Goodbye for now

In the New Year I am going to do something drastic. I’m going to close all my social media down and take the majority of my books/work offline/out of bookstores. The work that will remain is what I’m most proud of; SMITTEN This Is What Love Looks Like (an anthology, 2019), We Will Not Be Silenced (one of 4 editors/contributors, 2018) and Pinch the Lock (Finishing Line Press, 2016).

When I began, I really believed I could contribute something valuable to the world through the medium of writing. I saw many other people trying but I did not know how many and since 2015 I have seen that there is a glut of people all self-publishing, indie publishing, small press publishing, all with the same ‘dream’ of being a legit writer. Mostly wasting hours on social media futilely. I realize 99.9 percent will never be. The only ones who can do it are those on disability, who get a cheque without needing to work, or supported by husband/wife/family or you’re a retiree. If you DO have to work for a living then it’s rare you can put in enough work to even get to the indie publishing stage.

There are exceptions. One of my real friends whom I did meet on social media works full time and is one of the hardest workers I know. She will succeed I have no doubt about it. She goes home from a hard days work and produces consistently some of the best work I’ve read online. People like her are rare. They are one in a million. Others have the talent to do it but it will depend upon if they have the time to make it happen (you know who you are) but the vast majority have neither the talent, nor the ability to make it happen.

When I began writing I thought I was a pretty good writer. When you read some of the stuff online it’s easy to see why I thought that, a lot of it is really poor quality. On the other hand you need to be either absolutely brilliant or someone who is in the know, to get a really big publisher. I am neither absolutely brilliant nor ever going to be someone who is in the know/networked up to the hilt. Even those who everyone talks about as having a ‘good publisher’ actually don’t. They just secretly vanity press pay or exaggerate how much they actually earn. To earn a living wage as a writer unless you are an editor, it’s the 1 percent of the 1 percent.

I don’t want to be an editor. It’s a thankless job and underpaid. I have qualifications and I am going to use those and return to my previous career, hard as it is, it can earn me what I will need to take care of myself in the future. Maybe no job will be different, maybe I will always be taken for granted and used but I want to do it on my own terms. I have always supported myself from the age of 18 and I always will until I cannot any longer. I have never had any help.

Lastly, most of you don’t know but I was recently diagnosed with a very serious eye-condition that means I am losing my sight. I realize I have to adjust NOW rather than when it is completely gone. I doubt I will still want to live if I go completely blind and I have decided if that day comes I will elect for euthanasia as I am not someone who wishes to live as a completely blind person. Especially as I have no family who will care for me. However, if that day doesn’t come or it gives me 20 more years, (which is unlikely) I still need to change my life to ensure my eyes do not worsen.

As some of you know I had battled a serious illness in 2017 which radically changed my life. It was caused by a virus and I am still sick with it but I have learned to live with it and am high functioning despite it not having completely gone. I believe it will one day completely go but it is a long painful battle. I thought that was enough to deal with but in addition to this my mother told me she no longer wanted me in her life ever again. She and I have had our ups and downs but naively I thought as she aged we would get closer. I have always loved her very much even though she was not in my life that much. When she told me this during my illness, effectively kicking me when I was down, it was the last straw. She knew she’d hurt me as badly as she could ever hope for. She succeeded. To protect myself I accepted what she said and have tried to get on with my life knowing she will not be part of it. It has hardened me and I am bitter about it but I will never be as cruel to someone else as that. I will never succumb to cruelty to deal with my own pain.

On a positive note, I am stronger for all of this. But having the eye sight issue on TOP of all of the above, was just too much. I do have it in me to change my life. I have decided to once more change my life. I am not going to carry around the rejection, fear and grief of her hate of me or anything else, anymore. When I began my blog/writing in 2015 I felt it was a chance to try my hand at writing. I don’t regret doing that but I see now realistically I have to move on.

If you know me, truly know me, and have my number and my address and we talk, then I am bound to call you real friend and will keep in touch. When you get sick you realize who your friends are and it is a good clarity. For those of you I call friends thank you for your friendship and I hope we keep in touch. We may not as we may no longer have anything in common but I wish you all much success.

SMITTEN will be my last personal project in the publishing world for the foreseeable future, although I have also been involved in YOU DON’T LOOK SICK and hope Indie Blu(e) recognizes me for that when it is published next year. SMITTEN is a wonderful ending to this chapter in my life. It is a testimony to the talent of women when they come together. Just because we are minorities doesn’t mean we support each other and lift each other up. I hope projects like SMITTEN help future women do JUST THAT because THAT is what is needed. We need to be good to one another! To support one another!

I want to personally thank the following whom I have met on WP for their loyalty, friendship, goodness and inspiration. I think you are incredible human beings; Mark. Eric. Derrick. Bob. Crystal. Erik. Jane. Karen. Raili, Rita. Susi. Anthony. Laurie, Tony. Nicole. Tara. Helena. Philip. Sarah. Tremaine & Monique. Thank you to Christine and Kindra for letting me work for Indie Blu(e) I really hope all the work I did helped and you succeed. Rita.

RIP Natalie Scarberry you are loved.

Thank you to anyone who read anything of mine. I appreciate you. I wish you only the best.

Candice Louisa Daquin

Things said in the rain

I remember when for once, for the only time in my life

I meant everything to one person

And that person was you.

Now it doesn’t rain very often

As if the world we live in, has acted out what we feel inside

Dry and forgotten

Though I

Can never forget

And when I want it to hurt

In a way that scouges and burns

Even beneath water

I let myself go back in time

And you wash over me

All the grief of

Things I can only say now

In the rain

Loud enough to drown out

My raw cries

Heavy and wet so no tears are seen

Rain makes my pain invisible

Erasing need to close doors and scream into towels

I can stand outside in front of the world

And things said in the rain

Will never be caught

They will slide from my tongue

Down my wet emptying surfaces

As they howl and beg for you

As they replay closure over and over

Ripping off nearly healed scab

Like a needle desperate to play

A song without words

Though there were so many

Things said and nothing stuck

It simply washed away

Taking with it

The part of me grown in your light

Never thinking she could be adored

Or matter, as once beneath you, she did.

Now I hardly recognize

That young woman

With her dream and her search

For rain

And for you

Winding up the car window

Our wet hands touching

On different sides of glass.

From you …

two woman kissing each other
Photo by rawpixel.com on Pexels.com

Night isn’t dark enough to cover my shame

How I reveal myself to you from these coils

So long hung to rust with ashy regret of inaction

I once watched my life on the movie screen and when it ended

We all toasted the director, who wrote our existence

On the inside of his scarred wrist.

Do father’s ever know their daughters?

Grown in earth before lightning strike

Do lovers ever desipher the real reason for silence

Resting like a found feather on dusty counter top

So easily blown to floor.

Night isn’t dark enough to cover my need

To emerge un-whole and starving from grief

And feast on you until all blood is drunk.

I grow ill with desire

It boils my want the color of bones found beneath rocks

And thunder reminds me

Without you

I am always

Alone.

Lift me then, into your mouth, make a meal of my belief

There is only one go around on the Ferris wheel

Afterward

You smooth indigo sheets free of perspective

lying as flat as hope without wind to bouy them apparent

As I am diminished in anything without you

iris petals growing ever soft against their hard stalks.

Night isn’t dark enough to cover my words

Spoken like strokes over your ebony crown of thorns

My unquiet heart desirous of posie finds in you

A glittering creature, unreachable in your poise.

My feet are sore from running and my heart hammers as

A hundred drums pound the surge of us

Your devour and my claim are loose souls finding substance

In the fever of each other against

Belting storm, whipping its wrath like enthusiastic penetant

Eager to evoke blood

Mine and yours on scald of dawn

From you …

Night isn’t dark enough to disguise my love.

Preparation for our dissolution (3)

1_max_494Down the drain

Watch. Watch carefully. See. See clearly

The comforting sound of water retreating in circles

I used to say that water turned to milk

I used to think when cream mixed with transparency

Pearls swirled and ebbed like fire flies in dark.

Kept warm beneath tiny radiators stuck on walls like beige moths

Glowing against a 40 watt bulb

Don’t open the window it’s stuck, it’s stuck on being underground

We breathe in soot, we turn ebony in our effort to

Rise.

She couldn’t lift the baby carriage, in those days it weighed

More than she did and the stairs, sticky with linoleum were

Narrow like her little arms attempting to heft us toward

Light.

We mired in dark. We stayed still as stalagmite in caves

Children’s books. Detective novels. Smite the key in the lock

Green plants fitfully reaching. Reaching. Reaching

Your arm is never long enough.

Recall the smell of boar hair brush. Of Clinique blue bottles

Is it magic? How does it glow? Mouthwatering

How they had a misted outside, I ran my finger down and traced outlines

Someone in NYC designed this shape. The shape of places far and lettered.

She had wool, it got wet washing her hair, the edges frayed

It smelt like grandma’s farm with damp goat fur at 5am

Nobody had anything then. We opened our hands to emptiness

Paper lotus. Needle. Oh Lord. Darn a way out.

Everything is so different now. I did not learn how

To cooperate

How to join. How to thrive. What if you are

Born only of coal?

The heavy weight of circular plates laid over paving stones

A funeral of sorts, bury the mother, bury any off-spring

Only blood. Only letters after names. Knights and paupers

The history of war. Victors write. The rest rot beneath daisies.

She grew insufficiently, facing away from sun

Her skin parchment, knees knocked

The pain in her. Oh the pain in her! No words.

She closes her eyes. Turquoise like the stones found in New Mexico

When she was told that, she said; Yes I will buy a ticket

Board the plane, swallow the dream, take the red pill or

The blue.

It was so savage. The quiet. The silence.

When she left there was nothing but the brush and the bottles

Gathering dust, follicles left spinning in air

Are some of those skin cells, still her?

Reconstruct

Is it any wonder she knows best, people of vacillation

And change? She knows the feeling exactly when told one thing

Tomorrow another truth hangs primly in

Your narrow closet.

Her ear lobes are detached, she read once in a woman’s magazine

Attached ear lobes are a sign of beauty

She has larger knee caps than her shins

The skin barely covers her climb

Trees of white, pearl, honey, comb, hair brush, blue

Bottles.

They didn’t fix the streets they remain

On fire

And they ate coal in preparation

For their dissolution

“Il y a dans le coeur humain une génération perpétuelle de passions, en sorte que la ruine de l’une est presque toujours l’établissement d’une autre.” Rochefoucauld.

 

Shadowlands

Sorry for the fade in my voice

but I’m not really here

I’m standing with you, among the fir trees

watching mango sun pray her rays

there is a voice in the air

singing a song of us

I was, I am, entire when

you are with me

I am, I was, whole when

you exist

we are together even as we are not

I am on my own again and you are

rounding the corner coming into view

it is our destiny to be pushed and pulled

like dancers from a stage

where the lights have of them, made

a kind of madness

you stand being absorbed by my

attention

it never waivered

you called me a laughing girl and

I put a gold chain around my waist

and told you, this is your chain you can

pull whenever you need me

the chain broke

the tree dropped its lemons and froze last Winter past

and you lie in my bed

with your caramel and your velvet

I dance for you

I open the curtains

and we set fire to the street

with our cries

i’ve got my mind fastened on you

play another record

don’t stop now

there’s the rest of our memories

to repeat

before the day is dark

and you have turned again
to shadow

By one who feels

8d5642a56ebcf2178de5ab61d9c73a75

for indifference is the sharpest

knife of the set

worse than anger which requires some care

and love that turns on her heel constantly

like a feathered Cuban girl in 1930s Havana

smiling, til her cheeks ache with sheer

marvelous spectacle

it’s been some years since I danced for you

from shadows to light and back again

fooling myself into beauty, rendering

moments stamped in both our minds

for the joy of the unbound

my feet hennaed like an Indian wedding bride

your fingers possessed of music and silver rings

we wove our limbs together as plaited bread

baked in the glory of that unbroken hour

before ochre sun’s urgent assent and chime

of other people began lowing in impatient light

there is something about darkness I have always

felt contained magic and even if others do not see

I taste it on my tongue

I run my hands along

its quiet shining surface

much like a lake swallowing

a stone when thrown

with all the violence known

by one who feels

everything

The wounded eyed girl

15Before I knew myself, uttered out loud the words

labeling me a this or a that or a who knows?

I developed feelings for a wounded eye girl

we were kids really, dressing up as Japanese geisha in my room

all festooned in asian print and a little tea set I got for cheap

from china town

we wore chopsticks in our hair and bowed ceremoniously

singing the only song we knew in Japanese

with The Mikado playing in the background

I liked her thin arms and her prominent nose

her knock knee urchin look and bandaged soul

I liked how strong she was even as she looked like she’d fly away

most of all I was attracted to her wounded eyes

for there is something heady and bewitching in

pain

and its infinite manifestations

we’d dress up, I would paint her lips scarlet, we’d put on

funny accents and roll on the floor looking up at glow stars

I still had stuck there with movie posters of vampires

she would fling her arm out across my chest,  tell me of herself

pouring out the suffering of her short life

and it was an awful life before she was

brought to this city we lived in, both from somewhere else

transplants, orphans, ghosts of ourselves with missing DNA

she would tell me of her homeland, how

her father beat her black and blue for

being a girl

why as she got older he took

each of her sisters one by one

and they didn’t come back

whole or even

well repaired

I wanted to lick the pain from her cheeks and hold her to me

until the wound healed

but nothing I could ever do would assuage

the wounds behind her dark brown eyes

so we played as little girls do

building camps and tepees and western saloons

once I played a prostitute and she a cowboy

I cocked my head, snapped a red garter and asked her;

want to have some fun soldier?

she laughed, such a lovely laugh

her black hair and coffee skin, shining with fantasy

she didn’t like being herself anymore than me

we got into our pretend saloon bed

I served her a pretend shot of whiskey

acted ‘saucy’ the way I had learned from TV

she rolled her eyes laboriously like a comedian winking

pulled up my petticoats which were real

and at one point had been my mother’s wedding dress

when she married my father, bare foot and broke

with a velvet ribbon tied around her neck

and our fingers explored each other

as we giggled and changed our voices to all the favorite

TV characters we knew

I think I even tried to be Sue Ellen

I wanted to tell her then, not to stop

to press my mouth to her pomegranate lips

touch her swelling breasts with my own lack of

run myself like a cat across her saffron skin

but even then I knew

damage makes bad bed fellows

we soon changed the game, to cops and robbers

climbing out of the window, swinging from trees

though in every story

there was an element of romance

I thought of the old shows I loved

where the actors were always

dancing around the circumference

of each others heart

how in real life sometimes they married

I told my father; Oh see! Oh see! pretend things can come real!

but some cannot

and she and I grew up

once she told me she had always known I felt like that

I blushed dark red because of course

thinking I’d been subtle when watching her changing clothes

she married a blonde haired man and moved to Australia

had a little boy and hopefully

a ceasing of her alotment of pain

because more than anything I wanted that for her

even more than the beautiful moment

of two girls

laying in sunlight

laughing at imagined things

for the rest and peace and escape

of anything real