Those sounds made in silence

In the flat hand of glass

Reflects an outside world

Cold Winter sun calls through curtains

patient window pane lover

trees lose last of their leaves

surrendering to unclothed nakedness with the bravery of a wedding night

disiduous remain full, evoking woody balsam and night spore

surviving knife’s turn in weather

holding heat and color in humbled defeat of season

much like humanity

some can bearly stand the ravage

others seem to make a game of it

sustaining themselves on pride of survivorship

not long ago

I was a tree who lost her green

standing frail and nude

cold uneven feet on linoleum

my insides dissected by machines and tubes

the absurdity of being in pain and still

apologising to the technician

for my exposure, those things I had not adequately prepared

for who shaves their legs to ride in an ambulance?

or waxes bikini line in preparation for colonoscopy?

more men in my cavities than my entire sex life

humor in the macabre on the edge of the world

as all is falling around, the condemned laugh

I think of people fucking in hospitals and

it strikes me as the sanest response

take a stranger’s hand, strike your name on the dance card

feel the strong beat of their heart even as

their valium eyes tell you other stories

we escaped just, but we escaped

touch me where I was piecemeal

finger my edges with your need to validate

desire swells when we don’t die of our maladies

to feel once more, the warm assurance of another

weighing us back to earth

80 pounds, 90, 100, we climb through mist

to gain entrance

I sat in the coffee tinged dayroom

the same sun, the same season, a year ago

what a difference a year makes

then I was as light weight as a dry leaf

last fat pealing off me like a hot coat

nurses, seeing my bones, were mothering to me

they did not know how much that meant

because I have honed the art

of never showing my true feelings

I could be smiling as I wept inside

and you would only remark, how bright your eyes

illuminate the darkness, my love, my love, my love

which is why I need to dance

it is the only time, I am myself

aside when sexing the cherry and that I cannot speak of

for I hardly recall, what it feels like to be held

only the sheer joy of remembering touch

a hand reaching through blizzard

the nurse brought me breakfast

sat me in the iron wrought chair

in a soft voice asked me to try to eat

her caring eyes were my feast

it had been so long since anyone saw me

crumbling beneath my layers, sickness

devouring will

the illness brought me out of my exile

heart thundering

where you had placed your sharp arrows

all of you, who used me for target practice

did you think I hadn’t noticed?

I’ve been your punching bag longer than memory

it’s hard not to fight back, but I stand alone either course taken

so I packed my bags and sailed away

just to stop hurting, the ribbons of life lines

each year grief-stricken like those fish you got

in Christmas crackers, good Jews we weren’t

that curled on your outstretched palm

one direction meant fickle love, the other,

who knew? I was always left-handed

wherever you go, there you are

still injured, the pain lingering like unrepentant stain

a dying man sat down, began telling me his life

he said I was beautiful, did I want a date?

both of us in our backless gowns, how absurd

parody of finer times, when you took me in your arms

spun me around, bit my neck, caressing the

pulse

soon enough, early snow fell, sun still shone

I told myself you were waiting for me, when I got out

but you had lost your mind, many years ago

you didn’t mean any of it, those years didn’t exist

they were flakes of water turned to ice

deceptively beautiful

afterward, I drove over the speed limit, windows down

just to remind myself I was alive

but alive for what? To fall and empty myself in therapies chair

to have so much to say and nothing to share?

secrets in their eyes, glittering there

like drops of Winter, another year passing

how our roles change and still hurting

a nurse put her hand on my shoulder

don’t give up, she bent her lips to my cheek

kissed me like my mother did

once, when I was a good child

feeling in my belly, the sickness and defile

of many months lost and found

where are you now? In the woods?

as the sun sets and night falls

ushering creatures from their lairs

I walk beneath the moon and think

of how I am alone, wherever I am

giving up the part of my heart

who always hoped

I feel I have been awake a year

tossing and turning, reaching for

your touch like a thirsting pilgrim

lost in nightshade

you were never

there

only the moon and those sounds

made in silence

as we live and we age and soon

we return to earth

what we take with us

the memories of

wanting you like

flame burns wood

to create brightness

even as they both lived

one must consume other

in this mad

world

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Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

Fear for a child is very different to the adult and exactly the same the child inhabits another decade, in the past, another life before they knew they were who they become the child wets the bed because she misses her mother who is beautiful, ethereal, slender and absent the smell of her still lingers […]

via Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

I wish I had never existed

The deepest cut

an-apple-rotten-on-the-inside

It doesn’t take much to knock a bruised fruit to the floor

watch it split apart like rotted glass, shards of damp skin in slow motion

try as I might, I AM that bruised fruit

try as I might, I cannot seem to recover myself back to where

once took for granted, the feeling of wellness

it doesn’t help when someone you loved abandons you

in the middle of your darkest hour

things like that aren’t supposed to happen

people who swear allegiance and loyalty aren’t meant to

be the ones leaving your side

such is the hour and fickle fan of illnesses devour

at least I know I’d never treat someone, that poorly

despite this and because of it, healing is slower

though I suspect anything less than fire would be

I didn’t know these things beforehand

the un-annointed do not possess future perspective

to see how illness strips your childish faith, cleaves you

bare and gasping

where family didn’t need to see me, even as I spent weeks in hospitals

it cut me to the quick, but it wasn’t the first or the last

maybe preparing the groundwork for your deepest cut

they say you get used to it in time

I never have

just as I never have truly understood the cruelty within some, who profess so hard to love

now, I am a changed person

I cannot make plans like I used to, thwarted by my body, haunted by ghosts

my illness is like a cobra, she stays quietly in the leaves

rearing up when I least expect or when I want most to escape

her possession of me, the way she knows how to tickle fear

with just enough venom until I am on my knees

I am sure some would say, this is therefore; psychosomatic

that it what they tell all women of hysterical turn

I saw in your eyes when I told the horror; your own disbelief

until doctors produced the proof, you still wondered

it became apparent to me, just like with sexual assault

being believed is paramount to recovery

alongside having faith in ourselves

I did not do a good job of the latter

finding myself more alone than when I started

and I thought I started pretty alone

I know I am a survivor and I was not destroyed

yet it feels like I was

when I look inside myself and find

so little left, a house without windows

it was only because of you, I kept trying

I told you that, I said, you were holding me up

when you let go

I fell to a place I did not know existed

I wanted to ask; Couldn’t you have just waited

long enough to see me through the worst?

but you wait for nothing except your own need

I had to find a way to stand even as everything crumbled around me

which is the biggest test I ever had and I failed it

I failed it again and again

walking through the lullaby of desiring to die for so many reasons

not least, the never-ending dance with sickness and pain

but somehow I did not die, I turned instead to stone

when people say I am strong now and ask; How did you get through it?

I don’t tell them; I am not through it

I still lurch and shake in the throes of unnamed demons and at night

I feel like an arythmic god has taken me and is spinning me

on high-speed like all my parts are made of jello

I want to ask that god; what is it you are trying to shake loose?

surely you know by now there is no more fruit left

not even the rotten kind

that fell and split and sunk into earth, a long, long time ago

it is only me remaining now; leafless, without sturdy branches

I cannot rely upon myself, I cannot rely upon promises

no longer a young, untouched tree with green shoots

I am damaged, broken and hobbled, by this specter and the unknown

as much as by those I knew and trusted

asking why to the imploring void; why are we stricken down?

to what do I owe my continuing? Even as it is, insubstantial

can they see in my eyes, when I pretend, I am trying not to gag?

my appetite spirited away by the scourge and never returned

I would die of hunger and not know it

were it not for some strange determination

I don’t know where that comes from

but as I stand, it must be a place within me

does not give up, as she did not, all those years ago when

the flames licked the top of my house and burned, everything I knew to cinder

I am not like the rest of the world; stronger for my poison

nor am I able to disguise my scars

if I were asked what recommended me; I could not answer

I would probably open my mouth and howl

because you can reinvent yourself, a million times it seems

I am just one incarnation, coming apart at badly mended edges

you, who are able to vault life in gentle sprint, must mock

I am after all, just a fallen fruit, lasting as long as she can

in imperfect, bruised skin

She told me, don’t worry about it

We’re sitting talking about how we know

You’re making me laugh at jokes, about Hannibal

How I only like Gillian, because she’s a bit like you

And I can’t tell anyone, including you

You reminded me how I knew, I was still alive

In the video of you dancing, uncaring and wild

That’s how I’m reminded why

I know beauty

How women

Are the possessors of

All that is beautiful

With your downcast eyes, the color of absinthe

Hair falling in your pale face, cut cheekbones and grace

The switch of your merciless, marching intelligence

The sorrow, the humor, the passion lines

How you make me laugh hysterically and blush

Pouting, pulling on your cigarette, getting me aroused and nervous

Without trying, you command all attention

Your wit is sharper than a sword

When you didn’t talk to me

It was like a blonde flower, turning her lights out

The night was darker

Still I heard

That song you made immortal

The sway of your slim hips and secret smile

And I’m speaking to you in a language, I outlawed

Because he dirtied it for me, forever

But you sound so lovely talking in the fog

I know I have to stand at a distance, or I’d reach out

Grab the concentration from your lovely brow

But to be in your blazing aura

The tiny, angry, intelligent, firey soul

You inhabit like no other

You were the girl who woke me up

I’d give anything to dance with you

To that exact song, in those same clothes

Your then blonde hair, a chaotic wisp

The crunched concentration on your francophone face

There’s classic and there’s disheveled-perfect and you’re both

I’d take your hand and say

Don’t worry, I know the rules

But for fucks sake we’ve both been here long enough

born the same year

You got the small chest I always wanted

And you said you liked my eyes

Same color green as yours

Not narcissism

But sisters

Lovers of

Pain and hard living

We only trust those like us

Who smoked and drank and have to show on our tired faces, the weariness of living

Where boundaries are never crossed

But fantasy is free and inked

And you like being adored

I am good at loving

Sad, happy, gorgeous girls, with crooked smiles

Who hold my attention with their spark

Catching in the darkness like a skinned rock, thrown out to sea

On Brighton beach

Where we’ll always be young and beautiful

Me chasing you in the cold sea

You disappearing into green waves

Not even ourselves

Why and when did people stop being interested?

as kids we would sit on benches and talk about our pain

there seemed then, such a mercy in the air

it hung like cobwebbed dew around us and

despite the hardships we bore, our friends were

our succor

Why and when did people stop being interested?

and grief was labeled an annoyance?

why does growing-up mean we no longer write

poems like this

do we no longer feel the same

or just hide it away?

and if it is hidden how does it stay so

with the swell and the surge and the blistering salt

I hear rain falling into a tin can somewhere

and briefly I remember eating out of cans in summer

my lips sticky with apricot

it was a luxury then and my grandmother carefully

spooned each peachy globule out and added ice-cream

I hated the taste of ice-cream and I loved

the feeling of lying high in a big tree smelling apple leaves

in those days

when tragedy struck

we children who are called resilient

had the hope or the armor of youth

and the cherish of our friends

I saw her running toward me across the fields separating our houses

her red hair and freckled face red with exertion

we ate stale cucumber sandwiches left over from her mother’s

garden party and she held my hand in her own

clammy seedy palm

as if I were a starfish

I told her of my disappointments and the ache in my chest

all those who had forsaken and gone their own way

with the wisdom of child she wrinkled up her eyes against the sun

told me what I needed to do was pretend I didn’t care a damn

because one day you’ll grow up and nobody will be able to hurt you

I held onto that advice like a piece of paper framed in my chest

but it wasn’t true it wasn’t true

and I wonder where she is now

if she has children

if she is the same kind of mother she was as a friend

if I could see her again I would say

thank you for giving me the hope to get to this point

maybe it wasn’t true, maybe adults fool themselves into

thinking they are not children with ageing hearts and

brittle bones

maybe being an adult is harder than any childhood

because you don’t have afterwards to dream of

and the future as yet unsummoned

with all your magic and all your wistfulness

seen through the eyes of someone not old enough

to know the reality

I would tell her don’t tell your children the truth

let them dream as we did just a bit more

where I can still hear my grandmother knocking over pots

as she makes an apple pie and the smell

of summer is all about us in a haze

and your red hair makes mine look blonde

and your freckles tan your legs whilst mine remain blue

and your hand in mine is the first hand of friendship

I would thank you for running when I called

because nobody has run since and I suspect

adults have ways of doing things

us children never quite understand

I’m thinking if I could choose a side

I’d go through time and clasp your wrist and run

into the high grass fields out the back and where

nobody would find us

not even ourselves

years from now

Last call to Submit Writing and/or Art for “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard!

Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.