Steel eyes

Why

don’t older people

express their despair

as much as young?

Do we numb ourselves so much?

Shame? A mask we don

to pretend we’re well

when everyone knows

ageing doesn’t bring respite

from demons.

It is the singular reason

aside chubby cheeks

I wish to be

16 again

for all the friends

who unknowing of pains

to come

had the tenderness

of a hundred, 40-year-olds

who have seen

and are

gone

into their

steel eyes.

It interests me to recall how much time a young person will give someone who is upset. There’s visible difference between what a young person will say and do, versus an older one, that I think has nothing to do with becoming more mature. Older people have little tolerance for depression. You would think, based on this, older people suffer it less, though we know this isn’t true. Is it to do with hope? Societal shaming of seeming weak if over 25 you still give it your time? I always wonder what those over 40 do by way of finding support and people ‘hearing’ them, when the entire world seems to shut you down by a certain age, including yourself.

Advertisement

The nadir of naught

It’s very difficult to write

when you are depressed

when you know depression

isn’t fleeting

isn’t because something happened

but the same as

a piece of string

will get affixed to tree limbs sometimes

and despite all effort

not be able to get

free

O

I envy (you’re not supposed to envy, but I do)

those without this malady

the world would call them stronger

they may blush slightly and say

aw shucks it’s a lottery isn’t it?

I could be just as glum as you if

my dog died, if my car broke down

and in those instances I want

so much to say

nononono

that’s not it

at all

it’s crying on your wedding day

from pain not joy

it’s feeling strong at a funeral because

the wires in your head don’t fire right

it’s understanding you’re going to have to try ten times harder

just to stand and be counted

and even then

you may wish

not to be counted

because perversity

is the twin

of sadness

she breaks you into shards

snickering as you

flail to put things back

It’s very difficult to write

when you are depressed

when you know depression

isn’t something you can push through

like your MFA teacher bid

one night when you contemplated

cutting your wrists with broken pottery

almost on a lark when hearing; try to work smarter!

desperation surging unbidden

fast and dark like unfiltered coffee

always leaves its gritty mark

on the ennui of fileted souls.

(This is for all those who were ever shamed for being depressed and having depressive symptoms, for feeling they were ‘less than’ because they could not function seamlessly as others appeared to. I see you. You are counted).

Tempera

Query feels like a brand though it comes with veil

the doctors say, phantom pain becomes step mother

to fragile veins

first one to freeze come a cold snap

ready for tindering a bristling fire

at noon I want to eat warm eggs from your palm

touch your vermillion paint brush to my own face

feel the render of tempera against parchment

without any contempt for you, I wish you gone

but ink dries fast in the cold, it’s a myth it takes a warm day

to run a bath and slit your wrists

they never ask why, only how

the fire trucks blink like fallen damsons on melting streets

it was your enemy knocked on the door, broke it down, carried you out

not laughing at your slack form, the way your hair when wet

thins into dismal life line

the bequeath of surprise leaves us wordless

I with my bandages, you with your newly found soul

the sweetness of sharing this clementine center almost makes us forget our mutual hatred

to burn in respective votive, prayed to by sinners, also cherishing the role of loathing

dying is a slow storm, coming in squall, lost to its own menace

we leave the phone off the hook and become masks affixed to unpainted wall

maybe the next inhabitants will lift them gently from their nail

and remark before painting

that they left no shadow

Bulletproof

(Inspired by reading Cordelia Feldman’s novel In Bloom, reviewed after this poem).

When the rush comes

questions like: Why are you doing drugs? Are you an

unhappy child?

Do you realize how inappropriate it is?

Bad choices lead to worse choices. Slippery slopes. Killed brain cells.

Those questions seem irrelevant

for, that which you have searched

seemingly before awareness, birth, first flickering

is surrounding you and the fucking magic of it

is holding sorrow so far away

you can’t recall the last time you felt its fingers

closing around your throat in possession.

Yes sorrow

misery, self-hatred, dysfunctional thinking, dysthymia

depression, malaise, disorder, horror, they

have long sat at your scarred table

munching on your best intentions

not to throw yourself from a bridge

just because every day is so painful.

Parents show the whites of their eyes

like distrusting horses being inspected

for cavities and you are the hole

they observe without looking

wondering how they birthed

someone so strange, unexpectedly unwell

did we not take enough pregnancy vitamins?

Was it more like my ‘funny’ uncle and how he never

seemed quite right?

Blessed, tainted blood

that’s not it

anymore than sexual abuse or

quiet pinch of undiagnosed learning disorder

when there are cheery-faced celebrities proclaiming

their cured malaise, even as they grew up

in fire

therefore, it is not

the firing, how deeply you set, how many cracks

it is more the knife of life

cutting you open

silence surrounding before

you knew you were alone

a haunting long before words like

‘intrenched’ and ‘affliction’ were commonly nailed

like scarlet blooms on thirsty cacti.

Sorrow, you were flowing in my blood stream

like an unbidden life, wishing to suck mine out

marrow and all.

There’s only apologies

for not being able to be what you want me to be

grieving for the perfect mess made when I was doing my very best

not to cut myself to ribbons

and as self-hate dances with a wish to

pull hard on the string attached to light bulb

and just blink out ….

music and its phantasmagoric wonder

infiltrates darkness with a tender mercy

potent keys of a piano played on an empty stage

seem to possess a furtherment.

You, who sup at the high seat for well-adjusted

cannot really fathom, aside in dusty theory

the every day battle with spirits resembling

skewed reflection and how when joy arrives

soft and cloudy, she is split savagely

by the very strength of your inner tenency

to plunge headlong, when you want to do

the opposite.

Fate lifted me out of the car gently

like I meant more to him than a one-night-fuck

and maybe thinking back, I was

precious

in that turkish delight moment

softened at the edges by

little blue pills.

If I die in ten years from some malady

will you point your frozen heart at me

and say; “Her bloody drug use killed her”

without recalling

without it

I’d already be nourishing trees

with my life blood.

Will you state: “She was weak because she

couldn’t cope without them”

forgetting, we do what it takes

to stand upright, pulled from the inside

skins flayed on electric lines of penance.

For our generation, for some of us

those who didn’t yet know how to

put words to how we felt

the holes in our fabric

those diminishments

only worsening with perpetual self-reproach

(after all, didn’t we have a roof over our heads?

How the hell could we be so ungrateful?

Do they say that to people with cancer?

Only the smokers I think, we are banished

to the smokers ward if we suffer from

depression, they put us down as incurable

and slightly pathetic and faces turn away

like cliffs beckon our swift feet forward).

I danced beneath strobe lights, proud of reaching

19 and not having taken anything stronger

than weed, my iron will a contrast to

my crumbling will to live, sometimes

it fascinates me. He whispered in my studded

ear; “I know you disapprove of hard drugs but …

and like a violin played accutely until

you find yourself crying on the other side

of intensity, I saw the futility of holding back

how ‘good behavior’ didn’t work with the model

of suffering experienced daily, another way of

saying it was

fuck it

the pill was bitter like

poison

and returned me someone

I had not met in many years

happiness flooded my bloodstream

I didn’t care it was artificially induced

all moods are, all behavior dictated by

the flow and ebb of chemicals surging

in our amygdala.

Why do some of us fall so far?

When others seem oblivious of

sorrow like it’s a thing to bring out

at funerals and nothing more? Can we really

reduce it to ‘failure‘ and ‘success‘ and affix the

ugly admonishment forever, like kicking

someone all the harder once they are down?

The self-loathing and condemnation

invariably accompanying perpetual sadness

lifted like a shroud and music entered

my blood stream with an invoking joy.

Many years later I read about ‘self medication

and thought as a professional

trying to help people who felt

like I did / alone / worthless

how trite labels and ‘understanding‘ in general

was.

I’d write you a book of my foray with drugs

if it didn’t cause you to condemn me

then again

you already have

so why not?

Don’t throw stones

at glass

houses

unless

you’re bulletproof.

Cordelia Feldman writes on WP and has published her first book of fiction In Bloom. She’s a magnificent person and a genuinely beautiful human being. I urge you to purchase a copy.

In Bloom

I didn’t know what to expect when I purchased In Bloom. That can be exciting. I purchased it because I have followed the author Cordelia Feldman on her blog for many years. As a publisher/editor I tend to get high burn out for acquaintance reads but this was not at her behest, I wanted to read In Bloom, because the quality of Cordelia’s writing and humor over the years has often left me astounded.

In Bloom is semi-biographical set-in mid teen hood. Which might seem odd at a time when the adult author is struggling with metastasized cancer since her mid thirties and this has taken such a chunk out of her valuable life. One might not be blamed for thinking she’d write about a later time in her life. However, if the reader has ever had a prolonged battle with their health, they will intimately appreciate the difficulty of ‘going there’ and the positive impact of focusing on other things. In addition, the challenges a writer has to accurately reflect her past self, something few do realistically and Feldman excels at.

Cordelia has in her blog, done a monumental job of focusing elsewhere, she’s ‘bloomed’ in the years since her cancer diagnosis despite all obstacles. Her infectious optimism, her attitude of caring for others even as she suffers, the way she brings humor out of the darkness, and her undefeatable intelligence hook you from the start. With each blog post she refers sardonically to a book title, often obscure, and that quick mind of hers is as agile now as those who have never experienced a days sickness.

Likewise, with In Bloom, a little gem, a veritable Pandoras’s box replete with humor, nitty-gritty mindful observations, completely lacking in self-pity and with so much to evoke and fascinate. Why fascinate you may ask? Many of us can directly relate to being a teen and going through much of what Feldman has gone through, but many cannot. This is both a warning and a true invoking of a time in history and a type of lifestyle for the young that Gen X’ers and perhaps many others, can appreciate.

Just as we can put an album on and suddenly go back in time, In Bloom takes us to the tawdry experiment called youth and provokes some intense feelings about why we do what we do when we do it. For some, drugs are a clear cut no, no path to hell. For others, they’re a rite of passage. My personal take on it is; drugs are a gateway, to growing up and moving on, but for some, a gateway we don’t regret, nor judge.

The club scene of the 90s in the UK was spectacular and for many young things, going out and dancing all night on Ecstasy was the most fun they’ve ever had. If that makes them sound sad twenty years later, well you weren’t there. The clubs had such atmosphere and comradery that it was impossible not to see them as Magic Faraway Trees of their time. It might be like trying to explain to a non-drinker why a drink can feel so good at the end of the day. Or try telling your parents the Sixties weren’t a revolution.

All the proselytizing in the world and nary a judgment cannot convict those hearts who bloomed in that era and recall it with fondness and a little embarrassment. If you imagine ecstasy earned its name through hard graft, and lived up to it, there’s nothing shabby about those Turkish delight infused experiences anymore than throwing rocks at the Beats Poets for their dabbling with the illicit.

Feldman writes hypnotically and with great alacrity, understanding the mind set of the teen to an uncanny degree. Her intelligence as a writer is evident, but so is her sage wit. Feldman conjures a time that has passed but we can all to some extent, look back on. However, this is not all she does. In Bloom isn’t merely a celebration of taking drugs at raves, that really wouldn’t begin to give it its dues. In Bloom is an evocation of a young woman’s experience with mental illness.

Do drugs cause mental illness? We know they can but more often they exacerbate or draw out, what is already there, for chemical and hereditary reasons. We don’t truly know the myriad ways mental illness occurs, just that it does, and for so long, it was judged and condemned without trying to be understood. Feldman attempts understanding through description and succeeds admirably, in her gentle nudging toward insight through the stumbling’s of the newly initiated.

The main character of In Bloom is clearly a composite of the younger Feldman, but she’s also a character in her own right. Her experiences are not mere autobiography, she and her cast of bandits are all fully fleshed out people existing within In Bloom and they make you care about them, despise them, cheer for them. Do not forget 17 is the age mental illness will begin to rear its head irrespective of whether you are downing E or lemonade, although of course, the reaction with the former will be more dramatic and so it is.

I rarely want to stay up reading all night as I used to because I read for a living. But In Bloom was that notable exception, as I feel it will be for many of us. Before being tempted to cast stones and accuse Feldman of glamorizing drug-taking or blaming her cancer on her previous actions, consider the truth. We don’t get sick because we dabble with drugs as kids. We don’t start doing drugs because we read about them in a book. Pain has its outlets and kids know that well. There are deeper issues here, ones that In Bloom cannot speak to, but we all know they exist and we all know life is far, far more complicated than what we see on the surface.

The ultimate value of In Bloom lies in my knowledge that I would have enjoyed this book immensely whether I knew Cordelia as a writer beforehand, or not. Her skill as a writer has never been under question, she has proven her worth time and again with her tapping into the amygdala of her readership. Her intelligence as a thinker on this planet, is beyond refute. I only wish deeply that she were given time to write more, as I suspect, in Cordelia Feldman we have a voice of our generation.

Submit your work to these two anthologies


BUT YOU DON’T LOOK SICK: THE REAL LIFE ADVENTURES OF FIBRO BITCHES, LUPUS WARRIORS, AND OTHER SUPER HEROES BATTLING INVISIBLE ILLNESS

AND

THROUGH THE LOOKING GLASS: REFLECTING ON MADNESS AND CHAOS WITHIN

Indie Blu(e) Publishing is thrilled to announce that we will be starting off 2021 with sister anthologies, But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness AND Through The Looking Glass: Reflecting on Madness and Chaos Within.

The focus of But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness will be on writing and art from those living with a chronic but invisible physical illness or disability, such as fibromyalgia, lupus, multiple sclerosis, cancer, digestive disorders, chronic fatigue syndrome, diabetes, migraine headache, dysautonomia, etc.

The focus of Through The Looking Glass: Reflecting on Madness and Chaos Within will be on writing and art from those who are living, or have struggled with, mental illness such as mood disorders, anxiety disorders, eating disorders, personality disorders, post-traumatic stress disorder, or psychotic Disorders.

Writers and artists are welcome to submit to either, or both, of these anthologies as applicable to your lived experience.

Given the high volume of submissions that we are expecting, we ask you to follow the submission guidelines as closely.  If you are submitting to both anthologies, please send your submission in two separate emails.  We will begin to review all submissions after January 1, 2021.

Please note that we are not able to offer monetary compensation or free print copies to contributors to these anthologies; however, all contributors will receive a PDF copy of the anthology they are published in. Indie Blu(e) Publishing has prioritized the accessibility of our titles and providing an outlet for artists and writers who might not otherwise get published over profits since we first launched in the fall of 2018.  Keeping 400 and 500 page anthologies affordable globally in a pandemic is challenging.


This image has an empty alt attribute; its file name is for-mailchimp.png

But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness

Anthology Submission Guidelines

SUBMISSIONS ACCEPTED: December 1, 2020 through December 31, 2020

SUBMIT TO: IndieBluSubmissions@gmail.com

SUBJECT LINE:  But You Don’t Look Sick Submission

SUBMISSION FORMATTING GUIDELINES 

  • The maximum number of pieces for submission per writer/artist is six (6).
  • Writing may include poetry, prose, short fiction, essay, and/or creative nonfiction
  • Individual pieces of writing should not exceed 1,000 words
  • Writing should be submitted as a single Word attachment to your submission email.  PDFs are the acceptable alternative if you do not have access to Word.  
    • Please use either 12 point Arial or Times Roman font with 1.15 line spacing.
    • Individual pieces of writing in your Word document should be titled, and separated by Page Breaks (not hard returns). A page break is achieved by using Control+Enter.
    • Special formatting is strongly discouraged.  Bold, italic, and multiple font sizes in a single piece are acceptable.
    • Please title all attachments starting with your first name,last name.  
  • The exception to this is if you design your submission as a ‘camera ready’ JPG or PNG image that we can import into our publication as we would a photo. In that case, you may use any formatting you wish, but the image must be crisp, 300 DPI, and able to be reproduced clearly in black and white. If in doubt, please contact us at IndieBluSubmissions@gmail.com before submitting.  Your ‘camera ready’ writing must be accompanied by the text in a Word (or PDF) version.
  • Artwork submitted for the Anthology must be crisp, 300 DPI, and able to be reproduced clearly in black and white
  • You will be notified if your work is accepted. Please do not consider non- acceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.
  • All contributors to the anthology will receive a PDF copy of the finished book

BIOGRAPHY: All submissions must include a professional biography and cannot be adjusted once submitted. Bios should be 75 words or less long and may include your social media links.

You will be contacted directly through your email when your work is safely received for submission.  If your work is accepted for the anthology, you will receive an agreement letter that you need to complete fully, sign and return to us within 10 days. 

PREVIOUSLY PUBLISHED WORK We will accept previously published work but must have written permission by the previous publisher attached with your submission if they retain rights to your work.

If you own the copyright, your permission and the date and title of the previous publisher must be included at the bottom of your submission. 


This image has an empty alt attribute; its file name is call-for-submissions.png

Through The Looking Glass: Reflecting on Madness and Chaos Within

Anthology Submission Guidelines

SUBMISSIONS ACCEPTED: December 15, 2020 through January 15, 2021

SUBMIT TO: IndieBluSubmissions@gmail.com

SUBJECT LINE:  Through The Looking Glass Submission

SUBMISSION FORMATTING GUIDELINES 

  • The maximum number of pieces for submission per writer/artist is four (4).
  • Writing may include poetry, prose, short fiction, essay, and/or creative nonfiction
  • Individual pieces of writing should not exceed 1,000 words
  • Writing should be submitted as a single Word attachment to your submission email.  PDFs are the acceptable alternative if you do not have access to Word.  
    • Please use either 12 point Arial or Times Roman font with 1.15 line spacing.
    • Individual pieces of writing in your Word document should be titled, and separated by Page Breaks (not hard returns). A page break is achieved by using Control+Enter.
    • Special formatting is strongly discouraged.  Bold, italic, and multiple font sizes in a single piece are acceptable.
    • Please title all attachments starting with your first name, last name.  
  • The exception to this is if you design your submission as a ‘camera ready’ JPG or PNG image that we can import into our publication as we would a photo. In that case, you may use any formatting you wish, but the image must be crisp, 300 DPI, and able to be reproduced clearly in black and white. If in doubt, please contact us at IndieBluSubmissions@gmail.com before submitting.  Your ‘camera ready’ writing must be accompanied by the text in a Word (or PDF) version.
  • Artwork submitted for the Anthology must be crisp, 300 DPI, and able to be reproduced clearly in black and white
  • You will be notified if your work is accepted. Please do not consider non- acceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.
  • All contributors to the anthology will receive a PDF copy of the finished book

BIOGRAPHY: All submissions must include a professional biography and cannot be adjusted once submitted. Bios should be 75 words or less long and may include your social media links.

You will be contacted directly through your email when your work is safely received for submission.  If your work is accepted for the anthology, you will receive an agreement letter that you need to complete fully, sign and return to us within 10 days. 

PREVIOUSLY PUBLISHED WORK We will accept previously published work but must have written permission by the previous publisher attached with your submission if they retain rights to your work.

If you own the copyright, your permission and the date and title of the previous publisher must be included at the bottom of your submission.