Pirate radio

Totems she left behind

what lost?

What gained?

cinereal clouds pierce cimmerian dusk

your fingers fastening in my hair

we interlaced in one another

le plus vieux pont, la plus jeune émotion

lineament of women,

crossing from mortal to sempiternal

drawing you to me, redolent with love-making

I empty myself inside you, like flowers plucked will dry

and retain their incense

your neck a budding posy of marble obsidian, onyx, malachite, rose quartz

pillowed thighs, yielding beneath entreaty

a woman is nectar, ambrosia, a mist on the breath of dusk

her center a temple to invoke

donne-moi ta soif laissez-moi vous rassasier

entreat the reciting of capture til we ripen into rapture

wordless in renewal you lend me promise,

I bestow the eternal endeavor turning metal dial,

through tempest comes outlying supplication of wireless reverie

Dormir sous les vagues

it’s 1999 again and we’re drying our wet socks on hot radiators,

the tips torn by exertion our fingers

chill-blain, curling mouths open to each other

fais moi pleurer de plaisir like blind seals

dipping beneath ocean coming up for air

as fire crackles across pirate radio wave

We weep with everything but tears

photo of woman wearing nude one piece swimsuit
Photo by Jo Kassis on Pexels.com

Go in good faith

down that charred road

where holy mist

cusps day in feathered glove

the porcelain eyes of hills pay obedience to mauve cloud

trees taller than sound break through

smudges of dream wave in memoriam,  shuttering day

and O

je ne sais pas aimer sans toi. Je ne sais pas comment me passer de toi.

We speak in furled tongues our inner most thoughts

leaving confessionals on mossy rocks and the lay of light rain

full with sleep, the direction lost in tug of war with blackening ice

they slip beneath against hush of snow

covering our tracks with blanched fingers of ice.

We weep with everything but tears.

 

The fixation & the vexation

susan seddon bouletSometimes there is an unbuckling of

temper and fear and loathing

mixed into indigo and strewn

in furied air

we pick it up as

a smell long forgotten

taps long dormant senses

and despite the years, regain

a moment mislaid

your arms doused with powder

glittering like another being, turning,

you, spectral and otherworldly

an afterglow of fiesta, a street

littered with signs of party goers

their tossed colors, a mélange of remembrance

we grind and mash and rearrange

clothes strewn in multi color love letters

on unpolished floor

seeking to find in electrified connection

that dizzying light

buoying briefly from surface

telling of depths few venture

where usually we rest, bobbing and sailing

absent of passion, thinking like the face of a clock

about slow steady movement, predictable pauses

spasms only in the imagination

or when a familiar song stirs a disquiet

whilst below, in regions beneath our reach

gained access through mutual need

briefly like the flick of a match

sets sulphur stalking cold corridors

only there, unbeknownst to the world

and her grave tick-tock visage

we earn closer, sloughing skin, molecules

separating individuals, ages, castles, skies

until on the windswept summit we fall

clutching each other in entreaty and relief

fading from sight, resisting wholeness

becoming starlight

only then, your damp hand caught

somewhere inside me, my bruised

lips smarting with the pressure of

cascading into earths center

do we know a place that is only ours

where we are pre-Denisovan and

holy, beneath the candle of a human’s

little watched life

that shallow wick, curved in entreaty

for meaning, for Gods, for monsters

and your rounding stomach, wet with tears

salt and oxygen and loss like a tableau

of everything, a table set for two

we sit obedient and fatigued

the lines of us, drawn before we arrive

breaking outside the cast, little cracks

small fizzures

with the fixation and vexation

of mortal love.

The Late Colonialist

rochaMany years ago when her ancestors wore

petticoats

white skinned women like herself were considered

in shallow groups of weak-chinned groups

the ultimate prize.

She recalls the stories she’s read

racism tied with a daggered bow

servants without souls or so

they liked to judge and damn

whilst still they raped and plundered behind

their wives fine china sets

the ‘help’ though slavery is more accurate a term

for no choice was made nor proffered.

Years ago and still present

people swerve away from black men

in hooded tops

when really they ought to be looking at

white men in high rise buildings making

corporate decisions

as the enemy of us all.

She looks in the tall mirror, her hand on a DNA report

the wonders of 21st century finding out too much

seeing her ancestors gallop

through the thick red wine of French blood

how much do they have on their hands?

What side on the Revolution did they stand?

She sees how fair skin is more prone

to stretch marks and ageing

she carries hereditary thrombosis throbbing in

her thin veins and the genes of her light colored

eyes have cataracts to look forward to.

At least she doesn’t have Celiac Disease

roiling in her belly, rebelling against

the abundant wheat field

instead she realizes

she is alive in the wrong colored body, in a too late era

to matter much anymore

where now women of ebony and brown and russet

conquer the rhetoric in their claim

finally the prize after decades of denial and she

ordinary, flab, drab, pale, wane, yesterday’s news

they say it really isn’t about that

when they pass her over for someone from

Uganda or Iran but she knows better

Kardashian or Iman Bowie

she knows the enticement of dark eyed girls

their thick hair and beautiful skin

she is just a late magnolia weeping

waxy and left too long on the branch

maybe she is paying for what ancestral harm

was done

back then and still now, depending on what

part of town.

Men tell her; I like your slim ankles

you look fetching in that blue dress

but their eyes betray their digression

it is not her they will ever want

she has nothing of the difference they crave

imbued with rainbow continent

spiced with unknowns and becomings

the raven always the raven, ever the ebon bird

who with her glorious chiseled features

captures their unfurling lust.

She is relieved in a way

nobody comes calling for her

existing behind glass in her pressed skirts

although still young, she feels she has

lived too long and it is better

in the vapor of silence

watching her reflection get lost

in the setting of the sun

over Africa’s

weeping trees whispering karma

to turquoise and orange

land.

I cannot, you see

person holding black and green bird
Photo by Kristina Paukshtite

What if she’s me? The woman screaming without reprieve?

And what if she’s you? The body beneath the sheets lifted by strangers?

Every time the phone rings, I see in my minds eye, your prone form

fallen, or hurt, somehow

this fear I inhabit is years in coming

your fragility creeps up on us like a wettened shroud

once so strong, you’d take me in your bronze arms and

press me to you where the sound of your powerful

heart beat assured me nothing would erase or remove

your certainty

then the sick hiss and whisker of machines

a tube down your throat, a glazed look, no recognition

slack hand filled with needles, empty eyes void of life

I felt you moving away even as you stayed

gone and still there

a stranger in your face, your expressions glazed

even the taste of your lips changed

as if blistering over from sudden Winter storm.

As time ticks down, we look up

to salvation, prayer and hope when

maybe nobody listens

I stand over you as you sleep

your little bluebird chest rising in dream

I want to

climb on the bed and laugh as once we did

curling around each other in chased game

oh so much joy in one shared heart

when i was your girl and you were my

evening rose

now the dust has settled and we still

scattered pictures, cannot see clearly

all around are shadows and shorn warnings

easy to lose ourselves in fears glory

like gathering a bird who has fallen from glass

stunned and dying pressed in our hands

death on us now, like unsought reflection

glinting, glinting, glinting.

I miss you, the you I knew

better than I know myself

who would turn in her sleep and

touch me without waking

such was our eternal fuse

one into the other, no boundaries

and time is a fickle fellow

taking you and keeping you sickened

welded to pills and paper casts of closed theatres

we stand apart, at times nearly severed

I would sacrifice all to make you well

but i have given everything i know

it is clear we go in different directions

one is the end and you drift like

wind on frigid water

while i continue to swim upstream

i cannot, you see

let go

your bright feathers dull

and still i look up

when birds fly into glass

SMITTEN

For the sake of SMITTEN, a project I believe in more than anything I have ever done before, I have asked close friends to take over my social media rather than close it down, so that SMITTEN can continue to flourish and succeed.

In my absence, due to my severe eye-sight-issues, my friends will be running the SMITTEN Facebook page and all SMITTEN related materials. Our goal is to ensure SMITTEN is successful in all ways. Sales are one way of legitimizing a project and ensuring its authors are HEARD.

Obviously LGBTQ projects are harder to sell than others, but it is my hope SMITTEN can continue its success through the rousing support of all those who believe in LGBTQ equality and the rights a woman has to love another woman. Please consider supporting SMITTEN – each sale helps raise visibility and gives SMITTEN authors another opportunity to share their unique and beautiful voices.

SMITTEN news and updates can be found here

SMITTEN is for sale at Amazon and Barnes and Noble. If you support local bookstores please ask them to stock SMITTEN using Ingram. If you cannot afford a Kindle copy or hard copy please ask your local library to get a copy of SMITTEN via Ingram. It doesn’t take much and it means everything to the 120 authors and poets of SMITTEN. Indie publishing doesn’t flourish without our support as a community!

In amber

You, unmaker of peace, wear your hat jauntily to the side

a dandy at appearances

i am incapable of wiping the smudge of regret

away in time, before

everyone sees my imbalance and points with

blunt, corrective finger—

there she is, she’s deranged with grief

surely torn mad

not yet. Maybe sometimes. In the damaged fur, just a bit…

this lingering thing called hurt

a purple tie around my neck and I hide my succulent scabs

behind silk blush, with the covet of a lover

and you? You are the abuser who with

toothpick, flicks detris from your life as

effortlessly as anyone without conscience knows

how to polish their shoes with another man’s shine

sometimes I want to cut your throat

with a very fine Japanese knife, I keep unused

in my emotional closet and other days I want

to use it on myself, such is the pendulate swing

and thumbless gait of grief, a sifting vignette of those in our photo albums

who smile, so convinced of a radiance. The other

day I thought of your determine, growing like wan poppy from souless sidewalk

thin feet, high hips, impossible secrets braided deep into tangled weft of your hair

eyes closed from me, turning in simmering amusement, some unheard world beyond blunder

like a tuning fork set high, your mavidad, a seekers entreaty, the

sea pearls of your hope sewn tight in seemingly empty pockets

if we drowned, you’d die rich and I’d float to gulp the waste of dreams

frothing there among the manifold immensity

it takes just one word, the swallow of truism and fakery, a broken pendant, emptied bequeathment, the ransack of joy

to master stoism and a stomach able to survive the pitch and vinegar of disappointment

in my head I hear your voice, its fine timber cresting Finnish land

and

I am the sot

gathered for wedding and funeral

spun into skin

held close and released

breathe me out

let me loose

where undertow has no purchase

to be weightless and the insubstantial

a feeling, a letter, washed clear of intent

just the impression remaining

something I left behind

in amber

We cried a long time ago. We don’t cry anymore.

AR-180119488

A warbling, holding, green glass pain

Like joined hands make paper cut

Invisible like girl in crowd, falls

Deep as ink without light

Stinging with clamoring cymbal

Tears almost bare themselves as first night lovers, tremorous

Retreat beyond the naked streets

It is not brutal gnashing strength

But soft lipped resignation

And a little elipsing hope

For bare faced ceasement

Lain like prayers and rushes and thrown flowers wetting paving stones

No ceremony. Only, black cars devoid of dust

A trail without salt. They bent lower to seek. Not yet.

It’s hard to say it. The wind chokes words. Before.

We walk on. Omphalos in fatigued lament

Toward reprieve, illuminate in muted tempest.

FOIS – Candice Daquin — FREE VERSE REVOLUTION

Time elapses we are flowers closing drowsy lipid heads pink underbellies, coloring innocent silvery dark winking in, winking out tracing lost lines within your curves language made of open mouths sleep, why sleep? When warm day light spills through closed curtains in gentle intrude, glimmering against the russet within you. Time elapses our breathing is […]

via FOIS – Candice Daquin — FREE VERSE REVOLUTION

Lace

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On the outside

I button up well

zip my mouth in pink

comb my hair with calico

hold my faux ostrich skin purse close to chest

the powdered lady at the department store said;

yes, you will need to throw out your old bras and buy new ones

plumping her glossy lips as she showed me

a larger cup size and I

drank from my own, the last dregs of eleven am coffee

I couldn’t tell her

each one has a story, especially those broken

they smell of you still

their color is that of emotions I felt

when you unhooked them and took into your mouth

my wandering need

instead then, I nod acquiescent and purchase

three new bras for a stranger who is not me

black for night

white for day

violet for the hour

you again

lay your claim in my dreams

as I walk out, she waves and says;

you’ll be much more comfortable now

happy she’s done her job

dressing women with empty eyes in fine lace

she doesn’t know

for me, comfort is an emotion I have no need of

I like to feel your sharp ivory teeth

run across my skin and break

me open

spilling my seeds, red and glittering on the wet cotton

of our writhing impression

it’s more than bra size that cuts deep

leaving lines and circles of indigo and purple

colors for the bruises blooming inside

a field of damsons fallen from tree unpicked

for who now knows, how to make such wine?

I think of the times you tore

and rent and split

that wire artifice from my trembling frame

I remember the taste of blood on my lips

as I bit down in want and fire

for your fingers to beckon and curl

within the flexing circle of me

and that girl was smaller and opaque

like japanese lily she grew swollen with water

shedding her kimono stain beneath surface

swimming without need of air

to bend and contort like alabaster crane

between you and within you

her tongue no longer using words

to sate her impulse and your

hungering claim.

As I wait for the elevator

my head ever bowed in recollection

holding desultory purchase like fly swatter

I cross my neat legs and watch my shiny high heels

click together in tight voiceless longing

I am seen by all, as a demure, well-dressed woman

shopping without thought, her lips slightly open in musing

the mine of my mind is burning

for your take of me

and the memories

contained in

a crushed piece

of lace