Back to life

What is this place that one returns to?

for some, possible, easy even

to put aside a person, shelve them with other memories

like a box of postcards growing yellow

whilst I was always the girl who climbing on top of boxes

found the postcards and brought them down

splayed like restless tarot on my lap

try to fathom, walk back into time

absent people, love letters sent to

girlfriends now married, unrecognizable

childish handwriting, burst of emotion scored in yesterday’s colors

I have always liked stories and wanted

to read the secret histories of those

who would not share them with me

so your letters I had to put

in a green river one by one

for fear if they were not wet and destroyed

I’d read over and over til you came back to life

finding myself

running lonely highway to your home

knocking on your still familiar door expecting to see

your living breathing face, cheeks infused with color

smiling in that way only you did

when I stood before you.

When someone has died

they steal air from the room

leaving behind closed windows

rattling against wind and chill

you have to go in with heavy shoes

make noise, shake cold from your bones

open them wide until pure sunlight

blinds primal darkness

I recall

how your hair looked when

sun stroked it in streams of light

how unbroken perfection of your skin

resembled fruit, summer time and children

lolling about in gardens upsidedown, tongue out

though you were older, I always felt

protective in that way I imagine a parent may

reaching for their child, smelling joy and motion

of their life laid out ahead in patient sillouette

I have always been remote and stood away

from frilled crowd with hidden daggers

content to observe and only participate

in flung arms of dancing and those raw easy things

not requiring sustained inspection

it takes a lot for me to wish

to share myself with another

to open up those parts of me, I struggle to reconcile.

unceasing criticism can close off even the thirsty traveler desperate

to sit by warming fire and stoke shadows to divination.

With you, we were two unsupervised kids

sitting on the dusty floor of my attic

opening boxes of memories with fearless hands

we talked without fear, then as

day began to show her pink slip in sky

I’d take your slim arm and lead you

into my bed where

light enveloped our heads like halos and we tasted the rapture of undisturbed acceptance

see in the eyes of one born of me

part of you

our mingled DNA taking lilac wing

in the electricity of love making

I could smell you on me afterward

and loathe to bathe

stayed writing by the window

watching you cycle away

the strong muscles in your skinny legs peddling like

knock-kneed urchin

turning the corner

always leaving

the circumfrance of you behind

radiating on the road

like a mirage

and in my hair and on my body

a ghost or whisper of

someone absent and close

if I could have kept you safe

or stopped time

but the heart is a closing flower

once damaged she ushers her dancers

fold into velvet, trap the dream

we were strangers, then siblings

of sorrow and laughter

like night and day play

on the fringe of their fading

your dusky skin against my pale

never enough time

to say what I wanted to say

in language untranslatable

to mortal minds

we existed as pollen

carried on high wind will

strike new life into that which sleeps

drousy and given over to liquid day

and I have never returned to that place

without a throat full of pain

wanting to call your name

hear your return

the indent of your existence

anything but

silence

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Want & Ritual

Helmut-SPREAD-6FI grew up fetishizing

the nubile antonyms of beauty

Helmut Newton’s exploitation

penis behind camera stroking

sloe-eyed girls with tired mouths

smoking yellow papered Gauloises

nipples grazing peach crinoline

men’s eyes like dry stones, seeking squeezing

I grew up thinking

contortion and bondage was

an art form not

excuse for masochism

as unsupervised child, I’d look through

graphic design manuals

that inexplicably had vulvas and

perky breasts

to illustrate Pantone

it was after all

the seventies

what did I know? Except

women on beaches without tops

giving me francs for not spilling their dirty martini’s

Mon sucre d’orge, sois gentil, va me chercher mes cigarettes

always gentleman watching

the rise and fall of female throats

nicotine mouths, stained vermillion

long tan legs swept beneath chiffon

men taking them to hotel rooms

children

smoking the leftovers whilst adults

fucked behind closed doors

wondering

when I grow up

how can I lie beneath

a girl whose sweat glistens

like marzipan

and if she should

sip on me I think I’d scream

all my silver bracelets falling off

like metal flowers on hotel carpet

after all

life is a film

where we tie ourselves up

with want and ritual

The wounded eyed girl

15Before I knew myself, uttered out loud the words

labeling me a this or a that or a who knows?

I developed feelings for a wounded eye girl

we were kids really, dressing up as Japanese geisha in my room

all festooned in asian print and a little tea set I got for cheap

from china town

we wore chopsticks in our hair and bowed ceremoniously

singing the only song we knew in Japanese

with The Mikado playing in the background

I liked her thin arms and her prominent nose

her knock knee urchin look and bandaged soul

I liked how strong she was even as she looked like she’d fly away

most of all I was attracted to her wounded eyes

for there is something heady and bewitching in

pain

and its infinite manifestations

we’d dress up, I would paint her lips scarlet, we’d put on

funny accents and roll on the floor looking up at glow stars

I still had stuck there with movie posters of vampires

she would fling her arm out across my chest,  tell me of herself

pouring out the suffering of her short life

and it was an awful life before she was

brought to this city we lived in, both from somewhere else

transplants, orphans, ghosts of ourselves with missing DNA

she would tell me of her homeland, how

her father beat her black and blue for

being a girl

why as she got older he took

each of her sisters one by one

and they didn’t come back

whole or even

well repaired

I wanted to lick the pain from her cheeks and hold her to me

until the wound healed

but nothing I could ever do would assuage

the wounds behind her dark brown eyes

so we played as little girls do

building camps and tepees and western saloons

once I played a prostitute and she a cowboy

I cocked my head, snapped a red garter and asked her;

want to have some fun soldier?

she laughed, such a lovely laugh

her black hair and coffee skin, shining with fantasy

she didn’t like being herself anymore than me

we got into our pretend saloon bed

I served her a pretend shot of whiskey

acted ‘saucy’ the way I had learned from TV

she rolled her eyes laboriously like a comedian winking

pulled up my petticoats which were real

and at one point had been my mother’s wedding dress

when she married my father, bare foot and broke

with a velvet ribbon tied around her neck

and our fingers explored each other

as we giggled and changed our voices to all the favorite

TV characters we knew

I think I even tried to be Sue Ellen

I wanted to tell her then, not to stop

to press my mouth to her pomegranate lips

touch her swelling breasts with my own lack of

run myself like a cat across her saffron skin

but even then I knew

damage makes bad bed fellows

we soon changed the game, to cops and robbers

climbing out of the window, swinging from trees

though in every story

there was an element of romance

I thought of the old shows I loved

where the actors were always

dancing around the circumference

of each others heart

how in real life sometimes they married

I told my father; Oh see! Oh see! pretend things can come real!

but some cannot

and she and I grew up

once she told me she had always known I felt like that

I blushed dark red because of course

thinking I’d been subtle when watching her changing clothes

she married a blonde haired man and moved to Australia

had a little boy and hopefully

a ceasing of her alotment of pain

because more than anything I wanted that for her

even more than the beautiful moment

of two girls

laying in sunlight

laughing at imagined things

for the rest and peace and escape

of anything real

 

Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

Fear for a child is very different to the adult and exactly the same the child inhabits another decade, in the past, another life before they knew they were who they become the child wets the bed because she misses her mother who is beautiful, ethereal, slender and absent the smell of her still lingers […]

via Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

1995 was

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long sweaters, color of grey clouds

wet wool beneath leggings and Docs

the way rain stayed in your hair and rinsed it of color

how you kept every love letter ever written

by all the little freckled girls who chased your dragon

we lay in your narrow bed

too small but small was what we were

breaking every splinter

in our roar and our mocking

you implanted a life

the telephone gave the news

my grandmother had given up pretending

perhaps the devil helped her

take that final breath

I couldn’t get a train

the rain the rain

you felt the despair of a boy who liked

the fur of drama

not the feel of fatherhood

her funeral was for two

the woman who had held me and said

what a pretty baby

when the rest backed away

like spectators unwilling to touch

and then there was the fetus

dry like a winter flower

red like a sore lover’s thighs

white like virgin snow covering

a crime

and the smell of damp

invading every corner of your room

ransacking hope

leaving in its wake

Smashing Pumpkins on low

sheets frayed and stained with youth

I did not return

you did not ask

it was accepted like an envelope is sealed

and black birds begin their fight

long after night has cast

her dark

I knew my invisibility- Candice Louisa Daquin — Whisper and the Roar

I knew my invisibility when the lady next to my mother in the nursing ward took me in her arms out of pity for there was nobody there who cared to rock a crying child , who was not wanted by hedonists who erred in pregnancy I knew my invisibility when my mother tucked bus […]

via I knew my invisibility- Candice Louisa Daquin — Whisper and the Roar

What I learned from my father’s girlfriends #1 Mariana

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Mariana was nineteen and built like

a short Bogotá cigar

her skin was buttery and she

used a lot of lip gloss

in those days every woman worth their salt

had a Princess Di cut

Mariana, 5’ft nothing, full of contradiction

Columbian girl with English Princess bangs

she spoke using long consonants

her teeth were crooked but very white

her breath smelt of chocolate and hairspray

she said; sé una buena niña y te daré un dulce

so nicely I couldn’t be naughty and disobey

we read books together, learning the same words

when my father got home she delighted him

with a South American sauce

I wanted her to be mine

to keep her with my marzipan frog

on my mantle

where she’d fit right in and squat

watching over me when the night grew dark

I didn’t want her to leave

the day it rained and she boarded Air Iberia

in a yellow slicker and tight Gloria Vanderbilt jeans

I’ll write you mi Amor she called

a yellow handkerchief tied around her neck

reminding me of 1970’s air-stewardesses

crying more for the loss of me than

my father, already checking out arrivals lounge

for a time I received

Little Twin Stars and Hello Kitty

perfumed notes with bubble handwriting

until I forgot too, her words of endearment

she was like my marzipan frog

who disappeared one day

years later I found out

he’d rotten being kept too long and been thrown out

just like children cannot understand

the whims and fickleness of

adult love