THE KALI PROJECT is published!

CONGRATULATIONS THE WAIT IS OVER … The Kali Project is LIVE and print copies are for sale via Amazon: https://www.amazon.com/Kali…/dp/1951724062/ref=sr_1_1…

For the first time ever we have also made the publication available via an Indian distributor Pothi, enabling our Indian readers to purchase copies locally:https://store.pothi.com/…/candice-louisa-daquin-editor…/

Book Depository: https://www.bookdepository.com/Kali…/9781951724061…

Barnes & Noble: https://www.barnesandnoble.com/…/the-kali…/1138632460…

A hard cover version and Kindle will be forthcoming. KALI will also be for sale in Book People & BookWagon and you can order The Kali Project via your independent bookstore (via The Ingram Group).

PLEASE consider purchasing a copy to support this worthy project AND upload any pre-press reviews you have written to help us succeed in getting this incredible book out there.

Contact Megha Sood or Candice Louisa with any questions. Thank you so much to everyone involved, especially Christine Elizabeth for her incredible formatting of The Kali Project.

The Kali Project is a nearly 600 page collection of some of the most famous Indian poets and writers and artists in the world, as well as acolytes, children, teens, and new writers, coming together to create a groundbreaking anthology of writing and art.

The purpose of The Kali Project was to highlight inequality in all forms, speaking to sexism, racism, caste-inequality, gender, income, education. The value of these potent poems and artworks will be immediately obvious and we really hope you will consider being part of The Kali movement by purchasing a copy and leaving a review.

Pale skinned mixed-race

What they see

when they do not see

anything but the cloth over bones

its hue and texture

I won’t be given a chance to illustrate

whether I possess the kinetic DNA within my manifestation

for it matters not

to anyone, you are holding within you

a rainbow, when the color you inhabit

through lottery and variance

dissuades them from believing

you are anything but

that plain, dreary composite of the conquer

able to get a seat at North-side restaurants

while others are told; sorry we’re taking bookings

for next week

in that experience there lies a divide

sometimes between siblings, one fair, one keening

toward onyx

while I observe the differentiation

like the whet of a sharp knife carving out marrow

I would ask

do not make the mistakes your subjugators revelled in

invite your sisters of a lighter hue

sometimes we sit here watching you

braid your hair and soak up the sun

wanting so much to be part of

what our DNA says we are

Je suis désolé de n’avoir pas été comme tu

For

what seemed like forever

and was perhaps

some lost sand

sifting through light

slower when observed

turning like eager sun dial

face capturing shape and shadow

as the moon faced women

blue in Picasso’s rough brush

your edges sleek impossibly

by Masters deft curve, mimicking

nature readily, surely as time will

erode the fullness of our cheeks

your high bones hold you up

that half smile imperceptable

through memory shaking her

coat free of rain drops

as we drift further into long night.

I recall being good at Tug of War

in school with my artex white shirt rolled up

the thin fabric of my skirt flapping

dangerously high, leaning in for the pull

boys on the other end heaving, purposing

(this was always about more than a rope you know)

their extraordinary need to dominate and

our quiet, tugging urgency to defy

even then I might have upset the historical balance

made you proud, if you’d been watching

the length of rope dipping into glassy water

with the weight of decades, days spent

trying to form words of consolation where none

seem worthy enough.

You have slim bones that cannot pull heavy

rope from weighted oceans and even if

your arms were strong, I wonder if you would

gather me to you, within the eye of rushing storm

our fragile satellites eclipsing, resolving

sorrow with gentle grace, unleavened bread

yet to rise

to feel your perfumed palm on my forehead

the beneficence of your gaze, or hear

your voice, its sonorous depths, call for

me and gladly, I would present myself

for any time in your light is time lived

well and good and whole.

in your absence there is only

shadow and cold

reminding me, estrangement is unnatural

when it pares two segments of the same orange

apart, with no mend, balm or eulogy

great enough to salve the hurt

building within us, mountains of

dried salt from spent regret grown

dry.

I long and shall always long

to return to you

in that hour where memory

tells me

we laughed and

in your eyes I saw

my center

verdant and blooming

with the tender cobalt nectar

reserved for what can never

be replaced.

Les terreurs d’une nuit

In the dark when you cannot see well

and squint futile

shadows take on recollection

you are, again, that child

wide-eyed and awake in night

seeing monsters configure themselves

at the foot of your bed

and maybe

climb on in.

Time is definitely female

a circle and not a line

she curves backward

like a hungry snake

devouring her tail

she dives forward

impulsively, unknowingly

as if she too

is unseeing.

Though decades pass

we speak still in the dark

in the voice of a child

surging from within us

bile, relief, sweet, salty, sticky fingers

eating the last of childhood

forbidden to those who

no longer grow upward

only inward, if they are

lucky.

I have lain in many beds

with lovers, sometimes alone

standing in, for absent friends

memory like a scar, whispers

near and far, recollection a drumbeat

solace in stillness, the cliff you walk to

without seeing its drop.

It always scared me to hear

the sounds of night dance around me

in abandonment

though more than anything I wished

to join in

their unseeing merriment

as if by releasing my fear I could

inhabit a deeper rest.

December 2020

Twilight

there in the last glimmer

I see a girl run barefoot across the field

I see an old woman, hunched and bent, look up

and briefly, as the smile crosses her face

resemble that girl again

I see the cruelty of passing cars who

do not slow to permit the old woman crossing

their fierce lipped drivers dripping with venom

at the vulnerability of the ancient

I see the disinterest of those behind closed doors

watching their Twitter feeds like stock markets

of gossip and futility, forgetful of

the song bird who used to sing outside

and now does not

the sky has broken open like an orange feast

light pours out into darkness and indigo colored

clouds hasten to rush against the backdrop like

tired dancers exiting stage right

far away a man chops wood for his first fire of the season

a woman might be giving birth in a nearby hospital

couples squabble and make up, over dinner

the TV is muted, the street is awash with festive tinsel

and the occasional inflatable polar bear

one day we will be that girl rushing to gather her urge

against tall grass

we will also be that old woman, returning home

to an empty house with tall staircase

when they pass, we keep them alive through our memories

the old and the new

shining like new stars in a Winters sky

I see my grandmother’s there now

I remember their voices, mindfully reminding me

be kind

be kind

be kind

Submit your work to these two anthologies


BUT YOU DON’T LOOK SICK: THE REAL LIFE ADVENTURES OF FIBRO BITCHES, LUPUS WARRIORS, AND OTHER SUPER HEROES BATTLING INVISIBLE ILLNESS

AND

THROUGH THE LOOKING GLASS: REFLECTING ON MADNESS AND CHAOS WITHIN

Indie Blu(e) Publishing is thrilled to announce that we will be starting off 2021 with sister anthologies, But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness AND Through The Looking Glass: Reflecting on Madness and Chaos Within.

The focus of But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness will be on writing and art from those living with a chronic but invisible physical illness or disability, such as fibromyalgia, lupus, multiple sclerosis, cancer, digestive disorders, chronic fatigue syndrome, diabetes, migraine headache, dysautonomia, etc.

The focus of Through The Looking Glass: Reflecting on Madness and Chaos Within will be on writing and art from those who are living, or have struggled with, mental illness such as mood disorders, anxiety disorders, eating disorders, personality disorders, post-traumatic stress disorder, or psychotic Disorders.

Writers and artists are welcome to submit to either, or both, of these anthologies as applicable to your lived experience.

Given the high volume of submissions that we are expecting, we ask you to follow the submission guidelines as closely.  If you are submitting to both anthologies, please send your submission in two separate emails.  We will begin to review all submissions after January 1, 2021.

Please note that we are not able to offer monetary compensation or free print copies to contributors to these anthologies; however, all contributors will receive a PDF copy of the anthology they are published in. Indie Blu(e) Publishing has prioritized the accessibility of our titles and providing an outlet for artists and writers who might not otherwise get published over profits since we first launched in the fall of 2018.  Keeping 400 and 500 page anthologies affordable globally in a pandemic is challenging.


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But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness

Anthology Submission Guidelines

SUBMISSIONS ACCEPTED: December 1, 2020 through December 31, 2020

SUBMIT TO: IndieBluSubmissions@gmail.com

SUBJECT LINE:  But You Don’t Look Sick Submission

SUBMISSION FORMATTING GUIDELINES 

  • The maximum number of pieces for submission per writer/artist is six (6).
  • Writing may include poetry, prose, short fiction, essay, and/or creative nonfiction
  • Individual pieces of writing should not exceed 1,000 words
  • Writing should be submitted as a single Word attachment to your submission email.  PDFs are the acceptable alternative if you do not have access to Word.  
    • Please use either 12 point Arial or Times Roman font with 1.15 line spacing.
    • Individual pieces of writing in your Word document should be titled, and separated by Page Breaks (not hard returns). A page break is achieved by using Control+Enter.
    • Special formatting is strongly discouraged.  Bold, italic, and multiple font sizes in a single piece are acceptable.
    • Please title all attachments starting with your first name,last name.  
  • The exception to this is if you design your submission as a ‘camera ready’ JPG or PNG image that we can import into our publication as we would a photo. In that case, you may use any formatting you wish, but the image must be crisp, 300 DPI, and able to be reproduced clearly in black and white. If in doubt, please contact us at IndieBluSubmissions@gmail.com before submitting.  Your ‘camera ready’ writing must be accompanied by the text in a Word (or PDF) version.
  • Artwork submitted for the Anthology must be crisp, 300 DPI, and able to be reproduced clearly in black and white
  • You will be notified if your work is accepted. Please do not consider non- acceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.
  • All contributors to the anthology will receive a PDF copy of the finished book

BIOGRAPHY: All submissions must include a professional biography and cannot be adjusted once submitted. Bios should be 75 words or less long and may include your social media links.

You will be contacted directly through your email when your work is safely received for submission.  If your work is accepted for the anthology, you will receive an agreement letter that you need to complete fully, sign and return to us within 10 days. 

PREVIOUSLY PUBLISHED WORK We will accept previously published work but must have written permission by the previous publisher attached with your submission if they retain rights to your work.

If you own the copyright, your permission and the date and title of the previous publisher must be included at the bottom of your submission. 


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Through The Looking Glass: Reflecting on Madness and Chaos Within

Anthology Submission Guidelines

SUBMISSIONS ACCEPTED: December 15, 2020 through January 15, 2021

SUBMIT TO: IndieBluSubmissions@gmail.com

SUBJECT LINE:  Through The Looking Glass Submission

SUBMISSION FORMATTING GUIDELINES 

  • The maximum number of pieces for submission per writer/artist is four (4).
  • Writing may include poetry, prose, short fiction, essay, and/or creative nonfiction
  • Individual pieces of writing should not exceed 1,000 words
  • Writing should be submitted as a single Word attachment to your submission email.  PDFs are the acceptable alternative if you do not have access to Word.  
    • Please use either 12 point Arial or Times Roman font with 1.15 line spacing.
    • Individual pieces of writing in your Word document should be titled, and separated by Page Breaks (not hard returns). A page break is achieved by using Control+Enter.
    • Special formatting is strongly discouraged.  Bold, italic, and multiple font sizes in a single piece are acceptable.
    • Please title all attachments starting with your first name, last name.  
  • The exception to this is if you design your submission as a ‘camera ready’ JPG or PNG image that we can import into our publication as we would a photo. In that case, you may use any formatting you wish, but the image must be crisp, 300 DPI, and able to be reproduced clearly in black and white. If in doubt, please contact us at IndieBluSubmissions@gmail.com before submitting.  Your ‘camera ready’ writing must be accompanied by the text in a Word (or PDF) version.
  • Artwork submitted for the Anthology must be crisp, 300 DPI, and able to be reproduced clearly in black and white
  • You will be notified if your work is accepted. Please do not consider non- acceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.
  • All contributors to the anthology will receive a PDF copy of the finished book

BIOGRAPHY: All submissions must include a professional biography and cannot be adjusted once submitted. Bios should be 75 words or less long and may include your social media links.

You will be contacted directly through your email when your work is safely received for submission.  If your work is accepted for the anthology, you will receive an agreement letter that you need to complete fully, sign and return to us within 10 days. 

PREVIOUSLY PUBLISHED WORK We will accept previously published work but must have written permission by the previous publisher attached with your submission if they retain rights to your work.

If you own the copyright, your permission and the date and title of the previous publisher must be included at the bottom of your submission. 

Defacto

And the big ball in the sky and the slit eye of Un Chien Andalou and the upturned chin wielding the knife and the rinsing sink pouring sacred wine said:

Why don’t you believe in yourself?

Others who are fair to middling to pithy served over weak tea (don’t you just hate tepid and the nudity of wearing clothes?).

The result of waiting in your head, as others stream out and strap their wings, the consequence of exile, invariably madness, the quiet kind most likely, sometimes the type they label histrionic

which is really a way of saying get it out, your woman-hood and your messy gore, leave us nothing of who you were, be gone feelings, welcome the sunshine state of not giving a good god damn

They believe. They over believe. They sit fat and grand with crown and chips and mushy peas and rosacea and secret leak-proof underwear

they preen and fetishize their dusty heads with nothing special inside the sagging tent. So why not you?

You who are marvelous, hideous, magnificent, repulsive, malodorous from not washing (did Simone Mareuil wash underneath her arm-pits before committing suicide by self-immolation, dousing herself with gas-lit-fire in a public square somewhere) 

when the rot and the unplanted bulb decays in damp corners and still produces no birth. You who are broken in the long arm of fracture and making an art of surviving by licked many times, thin string, waking to the caw of crows and their beady-eyed-scream. Why not you?

You who succumbed to the Piper and didn’t wake up, not once, somnambulist, you write behind your wafer-thin eye-lids, ink streaming like borrowed tears, nobody reads, water or divination, they simply don’t believe that crap anymore (I don’t even believe in YOU anymore)

We wouldn’t lie to you would we? (whisper whisper whisper) we tell the truth (oh surely, we do, we do) we venerate you on Monday and poach your blue eggs badly on Thursday. Liar liar liar! You let the cat out and she was run over by the hill you never walk UP.

That’s why. That’s why. That’s why.

Ooohhhh that’s why
It fits like a glove (big hands, black heart) not your glove, your glove is velvet and lost, your glove didn’t ever feel right when it was on

fits like a mussel in your mouth, squirming. A muscle unused (you don’t desire me, I have lived too long and too short, I don’t drink enough to blot it out, I am a thing of dust that isn’t touched or fucked or run-over) cold mussels in brussels (overcooked always worse than raw)

I tried to be frank (all cold thumbs, warm brain, brain on fire, leaving debris of a life badly lived, in little love bites around her neck, praying mantis wearing jewels)

you turned me down for the jingle jangle and fizz and pop (old hat, large gloves, ashen feet, holes in the middle of you like whiteout) one pierced ear, Queen of Hearts. Black nave of Diamonds burrowed deep in fecund rib.

I would if I could (believe) but your exquisite lie is a third eye in my fever dream, it pulses like Soho

It tells me not to swallow.

(Inspired by Un Chien Andalou, 1929,  Luis Buñuel & Salvador Dalí).

Le repas

The way she cleans

puts away the day

into lopsided drawers that do not shut

well even on easy days

their contents lost in shuffle and exploit

planes over head, mornful drone, a whine

of grief as they attain height

her hands chapped from slapping herself

back to life

rivets run like zippers down her nails

a light somewhere is extinquished

another turned on, sudden furnace, shadows

vanquished, she has not drunk

all day, for the trembling in her hands

betrays the wait.

Dusk smears sky, oranges hang like

tired bosoms pressed in a woman’s dress

amidst plump leaves, blue-black birds

caw their hunger into the cavernous pitch, cats

with arched tails, disappear potently, eternally

her ankles swell with want, her thyroid

a box of treasure, alight with waiting in chocolate dusk

she dozes in her reverie, business put away

the calm of darkening, a hot bath scalding

dry air with its promise, oils filling her nostrils

pungent and wistful, infusion of sorrow

she remembers when

they lay together without fault

or breakage

the outline of their union

a mandala, with complicated lines leading back to circles

drawn in henna, indigo, cheap car paint, permanent in bare footed sprint

poured into a tattoo gun in the wild hinterlands of Canada

stabbed in little sticcatto for her eternal, sea sick

pleasure.

She lay then, thinking of

burning up

like fireworks

set alight to bloom and bloom till dry of pollen

in empty skies void of furtherment

she wanted to melt

the snow as she walked back

alone and hurting, wounded by her own loathing

a cigarette in her mouth

pressed against clenched, chipped teeth

and you? You were far off like winking lights in sea storm

and you were so far then… gone
without being gone

As is so much of life. Waiting. Closing curtains. Wrapping away disappointed hours

to bed, to claim, to screaming beneath wedged pillows

till the thankless clock in the downstairs anteroom chimes not

and without putting our heads in the oven even once

we are done
Done
Done.

Not written down in history

The lonely heart

of a girl

who liked her own

kind

is not written down in history

there are few

stories of this

quiet, often eclipsed, furtive, secret

kind of longing

less even spoke aloud or transcribed

for what could be said? Admitted?

Instead, there are, no doubt

trees growing exceptionally redolent

nourished with the grieving, private hearts

of girls throughout history

who buried their flesh

beneath tender roots of a sapling

when it became abundantly clear

their tongues served them no purpose

in speaking of a love

no-one wanted.

These girls … I wonder

about them, sometimes as I tramp

red cheeked and furious

up hill side, when sitting still and

desiring felt like cold bars of a jail cell

seeing above me the wielding kite and her

long expanse, mocking almost with her freedom

for fierce she is, unable to

be anything but predator

time lapses into a series of vignettes

childhood (unknowing/confused) adolescence (odd/ill-fitting)

youth (empty bed/scolded faces of young men who do not understand

why no matter what they do, they endear

not)

older (disappointment/scrolled dating sites, dark bars with groping

strangers, you wouldn’t share a car ride with)

a wish always

for the girl over the moors

her long black hair tumbling like a question mark

the iridescence of her eyes, startling, bold

quit of falseness, a truth enveloping us both

without need of pretense, shyness left in fog

to hold the hand of someone who understands

and wishes to pull you through

where magic still resides in ellipsis and mist.

They do not invite single women of a certain age

to celebrate. When everyone would feel

uneasy, no children to talk about

flourishing career to brag of, she is not anything more than

everything to one person, outside that

sphere, she feels lost, disjointed, unable to fit closely

the pieces of irregularity, between her own wishes

and that of everyone else. They stare at her

over coffee cups, watching as if she were

a different species, something odd and inexplicable

cut at irregular angles, spilling out of bondage

saffron infused thoughts, plastered to her wet head

like a seal exploring depths, her stockings uneven

ragged with snares, mimicking internal

conflict, why she couldn’t pose for the camera

lips pursed in obliging, skirt wrinkle free,

hands hidden beneath cardigan, their

eternal fidget repressed with the incalculable

strength of effort it takes women to remind silent

say nothing, speak not with their roaming eyes

the magnificence of their private entreaty.

Oh to reveal, peal off layers, ransack propriety

and launch, full mast, happy crew, into the ocean

where loving was loving anyone, invited equally

to christenings, thanksgiving, birthday’s

not whispered about; behind fans, fingers, computer

screens, the lascivious imagination of mild mannered

disgust, spread liberally on morning toast.

“What do they DO?” (behind closed doors)

“was she like THAT with you?” (you should be so lucky)

“are they man-haters?” (only if you join in the cacophony)

“her mother must be so disappointed” (eternally).

I’m not disappointed

with you, us, swimming upstream, lily pads, green light

breaking up mosaic thought

bring it on

bring it on

we urge in our confident hour, no longer strange in shadow

by fire, by tokens in dark, wagging their tongues

and then, weary, tired of the fight, we stop

holding hands in public, the glare, a sunburn on

our fragile necks we stay modest, interior

house plants straining for sufficient light

when they don’t invite us, when I remain

alone waiting for you, weeks upon weeks

when stigma is a brand without physical body

it stings as deep, stays as long, heals too slow

it is hard to imagine the words ‘equality’

leaving our lips, and joining the world

in red shoes and jaunty hat, tipped merrily

to the left-hand side, running for a bus

knowing you’ll just make it

if the ground isn’t slippery

if you don’t fall before you’ve got

a firm hold.

It can kill

Almost sun up

the tinder box within my chest

is scratched free of ignition

I have nothing left to light

against encroaching darkness

for so long, it was only you

who kept me burning, fed the diminished

flame within

now, cold weather comes hunchbacked

like a visiting relation who has

no regard,

streets are emptied, as ducklings for feasting are

short-lived in their joy, for we live in a climate

spoilt with her bounty

the people proclaim Winter their enemy

hiding inside, till blessed sun returns

to bake streets into their usual direct lines.

I have always loved the cold

for it is somber, serious, it does not apologize

for not laughing or smiling toothily for a photo

the cold is an adult, a survivor

and my warmth is now swept out

into the street to nourish next years

growth.

You have left me ransacked, weighed with grief

or rather, I permitted it

with my need to divest you with

my self keeping

it was you see, a way to continue

waking up in the morning

brushing hair, scrubbing feet

clean of their midnight chase into darkness

where if I stayed long enough

I might find no way out.

I used instead, the succor of your regard

for me, a diminished thing in a shiny coat

of false expectation, as hibiscus bloom

just before frost, as if daring it to

kill

knowing, one day, the flint

would no longer strike alight

the flame no more catch

and we’d be without fire, without warmth

without familiarity or loyalty.

As those who feel and then feel nothing

ransacked void with wilted affection

the chill of their galloping regard

worse than any Winter storm

for knowing your hater is surely

a greater pain than strangers who harm

just for the merriment of it.

I know you. I see the emptiness in your eyes

these years have rinsed out slowly like a series

of rogued pinches and double-exposures

I understand, too well, just as

I see my own senseless defeat

lain on unflinching wet ground, not moving

for the cold has washed over and she is

frozen in her private grimace.

Some of us can carry on

without the light of another

I have long existed without harmony

safety, even sanity, but I cannot lose, no

I cannot bear to, the surround of you.

If it comes then, you will find me

a memory in a long story, a footnote to something

larger than us all, lost in yellowed paper and indistinct

photos of past, growing longer with each yawn

and outside of us, that tree will still stand

in 200 years, we will have children born and

die here on this land, where the dead are

forgotten to we who roamed once, through the ravages of

time and her pitiless relinquishment of mercy.

It is the way, of mortality, even love may be mortal

in how she closes up sacrosanct and inviolable like a flower

denied light

refusing to bloom again. You say

nothing because your mouth is

filled with ashen excuses, and moving on and

what you’ll do next; it is a tempest, a fever

beneath your skin, lending you the fugue-state to

live again, for you are from your mercurial ancestors

a kind of people who always find ways to

endure, as if doing so, will make you more

memorable.

I then, I am not like you, nor ever have

possessed, the penchant for survival you tout, it doesn’t

matter much, we are all going to be

soot and lost words before long

the race, the belief we matter, is just

grime on our sleeves as we pass

through. I have seen a world

without me, as I have witnessed a life without

you, they are all echoes of each other

betraying the faith I had never quite built

knowing you would leave

observing in your eyes before you were aware

the emptiness of regard, how softly we skim

life’s abundant surface, like we hardly land

at all. At times it does not feel like it can

be real, this ache, this movement toward

self-destruction, surely this is not how it ends

and yet, years become decades and still

we find ourselves, curled into a ball, waiting

out the cold, a frigid breeze coming in

beneath the door, reminding us, no matter

how much we may like the Winter

it can surely kill.