninterrupted innocence