Telephonic

tim-burton-bakerRing, Ring, Ring,

Except it’s 2017 your phone is set on silent you do not own an answering machine

from the nineties, accidentally recording overheard conversations

little tape cassettes, the mechanics listening, catch you shouting

the message goes ‘don’t leave a message’ followed by alliteration

doe ray me fa la tee

people dial-in, listen, to cacophony

whose house is this? what party line? her voice can you hear

it’s someone singing in the background

taping over

you quote the silence with your abstract

lying like a fallen star on the kilim rug

the cat nudges your head he knows you are not dead

would that you could warm yourself up like leftovers

swallow whole emptiness, banish that gut of bile

back then I recorded myself, how stupid it seems now, a voice in the comforter

what did I impart? love makes us opaque, lust even more so

you used to play my voice backward and say

that sounds like Bob in Twin Peaks

Fire walk with me would look good in ink

before tattoos were mainstream, we had no money for luxury

our pockets calcified and taut turned inside out like jagged tongues

of want and want not

in the smothering green light of your bedroom

I hid the places I didn’t want you to go

pre-wax, pre-tan, prematurely ejaculate

don’t call me I won’t answer my phone

Ring, Ring, Ring,

what chime, what sound, what soundtrack

do you carry?

mine is set on mute

if you asked to speak to me I could not

form sound

would you really want to hear my truth?

every step forward chalk on my shoes

hop skip jump throw the stone

leave a message after the bleep

after the fall

I’m leaving myself a message

get up now

get out of this house

climb from the windows if you must

do it fast before you grow into a place

you cannot claw your way through

nobody knows that neighbor, the mother of four

lies prone from 9am to 3pm whilst her kids

drink milk out of small glass bottles

in her bare feet and unwashed hair

garish scarlet lipstick sliced on limp wrists

how deftly you can cover your crimes with dry shampoo and

a dusting of perfume

wiping your mouth on the back of your horror

nobody knows how long you lived

not breathing

counting pills on the convex of your emptiness

and if they came

hauled you away, locked you in a padded room

filled your arm with urinal liquid, your mouth stuffed with ‘medicine’

you’d soon find an open door, fling yourself

glorious from fifth floor like a Rorschach crow

not all are made for asylum-life

feral animals cannot endure cages

the fax machine of the past, showed us our shadow

interpreting our malady as Jung

prophesied in his hunting vest

Ring, Ring, Ring,

Schroeder and Skinner take bets

packing tape wound round their vivisection

no-one is home please leave a brief message and we’ll

lose your distinctiveness in the rollerdex

you gave me yours in a wet crumpled ball

call ME! Blondie sung

in a snug t-shirt with her head larger than her body

this year I noticed my finger tips desiccating

despite warm temperature and heirloom seeds

the doctor said

this is the first sign of albinism

drink the days to your unnatural end

of your shrinking bones witherment

breasts diminishing like deflated ardor

bellies sag,  lost balloons caught in oaks

and what stood proud wilts

like tulips left too long in burned afternoon sun

Ring, Ring, Ring,

I am not a girl in ballet shoes

my feet are wrinkled and cracked like a beggar

who has walked too long for his supper

I do not want to eat the fat of the land

or the dish served cold

warmed with your insincere scold

for my weakness is abundant and I

lose moisture like a white fish licking brail

dries on Greek dock where you can if you squint

almost make out the shoreline of Italy

watching boats take others far and yonder

leaving crusts of their sandwiches for birds

the fish only seeks to return

to the deep still of ocean

(what would I say if)

my doppelgänger pushed me aside and ran to answer your insistence

hello it’s awfully good to hear from you, how am I? well …

I’m fair to middling for someone with a dagger in her back

depends on your definition of

walking underwater with undertow heavy beneath feet

cue the camera, take a shot, bang, bang!

the roaming dogs pee against your leg

on the shallow side of consciousness drift in and out

my pipe is smoky and hot with chastised resin

fingers dirty, the refuge of digging for my soul

you don’t want to hear that though … do you?

no question mark intended

I know your breed your pedigree your label

just as I gnawed mine apart

wove the strands into a length of yarn

tied it around my neck and vaulted

because I am the black dog we all avoid

who shakes her wet coat over dry make-believe

the echo behind the broken cup

one piece beneath furniture, the other

still containing a leached circumstance of water

we do not sup, you and I who have sober fists

I tried, I really tried, then the day went on without me

clocks winding themselves

girls pulling up their underwear in some basement flat

overlooking a river

men taking a piss in bushes, usually reserved for perverts

watching women jog in tight shorts, bounce, bounce, bounce

Ring, Ring, Ring,

is anybody there? What do you say?

are you home? Are you sleeping?

no and no

anything but the shape of arms

making circles against bare wall

here is my crucifixion

behold

words we never tell

are pigment

and egg yolk

and torn hose

 

From the outside who would know?

Manon_1Born unhealthy

never bruised

from the outside who would know?

the script runs, ticker tape without parade

bleeds over page

paper makers who grind words flat

pinch their rabbinical noses and laugh

huffing ink turning to night’s best epitaph

words words words

what if no language were taught?

gesticulating without benefit of lamp

deaf to injury, blind to plight

what if I shut you in a box and told you

start over, be something else

when your cocoon matured and sticky with life you reemerged

what would you choose?

if not language then

how to describe the pounding of our skinned hearts

pummeled by trespassing probiscus

or fear or loss or something beyond vowel and verse

such as it is

greatest emotion has only, a mark within person

no color no lines no regular interpretation

I put your citrus fingers on my shoulder

stay the curve, feel the hurt and rhubarb joy

rising and falling collapsing bestowing

levitated notions buried and choking

no accent no ethnicity we come from no place

we are no one

in a world sucking through graceless cherry straw

the fervor of acquisition and absurdity

our stage unheated flat and spartan

we learn no lines no mantra, no soliloquy

the actor stands and reveals himself

without pretense, wig and powder

shining underneath a hot summer pulse

blue raven turns his glassy eye

in shuttered shift of crimson cloud

toward cloth moon and catches hare’s quiet

spring

into infinitum and beyond boundary

speak to me

speak to me

speak to me

use what you have within

 

 

Legacy

landscape detailsmTurning

touches the stubbornness in some people

depression lifted

how long for?

time enough to notice once more the flush of warm blood and brief vigor as if disturbed from dying we galvanize under rushing water

how the chime of life can bewitch even the leaden hearted with its churlish promise

I would chase with first sound of bird call

dirty my feet in sprint of dawn to watch the thickets light up golden like fairy crowns

feel within a burning longing to forever breathe deeply like a thousand drums

to run then

nay, to hurtle

from weather-vein legacy

Ecstasy denied

tumblr_llxw06ogqm1qzn4kzo1_1280Here’s a moment of a girls’ life

it flickers, it flickers like a skirt, caught on a black railing, rented, torn, pried apart, and released, to flap, uselessly and without form

she’s lost her purse, her lipsticks rolled behind the bus and she didn’t put on her hose just right

the seams you see, they’re supposed to line up at the back where her heel hits the smooth patent of her shoe like how the girls in WW2 did it except they used eye-brown pencils because silk was needed for parachutes, oh and who can afford the cost of the worm?

that’s the way it should have turned out, fixing her seams, walking in with a kick and a smile, wooing her audience, beguile them, beguile them and they shall fall helplessly

exercise in futility, that’s not her, she doesn’t do performance art, that’s the image of her projected by those who believe, with her lips, and her green eyes, she’s kryptonite, such a bad bet, she’s a lame horse who prefers the stable, all those shrines to her potential, before she drank too much anxious about oh, more or less, everything in the world

and drinking they say, even in France now, is not du rigor but ruled out, if you wish to avoid your one out of eight women gets breast cancer statistic, what the hell? How to survive without sipping it down? Letting fermentation do its ritual on her guts, lifting her back into the gilded frame

she wished she were a boy, boys can still drink, boys don’t wear hose, they don’t have to worry as much if their armpits stink and they won’t have another boy tell them that their breasts sag when they rise up and clasp the void

if she were a boy she’d want to be a pretty boy the kind that other boys would probably hit on, with a large top lip and gleaming hair, because pretty gets you candy and she has a sweet tooth

if she were a pretty boy she’d try out fucking a girl just to know what it felt like

to be a version of herself with other body parts

would the girl look at her with frightened eyes, hooded and suspicious like a Russian doll, daub her sides with ancient gild, would she open her legs only because she wanted what you held back, in your frayed pocket, tightly wrapped, here it is, take a mouthful, bitter taste, will we live longer in our knowledge? The apple glows in the darkness from its position alone hanging from the lower branch of knowledge.

when she wakes up in the night and holds her singed hair back, hugging porcelain throne vomiting what she’s learned time and time again just doesn’t stay down

couldn’t she purchase another way of coping?

apparently pills have their own set of demons

she learns the art of the mask and strips for the doctor who takes his swab. It’s a painless test he lies, grimacing as he breaks her bones and pries denial apart, you won’t feel a thing

and then everything turned blue and the water didn’t stop running down the sink in the wrong direction and the clocks lost their hands and rolled into glue sticking to the inside of her emptiness, where no life was, sharing its wasteland

on E she danced until the fat at the top of her clavicle, that little jiggle you get when you drink lots of milk as a child and push your little breasts together, grew and people said well … don’t you have a fine pair on you?

not really she’d think if you could see how long it takes to get this look, all the tape in the world, and they’re still not really sticking

a bit like her, unhinged at one corner, asking; peal me back see what’s underneath

her own preference was for girls with skinny chests and protruding nipples she felt they were saying fuck you to every kind of lame expectation, their knife-like hip-bones, shaving her under the sheets like the incisors on wolves, the anger glowing in their eye, a Cheshire cat with blade

but she was too soft for that hard look and wore instead the conicular implements of torture Madonna had cast off

looking back it was fucking embarrassing

when did she learn authenticity? On the way home from the hospital when it rained and the dried blood on her legs, wound down her legs like a cat’s tail and smeared the grass beneath? she saw only mouths open, trying to speak, what do they want to say?

authenticity died between her legs and grew cold in formaldehyde and the rubbing of fingers itching for a cigarette

walking the streets homeless, holing up in an office during night hours, smelling the feet of those who worked there during the day kicking their shoes off

stains on the office sofa that never came off

when he would deliver her bag of drugs and she paid him with herself because she had nothing else

how much would that equate per kilo?

quite a good bargain all things considered, it was like he said, she made him act that way by the tilt of her head

I’m only tilting my neck to get a better view of the strippers on Wardour street she’d say standing at the window, neon blinking in and out, in and out, little panties not yet showing their wear and tear, don’t worry they soon will undo their pretty dark pink bows

he told her you have the smallest waist you look like a french dancer in a Toulouse Lautrec painting

I am a french dancer she would reply and smoke a Sobranie to the gold rim to make the point

gimme a break, you don’t even like Ricard Pastis and those cigarettes are Russian

you’ve got a point there, Pernod is vile, mix me something chopped up, cut it fine, I want to hear music, open your eyes, open your fucking eyes so I can hear

I like the taste of aniseed

I hate it, it reminds me of my grandfather’s fingers and that imported saddle soap he used, when I looked into his throat he had coals burning there, they could extinguish your heart just by breathing on you

change the record / or you’ll kill the mood

he was always in the mood, even when he hated her he wanted to ransack her empty space

lucky she licked the bag clean or her price would be too high, nothing is too much for a fistful of dynamite

I wish I could live inside you, he would whisper, eyes already rolling like a horse about to be led to slaughter, to the exit sign

christ I can’t think of anything worse, she’d reply into the pillow, limbs trembling, her neck aching with his pummel

how long can it go on? can you make yourself wet when you’re faking? Or do you have to run to the bathroom and stick your fingers down your throat? Fake sudden illness to avoid an overdose of you

back in the days when her bladder was strong she could take a pounding and not need to pee afterward, they used to say, you can eat motherfucking hot curry, be given one like a sailor and still walk straight

how many sailors were bent over themselves and filled with whiskey and crab claws she wondered

but you stand up too long, with eyes on your back unpicking your defenses it gets harder

how many times can you shout, oh yeah baby just like that, just like that, you’re the best

he is hard he is inside her he feels like metal she feels like clover and the bees the bees swarm around her obscuring her open mouth the color of raspberries

that’s why she never cuts her hair you can hide so far inside if you carve out a tree and wait patiently for the thorns to do their climb

the wood cuttings of her twins mocking her sins, cooing; what a dirty little girl, you turned out well darlin

I want my moneys worth, he would say half in jest, nostrils crusted with crystal, beckoning her with dirty fingers

take the blue pill, take any pill, watch yourself swallow, there you go, to bed now child, tomorrow will be another show starting at six pm promptly and ending, never

she’d pretend she was sea anemone, anyone else, the girl outside in Soho gyrating to some euro pop song her long fake nails glittering against piercings speaking rapid Lithuanian into a pink phone

her nipples hurt where he burned them with his need to leave a mark, a tattoo artist without his equipment he improvised his layers of penetration

give me something to remember bitch or I’ll make it hurt more

she thud lifelessly above him like an unmoared boat seeking harbor, half-conscious with sorrow, afterward she lay closed off and drugged, as peaceful as an envelope that has been licked shut

and never, ever, ever did she learn to undo, the need to exclude herself from the world

so where’s her next fix? how does she stop wanting it to fill her veins with code

listening to the grind of the world outside, a room with a view boarded over and willingly comatose, two words inscribed on her tomb, ecstasy denied

 

Time

Rabarbra or Wife Engel picking Rhubarb via WikimediaThis place called time

tastes like rhubarb pulled from dark earth

washed too quickly

holds the grit

and fervor

my grandma says

coal and dirt protect the child

from disease and rancor

but will they erase? I ask

the tenor of nightmares brushing

thin window panes at dawn

before first bird call wakes

the timorous

for fear

can come in the unexpected moth

hitting light and dying upside down

bearing fangs

or in an accumulation of loss

seeking refuge in cooling pipes

when the world sleeps

are we lost then?

to the debris of ourselves?

making masks of highs and lows

as mountains would cleave themselves

into castles

I would like I told her

to be a badger or a fox

stealthy and unseen

beneath hedgerow of cast offs

wild and lost in retreat

among spun floss of highlands

where moss turns aubergine and dries

into purple air

once I saw a skull bleached into chalk

more could be said of its expression

than the world of scraped chairs

and reluctant mouths downcast in an effort

not to betray themselves

when they pulled me from the weeds

daubing calamine for poison ivy and

salt on adhering slugs

I asked they leave me

just a moment more

to turn into a hollow

instrument awaiting its pluck

in the warmth of an

empty room

I never grew out of needing a dragon tail

63f23c6809bddf9597b4c6236a8c747aThere is a girl I ‘know’ online, she’s a twenty-something artist and a writer and suffers from crippling social anxiety and it struck me, when I heard she suffered from social anxiety, that it was a great irony.

Why? Because I had concluded that with my own social anxiety, I would be ‘able’ to do a live poetry reading if I could somehow inhabit someone like her, change skins, climb into her person-suit and read the poetry through her eyes.

So obviously the next thought was … that’s really weird. Why would you be able to read your poetry aloud in front of people if you were her but not if you were you? The conclusion must have something to do with self-hatred on some level, but it’s also about what you want to project.

Sad to admit, I don’t want to project me. I want to project someone like a photographer may appreciate and project through that appreciation the beauty of someone else. I’m a behind-the-scenes type. I didn’t used to be, I was the belly dancer at the front of the school play, but the difference was, I still wore a mask. That time the mask was dark paint, a wig and a veil.

Some of us need veils or metaphoric veils or some type of guise to be ourselves. For me it used to be a few drinks – dutch courage. I didn’t even know it, but before going out I would swig a bit and then I could go through with it. Not a good method. When the ulcer nixed that option, I retreated further than I thought possible, unable to face going out without my mask.

I see others, people who are not attractive, people who are silly, people who are absurd, do it all the time, and I admire them and wonder, how is it that they can do this and I cannot? I’m not certain of anything other than, when you feel this way, it’s like you are under a microscope, on a petri-dish and everyone who looks your way is shining a light on you and you can’t stand the inspection.

It is an illusion or delusion of course, because people see individuals less and less these days than ever before! We truly can walk around and be invisible and ignored! But when you feel that scrutiny it’s like sunburn, you just have to get out of the sun even when it’s not really happening it feels like it is!

A few of my friends, normal, not overly attractive people, can stand up there and do anything and everything. They are admired because they appear to have no fear or they feel the fear and do it anyway. I despise my inability to do this, but I do not despise it in others, I understand it in others, I have empathy for it in others, so despising myself is another point of hypocrisy.

Any delusion is hypocritical. A feminist may starve herself because she sees a ‘fat girl’ in the mirror, who does not exist, and despite believing it doesn’t matter what you weigh, she’s caught up in it nevertheless. It’s like being hypnotized. If you take anxiety meds you are released from them, but it’s artificial. I have yet to find a ‘natural’ method, though much is made of natural cures, none have worked thus far.

All I’m really saying by this, is, how interesting to imagine, just by being someone else we could be ourselves. I think of those robot or clone films where people are asleep and send out their robot version. How much I dislike that idea of living and life, how I don’t like the idea of women behind veils, and yet, when I think of standing up and reading my work I want to put on the dragon suit I had as a little kid so badly. I want to wear it underneath myself (my true dragon self) as I did when I was a kid, and the teacher would pull out the tail and say ‘she’s done it again’ and call my dad.

I am you see, a dragon, and I want to be a dragon, and if I cannot be a dragon I would like to be my friend who looks a little like Jennifer Beal whom I liked very much in Flashdance and it’s not a creepy reason at all because I don’t fancy my friend, but I would be able to read my poetry out loud if I had her curly hair and brown skin. Ironically she is more scared than I am, and if I ever met her off WP I would say ‘what an irony, you are too scared to be you and I am too scared to be me, shall we be dragons?’

The cruel joy of condemnation

michelle-rodriguez-girlfightRound up, round up

gather round, gather round

it is time to judge the dysfunctional

even the mad ones do

if we have succeeded where you have not

we’ll throw the pitch and tar

round up, round up,

gather round, gather round

easier to chuck stones even as we inhabit

our own hypocracy and glass houses

damn those considered weaker than us

for we can tred water and you cannot

(and they wonder why the depressed often die)

taking their lives as you would

walk off an edge just to stop

the scold

the approbation

the cruel joy of condemnation

 

I have long wanted to understand

the thrill of hurting another because you CAN

it passes me by, seems nothing more than

squashing a fly because of your size

what cowardice in that !

thinking of the playground

how we grow but remain treading mechanics of cruelty

those kids who would spot the weakest

single them from the pack and throw rocks

did not know the damage they caused

every year hence, disturbing growth

perhaps it is wrong of me to wish

to return and throttle their skinny necks

how is cruelty resolved by violence?

yet the passive do rise within themselves

seeking retribution

 

that’s what it took when an ugly boy with red hair and freckles

and a thick Irish accent decided I was his prey

I tried to be patient for a time

when I saw on his face the sick gratification of a smile

at hurt inflicted

there was no reason or ignoring could fix it

I swung my arm as hard as I could

just like the day I tried out for rounders

and hit a curve ball

his jaw made a whacking sound and a click

something unnatural about it

burning pain shot down my arm and into my mouth

as if I had swallowed his aggression just for a moment

his face swelled and grew red before his cry

I noticed how good it felt to stand above him

looking down avenging myself

screaming at the top of my lungs

don’t ever touch me again or I will destroy you

he never did

and right or wrong

that day taught me whether I wanted it or not

sometimes rule books and morals miss

the playground solution to evil

 

if you’ve tried everything else

hit them with all you’ve got

don’t bow your head and say

thank you boss I like it when you make me feel so awful

ever since if nothing else I can say

nobody will walk on me or hold me down

it might not be much but it’s something more

than the fear of being bullied, that sickness

in the morning as you wake

terror in your day ahead

sometimes there is no good outcome

much as we try to use our intellect

the savage side of us can protect against

those who like hurting for no reason

 

how can you fight absurdity with sense?

we are given fists, and I do not regret

the blood on mine

antithetical to almost everything I believe

when we are pushed to the edge

we react in kind

like with like

fire with fire

an eye for an eye

may leave the whole world blind

yes and still

come for me and I will

 

 

(A lot of people may disagree with this. But in the real world ‘reasoning’ with a bully doesn’t always work. Having tried everything and not having further recourse, with nobody to stand up for me, I stood up for myself. Was it morally or ethically any better than the bully? Yes, because it wasn’t what I wanted to start or finish but it had to end. This ended it. I have never regretted it. If it happened exactly the same again I’d do exactly the same again. What they don’t teach you in the karma and psychology books is the street rules, and what actually happens in real life. Even kids can be sadists, even kids can want to destroy a person for NO reason. Learning to stop that, is key to survival. I survived because I fought back. Condemn it, but in the same scenario, what would you have done?).