Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

Fear for a child is very different to the adult and exactly the same the child inhabits another decade, in the past, another life before they knew they were who they become the child wets the bed because she misses her mother who is beautiful, ethereal, slender and absent the smell of her still lingers […]

via Fear – Candice Louisa Daquin — FREE VERSE REVOLUTION

Advertisements

I wish I had never existed

The deepest cut

an-apple-rotten-on-the-inside

It doesn’t take much to knock a bruised fruit to the floor

watch it split apart like rotted glass, shards of damp skin in slow motion

try as I might, I AM that bruised fruit

try as I might, I cannot seem to recover myself back to where

once took for granted, the feeling of wellness

it doesn’t help when someone you loved abandons you

in the middle of your darkest hour

things like that aren’t supposed to happen

people who swear allegiance and loyalty aren’t meant to

be the ones leaving your side

such is the hour and fickle fan of illnesses devour

at least I know I’d never treat someone, that poorly

despite this and because of it, healing is slower

though I suspect anything less than fire would be

I didn’t know these things beforehand

the un-annointed do not possess future perspective

to see how illness strips your childish faith, cleaves you

bare and gasping

where family didn’t need to see me, even as I spent weeks in hospitals

it cut me to the quick, but it wasn’t the first or the last

maybe preparing the groundwork for your deepest cut

they say you get used to it in time

I never have

just as I never have truly understood the cruelty within some, who profess so hard to love

now, I am a changed person

I cannot make plans like I used to, thwarted by my body, haunted by ghosts

my illness is like a cobra, she stays quietly in the leaves

rearing up when I least expect or when I want most to escape

her possession of me, the way she knows how to tickle fear

with just enough venom until I am on my knees

I am sure some would say, this is therefore; psychosomatic

that it what they tell all women of hysterical turn

I saw in your eyes when I told the horror; your own disbelief

until doctors produced the proof, you still wondered

it became apparent to me, just like with sexual assault

being believed is paramount to recovery

alongside having faith in ourselves

I did not do a good job of the latter

finding myself more alone than when I started

and I thought I started pretty alone

I know I am a survivor and I was not destroyed

yet it feels like I was

when I look inside myself and find

so little left, a house without windows

it was only because of you, I kept trying

I told you that, I said, you were holding me up

when you let go

I fell to a place I did not know existed

I wanted to ask; Couldn’t you have just waited

long enough to see me through the worst?

but you wait for nothing except your own need

I had to find a way to stand even as everything crumbled around me

which is the biggest test I ever had and I failed it

I failed it again and again

walking through the lullaby of desiring to die for so many reasons

not least, the never-ending dance with sickness and pain

but somehow I did not die, I turned instead to stone

when people say I am strong now and ask; How did you get through it?

I don’t tell them; I am not through it

I still lurch and shake in the throes of unnamed demons and at night

I feel like an arythmic god has taken me and is spinning me

on high-speed like all my parts are made of jello

I want to ask that god; what is it you are trying to shake loose?

surely you know by now there is no more fruit left

not even the rotten kind

that fell and split and sunk into earth, a long, long time ago

it is only me remaining now; leafless, without sturdy branches

I cannot rely upon myself, I cannot rely upon promises

no longer a young, untouched tree with green shoots

I am damaged, broken and hobbled, by this specter and the unknown

as much as by those I knew and trusted

asking why to the imploring void; why are we stricken down?

to what do I owe my continuing? Even as it is, insubstantial

can they see in my eyes, when I pretend, I am trying not to gag?

my appetite spirited away by the scourge and never returned

I would die of hunger and not know it

were it not for some strange determination

I don’t know where that comes from

but as I stand, it must be a place within me

does not give up, as she did not, all those years ago when

the flames licked the top of my house and burned, everything I knew to cinder

I am not like the rest of the world; stronger for my poison

nor am I able to disguise my scars

if I were asked what recommended me; I could not answer

I would probably open my mouth and howl

because you can reinvent yourself, a million times it seems

I am just one incarnation, coming apart at badly mended edges

you, who are able to vault life in gentle sprint, must mock

I am after all, just a fallen fruit, lasting as long as she can

in imperfect, bruised skin

Not even ourselves

Why and when did people stop being interested?

as kids we would sit on benches and talk about our pain

there seemed then, such a mercy in the air

it hung like cobwebbed dew around us and

despite the hardships we bore, our friends were

our succor

Why and when did people stop being interested?

and grief was labeled an annoyance?

why does growing-up mean we no longer write

poems like this

do we no longer feel the same

or just hide it away?

and if it is hidden how does it stay so

with the swell and the surge and the blistering salt

I hear rain falling into a tin can somewhere

and briefly I remember eating out of cans in summer

my lips sticky with apricot

it was a luxury then and my grandmother carefully

spooned each peachy globule out and added ice-cream

I hated the taste of ice-cream and I loved

the feeling of lying high in a big tree smelling apple leaves

in those days

when tragedy struck

we children who are called resilient

had the hope or the armor of youth

and the cherish of our friends

I saw her running toward me across the fields separating our houses

her red hair and freckled face red with exertion

we ate stale cucumber sandwiches left over from her mother’s

garden party and she held my hand in her own

clammy seedy palm

as if I were a starfish

I told her of my disappointments and the ache in my chest

all those who had forsaken and gone their own way

with the wisdom of child she wrinkled up her eyes against the sun

told me what I needed to do was pretend I didn’t care a damn

because one day you’ll grow up and nobody will be able to hurt you

I held onto that advice like a piece of paper framed in my chest

but it wasn’t true it wasn’t true

and I wonder where she is now

if she has children

if she is the same kind of mother she was as a friend

if I could see her again I would say

thank you for giving me the hope to get to this point

maybe it wasn’t true, maybe adults fool themselves into

thinking they are not children with ageing hearts and

brittle bones

maybe being an adult is harder than any childhood

because you don’t have afterwards to dream of

and the future as yet unsummoned

with all your magic and all your wistfulness

seen through the eyes of someone not old enough

to know the reality

I would tell her don’t tell your children the truth

let them dream as we did just a bit more

where I can still hear my grandmother knocking over pots

as she makes an apple pie and the smell

of summer is all about us in a haze

and your red hair makes mine look blonde

and your freckles tan your legs whilst mine remain blue

and your hand in mine is the first hand of friendship

I would thank you for running when I called

because nobody has run since and I suspect

adults have ways of doing things

us children never quite understand

I’m thinking if I could choose a side

I’d go through time and clasp your wrist and run

into the high grass fields out the back and where

nobody would find us

not even ourselves

years from now

And that someone was you

Most of my life I had a steadfast rule:

only date people capable of love

who have the courage to show you their heart

preferably girls who wear glasses, have larger hands, broader shoulders

it was a thing you see …

to stop me feeling like a beast

I had been told repeatedly when little

you’re a damn ungainly child

look at your monstrous Frankenstein shoulders

see your long white witches fingers

myopic squinting from behind trees

coke bottle glasses, badly cut hair, missing front teeth

that’s what I see, when I look in the mirror now

the girl with a fistful of neglect and a dragon tail.

I felt like a freak from the get-go

patch over one eye because it was lazy

wetting the bed into double-digits

work on your personality child it’s the only damn thing you’ll have

I was the girl who lived in a coal filled basement

eating would-be-diamonds in French

going out at night picking flowers before they saw sun, turning them into moon shine

then you broke all my rules

in that way you have, that’s unapologetic, visceral and bittersweet

you with your California tan and your miniature temper

you with your indigent words about love and how

some of us just don’t go there

I’d been hiding in my coal mine most of my life

my mouth was blackened from eating rocks, my teeth all broken

you shone a light on me and said

how about being something different tonight?

what would it feel like if you didn’t need promises

what did they bequeath you anyway?

egalitarian, aiming in the same direction all the time

repeat the pattern, more the fool

how would it be, if you left your rule book at home

tripped the light fantastic with me?

I’d built up my arguments for everything

they hung in rows like early Danish tulips

I didn’t want to be an ungainly laughing-stock

didn’t want to be the spectacled girl people rejected

don’t want to be told I was no good anymore

you showed me; if you stop having expectations

just let go, then you’re free

I’d spent my life reacting to what I’d seen

my handsome father sleeping around, my mother’s absence

promises broken, lovers lying, the torture of romance

now I realized, it’s not cute anymore, to keep repeating bad patterns

how about you do what you want for a change?

I wanted you

as much as I’d wanted anything

I wanted this moment

not tomorrow or yesterday

but now

I wanted your cocksure attitude and

the relief of your certainty, things don’t last

I wanted the sell by date and the last dance of the evening

because I’d be the one taking you home

and you, you were fresh-faced and confident

like only a girl who is sure of herself can be

with your straight back and your ballerina’s neck

it took this long to find out; I’d just been following ghosts

not letting myself out of my own trap

to feel the circumference and shine of life, without fear

find in my escape from self-hate, a world outside rules and confinement

something real and

that someone was you

for 24 hours or a year

suddenly time didn’t matter or what people avowed

you see, nobody knows, and nothing is real

except now

you and me

a girl with dragon tail and penchant for seeing

the glitter of sweat on your thin collarbone

Final chance to submit – “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard! Previously published work you hold the copyright permissions on, are acceptable.

Please add your voice.

The story: Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.

 

Last call to Submit Writing and/or Art for “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard!

Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.