Leaving WordPress – (but you are coming with me)

Please follow me at www.thefeatheredsleep.com I am still showing up in WP Reader and can read your work too. After numerous appeals to WordPress I did not get my ability to follow other WP authors reinstated. It was horribly unfair and ties my hands on WP, as part of my job is discovering and publishing talent. I’m disappointed, but I want to move on positively. In order to do this, I have decided to leave WordPress rather than condoning them.

One of my best friends built me a site. I have WordPress Reader and all those whom I follow (before I was banned from following any more) and all those who follow me (and you can continue to) will be exported with me so I can continue to read you. www.thefeatheredsleep.com

If you are not following me, you still can. When you go to my new page it gives you a way to follow me by email (Subscribe to Blog via Email on the right-hand-side of the page). If you subscribe, I will show up in your WP-Reader. www.thefeatheredsleep.com

My best friends online (although I’ve met many in real life by now) were found on WordPress. The caliber of people on WP is outstanding. I literally have met people I adore. If not for Mark, Philip, Tremaine and Susi, I might never have survived the worst of my illness and those people and others, are life-long friends.

Recently, we had a big loss in the WP community when Sue Vincent died, she was widely respected and I respected her deeply as a colleague. Her bright spirit infused everyone. Her life has touched myself and others deeply in many ways. It was actually the non creative writing that touched me the most. The her in herself. The woman she was. The process of her life.

A few years ago, we lost Paul, and many of us still remember him and think of his face. I have a photo of him that comes up in my memories often, and I never deleted his last message to me. He was one of my first friends on WP aside Eric, Rita, Tony, Pelgris, and Monique and we all knew him and cared about him. His death was tragic and senseless. Monique and I talk of him every time we talk. He walks with us.

When Natalie Scarberry passed, it was gut-wrenching. She had fought so many battles in life, and was such a rare human being because despite being in her 70’s she still had TIME for people, she still could talk about ‘a bad day‘ or empathize with others, and often life beats that out of you, but it didn’t with her. Despite having difficulties with her own mom, she was a surrogate mom to many of us. I keep her photo in my room and I think of her a lot. She will always be with me. Not in the pithy sense, but the truest sense.

Even when sick, Natalie was encouraging and loving. She wrote this on one of my posts;

You know how a pin ball machine hits all those things that make noise; when you write like this one that is so honest and raw it feels like a pin ball is hitting everything that has ever hurt me or touched me deeply and I have to wonder how that can be. And I feel sure others who read your words are impacted in the same way. You have an incredible way of understanding all the sham of life and the betrayals, we as flawed and broken humans, are subject to. Reading this was heartbreaking and at the same time spelling binding in its profound insights of existence in a fallen and flawed world.

We should never forget the value of true support and selflessness.

With each person lost, I have felt such emotions that have taught me more value and a greater understanding of the most enduring things in life. I have literally grown in my heart and soul because of knowing these people and being briefly connected to them. I shall never, ever forget them.

I am so proud of every single one of you who has been in an Indie Blu(e) anthology and as our company gets larger and more successful, we hope to have more breadth to share the works of such talented writers and artists – whom we have mostly met via WP. What a sad story then that WP would ban me from following new talent, because of an algorithm? That said, I am determined to continue to support those talents in whatever way I can and balance my day job alongside my Indie Blu(e) work, because it has literally been one of the most meaningful things I have done in years.

Thank you all. I hope you come with me when I go. Because I have learned, in going, you never really leave.

RIP Natalie, Paul, Sue & all our WP friends who have passed, but stay firmly in our hearts. We see you. We love you.

Please consider following me if you don’t already, at www.thefeatheredsleep.com

Also thanks to: Tara, Christine, Derrick & Jaqui Knight,, Jane, Erik, Mark & Chris Renney, Merril, Cordelia, Holly, Monique, Dorlinda, Bob, Aakriti, Sarah Doughty, Devika, Little Charmer, TGFJ, Philip, Helene, Mr Militant Negro, SonofaBeach, Basil, Raili, Crow, Megha, Laurie, Sunshine Jensen, AND SunJesper, Kindra, LIB, Nicolas, SuddenDenouement, Nicole Lyons, Dev, HastyWords, Black Duck, Cyranny Skye/, HMS, Henna, Braeden, Carol, JaneB, RobT, Anya,
Contoveros, Charlie, Nathalie, Sabrina, Em, Richard, Jaya, SNTC, Bjorn, Sue, John, Audrey, Rpoetry, Wallace, NFW, Chris, Peter, Teti, Mani, Amitav, My Jewish Sister, Lunar, slpmartin, OP, SHL, Lamar, SFD, ELR, Tanya, Forrest, Sol, Sheldon, JAGL, Keith, KMF, NFW, MSP, TCFC, GhostWriter, Janet Wright, Vidur, Joseph, Jacqui, Ashley, TRP, Andrew, TBP, Ken, Dawn, YOU, Betty Albright, Ivor, Ogden, TBFO, Penny, EOB2, Smita, Willow, Petru, Earthwalking, David, HLR, Perditus, EFTDN, Poet Pas, Jude, H&R, Carol, Eric, Jonathan, Krissy, EDCW, Ali, robertgoldstein, Merbear, Jasper, Annette, Meg, SliceTheLife, CODS, GC, Vic CigarMan, Bethany, Maureen, Emma, Ameena, BCB, Maria, S&B, Morgan, Kim, Eugenia, Day, ChrisR, Usha, Melissa, mylifeandme, anitabacha.com, Samyra, saynotoclowns, Spiritkeeper, Jade, TTT, PFTP, TH, EOL, SageFemme, Amir, and everyone else.

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THE KALI PROJECT is published!

CONGRATULATIONS THE WAIT IS OVER … The Kali Project is LIVE and print copies are for sale via Amazon: https://www.amazon.com/Kali…/dp/1951724062/ref=sr_1_1…

For the first time ever we have also made the publication available via an Indian distributor Pothi, enabling our Indian readers to purchase copies locally:https://store.pothi.com/…/candice-louisa-daquin-editor…/

Book Depository: https://www.bookdepository.com/Kali…/9781951724061…

Barnes & Noble: https://www.barnesandnoble.com/…/the-kali…/1138632460…

A hard cover version and Kindle will be forthcoming. KALI will also be for sale in Book People & BookWagon and you can order The Kali Project via your independent bookstore (via The Ingram Group).

PLEASE consider purchasing a copy to support this worthy project AND upload any pre-press reviews you have written to help us succeed in getting this incredible book out there.

Contact Megha Sood or Candice Louisa with any questions. Thank you so much to everyone involved, especially Christine Elizabeth for her incredible formatting of The Kali Project.

The Kali Project is a nearly 600 page collection of some of the most famous Indian poets and writers and artists in the world, as well as acolytes, children, teens, and new writers, coming together to create a groundbreaking anthology of writing and art.

The purpose of The Kali Project was to highlight inequality in all forms, speaking to sexism, racism, caste-inequality, gender, income, education. The value of these potent poems and artworks will be immediately obvious and we really hope you will consider being part of The Kali movement by purchasing a copy and leaving a review.

Audio readings by the authors of The Kali Project, reading their work featured in the anthology:

Submit your work to these two anthologies


BUT YOU DON’T LOOK SICK: THE REAL LIFE ADVENTURES OF FIBRO BITCHES, LUPUS WARRIORS, AND OTHER SUPER HEROES BATTLING INVISIBLE ILLNESS

AND

THROUGH THE LOOKING GLASS: REFLECTING ON MADNESS AND CHAOS WITHIN

Indie Blu(e) Publishing is thrilled to announce that we will be starting off 2021 with sister anthologies, But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness AND Through The Looking Glass: Reflecting on Madness and Chaos Within.

The focus of But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness will be on writing and art from those living with a chronic but invisible physical illness or disability, such as fibromyalgia, lupus, multiple sclerosis, cancer, digestive disorders, chronic fatigue syndrome, diabetes, migraine headache, dysautonomia, etc.

The focus of Through The Looking Glass: Reflecting on Madness and Chaos Within will be on writing and art from those who are living, or have struggled with, mental illness such as mood disorders, anxiety disorders, eating disorders, personality disorders, post-traumatic stress disorder, or psychotic Disorders.

Writers and artists are welcome to submit to either, or both, of these anthologies as applicable to your lived experience.

Given the high volume of submissions that we are expecting, we ask you to follow the submission guidelines as closely.  If you are submitting to both anthologies, please send your submission in two separate emails.  We will begin to review all submissions after January 1, 2021.

Please note that we are not able to offer monetary compensation or free print copies to contributors to these anthologies; however, all contributors will receive a PDF copy of the anthology they are published in. Indie Blu(e) Publishing has prioritized the accessibility of our titles and providing an outlet for artists and writers who might not otherwise get published over profits since we first launched in the fall of 2018.  Keeping 400 and 500 page anthologies affordable globally in a pandemic is challenging.


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But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness

Anthology Submission Guidelines

SUBMISSIONS ACCEPTED: December 1, 2020 through December 31, 2020

SUBMIT TO: IndieBluSubmissions@gmail.com

SUBJECT LINE:  But You Don’t Look Sick Submission

SUBMISSION FORMATTING GUIDELINES 

  • The maximum number of pieces for submission per writer/artist is six (6).
  • Writing may include poetry, prose, short fiction, essay, and/or creative nonfiction
  • Individual pieces of writing should not exceed 1,000 words
  • Writing should be submitted as a single Word attachment to your submission email.  PDFs are the acceptable alternative if you do not have access to Word.  
    • Please use either 12 point Arial or Times Roman font with 1.15 line spacing.
    • Individual pieces of writing in your Word document should be titled, and separated by Page Breaks (not hard returns). A page break is achieved by using Control+Enter.
    • Special formatting is strongly discouraged.  Bold, italic, and multiple font sizes in a single piece are acceptable.
    • Please title all attachments starting with your first name,last name.  
  • The exception to this is if you design your submission as a ‘camera ready’ JPG or PNG image that we can import into our publication as we would a photo. In that case, you may use any formatting you wish, but the image must be crisp, 300 DPI, and able to be reproduced clearly in black and white. If in doubt, please contact us at IndieBluSubmissions@gmail.com before submitting.  Your ‘camera ready’ writing must be accompanied by the text in a Word (or PDF) version.
  • Artwork submitted for the Anthology must be crisp, 300 DPI, and able to be reproduced clearly in black and white
  • You will be notified if your work is accepted. Please do not consider non- acceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.
  • All contributors to the anthology will receive a PDF copy of the finished book

BIOGRAPHY: All submissions must include a professional biography and cannot be adjusted once submitted. Bios should be 75 words or less long and may include your social media links.

You will be contacted directly through your email when your work is safely received for submission.  If your work is accepted for the anthology, you will receive an agreement letter that you need to complete fully, sign and return to us within 10 days. 

PREVIOUSLY PUBLISHED WORK We will accept previously published work but must have written permission by the previous publisher attached with your submission if they retain rights to your work.

If you own the copyright, your permission and the date and title of the previous publisher must be included at the bottom of your submission. 


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Through The Looking Glass: Reflecting on Madness and Chaos Within

Anthology Submission Guidelines

SUBMISSIONS ACCEPTED: December 15, 2020 through January 15, 2021

SUBMIT TO: IndieBluSubmissions@gmail.com

SUBJECT LINE:  Through The Looking Glass Submission

SUBMISSION FORMATTING GUIDELINES 

  • The maximum number of pieces for submission per writer/artist is four (4).
  • Writing may include poetry, prose, short fiction, essay, and/or creative nonfiction
  • Individual pieces of writing should not exceed 1,000 words
  • Writing should be submitted as a single Word attachment to your submission email.  PDFs are the acceptable alternative if you do not have access to Word.  
    • Please use either 12 point Arial or Times Roman font with 1.15 line spacing.
    • Individual pieces of writing in your Word document should be titled, and separated by Page Breaks (not hard returns). A page break is achieved by using Control+Enter.
    • Special formatting is strongly discouraged.  Bold, italic, and multiple font sizes in a single piece are acceptable.
    • Please title all attachments starting with your first name, last name.  
  • The exception to this is if you design your submission as a ‘camera ready’ JPG or PNG image that we can import into our publication as we would a photo. In that case, you may use any formatting you wish, but the image must be crisp, 300 DPI, and able to be reproduced clearly in black and white. If in doubt, please contact us at IndieBluSubmissions@gmail.com before submitting.  Your ‘camera ready’ writing must be accompanied by the text in a Word (or PDF) version.
  • Artwork submitted for the Anthology must be crisp, 300 DPI, and able to be reproduced clearly in black and white
  • You will be notified if your work is accepted. Please do not consider non- acceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.
  • All contributors to the anthology will receive a PDF copy of the finished book

BIOGRAPHY: All submissions must include a professional biography and cannot be adjusted once submitted. Bios should be 75 words or less long and may include your social media links.

You will be contacted directly through your email when your work is safely received for submission.  If your work is accepted for the anthology, you will receive an agreement letter that you need to complete fully, sign and return to us within 10 days. 

PREVIOUSLY PUBLISHED WORK We will accept previously published work but must have written permission by the previous publisher attached with your submission if they retain rights to your work.

If you own the copyright, your permission and the date and title of the previous publisher must be included at the bottom of your submission.