The magic fairground

I scratch my head, the mixture of henna and indigo dyeing my

finger nails black

thinking of the red pill and the blue

Alice and her little vial

Drink Me

Pandora’s Box

Athena’s head exploding, a rebuttal to Zeus

yellowing wallpaper closing women’s mouths

Radcliffe shouts in her lesbian manifest

those following her down the well of loneliness

high waisted and limber of spine.

I want to nibble upon you morning, noon and night

but I do what is right and keep my fantasies in check

behind the lines of notepads and in the ink of pens

I suck till my tongue turns blue-black

your lips remind me of a pomegranate even without rouge

they look edible, lush, full like an excuse never to apologize

we are girls of violet, our pin in the concentration camps was

a pink V

last night I watched When Hitler Stole White Rabbit

at the Jewish Film Festival, chewed the inside of my mouth

in frustration at the abhorrence of others

when I was a child I did not have a pink rabbit

you left your hair brush and your rose water and your

tattered lace-edged simple night gown

I don’t think you ever wore one again, in the 1970s

nude was in vogue

women coming and going

from my father’s room

with dimpled bottoms and breasts like Claire Bretécher 

I learned my likings on photography books, under the section

‘erotica’ and other arts, believing archly

pornography an expression, when now, thinking back

they had such sorrowful eyes

like deer who stare into

the lights of an oncoming truck

is it bravery or hypnosis? Perhaps

it is fatalism, the French, myself

moving to countries who do not condone

indolence, expecting different results

when escape has no good set of keys

just jangles from your pocket like a taunt.

It’s not cute when you’re over thirty, to

long for the purple balloon in the supermarket

or lie, cat-like on the carpet and me-ow when your lover

is mad

it is not seemly, to be childish when you have

your first crows-feet, or need a push-up bra

unless you leave your glasses to the side

dive in, deep and thick

the molasses of not giving a fuck

where 80 year olds, excel and laugh

like they did at eight without front teeth

much the same, much the same.

The magic fairground, everyone remembers names,

I recall songs and colors of girls eyes

how they look sleeping, with their hands flung

like emotions above their heads, bent at the wrist

bangles on the floor, hidden beneath cascading sheets

elegance in angles, the way eyebrows furrow

in thought, how that line shapes over time into

a question mark, the parchment of skin, in

darkness, tracing braille, for the day none of us

will see, more than the outline of certainty.

You said: “Maybe you won’t love me when my

breasts sag, when I stop working out and the

lines of years begin to encroach. Don’t you like my

firm arms, they do not hang like bats, my mother’s did

I am mortally afraid of skin that hisses when you look

at it.”

Perhaps men had done this to you, torn down

your childhood gauze, made you feel the need to

apologize for things to come. I have read

Dreams Of Young Girls, I know how the photographer

can project a fantasy upon a real girl, even

when she is young, begin to pick her apart

as she unfurls like a Christmas amaryllis, not

caring the pickpockets of their distain

leave her in rags. Or maybe it was another

woman and her cruelty or her hatred? Tight

in an ill-fitting jar, straining to propagate.

“After all, you are so perfect,” you said,

smiling at my narrow hips (like a boy)

my unmarked skin (sun-screen)

the thickness of my hair (good shampoo)

how taut my calves look in leggings (optical illusion)

girls with girls tend to compare

it is not always favorable

though we find in our mixing bowl of humility

a little easement

the tasty wick of joy

burning low into auburn night

going over

those fears

with soft fingertips

and gentle reproaching …

Oh softening

Motioning

Nightfall

In whisper find blessed felicity

A body untouched, lain emptied of worth

brought to life, my Lazarus, spinning moon beneath our chins

rounding music fluting her velvet want to stay beautiful physically

for you to hold your breath as you touch, yes I understand

and still, beauty retains a deeper chord

dancing on raw feet to Erik Sate, trying to impress.

No, love, no, age is wine

spreading in the roof of your oval mouth

each place it has visited will transport you back, among the

grapes, tanned beneath reliable sun till just ripe, rolling in barrels

aged over centuries, buried with

secrets, the taste of fruit and toil, lustily on its wood

roots reaching deeply into history, for every year lived

another branch uncoils, the leaves, a brilliant green, bearing fruit

then flowers, finally sheltering, those beneath

such is a woman, such as you are

lying in my arms, the sweat of sleep, hot on your neck

cheeks pushed against my shoulder blades

causing you to look like you are pursing your lips

in effort to dream

finding ways always

to hold you closer,

closer

closer

closer.

We weep with everything but tears

photo of woman wearing nude one piece swimsuit
Photo by Jo Kassis on Pexels.com

Go in good faith

down that charred road

where holy mist

cusps day in feathered glove

the porcelain eyes of hills pay obedience to mauve cloud

trees taller than sound break through

smudges of dream wave in memoriam,  shuttering day

and O

je ne sais pas aimer sans toi. Je ne sais pas comment me passer de toi.

We speak in furled tongues our inner most thoughts

leaving confessionals on mossy rocks and the lay of light rain

full with sleep, the direction lost in tug of war with blackening ice

they slip beneath against hush of snow

covering our tracks with blanched fingers of ice.

We weep with everything but tears.

 

Encroachment

You saw your disintegration

In the shrouded reflection of a store window

Already losing custom

And for years prior

Women adjusted hose and children’s grubby faces wiped

In that smeared glass

It held

Decades

Like high cheekbones

Will shore up time in a beautiful face

I saw my eyes fail me

In the encroachment

Of some uninvited color

As if the sun

Greedy for attention

Had left a permanent marker
The doctor

With his accentless voice

And starched finger tips

Probing my retina

For answers like a tarot card reader

Will shuffle and cut her deck

Declared me blemished

Stained by time

Imperfect

Possibly going blind, wrapped in news print

And I laughed

The same laugh my grandma had

When terrible news was delivered

Along with cold dishes and

Empty seats where once our ancestors sat

Filling the roost of our quaking bones

Marking time and Advent

She would raise a thin lipped glass

Of “this n’ that”

To Gods and Monsters

To Plato, Communism and Woody Allen (before we knew we was a paedophile)

There should be a preface to every memory

She said; toasting velvetine shadows

Swilling away the horror

Like a rinsed mouth will always be

More kissable

And come New Year’s Eve

We’ll forget our enemies and join shoulders

Kicking our long legs into space to the chime of twelve

Not yet knowing

What will become if those flung into the future

To forge ahead alone

Unsupported in ancestry

Just the sound of voices

A snatch of tune

The smell of half finished dinner, paused forks suspended in song

Stewing pears over cheap white wine

Her hands red like mine

From scrubbing too hard

That blemish

It won’t come out

So it sinks

Orange streaks of sunlight beneath green orbit

And a stranger in a bar once remarked;

You have gorgeous eyes like they came from the depth of sea

All green and lost

And I think of loss

A stray button, a missed appointment

Maybe I won’t return

To the doctor who found my stigmata

Bleeding like a fish cut on rocks

Into the very bones of earth

See? I don’t anymore, my eyes look inward

In the old days we toasted with pink cut glass

It was all anyone could afford

And I remind my American friends of this

Poverty after the war

A tendency to never feel

Safe

Like city foxes

Scour

Empty streets

For scraps

And squint

At the harsh glare of street lamps

Attracting insects

Bleached yellow

By the piercing quality

Of their intent

Goodbye for now

In the New Year I am going to do something drastic. I’m going to close all my social media down and take the majority of my books/work offline/out of bookstores. The work that will remain is what I’m most proud of; SMITTEN This Is What Love Looks Like (an anthology, 2019), We Will Not Be Silenced (one of 4 editors/contributors, 2018) and Pinch the Lock (Finishing Line Press, 2016).

When I began, I really believed I could contribute something valuable to the world through the medium of writing. I saw many other people trying but I did not know how many and since 2015 I have seen that there is a glut of people all self-publishing, indie publishing, small press publishing, all with the same ‘dream’ of being a legit writer. Mostly wasting hours on social media futilely. I realize 99.9 percent will never be. The only ones who can do it are those on disability, who get a cheque without needing to work, or supported by husband/wife/family or you’re a retiree. If you DO have to work for a living then it’s rare you can put in enough work to even get to the indie publishing stage.

There are exceptions. One of my real friends whom I did meet on social media works full time and is one of the hardest workers I know. She will succeed I have no doubt about it. She goes home from a hard days work and produces consistently some of the best work I’ve read online. People like her are rare. They are one in a million. Others have the talent to do it but it will depend upon if they have the time to make it happen (you know who you are) but the vast majority have neither the talent, nor the ability to make it happen.

When I began writing I thought I was a pretty good writer. When you read some of the stuff online it’s easy to see why I thought that, a lot of it is really poor quality. On the other hand you need to be either absolutely brilliant or someone who is in the know, to get a really big publisher. I am neither absolutely brilliant nor ever going to be someone who is in the know/networked up to the hilt. Even those who everyone talks about as having a ‘good publisher’ actually don’t. They just secretly vanity press pay or exaggerate how much they actually earn. To earn a living wage as a writer unless you are an editor, it’s the 1 percent of the 1 percent.

I don’t want to be an editor. It’s a thankless job and underpaid. I have qualifications and I am going to use those and return to my previous career, hard as it is, it can earn me what I will need to take care of myself in the future. Maybe no job will be different, maybe I will always be taken for granted and used but I want to do it on my own terms. I have always supported myself from the age of 18 and I always will until I cannot any longer. I have never had any help.

Lastly, most of you don’t know but I was recently diagnosed with a very serious eye-condition that means I am losing my sight. I realize I have to adjust NOW rather than when it is completely gone. I doubt I will still want to live if I go completely blind and I have decided if that day comes I will elect for euthanasia as I am not someone who wishes to live as a completely blind person. Especially as I have no family who will care for me. However, if that day doesn’t come or it gives me 20 more years, (which is unlikely) I still need to change my life to ensure my eyes do not worsen.

As some of you know I had battled a serious illness in 2017 which radically changed my life. It was caused by a virus and I am still sick with it but I have learned to live with it and am high functioning despite it not having completely gone. I believe it will one day completely go but it is a long painful battle. I thought that was enough to deal with but in addition to this my mother told me she no longer wanted me in her life ever again. She and I have had our ups and downs but naively I thought as she aged we would get closer. I have always loved her very much even though she was not in my life that much. When she told me this during my illness, effectively kicking me when I was down, it was the last straw. She knew she’d hurt me as badly as she could ever hope for. She succeeded. To protect myself I accepted what she said and have tried to get on with my life knowing she will not be part of it. It has hardened me and I am bitter about it but I will never be as cruel to someone else as that. I will never succumb to cruelty to deal with my own pain.

On a positive note, I am stronger for all of this. But having the eye sight issue on TOP of all of the above, was just too much. I do have it in me to change my life. I have decided to once more change my life. I am not going to carry around the rejection, fear and grief of her hate of me or anything else, anymore. When I began my blog/writing in 2015 I felt it was a chance to try my hand at writing. I don’t regret doing that but I see now realistically I have to move on.

If you know me, truly know me, and have my number and my address and we talk, then I am bound to call you real friend and will keep in touch. When you get sick you realize who your friends are and it is a good clarity. For those of you I call friends thank you for your friendship and I hope we keep in touch. We may not as we may no longer have anything in common but I wish you all much success.

SMITTEN will be my last personal project in the publishing world for the foreseeable future, although I have also been involved in YOU DON’T LOOK SICK and hope Indie Blu(e) recognizes me for that when it is published next year. SMITTEN is a wonderful ending to this chapter in my life. It is a testimony to the talent of women when they come together. Just because we are minorities doesn’t mean we support each other and lift each other up. I hope projects like SMITTEN help future women do JUST THAT because THAT is what is needed. We need to be good to one another! To support one another!

I want to personally thank the following whom I have met on WP for their loyalty, friendship, goodness and inspiration. I think you are incredible human beings; Mark. Eric. Derrick. Bob. Crystal. Erik. Jane. Karen. Raili, Rita. Susi. Anthony. Laurie, Tony. Nicole. Tara. Helena. Philip. Sarah. Tremaine & Monique. Thank you to Christine and Kindra for letting me work for Indie Blu(e) I really hope all the work I did helped and you succeed. Rita.

RIP Natalie Scarberry you are loved.

Thank you to anyone who read anything of mine. I appreciate you. I wish you only the best.

Candice Louisa Daquin

Her own thirsty heart

photo of two women
Photo by Mahrael Boutros on Pexels.com

But I am divided. In a way that is hard to shape into words.

For women who love women are often the rarest night birds.

Theirs is a love that does not come easily and for this reason, it takes a great deal to stay

Sure and certain on the rainbow path.

Sometimes I understand my bisexual sisters, who having had their love affair with the curves and softness of a woman

Return to their husbands in droves or pick out that wedding dress and let the man

carry them over the threshold.

For a woman to be loved by a woman may feel natural but many times it is a struggle

we have no rule book, we may both want to have the other carry us or hold us when

fear besets

and men are so good at being heroes

and women are taught to be saved and rescued.

I understand then, the desire for a woman and the longing for less strife

where if you have children it is sometimes impossible to find a way to describe

why you leave daddy for a second mommy and how

fractures in emotions are not easily translated for young minds.

Had I children, who is to say I would have been brave enough? Equally it is part why

I never did.

My sacrifice came because I saw no other way

for it was never as it felt in the arms of someone of the same gender

and in that I am unusual and possibly 1 or 2 percent of the entire world

though it will seem more during Gay Pride and other events

where everyone holds a rainbow and joins in.

Only the days when we are not celebrating, we may be struggling

to fit in with even each other, strange as we may be, these women who

in various guise and costume

fall in love with other women.

I don’t get on well I admit, with those who believe the only true lesbian

is one who shaves her head and dons mens clothes.

It is not that I cannot see their point, or how many years before

it may have been the only choice

but I did not fight this hard to dress as a man and love a woman

who is also dressed as a man.

I would rather pick a full cheeked feminine boy with long hair

and pretend he had nothing between his legs than sell out my own idea

that love of a woman is as feminine as it gets

and we shall share each others’ dresses.

Our history has been unkind and as such, we do not trust very easily

if at all and when we do, we are liable to judge or leave out and exclude many of our tribe

just as women have done for millennia in their pursuit of men

hated other women for existing and challenging that thin mesh of safety.

It saddens me then, to be ostracized when I walk into a gay bar

and do not fit in, or feel judged by my sisters whom I want to

take into my arms and feel less lonely by.

This is but one aspect of the kalidoscope of being the L in the LGBTQ and

few of your G’s and B’s and T’s and Q’s will rush to your defense

we are co-opted in a group who really knows little of the other

for we are as disparate and different as it gets and often we walk

alone, despite our legal rights and our social acceptance (some of the time).

Alone because we cannot befriend a straight woman for she may

wonder if we would fall in love with her (and quite possibly might)

nor a gay woman for her girlfriend will begrudge us, nor a gay man

as they have often hated women and especially those who forsake

men, there is nothing in common there, and straight men will

try to tell us we just need a good f**king and we’ll soon change our

ways so who is left?  In the great wide world to be close to and share?

Those fears and our desires, the very stories of our lives

for whom 98 percent of the world cares not, they have their

1.5 children and ideas of normalcy and we don’t fit well enough.

Sometimes, how much I want to tell someone

of the love I have for a woman and the stillness of night

when we move together and how I catch my breath as

she turns like a thimble in my hands, silver against moonlight.

So quiet instead we are, often falling in love and unable

to share this or speak of it, for it is forbidden. No one will

listen, or be interested, they do not understand our strange ways.

Still in this day and this time we are shadows within

light and light within shadows picking our way through

mostly eaten strawberry fields, dreaming of a girl

who may like ourselves be wandering, looking for

a girl like herself who has only ever wanted to be

held tightly and hear the slow beat of a girls heart feel

the rise and fall of her soft breasts and know

she is where she belongs and needed every bit

as much as her own thirsty heart longs

in the early hours and late at night like the lonely

wolf who by himself will climb to highest point

in futile search of another’s call.

Preparation for our dissolution (3)

1_max_494Down the drain

Watch. Watch carefully. See. See clearly

The comforting sound of water retreating in circles

I used to say that water turned to milk

I used to think when cream mixed with transparency

Pearls swirled and ebbed like fire flies in dark.

Kept warm beneath tiny radiators stuck on walls like beige moths

Glowing against a 40 watt bulb

Don’t open the window it’s stuck, it’s stuck on being underground

We breathe in soot, we turn ebony in our effort to

Rise.

She couldn’t lift the baby carriage, in those days it weighed

More than she did and the stairs, sticky with linoleum were

Narrow like her little arms attempting to heft us toward

Light.

We mired in dark. We stayed still as stalagmite in caves

Children’s books. Detective novels. Smite the key in the lock

Green plants fitfully reaching. Reaching. Reaching

Your arm is never long enough.

Recall the smell of boar hair brush. Of Clinique blue bottles

Is it magic? How does it glow? Mouthwatering

How they had a misted outside, I ran my finger down and traced outlines

Someone in NYC designed this shape. The shape of places far and lettered.

She had wool, it got wet washing her hair, the edges frayed

It smelt like grandma’s farm with damp goat fur at 5am

Nobody had anything then. We opened our hands to emptiness

Paper lotus. Needle. Oh Lord. Darn a way out.

Everything is so different now. I did not learn how

To cooperate

How to join. How to thrive. What if you are

Born only of coal?

The heavy weight of circular plates laid over paving stones

A funeral of sorts, bury the mother, bury any off-spring

Only blood. Only letters after names. Knights and paupers

The history of war. Victors write. The rest rot beneath daisies.

She grew insufficiently, facing away from sun

Her skin parchment, knees knocked

The pain in her. Oh the pain in her! No words.

She closes her eyes. Turquoise like the stones found in New Mexico

When she was told that, she said; Yes I will buy a ticket

Board the plane, swallow the dream, take the red pill or

The blue.

It was so savage. The quiet. The silence.

When she left there was nothing but the brush and the bottles

Gathering dust, follicles left spinning in air

Are some of those skin cells, still her?

Reconstruct

Is it any wonder she knows best, people of vacillation

And change? She knows the feeling exactly when told one thing

Tomorrow another truth hangs primly in

Your narrow closet.

Her ear lobes are detached, she read once in a woman’s magazine

Attached ear lobes are a sign of beauty

She has larger knee caps than her shins

The skin barely covers her climb

Trees of white, pearl, honey, comb, hair brush, blue

Bottles.

They didn’t fix the streets they remain

On fire

And they ate coal in preparation

For their dissolution

“Il y a dans le coeur humain une génération perpétuelle de passions, en sorte que la ruine de l’une est presque toujours l’établissement d’une autre.” Rochefoucauld.

 

Pleasure dome

I’m 24

Funny shaped tap drips without end,
birds no longer sing in this city

I tell myself, I cannot survive much longer

If my view is a saffron robed Pakistani man, hawking up phlegm at 8am, into his dying rhododendron

Despair like me, at these four walls and dirty pipes protruding from beneath singleton sink

Who ever made sinks this size? Sometimes you throw up in them. Other nights you heft your hiney and pee long and shameful

The golden shower of malcontent. I don’t like to share bathrooms with strangers or friends

Poverty and her gifts, laying each day another absence, a reminder, you are in the meat grinder of the city, she waxes her legs on your sharp disappointment

As a kid you thought you’d wrangle diamonds from street corners, the fizz and pop of bright lights luring you to the center, like a Christmas nectarine

Is always spoilt.

In the petting evening, wet lipped men come to the spindly girl upstairs

She has thin shoulders and jagged hips, her eyes are always transparent and high on pyramid crystals

These men grind their dirt into her pretend cries of ecstasy and she gets crisp and filthy notes left on her childhood dresser afterward

I fantasize about asking her, if it has to be men she admits into her sanctum

But I’ve never paid for it and I don’t want to step in their cooling semen

If she knocked on my door and offered a damson breast I may

Break that rule and risk, even in the AIDS era, even as a feminist, even if I can’t afford the powder, her hungry nostrils crave

Just to feel the rub of her emaciated hips and hard thighs against my parched skin

I’d fucking inject it if I could, to take away the feeling of savage loneliness in the big city

That sick feeling, you’re stuck, among landlords and low paying jobs, even at 24

Massaging an ancient electric meter with dirty coins, for a little light showing more dirt

The temptation to let it fade out and lie, door open, legs open, coins in your mouth until blood freezes in your veins.

Come in and pay for me then, what am I worth? What can you fill me with, I haven’t already drunk?

Strange people’s scarfs on universal banisters, the smudge of sex in screwed up foil and old bus tickets

Lift up my hips, ram it in, pay your due, switch poison for love and love for death, welcome to the pleasure dome.

The man in 4b puts his hands down his granddaughters dress but the abuse hotline just rings and rings and rings

There’s a gypsy in 5a, cries for his lost lover til dawn. There’s a 13 year old boy who turns tricks in the street, who asks for bus money and new socks

The flashing lights of the strip club opposite are flamenco pink and penetrate through my squalid curtains, wailing their synthetic dreams

How far will you travel to see the sky again? To touch sand and sea and gulp with fevered breath, the pollen of forgotten worlds, lost in your lust for noise

I think of the Pakistani man and his phlegm, growing flowers from spit

As the Eastern eyed girl sells her small fruit for a ransom and a cry

Breasts like pinches, thin ribs beneath wool, taut ride of her skirt showing little pursed mouths of bruises

Her feet are always bare andlacquered, mine are unwashed and leave imprints of desire outside her door in ring-a-rosies

She wears her tips without a bra, nipples hurting in their push, smoking cheap cigarettes before light, smell of burnt coffee and sex on her chewed neon fingernails

They pay her to keep them hard, I beg her to stay soft

The city is a searching arbor of need and want and ingratitude

At 3am people wander the street for drugs and pain and death in little sealed packets

She leans in the doorway, exhaustion a shroud, touching her bottom lip with a haloed question

I open my mouth and let her in.

To her, and all the men she brings, to 24 years and not a minute more, to the nialism and thready vibrant flowers growing from scorn

Her body is a violated temple, a bingo hall, an arcade game, with multiple slots for change

Her mouth tastes like ashtrays and night clubs and old men, skinny throat a pin cushion of bite marks

I make her sing

As light wakes the rest of the world, all the lost birds hear her call

The Pakistani man admires his flowers and thinks

How beautiful this little piece of color is, here in this metropolis where all are brushed beneath concrete

I brush my hands across her small deflated breasts

Seeing sunlight find its way in between crowded houses filled with sore tenants

Touch her violet tinged skin in patterns, warming her before she awakes.

I’m 24 and she’s 22 and an entire life time, of fag butts and misery, washed down on lines of coke and old men groping for their last fuck

Later on I’ll take her to the coffee shop with the little bell above the door, and we’ll clasp hands beneath the sticky table cloth

Blue rinse ladies in the adjacent seat will remark, on our bright eyes and shining hair

As if we too were born

From the cracks of despair

By one who feels

8d5642a56ebcf2178de5ab61d9c73a75

for indifference is the sharpest

knife of the set

worse than anger which requires some care

and love that turns on her heel constantly

like a feathered Cuban girl in 1930s Havana

smiling, til her cheeks ache with sheer

marvelous spectacle

it’s been some years since I danced for you

from shadows to light and back again

fooling myself into beauty, rendering

moments stamped in both our minds

for the joy of the unbound

my feet hennaed like an Indian wedding bride

your fingers possessed of music and silver rings

we wove our limbs together as plaited bread

baked in the glory of that unbroken hour

before ochre sun’s urgent assent and chime

of other people began lowing in impatient light

there is something about darkness I have always

felt contained magic and even if others do not see

I taste it on my tongue

I run my hands along

its quiet shining surface

much like a lake swallowing

a stone when thrown

with all the violence known

by one who feels

everything

First & last

s-l1600

“Everybody’s talkin bout it
Only the echoes of their mind                                                                                                           I’m going where the sun keeps shining. Through the pouring rain”                                               Nilsson (from the incredible film, Midnight Cowboy)

 

The ghosts

in blue mountain mist

when early morning

without mask of sleep

hiking the trail

moss, lichen, turning with seasons

from brown to red

snails leave their silver lines

bugs shed wings and legs

all becomes humus and is recycled

air remains still, days elongated

the stone in the field

is in the memories of many

who use it as their gravitation

where they first kissed, sitting atop the world

thinking themselves the only ones

when it is the stone, smooth with wear

coarse with textures varied

who gives them their fantasies

pearlescent when wet, like the moon

nestled in long grass

its reflection held against sky

I hear birds waking

crying to an unforgiving bird god

their beaked woes and delights

and the worm waits for false patter

to rise and be consumed

a ritual, as anything

the dust of ceremony, rising and falling

jewels encrusted in boulders

black earth laying deep and gaping

as open-mouthed children

stare at bewitching cloud formation

and wish to inherit the future

as their parents

dream of retracing

the lowing

of their former lots

The ghosts

in blue mountain mist

when early morning

without mask of sleep

I feel your absence like

blunt knife run along my spine

in the fallow chapbook of my heart

quivering her spent arrows

as I strain my neck in search

of ways to forget

the goats and sheep remain

black and white finger paint against

yellowed grass coarse as raw silk

a sharp outline of grief blurs

the edges of what I see

where you have all

gone

your lives full

and mine empty with echo

I think if I can ever reach the feeling

maybe I’ll join you

where it glitters and preens

like a girl catching herself

in shining mirror of

first times

Its shining watch

Then make me a tree

that I may reach through earth

lengthening root

climb up, take form

gather again, that moment shook

from memory never

where moon was twice its natural size

reflected in your angry eyes

sitting in idling car

my sticky throated youth

your still punching vigor

movement then, as taught immemorial

of lovers who are not yet.

watchful of your thin wrist

flickering just before touch

warm air, window down

languid stroke of time

painting all these years hence

something you have

absented from, like unpicked fruit

in turning, strange and unfamiliar

I dial that feeling

quite often

not fantasy, no

something real

painted over

turned to shellac, too hard to prize

open again

I watch her in time

the girl I was

wondering at her thoughts

as I know them almost

unformed and loose

like her hair, thicker and tumbling than now

the auburn xylophone of her back

I could fall in love with

each of us again

the blush of your pomegranate lips

how your dark eyes soak up light

extinguish it black

no wonder, I say … no wonder

yet, would I be here now?

if I had not

beseeched night in stolen lament;

if it is meant …  let her call

fate or you obey, though months had passed

a moment, as electric as fire burns oxygen

like fingers on your neck portend soft doom

female silhouettes of trees sway in night breeze

would they have whispered?

no don’t do it, don’t go, turn back

heavy keys in light fabric, jingle like steps

wide open un-rehearsed land rushing past

silence and folded roosting birds, holding their breath

it wasn’t lust

it wasn’t yet love

something other

we were always

in between, time and sense

every song written about

when you leaned, close enough

fusion then, a kind of glory

unspoken of to this day

sealing our fate

like flightless coin

run over many times

shall silver

in tarmac, make

an echo of the very stars

blessing

its

shining

watch