For the sake of SMITTEN, a project I believe in more than anything I have ever done before, I have asked close friends to take over my social media rather than close it down, so that SMITTEN can continue to flourish and succeed.
In my absence, due to my severe eye-sight-issues, my friends will be running the SMITTEN Facebook page and all SMITTEN related materials. Our goal is to ensure SMITTEN is successful in all ways. Sales are one way of legitimizing a project and ensuring its authors are HEARD.
Obviously LGBTQ projects are harder to sell than others, but it is my hope SMITTEN can continue its success through the rousing support of all those who believe in LGBTQ equality and the rights a woman has to love another woman. Please consider supporting SMITTEN – each sale helps raise visibility and gives SMITTEN authors another opportunity to share their unique and beautiful voices.
SMITTEN is for sale at Amazon and Barnes and Noble. If you support local bookstores please ask them to stock SMITTEN using Ingram. If you cannot afford a Kindle copy or hard copy please ask your local library to get a copy of SMITTEN via Ingram. It doesn’t take much and it means everything to the 120 authors and poets of SMITTEN. Indie publishing doesn’t flourish without our support as a community!
Growing up in Europe I didn’t have anything like SMITTEN. My ‘sources’ were hard to find and often took me to oblique and obscure bookstores that had tiny ‘feminism/Lesbian’ (as they were once twinned) sections. Within those sections I found little I could personally relate to. I read Radcliffe Hall’s The Well Of Loneliness, now considered the ‘Bible’ of lesbianism and whether right or wrong, it did set a stage for me, and I loved the style and emotions therein, but over all her book is also very sad, it talks of lesbians as ‘inverts’ who are women trapped inside men’s bodies wishing to live the life men live and love women like men do. That was not my feeling. I was a woman happy to be a woman who wanted to love another woman who was most definitely a woman. (It should be noted many lesbians prefer to identify on the masculine end of the scale and yet identify as masculine women and this is a legit form of love too).
Even now, many years hence, there are divides within the LGBTQ and even lesbian/bi worlds. For some, you are just not considered a lesbian unless you subscribe to some of the dress-code/tough-act code and you are objectified for wanting to take on some of the accoutrement considered ‘heterosexual’ by queers. Likewise, you may be typecast as ‘femme’ (or butch) even in today’s society, as much as anything because since legislation has legalized gay marriage and made it easier in some countries for LGBTQ it has been assumed LGBTQ doesn’t need the same resources and so, there are less lesbian clubs/places to meet than ever before, and more is conducted online which as we all know, can be very hit and miss.
I personally knew of four lesbians who were date-raped when they met their ‘lesbian’ date in real life, after meeting online. In all cases, it was a set-up and there were men involved who took advantage of those women and punished them for being lesbians and not attracted to men. You may think that sounds extreme but having worked at two rape crisis centers I can assure you, it’s as common place now as it was in the seventies. The idea that LGBTQ and lesbians don’t need a ‘safe place’ to meet other like minded people, is too optimistic, it assumes it is now ‘safe’ to be a lesbian, but as any lesbian will tell you, we still fear holding a woman’s hand walking down certain streets. That hasn’t and won’t go away.
Let us not forget, in the vast majority of the world it is still illegal, frowned upon, punished or made impossible to be a lesbian and LGBTQ only pertains to a small percentage of this world in terms of population. If you are an African lesbian, good luck, you risk your life admitting that. So our Western ideas do not apply to the majority of lesbians out there.
Little really good literature is lesbian or LGBTQ, indicative of the stereotyping of LGBTQ literature when it is published and the small minority size of each group. You really have to hunt to find excellent, really well written lesbian literature or poetry. It was my dream to put together a group of authors who embodied love between women and showed the variety and depth of that love. SMITTEN accomplished this with over 120 poets and artists contributing some striking, stirring poems, drawings and thoughts of love and attachment.
SMITTEN was created for those people though I am certain we do not reach nearly enough. But it was my dream that even if we reached a few, even if we reached a girl like myself who went in search of ‘real’ lesbian love in a book store, they could find it. Maybe we haven’t done enough but with every act we hope to raise the consciousness of all people not just LGBTQ. People who may assume because gays have the right to vote and marry and are represented on TV in some countries that they are absolutely free of persecution. This is not the case and while there are many other such minorities who are objectified, ridiculed, stereotyped and minimized, it was my mission to highlight lesbians and women who love women because I am one.
SMITTEN may not have existed when I was really young and had no gay friends, no cohorts who were LGBTQ and no school friends who were even sympathetic or understanding of LGBTQ. I myself didn’t really know enough. I sought refuge in gay bars when old enough but often times found those as judging and uncomfortable as being the only straight. The stereotypes, expectations, reductions and cliches of being a lesbian were as backward among lesbians as among heterosexuals! We had no role-models, nobody to refer to and only a palpable sense of shame emanating from society en mass. Nobody in their right mind wanted their daughter to grow up to be a lesbian, wasn’t that just something that happened like a birth defect or because a mother didn’t do her job right? That was the thinking back then and back then wasn’t ‘that’ long ago!
Consequently I spent more of my youth trying to get by without examining my lesbian identity and enjoying what it could be like to love another woman. I look at photos of very young lesbians now and I envy them their freedom but I am not so naive to assume they are entirely free, as a minute after the photo is taken, they could be beaten up by a mob who didn’t like what they saw. It still happens.
SMITTEN defies the hate, bigotry and misunderstanding of lesbianism. SMITTEN isn’t about women fucking other women for porn. SMITTEN isn’t about stereotypical lesbians created by heterosexual men. SMITTEN isn’t angry and hateful as some feminist backlash can be. SMITTEN is about this: Love IS LOVE.
Please support SMITTEN by gifting it to an LGBTQ person you care about, or buying it for yourself irrespective of your gender and sexual orientation, because love IS love and it transcends everything. If you like poetry, or you support LGBTQ inclusion and visibility then your support of SMITTEN can person by person, change everything. And if you cannot do that, perhaps think of requesting SMITTEN from your local library or purchasing the less expensive Kindle version (although it should be said the print version of SMITTEN is sumptuous!). YOUR support helps little girls growing up today, grow up to have a VERY different outlook in life, one without as much fear and isolation.
Please support this worthy cause by purchasing one or more copies.
As many of you know, LGBTQ literature and poetry is a small section of the marketplace. SMITTEN is meant to be read by anyone. Lovers of poetry. People who appreciate love. Avid readers. Indie book fans. Those who like anthologies and collections and appreciate diversity and a wonderful group of talented authors.
In order to continue projects like this, we must generate sales to justify and pay for their existence. I took a chance on SMITTEN and so have the publishers of Indie Blu(e). We hope you’ll support us by one or more purchases and by this you’ll support the visibility of over 120 poets and artists.
Whether heterosexual, bisexual, lesbian or none of the above, I hope you’ll really vote by buying a copy and letting us know you value indie publishing, small press publishing, micro publishers and individuals who try to give voices to the UN mainstream.
If all my friends and acquaintances bought one copy we’d have a success. I give back a great deal to our little poet, writers community with reviews and purchases and I’m hoping I can ask you to do the same for SMITTEN.
SMITTEN will be available via Walmart, Target, and Barnes and Noble in the coming weeks. Small book stores can request SMITTEN through Ingram. For bulk purchase please contact me @ firstname.lastname@example.org
Thank you to everyone who helped make SMITTEN a reality. We’re all very proud of the superb poetry and authors who joined SMITTEN to make it the premier anthology of love.
(PS: If you like to keep both a print and a Kindle version of some books, Amazon is offering a matchbook price on the Kindle version of Smitten for anyone who buys the print version.
The kindle matchbook program is going away as of November 1, so if anyone wants to take advantage of this offer, do this in the next couple of days.)
Talia Rizzo is a lesbian poet studying creative writing at the University of Denver. Her work focuses on her experiences as a queer woman, the complexities of family separation, and the power of images. Talia’s work can also be found in Levee Magazine, Foothills, and Prometheus Dreaming. When she’s not writing, Talia can be spotted among the Colorado mountains, taking in the sun with the wildflowers or skiing until her legs are sore.
1.How does poetry and identifying as lesbian/bi come together for you?
I don’t want to say my poetry would be nothing without my experiences as a lesbian, but I’m going to say it. In some way, when I read old poems from five or six years ago and when I read the collection I am working on now while living in Spain for a few short months, I see different reflections of one another. Sexuality is everywhere and for that reason, each of my poems has some type of image that can be traced back to a specific experience, thought, memory, fear of being a lesbian in the United States. When I began writing poetry, it became a catalyst for me to understanding my identity and my past relationships with women and how they have felt in relation to the men I have been with. It gave me a chance to create, to sit and think for hours over cups of coffee about the intensity, the vivid colors I felt when I was with women, even if it was just their leg grazing mine under the table. Over time, my poetry has shifted and taken on different forms, some I don’t even understand yet, but one thing has remained the same—my life as a lesbian is at the core of all my work; it is the way my world is shaped, the lens on which everything is always seen.
2. Whom are your favorite lesbian writers and why?
Alicia Mountain and Pamela Sneed. They are my two biggest icons in every way and I aspire to be half the writers they are. They have each, in their own very different rights, mastered the art of image, of storytelling. If the man drinking a beer at the table beside me reached into my backpack, all he would find is their two very different and sensational stories—Sweet Dreamsby Sneed and High Ground Coward by Mountain. Mountain’s collection of poetry has come to me in every moment of need, over and over again, and still each time I am able to get something new from it, something I didn’t see before. Sneed taught me things beyond myself and gave me the chance to reflect on and be thankful for all the privilege I have been given in my life. Their images are relentless in the best way, so specific and subjective to each individual woman, yet so universal to the community.
7. What does it mean to you to be part of something like SMITTEN and have your work along side other women who love women?
It is absolutely thrilling. I am so excited to see all of their work. In countless ways, all lesbians, all bisexual women, all queer people are connected through a similar experience of identity, while simultaneously having so many individual differences. Love is both an individual and collective experience, especially when it comes to being a lesbian. I remember being eighteen in a restaurant with an old girlfriend and having to move tables because of a couple older, heterosexual couples next to us talking very loudly about how disgusting they found us. All we were doing was holding hands. I remember the way it felt when the waiters carried our plates full of food across the restaurant to a new table and every head turned to watch us get up and move. I remember my girlfriend’s eyes filling with tears and the excessive apologies of the employees. In some ways that night, a love I had never experienced before presented itself, as well as an experience I know is universal. As a community, we have been spit on, degraded, beaten, and killed for our sexual preference. While simultaneously, finding other people, other women, who love us, who accept us, who become a part of us. Being featured in SMITTEN alongside so many women from all over the world is an absolute honor for me, as all these words and stories bring us together—even when we are miles and miles apart.
SMITTEN is due out any day now. Please consider supporting this project by purchasing a book when it comes on sale. Even one purchase helps support the endeavors and hard work of these 120 authors and highlights the value of LGBTQ subjects. SMITTEN will be available via all good book stores please check the Facebook SMITTEN page for up to date information.
Indie Blu(e) Publishing will be releasing an Anthology of Lesbian Poets later in 2019. Themes of this Anthology will include identity, coming out, relationship, family, love, loss, and sensuality (rather than graphic erotica.) The deadline for submissions is June 16, 2019. Submissions can be sent directly to email@example.com and should be accompanied by a brief biography not to exceed 75 words.
The maximum number of submissions per writer is FIVE.
Writing should be submitted as a Word or PDF attachment. If you choose to submit a poetry meme, the meme must be accompanied by the text in a Word or PDF version.
Artwork for the Anthology is also being accepted and must be able to be reproduced clearly in black and white.
Questions? Contact Candice Daquin at firstname.lastname@example.org.