Sentiment

two women kissingPause

take note

before wishing adieu

consider those rushing years

how they go

girls in wide skirts with brown elbows

flaring in pluming circles, colors of earth and sky

feet tripping over movement, making hexagons of their desire

look back … oh look back

those long years that lay like the junk drawer in your house

untouched by thought or query

ransack shelves you have long forgotten

a hair band from her, 2006 I think, the texture of caught wisps changed so much.

Every room carries the souls of every person who inhabited them

a ring made of silver paper, from the inside of a cigarette box as we sat

in a dark bar on the edge of town, knocking back whiskey and birch

playing footsie beneath sticky tables, with shoes off, bare toes searching

photos of people lost, people found, people who no longer exist lost in circles

the force of life remains inexplicable.

Times past, fast and hot like racing cars revving their engines as soon as dusk

settles like a woman’s gloves on the sorrowful face of the world

for years you rushed around, paying no heed to silent pieces of life you accumulated

halogen lamps stand like cupie dolls with radiant faces

stuffing them in boxes, tying with ribbons, preserving for what day?

There’s lavender from my grandmothers farm, her old best silver spoon, a dog

tag from my father’s first, the smell of grass and good doggie sweat still adheres

an old stone mill and my cousins would drink from tadpole ridden water

and I am the one who grew up to outlast, everyone.

All the people in this photo are gone, still they remain on unsettled periphery

what would they tell me? Get rid of her, she chokes you like

late wine that has corked, she takes and gives nothing back but ingratitude

it’s never enough, it will never be enough, you are not seeing clearly

and the memories of velvet as soft as snow haunt like miniature heart

attacks caught in disused webs.

in jars there are stars and in skies there are words, for everything existing here

is upside down

I write about you until my fingers bruise, I remember the little things

you long cast aside as of no use, like me, like us, like this, once and lost

your memory is a cruel sieve with no regard for history or effort

only the smelt of immediacy and present day full exposure

I have long been your past, just as we have

become junk in drawers, lost to further inspection

when words run dry and even letters stay unopened

your cough sweets, when you ran a high fever and I made soup

the times I took, the hours, the moments,

caught in nets in your mind, to be drowned even deeper

crabbing pots without capture, no dinner tonight you sustain

yourself on bitterness and temerity.

When i am gone, tied in forgetfulnesses bow, you will not recollect

the cards I hand made, how I stitched your favorite sweater

three times till the moths had their eventual dinner

when you were lonely, the words we spoke in the dark

those comforts that are lost in the past,  never to be unearthed

I built a life time and you forgot the shopping list

and driving into the sun, lost your desire for remembering.

Here in this place, I keep the momentos of lost walks

the day you whispered to me, I was the one, how we

climbed and fell together, like gradual waterfall

here is the photo of us laughing

here is a snapshot of us ending

still there are always rubber bands and pins at the bottom of a drawer

to snap and prick you back, to caring about something other than yourself

where we lay beneath cherry blossom, because you said you always wanted

to eat sandwiches and drink wine beneath Spring trees

my hair growing below my waist, the pizza they gave us

when one was not enough, drinking coffee on tindered street

wishing we could still smoke, being well behaved, havoc resting

the copper light of that room, how it smelt of patchouli and wine

even as we left.

I still fit into those days

they fit me like old clothes made new with sentiment’s stitch

climbing from the silence of today into

a divining bell and sinking beneath perpetual hurt

till music swells and covers my consciousness with

buttered fingers

they slip into me as you dove

deep and never released

your breath, my swimmer, my underwater love.

I still see you there

telling me to trust, when I am walking on our ash

here the trees are taller than those we grew to

know and there are no cactus or flowers of the desert

to go with that favorite tune.

I climb California hills with Barney and he hands me

a piece of advice,  a white flag

don’t look back, do what it takes

life is an arrow, cast it wide, cast it careful.

Pink is a damn sunrise slung over beautiful shoulders

running rest of the way home, past the old mental hospital

where secrets are wrapped in files never read, like mosquito nets in Alaska

I go back to my Canadian house and the closed feel of doors

watch snow fall and think of tattoos

over 30 and how time is like unconsciousness

you feel it in another part of you

searching for a way to unite the two.

Slow jazz playing on a malnutritioned needle

here the fair comes promptly in June

they all rush outdoors, so grateful for sun

I tell them, where I came from it never relented.

And I wonder, are you still there? Waiting for me

on the one day of rain? As we kissed goodbye

beneath lampposts, driving separately off, blind in downpour

each aware of time ticking further apart

long arms flung like an acrobat in green ocean

flips ever more easily, than we on land

shall inherit perhaps these fitful musings

of things left behind

unsaid

undone

withdrawn.

The fence between us

you hammered in

you uncoiled and made

tall and hard to

climb.

Perhaps you dreamed of me

kissingA few people said / write something succinct / shorter than your usual / elaborated rhetoric / don’t you know how to / edit and be precise in your / measurement of words / good writers don’t need / verbal diarrhea / they can mold meaning / certain as bending copper / to light.

She thought it over

Knowing it was possible

After all she’d written some very

Shaved and glutted poems

Once.

 

(It wasn’t her way and if you are not true to your way

then you may as well be another lemming / willing to leap / from cliffs edge

of course this precludes learning which is / a value immeasurable

sometimes you can learn everything and still / go back to drawing unrealistically).

 

Finding something – – – perhaps it’s not a poem or a form but a short story

In the elongation and manipulation of reality and precision. Imprecise then. Deliberately.

 

Long ago she had no words because she couldn’t spell well enough to write. So she drew. For hours. Reels of paper. Stories by picture. Things she needed to say. To no one listening.

When she saw Woman In A Red Armchair hanging in a burgundy room / the silence palpable aside / rain hammering outside / mercilessly / like a hundred mouths clamoring

she tried not to stare at the line that made the woman / female

but was drawn to it as she might have been / a real breathing woman

something exquisite and desirable / she longed to see a live flesh and blood girl

to touch her with her empty hands and run them over her / quivering flesh

until those colors swelled up / and she cried out / for the sheer torment and beauty

but

no girls existed / save those who / liked boys / there were plenty of them

why were they all heterosexual?

why wasn’t she?

In America she heard / there are entire schools / devoted or a byproduct perhaps / lesbians / and only-girls-schools / well don’t start on them …

living in the city / you’d think but you’d be wrong / a few pinches / mostly shorn / forlorn

empty eyed / emulating men / less female than / those who wanted to lie beneath them.

Where existed that / judge not / beauty / with /dark eyes

the missing / beat / savor / prosper / sail

to her / soul.

If she could have / found her all along / not searching years but moments / glimpsed

sight and immediately / both knew / this bond before / words spoken

even at 13

even before she were born

perhaps you dreamed of me

created in the stillness of your loneliness / that which you did not have / filling emptiness with yearning / I am born to be / the wet ink on your skin / a permanence / no longer waiting / arms outstretched / for dreams unnecessary / now we / are.

Never quite together / torn asunder / this year the blackcurrents come later / as if they knew / what wonders and nightmares / store / waiting behind the pitch / to come rushing / we tried / we failed / the frailty of emotion / it bleeds easily / like thin skin / gone a-blackberrying / on a listless day / no clouds nor movement / sky dim / with unspent rain / the longing stored up / causing pain.

Perhaps you dreamed of me.

I stood — uncertain — proud backed —

against the light

where shape can be outlined

most acutely

if then you’d looked — ephemeral — something unstated

in muted expression

what we do not say — what we hold inside — contains the greatest

message.

Return to me. Though you are gone. Through the shroud. Time be gentle. Time be cruel.

Different and the same. Recollecting nothing. There is the proof. Stained on our table. Where you cut yourself. On a sharp knife of desire. And I opened to you. Ballet within music. Rapture closed us together. Forgotten. How do you not remember.

That long night we ran barefoot?

Flowers close their drowsy heads. Against night. Sleep. An eternity. Wakening. We are

strangers. Again.

Loss. A pressed red petal against Italian paper. Seeking its watering. I am so thirsty for your return. My love.

Gentle & low

Robert MapplethorpeTruth hinted at

there’s a ghost in the machine

that’s me

she’s climbing out of her past, survived the worst

they hold up mirrors and shout

let it out, let it out

the she who is me

spread eagle, violate

who will she need to please to be free?

I watch her as I would a

lover who coming close is further apart

the darkness of hurt

a chocolate center to emptiness

her breasts are hard and warm like

lost thoughts in my hair

we weave a strangeness over one another

her fingers inside me and then

words perfumed in the air

promises were said and broken

the bed lays untouched and I would wish I’d been

so lucky

bruises act like kisses and kisses are too deep

your tongue goads my sleep

when I said no you took and ate

your fill, then with moonlight cutting

curtains blind in silver

I see the outline of sin and pleasure

how pain is curled in little leisure

the first strike, sharp lines, leather belt

hands around my neck and down my throat

marks left on marks, growing roses in darkness

you make a hand print of the child lost

blood in water, sheets and cries

who will clean the absolution and who will

witness the last time?

I gave you what I could, it wasn’t

full it wasn’t even good

that was all there was

empty roads, night time rain, ebony on asphalt

lay me down on thorns

paint me a picture of torment

here’s my proffer, my scorn

for not being able to keep a secret

pluck a pin, suck it in, there it sprouts

savage love, ruins the innocent

pain comes in snatches like dreaming

you relish the way I collapse after you’ve taken

this last suspense, rinse out, leave her ready

for the next punch, a wound so loud

her breath has vocals

I’ve been gone a long time now

only the sound of the past plays

on repeat

gentle and low

as violence ebbs her sharp tongue

licking the wounded with happy sorrow

Behind your eyes

DSJPQ56W0AEq2Dl.jpg largeWhen I stopped dancing full-time and entered delayed puberty

my breasts swelled like a lily in a pond

at first it was kinda cool getting attention from boys

then I hated how they jutted out and called ahead

like car headlights

slowly tracking, flashing, blinding

in those days of Flashdance and Fame

the three L’s; leggings, leg warmers, leotards

loving in the afternoon, running to studio

dancing with the smell of sex on my stomach

other girls ate salad and cardboard

threw up in the bathrooms

bound their breasts with cloth

I admired their long necks and sinewy thighs

the tightness of their waists and flat chests

my own puberty felt like something out of control

foreign and unwanted to me

I wanted the lean girl of childhood back

the one who climbed trees with one hand

hung upside down

eating apples

there was too much

attached to owning breasts and thighs

even his circle of me dimmed

looking at some of my friends

the ones with slimmer hips and shoulders

still in their girl-doll-bodies

I with my woman seeping out

became a thing of disgust, or so I thought

when I carried his child, my breasts grew even more

wetting the front of my nightshirt with wasteful milk

his eyes took in the sum of me and disgusted

he looked away

always preferring me hairless and skinny

like a girl not a woman

no make-up, wearing little thin things

someone he could control

so I had a sickness in myself

of warped images, desire and lost babies

starving myself beyond the pale

it wasn’t hard, I had little to lose

soon I ran for buses on the breath of feathers

circling my waist he’d say

you remind me of Audrey Hepburn

being tiny, I decided it had been a dream

no child, no loss, no lack of desire

he sexed me every night until sate

leaving bruises on my legs and arms like

vampire bites

but always turning his head away

like he was thinking of someone else

when he left me for that girl

who was dark-skinned and voluptuous and healthy

I realized being a little girl didn’t keep me safe at all

after that I never gave myself away

to people with eyes that looked straight through me

or hands that grabbed to own

a piece of me or what I possessed

though I had no idea what

that was

lying by myself in a small room

smoking hashish in the dark listening to

Tunnel of Love on repeat

I tried to turn my heart to glass

only my body wanted to be awoken from her slumber

a virginal boy, with no grace and long hair

filled my nights and my bed for a time

I taught him how

to roll the perfect joint

and study, where time ended and pleasure began

once he asked

why do you bind your breasts every morning?

they are beautiful

I turned from him

my skin burning with secrets

and did not ever reply

for who can disclose the litany of pain?

as it lies

like a sleeping child

behind your eyes?

Lingua

If you saw everything in retrospect

What language would you hear?

Climbing through cumulus clouds

The color of death valley

Sand strewn prayers

Over scraped knees and heavy cello bow

You slapped me backhanded

I watched myself

Fall like water

Wet against the sound

It excited you to see

Blood on my lips

The outline of violence

Lacing time and roses with secrets

You look out at a stark dull day

Feel glad you have the assurance of what stands rigid behind closed doors

We wear bright smiles at parties

The golden couple, they admire our rehearsal

Like pedigree animals who mask their bad nature

I’d bite your hand

And he’d fill your throat with glass

The lowered sun casting a haze over

Our magnification

Teaching darkness to obscure the simmering

Hand pinching my thighs open, striking

Quiet match of fire beneath

I hold onto your dismissal

Like butterflies

Slipping and fleeting

Driftwood

Skipped stones as smooth as

Your tongue in my mouth

What language do you speak?

As you lean in to remove all hope

And pinching between wet fingers

Extinguish light til only the circumference

Of stars

Lend their distant

Glow

Final chance to submit – “We Will Not Be Silenced” Anthology

Midnight, Monday 15th October is the deadline for submitting art/writing/poetry, this is an important, very timely project at a critical stage in history, your voices need to be heard! Previously published work you hold the copyright permissions on, are acceptable.

Please add your voice.

The story: Bruised But Not Broken, Whisper and the Roar, Indie Blu(e), and Blood Into Ink are joining forces to publish an anthology about the lived experience of sexual harassment and assault. We believe that it is more important than ever before that more voices speak out and reclaim their strength by owning their survival stories. All contributors, female and male, can submit up to three pieces of creative work- these can include; Poetry, Prose, Essay, Short Fiction, Prose, or original Artwork, but should be limited in length (under 1,000 words) considering that this is an anthology. You will be notified if your work is accepted. Please do not consider nonacceptance as any diminishment of your experience, but as with any publishing venture, we must try to fit the individual pieces together into a strong whole.

  • Submission of previously published pieces is acceptable if you still own the rights to your work.
  • Artwork can be submitted in black and white OR color but all artwork should be black and white compatible.
  • Using a pen name or publishing anonymously is acceptable.
  • All submissions should be sent to bloodintoink2017@gmail.com by midnight, Monday, October 15, 2018.

Writers and artists will retain the publishing rights to their individual submitted pieces. Indie Blu(e) will retain the rights to the collection We Will Not Be Silenced.

Pieces accepted for the Anthology may be used in whole or in part to promote the Anthology. All writers and artists will be appropriately credited in all promotional materials.

Should the royalties from sales of the Anthology exceed the costs of publishing and promoting the Collection, 70% of the royalties above these costs will be donated to organizations that support survivors of sexual harassment and sexual assault.

 

Unmentionables

What can’t be said aloud

or even blown into an envelope

placed in a bottle and set to sea

or kept beneath your pillow in diary

those words and feelings without words cannot

find a place of expression

for a multitude of reasons or just one

you carry them around like a weight

dripping from your neck

sometimes in a weak moment

you feel yourself urging to spill

the bunting and string it high

confidences for everyone to see

what’s the worst that could happen?

and yet, you know, the worst

is bad enough to keep

you quiet

how many others, you wonder

carry their own list of unmentionables

and what would they be?

any in common or always unique?

if you let someone know

the sum of you

would they

grow bored?

become disgusted?

smile and say ‘i understand’

when they did not?

who can understand the deep of us?

where we dare not venture, let alone another

what permissions given and retracted

exist?

like the long necked lillies that spring

miraculously from dry texan ground

after it has rained and

the electric mist has caused wonder

to touch the barren

perhaps it is a sign when

you can talk of such things

late into the night

with a stranger you will never

meet again

or that you whisper to yourself

the varied outcomes of confession

strung on a tree, lighting dark road

no, sometimes it is best

we model our forefathers and mothers

who knew what to keep to themselves

for years they held them in jars

turning to the light once in a while

and when they died, sometimes you would find

one survived the cull

and everyone would hush and hold their breaths

in inky silence

not sure of how to respond

somehow a secret after you are gone

doesn’t hold the same concern

and maybe they were free of them

in that hour

when all who knew, discovered

they had not

known them at all