Then, now eternal and beyond

When is the sentence? When the rule?

Is love only for the young? Passion denied after certain decade?

Does lying in the afternoon, tangled in our creased movement, somehow cease at certain juncture?

Removed and lost, replaced by sensible conversation and larger lunches?

No sag permitted? Desire given a codeword only known to the young?

Do ladies of a certain age still splinter into starlight and bursting, hold the rapture like a songbird?

I have seen wrinkled, grey women with pendulous breasts and spongy thighs

Take the best of a young man’s drawn in breath

With just one measured glance and turn of disobedient foot

Their steel hair aflame, the catapult of their sex burning on their jaunty lips curled in conquest

Surely there is no air left in the room

Surely he cares nothing of their scars and marks of life when standing over him

She is all woman

Full and robust like the wine he dares not serve for saving

She has no need of games or manifest

Hers is not a youthful, flighty, thinning regard

He will not love her for the firmness of her bosom nor quietly praise her convulsing hips

Instead, together they will turn ripe fruit to drink

And laughing, pour the marrow of meaning one from the other, sharing mouthfuls

A united confidence (we will both die one day)

A mutual understanding (but oh what fun we shall have till then!)

I see them

No longer shackled to status quo nor bound to social convention

Free as their clothes billow in the fulment of a second era

The one Jung promised held insight and yes

Abundance of desire, for we have laid down our vanity and gathered our applause

Lost in his ardent kiss and the meeting of them, drawn as one

Holding up the world and each other with humor and plucked string

Her smile reminds him of being twenty and then, not at all

Glad for his years and the sensation of her over him like a night time rose

Her perfume is from every corner, her touch a slow syrup poured in time to symphony

He is captivated by the folds her mouth makes

Eating pasta by firelight, cross-legged in mirth

She is at once the girl and the crone but most of all she is woman

Enfolding him inside herself like a conch with many windings

Her life can be told from the lines on her neck

There is the stillborn, there the hungry child pulling at her sore nipple, there the stretch of life roaming her stomach in silver marks

She smells like damsons picked late in the season

A little wild

He can lay himself down next to her and tell her his fears and she will listen

As she has walked this long on the same well worn road

Sometimes dancing, sometimes searching, always witness

He can dream whilst he rides inside of her without rebuke

She will submerge them both in her intuition till moon goes beneath cloud, silvery and wrapped in insight

When she cries out, he will bend to her need with the lesson of years and instrument

Not a young man with muscled body and formless brain

But a partner able to pleasure her with the depth he has finally sewn

Her eyes may wake red and tired but her laugh is deep and echoes throughout his day like ticker tape

Reminding him he has surely found at long last, a mate

And she, a friend, in this abyss of living, a hand

To clasp and be tugged back to life time and again

For theirs is more alive now than fifty years since

Running, slow and surely, after the dying brand of fire

Eclipsing the sunset with its incandescent glow

Her face enfused with light and he

Crying without knowing why, whispers in jagged pieces

His symphony of love

Then, now, eternal and beyond.

If I could give my younger self any advice it would be to say fuck off more often.” Helen Mirren.