La Fin de Chéri

(Influence from; La Fin de Chéri, Colette 1926. )

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Darling

one day you will either strike yourself out

with an exact deepening cut

or own the world with vinegar fingertips

coloring upturned lips

looking through letters in search of single word

to describe the ecstasy of youth

though before all these things I had

you first

before you knew what you were

and only lay in my arms shivering with

the desire of a young boy caught in his lust

one day when I am old

I will remember your beauty and capture

wound around your pomegranate mouth like cold leaves its burn and sun turns boys to gold

then looking into half drunk glasses and fallen buttons I shall

smile crookedly at my mad fortune

if fortune is the word

to describe amusing memories

when boys knew nothing of themselves

when girls were powerful and roamed their needs

like hungry bees seek nectar and we all rummage the pockets of our clothes

hoping for a missed penny

for time may lie against us

a sharpness in daylight glinting

but for those brief afternoons

when we have yet to inherit ourselves

know nothing of the plight of fading

with each wrought year

you looked to me for learning

I knew a little more by virtue of bad experience

and my belly full of wine and violence

turning them to my own understanding

touching you as your mother would

then something different, deeper, untaught

a house with many shutters

open one, touch the countenance of my pearl

you sighed

just like a girl opening herself

your legs as smooth as mine

your lips fuller and pursing toward

the need

I bowed sleekly

not because I honored you

but to feel the excitement quickening

against your muscled thighs

gathering that brief surge of fickle love

before it spilt and grew

sweetly cold between us

I felt that first

acrid taste of power

rolling underneath scotch blankets starved of end

not my kind yet

you were a beautiful boy

soft against me pliant by longing

I held this over our heads like a shawl

blocking out harsh light

inspecting its temporary reflection

your wistful elongate pursed in quiver

a silver arrow ready to pierce

any who chance your heart

and in years to come when

my hands are tired of making shadows

I will think of you and amuse myself

the girl who inherited memories and made

palaces of them

you can be my Chéri and

I, the woman who painted solace to your

first

ache

 

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B side

franccca7oise-dorleac-photo_03One

There you play your favorite B side and drive in your mind

fermenting beyond chicory

no-one else knows

basking in old songs

she finds the segment of Clementine

hidden from view in liquor box

melting resistance

as nationalists surge in Catholic crimson

could be now or a light house seeking ship

printed beneath creamy lost voices

 

Two

She could propel herself with saline drying her toes white

transfixed on survival as

Boudicca led bronze and stone fighters

daubed azure over thorny field

if she lived today she’d share a Menthol Salem Light with Stevie Nicks

warning women against Xanax

in Miu Miu sunglasses

capturing the drum-beat of her many-armed dervish

as a little girl learned to spell

sounding out her letters

heroine in slow motion

A

B

C

fire

walk

with

me

Unrequited love longs

New York in The 1960's - 70's (3)I didn’t know you felt that way

just as the golden-haired girl

with bleached French roots

didn’t know I felt for her

(or worse, knew, and felt

less than dismissal)

we are ebony dominoes

pass the plain papered parcel

our affections whittled and sharpen

by the smoky knowledge we can never

confess ourselves or pardon

to objects of secreted passion

so remote and out of touch

the girl who falls for

a woman who loves men

the heterosexual who has a crush

on a flamboyant boy

things get broken without throwing

why is emotion so deluded?

I will never tell her my secret

just as you will not reveal yours

in our actions and what we do not say

there is the truth

explaining the easy pain of social discourse

masking itself behind awkwardness

when she talks about the men she dates

I dare not say … choose me you fool

I could make you dance

in a way you have not yet discovered

some people hang out of reach

even for sailors

leaning into the confessional surge

I can empathize

I would never have said yes to unwanted

dinner guests

so why should she entertain a cliché?

girls who like girls fall for those who

cannot be reached across life boats

better I hold my green tongue

admire from afar

the provoking shape of her

the way she knows

people are watching

her sway to

unrequited love songs