Like this:

Bed springs digging, grappling metal fingers

Gouging in iron shreak

His weight a slender man of unfastening belt buckles

More metal

My skin, when velvet is brushed the wrong direction

No longer feels smooth

Disturbed

Yellow dishes, the smell of cheap heaters chuffing their exhaust

He is covering the air in kerosene

A tang of Chinese takeout, disguarded in the corner

Where potted plants and molding curtain tips go to die

Light doesn’t get in

His eyes eat hope as day is vanquished

A shadow crawling in my DNA

If I had grown fat with his child

I’d have cut it out with my own teeth

Her shape in the darkness is a star

Piercing my gloom

Streetlights flirt with fog outside

Stray dogs without homes howl

She says; I am the future, hold on

To this place ahead

Waiting for you to catch up

It may take twenty years or one

Slothing his stink off you with each Advent

Till he’s a puppet left in the cupboard of fear

Limp and collecting dust

Give it no power

Over you

And the twilight of your journey

Lain before you like molten lava

The pulse of something surging from within the earth

He turns, metal in his false smile, as you run out the room

Cold bathrooms with mildewed flannel towels damp in sympathy

His limp face and erect impotence, shared with shadows

He cannot catch you, this kerosene man, he is all char and ash

Whilst you, you have been reminded why you want to live

Barefoot, you run, you run until you cannot feel the hard ground beneath you.

Advertisement

You got out

(Part of a new series of poems about people whom I have met, who profoundly moved me).

They said

no it’s not a person, it’s a trash bag, or wad of clothing

as I turned the car around

knowing it was a girl, curled into herself

it was for her, the end of a long night

for me, an early morning drive

into rising sun

indigo girl

her limbs thin enough, to resemble twigs

hair colored black, face still-water of a child

she waved us off

no, no, no, I’m fine here

in the fetal position, on the cement

lying by the side of road exhaust

as predator number 10, idles his car and asks

do you want me to take you home

baby?

I press myself to the window glass

no, don’t get in the car!

he looks angry when she says

I’m just taking a nap, goodnight

his lust drives off, leaving fuel staining like road kill

I wonder

what he would have done if

all 90 pounds of her, in tiny shorts and torn top

had accepted his bearly, concealed hunger

how many predators comb

early morning side walks, hoping

to pick up lost girls?

she’s got sense and she also, doesn’t know

but I do

I was her once

crawling out of an abandoned warehouse

knife wounds, waltzing on my throat

cold semen in my belly

clawmarks designating, my survival

bearly

the car that stopped then

a light in darkness

they took me away, from near death

when so easily

I could have been picked up, a second time

a third,

by hands with bad intention

when you are fallen

people often crowd in, to help you

fall again

like wolves who smell

the coming of blood and

vulnerabilities, we think we hide

I told her

don’t get into a car with a lone man, or group of men

they may not show their fangs but

you are a little piece of goodness

sometimes people who prowl, want to hurt

that shining within you

we drove

she was looking out the window

with her unslept eyes and the residue of last night

still high on her pain

and for the first time in my life

I no longer felt a victim

but one of the imaginary horses, I used to ride

speeding away from slick, sales-man, cough

of curb-side prowler

I wanted to make her better

but sometimes you can only

patch and release

to maybe nothing safer than hope

with a few words

wishing, that when she’s sober

waking without assault

she remembers

you were her once

and you got out

 

Uninterrupted innocence

Pigeon-chested children with streaming noses

dive weightless into still water

breaking circles into smaller circles, rebounding against

sunlight

their laughter feels like a cold hand around my neck

as I imagine their futures

the girl with the black hair, she’ll be raped by her uncle

her mother will tell her, she is a dirty little liar

she will start taking pills at ten and graduate to heroin

when the school counselor asks her, where it all went wrong

she will think of the sunlight through trees

elm, willow, plain oak and cypress

the sound of her unmolested body, falling into water

as if baptized in reverse

the turn of her mother’s neck, in denial

her thick coral lips, mouthing betrayal

my brother would not do that

her own diminishing and the feeling

of wet, cold, bathing suit

sticking

cloying

admonishing

and she will not know, how to verbalize

that separation of self or why

it seemed permissible to sell her body for drugs

let men cut her up, into shards of her former wholeness

like fast food tastes bad

once it has been opened

she does not know, how it stopped mattering

if she protected, those broken walls within her

they were already torn down

that’s what she’d say, if she hadn’t

consumed her tongue and turned it hard

like a cliffs edge seems strong but crumbles

and the counselor, sighs and shakes her head

going home, only to wonder what more

she could do, to reach lost children

and the black-haired girl, gets her fix and slips

once more beneath glassy-eyed waves

this time, she can see herself

her blanched face, her loose fingers empty

letting go of all pain and slipping

like worry beads

deeper and deeper

and if I could, I would

walk backward in time

pluck her drenched and empty

fill her with sunlight and sound

reverberating like a crack in the world

opens and reveals a new passageway

she would come with me into the forest

her younger self remaining

jumping from the jetty with her friends

caught in elasticized moments

too free to escape the laughter

of uninterrupted innocence

The waves

All the trees looked away

on raw knees

shingle and sand castles

wet newspaper of old stories

yellow fag butts, half empty cider cans

containing sweet succor

one last piece of chocolate give the child

before she loses herself

her best toy clean from wash

smelling of home and tulips

sea makes ghosts of us

running brine like hot semen

searching fruitless loins

kicking against tin cans

bricks do not prize apart

one wet wall from another

we clamor against ageing need

spill the first glass

pour the benediction

here we leave our umbilical chords for advent

what came to be in deserted fair grounds

gold paint flaking against scarlet mouths

wooden horses rolling their eyes

softly dancing on platforms with scratched song

walk out as far as the pier takes you

he watches from his metal bed

strung with his spot lit horror

thin muscles tight with longing

hips like razors privately digging into

your flailing conception

it’s the price

bed sheets left to rinse out your scream

don’t cut your hair don’t spare your wrists

his was a sharp entry into your sleep

run on water-logged deadened feet

past the chip shop hording its quiet fat

where veiled women stare at first light

breaking over cracked lips the train

crying past in low throated whistle

down damp cobbled steps emptied of market

into space without endings or slow buttons

the sea is white with fury

her mouth mounts your need

swallowing the bitter salt of ragged release

beneath stains we see the outline

here lay the girl who caught a bus

carrying her clean underwear like a flag

climbed into her part as a glove

here she is pinched by her starvation

horror painting her eyes purple

ebbing on tide with scissored legs fighting

their eventual knot a violin played in fire

she opened her flute to high ceilings

reedy sound echoing off salvaged walls

fast fury unzipping protest

be a good child bow your head

stay still when flame chews

stroke the boy who demands

fist around your throat starving

paper ghosts fall into obedient rows

feel the rush of angels in her touch

he said I hope you give decent head

I’ve been waiting to break your alabaster

like new buildings devour old

never knew what stood before

leaving thin pockets full of stones

better swim with indigo weeds

hair imprinting shadows on hot breath

goodbye is hello

you learned hard on scalding youth

taking a straw from a tall glass

sucking it dry

my child is the color of clouds

meeting at the point of horizon

where storms gather to make glass

he indented himself like a tattoo

when she climbed out she could not feel

where he pricked her empty sadness

leaving a colander of spilt torch-light

pent-up boys with dusty souls

touching warm radiators, hanging

apologies on skinny shoulders

sounding against sagging mattresses

one two-three is all it took

a sharp knife cutting the choir

freedom twists at a price

he rose like the swell, filling her

the first time you never forget

they whispered behind sticky fingers

girl pull down your hems

cover your spindle chest

close your legs to the roar

hear the waves

hear the waves overtake you