In amber

You, unmaker of peace, wear your hat jauntily to the side

a dandy at appearances

i am incapable of wiping the smudge of regret

away in time, before

everyone sees my imbalance and points with

blunt, corrective finger—

there she is, she’s deranged with grief

surely torn mad

not yet. Maybe sometimes. In the damaged fur, just a bit…

this lingering thing called hurt

a purple tie around my neck and I hide my succulent scabs

behind silk blush, with the covet of a lover

and you? You are the abuser who with

toothpick, flicks detris from your life as

effortlessly as anyone without conscience knows

how to polish their shoes with another man’s shine

sometimes I want to cut your throat

with a very fine Japanese knife, I keep unused

in my emotional closet and other days I want

to use it on myself, such is the pendulate swing

and thumbless gait of grief, a sifting vignette of those in our photo albums

who smile, so convinced of a radiance. The other

day I thought of your determine, growing like wan poppy from souless sidewalk

thin feet, high hips, impossible secrets braided deep into tangled weft of your hair

eyes closed from me, turning in simmering amusement, some unheard world beyond blunder

like a tuning fork set high, your mavidad, a seekers entreaty, the

sea pearls of your hope sewn tight in seemingly empty pockets

if we drowned, you’d die rich and I’d float to gulp the waste of dreams

frothing there among the manifold immensity

it takes just one word, the swallow of truism and fakery, a broken pendant, emptied bequeathment, the ransack of joy

to master stoism and a stomach able to survive the pitch and vinegar of disappointment

in my head I hear your voice, its fine timber cresting Finnish land

and

I am the sot

gathered for wedding and funeral

spun into skin

held close and released

breathe me out

let me loose

where undertow has no purchase

to be weightless and the insubstantial

a feeling, a letter, washed clear of intent

just the impression remaining

something I left behind

in amber

Back to life

What is this place that one returns to?

for some, possible, easy even

to put aside a person, shelve them with other memories

like a box of postcards growing yellow

whilst I was always the girl who climbing on top of boxes

found the postcards and brought them down

splayed like restless tarot on my lap

try to fathom, walk back into time

absent people, love letters sent to

girlfriends now married, unrecognizable

childish handwriting, burst of emotion scored in yesterday’s colors

I have always liked stories and wanted

to read the secret histories of those

who would not share them with me

so your letters I had to put

in a green river one by one

for fear if they were not wet and destroyed

I’d read over and over til you came back to life

finding myself

running lonely highway to your home

knocking on your still familiar door expecting to see

your living breathing face, cheeks infused with color

smiling in that way only you did

when I stood before you.

When someone has died

they steal air from the room

leaving behind closed windows

rattling against wind and chill

you have to go in with heavy shoes

make noise, shake cold from your bones

open them wide until pure sunlight

blinds primal darkness

I recall

how your hair looked when

sun stroked it in streams of light

how unbroken perfection of your skin

resembled fruit, summer time and children

lolling about in gardens upsidedown, tongue out

though you were older, I always felt

protective in that way I imagine a parent may

reaching for their child, smelling joy and motion

of their life laid out ahead in patient sillouette

I have always been remote and stood away

from frilled crowd with hidden daggers

content to observe and only participate

in flung arms of dancing and those raw easy things

not requiring sustained inspection

it takes a lot for me to wish

to share myself with another

to open up those parts of me, I struggle to reconcile.

unceasing criticism can close off even the thirsty traveler desperate

to sit by warming fire and stoke shadows to divination.

With you, we were two unsupervised kids

sitting on the dusty floor of my attic

opening boxes of memories with fearless hands

we talked without fear, then as

day began to show her pink slip in sky

I’d take your slim arm and lead you

into my bed where

light enveloped our heads like halos and we tasted the rapture of undisturbed acceptance

see in the eyes of one born of me

part of you

our mingled DNA taking lilac wing

in the electricity of love making

I could smell you on me afterward

and loathe to bathe

stayed writing by the window

watching you cycle away

the strong muscles in your skinny legs peddling like

knock-kneed urchin

turning the corner

always leaving

the circumfrance of you behind

radiating on the road

like a mirage

and in my hair and on my body

a ghost or whisper of

someone absent and close

if I could have kept you safe

or stopped time

but the heart is a closing flower

once damaged she ushers her dancers

fold into velvet, trap the dream

we were strangers, then siblings

of sorrow and laughter

like night and day play

on the fringe of their fading

your dusky skin against my pale

never enough time

to say what I wanted to say

in language untranslatable

to mortal minds

we existed as pollen

carried on high wind will

strike new life into that which sleeps

drousy and given over to liquid day

and I have never returned to that place

without a throat full of pain

wanting to call your name

hear your return

the indent of your existence

anything but

silence

Blur (collaborative poem w/Tre Loadholt)

cccccc

Echoes of pierced hearts
Taunting evil deeds
Motherless child from a
Damaged womb

Breathless before God
And his followers
Atonement expires
Heat drenches a soaked soul

A sparrow breaks his wing
Black ash falls from the sky
Voodooed and seanced
A blur, a speck no one sees
Or knows

If you moved from colored bruise beneath silken pour of sleeplessness

Supple backed, dewy salt, two thrust on tiptoe, catching breath

Shards blending, fizzured pulse, ever and ever, tongued capture

Flush against humid glass, hold–pressing fierce crimson, disturbing numinous hour of sewing

Children with boiled seaside sweets, deep in their catkin singing mouths, dream of a dark cast–shrouding

Morning’s nectered promise, fed gobfuls of glib adult reassurance
insubstantial as fluttered dancers heart

Yet as I quit–the hingeless drug

Your smudged anger envelops, the stray chill of my shoulder

As a bandage will hold us, burned into place.

Until moths pick their way from water-painted cocoon

Feeling their way in inked shiver, milked squid, gesturing tresses

Your long goose neck–bent to catch, last wetting of ground

For rain begins her throbbed drumming, swelling in granite intensity

And I, shake my lethargy off
Pack pain in her paisley ring box

Tasting cyanide and fruit

In the orange peel of day

Chasing last whisper

Of her quiet running horror.

 

Collaborative poem by Tre Loadholt & Candice Daquin

Inspiration: Sylvia Plath’s “Ariel” https://www.poetryfoundation.org/poems/49001/ariel

Artwork: https://www.pinterest.com/pin/328410997808168523/

Tre Loadholt: https://acorneredgurl.com and https://medium.com/a-cornered-gurl

Candice Daquin: https://thefeatheredsleepcom.wordpress.com/

Beneath your coat

Losing your mind feels like

Slipping your chaffed hands into a pair of rubber gloves

Plunging them into hot washing up water

Hearing the chink of porcelain, knocking against glass

Impossibly fragile.

Soon the water grows murky

You cannot see, nor reach the bottom

From the top of your head to the ache in your feet

Standing wooden, bones imploring, knitted sweater itching corner of your cheek

Passion in contrast, hot freedom, dusty legs slightly parted, cold between

An urge as you stand beside the sink

To dive in

Silent impulse on a cold day to keep your hands deep

As long as the water stays hot

That feeling when most of you is dry and clothed, but part

Is submerged in warmth, feeling like fingers working their way up

Stockings, underwear, the electric wire beneath wool

Into the mirage of your longing to let go, absolve yourself of .. it all

If you could release, lie back in kneeding waves

You might let your weary cracked elbows

Then shoulders, sopping, sink beneath

Climbing into the sink, patent shoes slipping

Brassiere faded by multiple wear, a grey strap, a bulge of apricot breast

Hair loose and dripping, reflecting against dull tin

A buttoned up woman trying to gain admittance

All thoughts stewing in your head like vegetables boiled in water lose

Their flavor …

As politely you wash and rinse, checking against light for water spots

No one shall ever know, the devouring urge beneath your coat

Sylvia

sylvia-plath-4

She died, head in the oven

fingers black with ink, tongue out

licking her last punctuation

eyes rolled back, wet marbles

seeing beyond earthly confinement.

She died, with white gloves on

pinched bones of her little wrists

dangling at emptied angles

were delicate even then

as if she were choosing

with her ending

to dance

yet

Inheriting the wind


Confessional poets

Are thought of in the feminine perjorative

Ironically men 

Confess their camoflage

When calling their characters Hank

That’s for you … Mr blowhard Bukowski

Or Billy Childish, nuff said, I suspect

Whilst this Plath enigma, I doubt shall ever be cracked

Anymore than the grey stones weighting sweater

Sexton either, what beautiful ankles and rouged lips

Even as she slipped, beneath the veil of sanity

Like a greyhound needing to outrun, even itself

Madness grows peacock feathers for weeds

Just another error in a misguided map

Thinking women lesser, colinders of experience

If I’d been a man I’d have 

Grown my hair like a mane

Been kind to my daughters

And changed the notion of authority

For my words would be exclaimed intensely feminine

Applauded for

A man having been 

A better woman

Like Bono and his award 

We give ourselves away

By the bouquet full

Whatever happened

To women inheriting the wind?