Two opposite ends of the same breakage

I a child

asked her, an adult

what does it take? To be merciful?

How much effort? Will it hurt much? Why

doesn’t the whole world

try?

And she, an adult

fiddling with her rings, two on each finger,

because she had run out of places

to exhibit her finery, her sophistication,

she, thought of where she would go

when she left our run-down, poky house

and did not return for supper

and what she would do

when she wasn’t weighed down

with runny nosed children and yellowed aprons.

She, who has the mind of three bright men

and a heart that did not really hold space

for people who could not spell, or those who were

slow, ones who did not impress, their light not bright

but stuck in amber, she said naught,

for she liked fine things

over much

and that did not include

wellington boots and children’s well played with toys

dragged through muddy pathway, leading to small houses

where there is life, oh laughing, gainful life, but raw with

the knuckles of everyday, up to their elbows in greese

and the machinations of surviving.

I, a child

asked her, an adult

what does it take? To be merciful?

watching the baby bird, turn to bone and feather

beneath the great conker tree, its crimson roots

like great yawns beneath moss, reaching through

heavy clouds with the hands of imploring worship

and life

so harsh and unwilling, to include ‘fairness’

would steal away humanities belief in kind deeds with its

brutal parsing

which is why , my grandmother, sitting on our stoop, paring apples,

with a sharp knife inherited from her father

told me once

(and she could never spell, for she left

school early to work in poorly paid factories

only once managing to get through

The Communist Manifesto).

Child, we must be good, we must be kind.

For nothing else knows how to be, they simply

act upon their instinct to survive. Like

the lambing season, when a new lamb is

born and the mother dies, we turn our eyes

heavenward but there is no tenderness, only

the brutal knot of nature, felling her herd

till balance is restored. Our human hearts

with our aching over suffering, fit poorly

with the callous hand of nature, she must

cull with her sythe irrespective of who deservse,

there is no mercy as we know it, in this

whittling of life. Only those who survive

and those who do not, dying in bleached

bones by the thoroughfare of our journey.

I thought then of you, with your

fine clothes and your well trained mind

and empty rooms filled with piano playing ghosts

how you were

much like the nature I saw around me

beautiful, wild, out for your own gain,

surviving at any cost

and I

the strange flux of humanity and terror

seeking to be merciful

among the debris of our eternal battle

with light and dark.

I knew then, why you despised me

why I loved you

it is like the fable of the scorpion and the frog

it is your nature

to sink deep into the foaming earth

showing only your glacial tip

as it is mine

to seek mercy, in unyielding hearts,

two opposite ends of the same breakage.

If we always run from being stung, in Summertime

sometimes we miss out on dawn

thus we must permit

the risk to gain, a possible reward

high in silvering trees

where the sleepy bears

hide their honey.

First & last

s-l1600

“Everybody’s talkin bout it
Only the echoes of their mind                                                                                                           I’m going where the sun keeps shining. Through the pouring rain”                                               Nilsson (from the incredible film, Midnight Cowboy)

 

The ghosts

in blue mountain mist

when early morning

without mask of sleep

hiking the trail

moss, lichen, turning with seasons

from brown to red

snails leave their silver lines

bugs shed wings and legs

all becomes humus and is recycled

air remains still, days elongated

the stone in the field

is in the memories of many

who use it as their gravitation

where they first kissed, sitting atop the world

thinking themselves the only ones

when it is the stone, smooth with wear

coarse with textures varied

who gives them their fantasies

pearlescent when wet, like the moon

nestled in long grass

its reflection held against sky

I hear birds waking

crying to an unforgiving bird god

their beaked woes and delights

and the worm waits for false patter

to rise and be consumed

a ritual, as anything

the dust of ceremony, rising and falling

jewels encrusted in boulders

black earth laying deep and gaping

as open-mouthed children

stare at bewitching cloud formation

and wish to inherit the future

as their parents

dream of retracing

the lowing

of their former lots

The ghosts

in blue mountain mist

when early morning

without mask of sleep

I feel your absence like

blunt knife run along my spine

in the fallow chapbook of my heart

quivering her spent arrows

as I strain my neck in search

of ways to forget

the goats and sheep remain

black and white finger paint against

yellowed grass coarse as raw silk

a sharp outline of grief blurs

the edges of what I see

where you have all

gone

your lives full

and mine empty with echo

I think if I can ever reach the feeling

maybe I’ll join you

where it glitters and preens

like a girl catching herself

in shining mirror of

first times