Want & Ritual

Helmut-SPREAD-6FI grew up fetishizing

the nubile antonyms of beauty

Helmut Newton’s exploitation

penis behind camera stroking

sloe-eyed girls with tired mouths

smoking yellow papered Gauloises

nipples grazing peach crinoline

men’s eyes like dry stones, seeking squeezing

I grew up thinking

contortion and bondage was

an art form not

excuse for masochism

as unsupervised child, I’d look through

graphic design manuals

that inexplicably had vulvas and

perky breasts

to illustrate Pantone

it was after all

the seventies

what did I know? Except

women on beaches without tops

giving me francs for not spilling their dirty martini’s

Mon sucre d’orge, sois gentil, va me chercher mes cigarettes

always gentleman watching

the rise and fall of female throats

nicotine mouths, stained vermillion

long tan legs swept beneath chiffon

men taking them to hotel rooms

children

smoking the leftovers whilst adults

fucked behind closed doors

wondering

when I grow up

how can I lie beneath

a girl whose sweat glistens

like marzipan

and if she should

sip on me I think I’d scream

all my silver bracelets falling off

like metal flowers on hotel carpet

after all

life is a film

where we tie ourselves up

with want and ritual

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December

The bells of the church rung

He said it’s why he didn’t turn back

That and blossom in the thimbling trees so early

He believed in signs and symbols, so did I

Before I was grown and knew the torn things inside

He was the boy who learned on me

I gave what I could, but kept two things to myself

My secret was, I wanted a child

My sin was, letting him take you back

Standing fighting at the top of his marble stairwell

Smelling of his mother’s perfume and congealed cough sweets

I saw myself falling, pinwheel, before he cast me down

The imprint of his reedy hands, a daisy chain around pale throat

His child in my swelling belly, with eyes the color of regret

He said it was an accident, I felt his hate as I lost my balance

Jabbing me in the back with whisper and sharp intention

Get it out, get it out, get it out

He didn’t know the truth of us, my child and I

She wore silver bells around her neck

And in his mother’s sea blue bathroom of mirrors

I stood watching the rapture of your being, take me over

And in the night, your father tried to tear you gone

With his thrusts into me like a spear and a blunt knife

Still my child you held on

Staring through my eyes at me when we were alone

I could hear everyone’s comments before they spoke

If you have that man’s baby, you’ll be shunned

And alone was really alone. Still I thought

I am not a warrior, but I would fight for you, daughter

Quickening in me like a secret slipstream of language

I felt our connection, you were more than blood and sinew

I watched my burgeoning figure, as I removed my clothes

Thin and narrow, except where you were taking form

Stepping into the bathwater, I felt something cry and give way

And the bath became blood

Hot water on, with the door closed and locked

Your father saw water running on the tiles in the hall

All pink and gorgeous

He broke the door down and saw me sleeping in gore

All pink and gorgeous

In the hospital they whispered words of relief

She’s so young, so petite, it was a mercy and a blessing

Any more blood and she wouldn’t have made it

They didn’t see your father’s fingerprints or where

He cut you out with the slow deliberation of an absent butcher

The whoosh and hiss of hospital machinery

The soft whisper of pretty nurses shoes sliding on lino

Your father watching over me, the violence still marked on his face

When we got home, the taxi driver said; take care you goofy kids

Your father dosed me with pain killers and turned his raging back

I saw the emploring milk leaching from my breasts for you to drink

And it was red

I felt the sting of your vanishing scraped dead from myself

My stomach still swelled with your ghostly outline

Your father moved in his wrath lain sleep and mounted me

I said; I’m hurt, it’s too soon, oh God!
But God refuses sinners and pearls

You were gone so you could not speak too

And your father dove into places raw, stitched and mourning

With his eyes closed he imagined nothing and saw nothing

With his fists closed he rose above me in darkness like a wraith

Not touching the spilt evidence of you

Not realizing he was slick with blood and tears bound in a girl

Till morning when he washed you off and with it, me

As I lay in the stained bed with my nightdress hitched around my wrung neck

Feeling the milk in my breasts, the wetness of your ever spending

Feeling the tether from you to me and back again neverending

Your father went on to conquer worlds with a rod

A rich man with the same long fingernails and sharp soul

He calls me once in a while

Tells me I’m still beautiful

And if I saw him, he would bring harm

So I keep us safe and I see no one

As we sit on the balcony and I imagine

You’d be tall and you’d be beautiful like climbing honeysuckle

Because you are my daughter

We raise our glasses to your December birthday and 27 years

And your father he cannot attend our moments together

He may hurt us again, he may seek to take you away

He stays in his apartment in the city and grows richer

On weekends he chooses whores that look like I did

When I was just a young girl

With hair down to my bottom and no breasts to speak of

He had me before I ever menstrated so we thought

You could not exist

It was true, you did not

Home from the hospital with a pad of loss between my legs

But that was a fall I can still feel in my displaced bones

Seeing the future with each tumble, seeing his fists open and close

Alone now and you have been dead 28 years almost

And I light a candle

For what I was not meant to have

Though I would have loved you so

And I do

You speak to me when I sit by myself and the night is quiet

You tell me not to be lonely though it is impossible

I smile at you because that’s what mothers do

Spare their children

Any pain

Final chance to submit – “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard! Previously published work you hold the copyright permissions on, are acceptable.

Please add your voice.

The story: Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.

 

Last call to Submit Writing and/or Art for “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard!

Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.

 

1995 was

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long sweaters, color of grey clouds

wet wool beneath leggings and Docs

the way rain stayed in your hair and rinsed it of color

how you kept every love letter ever written

by all the little freckled girls who chased your dragon

we lay in your narrow bed

too small but small was what we were

breaking every splinter

in our roar and our mocking

you implanted a life

the telephone gave the news

my grandmother had given up pretending

perhaps the devil helped her

take that final breath

I couldn’t get a train

the rain the rain

you felt the despair of a boy who liked

the fur of drama

not the feel of fatherhood

her funeral was for two

the woman who had held me and said

what a pretty baby

when the rest backed away

like spectators unwilling to touch

and then there was the fetus

dry like a winter flower

red like a sore lover’s thighs

white like virgin snow covering

a crime

and the smell of damp

invading every corner of your room

ransacking hope

leaving in its wake

Smashing Pumpkins on low

sheets frayed and stained with youth

I did not return

you did not ask

it was accepted like an envelope is sealed

and black birds begin their fight

long after night has cast

her dark

All they saw

All they saw were moments left by those who came before

Not knowing what they meant or who they were

Lain in their waterpainted graves like matryoshka dolls

Did they grieve like us, whetting their knives on totems?

To understand those things that cannot be understood

A child breathing her last, in dimmed swaddling

The ache of old age, enveloping once limber athlete

Love crumpled like fallen leaves, forgotten beneath

Did they yearn to be special? Noticed? Relevant?

Or glide invisibly through spun sheets of glass

Like early morning bakers rising their bread

Grown stale by afternoon, becoming food for birds

Such circles clasped in ever decreasing circles

Worn as sea pearls on mermaids smooth throats

Were they kind? Merciful? Fearful? Incomplete?

The sight of tilled soil and ruined land cleared of living green

Did it bury the same arrow in their quincing conscience?

Will time gently lay a wreath of forgetfulness?

Over their efforts as if never and not, their lives

Extinguished in a long roll of time and bundled up

To lie beside other oxidizing keepsakes and memories

Til the last person who remembered, was no more

So much existing, lost in favor of the clamoring now

All they saw were moments left by those who came before

Inherit their voice

2012610_1809dSat facing away from the sun

an old man wipes years from his eyes

drawn over with cataract like milky bath water

he strains to see the outline of motion

 

where are all the old men? He thinks

once so barrel chested and neatly trimmed

with mustaches and shiny hair like Cover Girl teens

where are all the eighties queers who painted beaches

with tight abs and tiny shorts in tropical shades?

 

now half empty, the beach longs for color

only rotund women with bristly chins

unkempt hair chopped without thought

some with children or children’s children

placing sensible shades and thick UV factor 50

on slow-moving parts of themselves

 

in previous years you could

reach out and paint a rainbow

in their courage of being twenty

though lesbians and gay men do not

always a palate make

such contrasts in their expression

these women without restraint

mopping the brows of dying beautiful boys

unwilling nurses drawn to duty

by suffering ignored

 

some judged, as is human’s wont

even those judged themselves

learning in pious pews the curses afflicted upon

the sinner

their ingrained prejudices wondered;

Why so many striken did not stop frequenting steam rooms

smelling of bleach and pleasure and illness

looking for strangers with no way to tell

if death stood beside them?

 

perhaps; time old division of the sexes

rather than, one bad, one good

men will find a hole, stick it in without regard

this is not a homosexual thing but

the nature of a penis

gay men acted upon that unrestrained impulse

all men share, save those who learn greater depth

than the hand, the orifice, the gag reflex

then disease clasped them in a death grip

chewing away at fragile worn tendencies

soon no beautiful boys remained

hot in steam rooms to blink their doe eyes

fringed with fear

 

some divisions are economic

lesbians with babies, lesbians without brawn

unable to act upon their natural instinct

remained married, starched at home, dying in place

whilst young men, fed on corn and barley, took good

California jobs and soon the boom grew teats

 

educated baby dykes today do not know loss of freedom

or the true price of salt

they can rack up bed notches in reckless abandon

imitation not always the greatest flattery

but back then …

all so new and unsanctioned

people didn’t have road maps or internet

to gauge behavior by

and in the dirty rim of a third glass of whiskey

courage and terror would sometimes blind

best intention

 

girls today repeat the worst inventions

of boys without purpose

those early days of the movement

can a life be a movement?

they died weekly and by the hour

in shabby rooms without succor or sense

strangled by disease, shamed by the ‘told you so’s’

just coming out

only to climb into a coffin and be carried

jeers and spit and hate to their graves

where few wept, for they too shared death

mottled with kaposi’s sarcoma

some haters slinging mud shouted;

you depraved souls! You reap what you sow!

is this the word of Mohamed & Jesus?

or cruelty with nothing more than hate to grow?

 

now gays think they are safe

over the hump, socially acceptable

on TV, in your face, sitting next to you, earning more

painting their rooms mauve, their wallets thick

HIV can be lived past, no more automatic death sentence

adoption is legal, and marriage, a thriving business

do they even remember how many fell?

before they could inherit this tenuous hour?

 

the old man was one of fifty

the last survivor of his generation

depleted by silent war

struck down by AIDS and her harpies

over time even medication failing hope

or bodies, tired from their walk

collapsing on scalding streets without

the kindness of stranger

 

the old man, he cannot say to today’s youth

this is how it was, learn from the past

because they do not care, it is their time now

and if they knew it would not matter

only the hour of their immediacy

compelling them forward to their own history

one day past them and in reverse

they may share his loneliness then

too late

 

the old man

who used to be a beautiful boy

with golden skin and hazel eyes

a thick swath of black hair hanging like a wave

he looks at his gnarled hands and sagging arms

with their scars and their ragged hurt

and he wants to be as loud as the young

and shout out;

 

where have they gone?

the beautiful boys of my time?

why must I outlive them all and see in my decline

the loss of their right, to be recalled!

for whom among us, shall pick up the mantle

and say their names, once we are all

beneath earth?

an entire generation cut down

and smoothed over like asphalt

 

do we ever think of that?

in our perpetual urge to be present, in the moment?

those who have gone before

stand now like ghosts around him

an entire era

strangled before they ever could

inherit their voice

 

(This is my contribution to Pride Month. I want to remember those who are not here with us, because they died when they could have lived, if they had not been forgotten and repulsed. During and afterward, Africa was equally rejected, neglected, ignored, and millions died. Worldwide HIV/AIDS is still a death-sentence, make no mistake. Those with power decide who lives and dies, whose life has worth, whose does not, decisions are not made out of mercy they are made coldly with calculation and lack of compassion. All the rest is froth on a daydream. Our memories are sometimes the only thing keeping us from repeating history). #neverforget