Kristiana Reed’s pre-print review of SMITTEN

Thank you to the incredible Kristiana Reed for this advance review of SMITTEN, Indie Blu(e)’s latest poetry anthology which will be published this Fall. 

Candice Daquin and the editors at Indie Blu(e) Publishing have worked their magic once more in raising a powerful chorus of voices.

Daquin is a woman who has always sought to empower others from the first moment I became acquainted with her work and her nature. I also cannot think of a better person and writer to spearhead a body of work which celebrates love between two women. 

The writers and styles within this collection, which Daquin has woven seamlessly together, are varied – eclectic and powerful yet with the same, strong undercurrent coursing through every piece that this is what love looks like.

It is possible people will read the sub-heading of SMITTEN and assume this is an exclusive collection; only accessible if you are woman who loves or has loved a woman. But, what is truly wonderful is this isn’t true at all. Instead, SMITTEN holds and nurtures love poems to be read and enjoyed by anyone. After all, for centuries, we have consumed and enjoyed love poems written about women, by men. Why should the fact that the poet is a woman cause the response to be any different? 

‘Testimony’ by Carolyn Martin is one of the best examples of this. The nature of love and relationships does not suddenly change if it is not heterosexual; the essence of loving someone beyond belief even on the days they annoy you to distraction, remains. 

However, even though SMITTEN is not exclusive, it must be recognised as an anthology paving a new way for literature. All of the writers are female and all of the subject matter is female, lesbian, bisexual and more. Pieces such as ‘Lesbian’ by Avital Abraham and ‘Pulse’ by Melissa Fadul drive home why Daquin’s decision to create a collection like this is needed and welcomed. 

Too often we sideline LGBTQ+ work as a genre of its own, when it should be mainstream; literary works which are written by people to be enjoyed by people, no matter what their race, sexuality, gender and/or religion. 

Yet, until this happens, I applaud Daquin and Indie Blu(e) Publishing for brazenly making a stand. Until labels are but words and not identifiers, it is important that writers like those in this collection share their voices and stories, ever-lasting love and heartbreak, and their hopes and fears, to remind the literary world they will be heard, no matter what the response may be. 

Kristiana Reed August, 2019.

SMITTEN will be available this Fall via all good book sellers. For bulk orders, ARC copies or more information please contact Candice Daquin or Indie Blu(e) directly or go to the SMITTEN Facebook website

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Shadowlands

Sorry for the fade in my voice

but I’m not really here

I’m standing with you, among the fir trees

watching mango sun pray her rays

there is a voice in the air

singing a song of us

I was, I am, entire when

you are with me

I am, I was, whole when

you exist

we are together even as we are not

I am on my own again and you are

rounding the corner coming into view

it is our destiny to be pushed and pulled

like dancers from a stage

where the lights have of them, made

a kind of madness

you stand being absorbed by my

attention

it never waivered

you called me a laughing girl and

I put a gold chain around my waist

and told you, this is your chain you can

pull whenever you need me

the chain broke

the tree dropped its lemons and froze last Winter past

and you lie in my bed

with your caramel and your velvet

I dance for you

I open the curtains

and we set fire to the street

with our cries

i’ve got my mind fastened on you

play another record

don’t stop now

there’s the rest of our memories

to repeat

before the day is dark

and you have turned again
to shadow

Grace

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If I am anything at all

I am yours

as the sun seeks the center of day to roar her rays

and sake world in golden waves

as earth breaks apart and mountains form

beneath water like temples surge

as your eyes hold me in their sway

the black of them, the holy place

as life lives beneath my skin

only when you seem to exist

there are times

captured and lost

never truly revealed

beyond our understanding

a chime of circumstance and gods

you are the priest to my implore

a song sung in aching hour

the fingers I let loose my soul

you are my gravity

you with your violet and your indigo

soul

there are places so beautiful my breath is stole

yet nothing, nothing, nothing I have beheld

can take the place of you in my heart

you are the missing part

you are the beginning and the circumference

even as I feel your knife

I cleave that much closer

it is my ritual to seek only

that place I call home within your own

we came from the same place in time

I was born of your need to be eternal

without proof of life

I exist and I perish

upon your word

you, the one I turn

you, the birth of me

you, the missing link

you, the key I wear

around my being

let me or deny me

I seek despite myself just one

who will never diminish nor could be

equalled in my heart

for some of us are old fashioned in devotion

a thorn could not penetrate more

that sea within me carrying your salt

if stained glass were more radiant

if storms could pulse with pinkening lore

if the world could find words for such things

I would still be

bare foot running the long mile separating now and then

then when you were my everything

now in the absence of peace

hither no meaning made itself known

for only in your arms I know

that steady belief and spiritual home

strike me dead the day I quit my faith

you are my goodness, you are

my grace