Pushing away

woman-teepee-pinterest

one day in the future they will come up with little pills and little bottles

to ‘cure’ this illness when it is not

even tangible

but something made of fibers

unseen to the eye

that set you off galloping

one day you sit quiet and rested in the sun

and just a little thing can start it all

the discrepancy of something said

the feeling of being on the outside looking in

a lie you cannot call someone out for

because they have more lies than you’ll ever

have room for

so you turn

without even thinking

second nature

and run in the opposite direction

shut down close off

never give them a second thought

it is the protection of the flower

who must open daily

and close when it is dark

she can be so sudden in her dismissal

it’s what she knows best of all

that feeling of nothing

that familiarity of naught

and if it happens they’ll eventually

call it an illness

but it’s no more sick than

stones who adapt to water

by becoming

heavier

to move

if I happen to

switch off and stop

I won’t be coming back

and it’s only the ones who

claim the deepest of my heart

whom I cannot stand to reject

who stay with me til the end

burrowed in my being

where few can ever find

entrance.

 

What was it about you?

let yourself right away in

demolished every rule, every tendency I had

an exception we bow asunder to

feathers gleaming against cold sunlight

 

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Preparation for our dissolution (3)

1_max_494Down the drain

Watch. Watch carefully. See. See clearly

The comforting sound of water retreating in circles

I used to say that water turned to milk

I used to think when cream mixed with transparency

Pearls swirled and ebbed like fire flies in dark.

Kept warm beneath tiny radiators stuck on walls like beige moths

Glowing against a 40 watt bulb

Don’t open the window it’s stuck, it’s stuck on being underground

We breathe in soot, we turn ebony in our effort to

Rise.

She couldn’t lift the baby carriage, in those days it weighed

More than she did and the stairs, sticky with linoleum were

Narrow like her little arms attempting to heft us toward

Light.

We mired in dark. We stayed still as stalagmite in caves

Children’s books. Detective novels. Smite the key in the lock

Green plants fitfully reaching. Reaching. Reaching

Your arm is never long enough.

Recall the smell of boar hair brush. Of Clinique blue bottles

Is it magic? How does it glow? Mouthwatering

How they had a misted outside, I ran my finger down and traced outlines

Someone in NYC designed this shape. The shape of places far and lettered.

She had wool, it got wet washing her hair, the edges frayed

It smelt like grandma’s farm with damp goat fur at 5am

Nobody had anything then. We opened our hands to emptiness

Paper lotus. Needle. Oh Lord. Darn a way out.

Everything is so different now. I did not learn how

To cooperate

How to join. How to thrive. What if you are

Born only of coal?

The heavy weight of circular plates laid over paving stones

A funeral of sorts, bury the mother, bury any off-spring

Only blood. Only letters after names. Knights and paupers

The history of war. Victors write. The rest rot beneath daisies.

She grew insufficiently, facing away from sun

Her skin parchment, knees knocked

The pain in her. Oh the pain in her! No words.

She closes her eyes. Turquoise like the stones found in New Mexico

When she was told that, she said; Yes I will buy a ticket

Board the plane, swallow the dream, take the red pill or

The blue.

It was so savage. The quiet. The silence.

When she left there was nothing but the brush and the bottles

Gathering dust, follicles left spinning in air

Are some of those skin cells, still her?

Reconstruct

Is it any wonder she knows best, people of vacillation

And change? She knows the feeling exactly when told one thing

Tomorrow another truth hangs primly in

Your narrow closet.

Her ear lobes are detached, she read once in a woman’s magazine

Attached ear lobes are a sign of beauty

She has larger knee caps than her shins

The skin barely covers her climb

Trees of white, pearl, honey, comb, hair brush, blue

Bottles.

They didn’t fix the streets they remain

On fire

And they ate coal in preparation

For their dissolution

“Il y a dans le coeur humain une génération perpétuelle de passions, en sorte que la ruine de l’une est presque toujours l’établissement d’une autre.” Rochefoucauld.

 

Latest @ — hijacked amygdala

My forearm Has your fingers circled around it My waist Your hands meeting each other The tattoo of your movement Across the salt of my plains You chisel my rise and fell my present Into your eyes I tumble As velvet dark becomes elongating heaven Your fingers brush my cries with storm I am beneath […]

via — hijacked amygdala

Pleasure dome

I’m 24

Funny shaped tap drips without end,
birds no longer sing in this city

I tell myself, I cannot survive much longer

If my view is a saffron robed Pakistani man, hawking up phlegm at 8am, into his dying rhododendron

Despair like me, at these four walls and dirty pipes protruding from beneath singleton sink

Who ever made sinks this size? Sometimes you throw up in them. Other nights you heft your hiney and pee long and shameful

The golden shower of malcontent. I don’t like to share bathrooms with strangers or friends

Poverty and her gifts, laying each day another absence, a reminder, you are in the meat grinder of the city, she waxes her legs on your sharp disappointment

As a kid you thought you’d wrangle diamonds from street corners, the fizz and pop of bright lights luring you to the center, like a Christmas nectarine

Is always spoilt.

In the petting evening, wet lipped men come to the spindly girl upstairs

She has thin shoulders and jagged hips, her eyes are always transparent and high on pyramid crystals

These men grind their dirt into her pretend cries of ecstasy and she gets crisp and filthy notes left on her childhood dresser afterward

I fantasize about asking her, if it has to be men she admits into her sanctum

But I’ve never paid for it and I don’t want to step in their cooling semen

If she knocked on my door and offered a damson breast I may

Break that rule and risk, even in the AIDS era, even as a feminist, even if I can’t afford the powder, her hungry nostrils crave

Just to feel the rub of her emaciated hips and hard thighs against my parched skin

I’d fucking inject it if I could, to take away the feeling of savage loneliness in the big city

That sick feeling, you’re stuck, among landlords and low paying jobs, even at 24

Massaging an ancient electric meter with dirty coins, for a little light showing more dirt

The temptation to let it fade out and lie, door open, legs open, coins in your mouth until blood freezes in your veins.

Come in and pay for me then, what am I worth? What can you fill me with, I haven’t already drunk?

Strange people’s scarfs on universal banisters, the smudge of sex in screwed up foil and old bus tickets

Lift up my hips, ram it in, pay your due, switch poison for love and love for death, welcome to the pleasure dome.

The man in 4b puts his hands down his granddaughters dress but the abuse hotline just rings and rings and rings

There’s a gypsy in 5a, cries for his lost lover til dawn. There’s a 13 year old boy who turns tricks in the street, who asks for bus money and new socks

The flashing lights of the strip club opposite are flamenco pink and penetrate through my squalid curtains, wailing their synthetic dreams

How far will you travel to see the sky again? To touch sand and sea and gulp with fevered breath, the pollen of forgotten worlds, lost in your lust for noise

I think of the Pakistani man and his phlegm, growing flowers from spit

As the Eastern eyed girl sells her small fruit for a ransom and a cry

Breasts like pinches, thin ribs beneath wool, taut ride of her skirt showing little pursed mouths of bruises

Her feet are always bare andlacquered, mine are unwashed and leave imprints of desire outside her door in ring-a-rosies

She wears her tips without a bra, nipples hurting in their push, smoking cheap cigarettes before light, smell of burnt coffee and sex on her chewed neon fingernails

They pay her to keep them hard, I beg her to stay soft

The city is a searching arbor of need and want and ingratitude

At 3am people wander the street for drugs and pain and death in little sealed packets

She leans in the doorway, exhaustion a shroud, touching her bottom lip with a haloed question

I open my mouth and let her in.

To her, and all the men she brings, to 24 years and not a minute more, to the nialism and thready vibrant flowers growing from scorn

Her body is a violated temple, a bingo hall, an arcade game, with multiple slots for change

Her mouth tastes like ashtrays and night clubs and old men, skinny throat a pin cushion of bite marks

I make her sing

As light wakes the rest of the world, all the lost birds hear her call

The Pakistani man admires his flowers and thinks

How beautiful this little piece of color is, here in this metropolis where all are brushed beneath concrete

I brush my hands across her small deflated breasts

Seeing sunlight find its way in between crowded houses filled with sore tenants

Touch her violet tinged skin in patterns, warming her before she awakes.

I’m 24 and she’s 22 and an entire life time, of fag butts and misery, washed down on lines of coke and old men groping for their last fuck

Later on I’ll take her to the coffee shop with the little bell above the door, and we’ll clasp hands beneath the sticky table cloth

Blue rinse ladies in the adjacent seat will remark, on our bright eyes and shining hair

As if we too were born

From the cracks of despair

Always

Rorschach_blot_04Sorrow

You come from the juxtapose of joy

As I ate words of love

I had been starving for

Felt your surround like a glory

My body opening for the first time in years

To the rain of you and your outstretched us.

That safe place

Didn’t really exist

I had simply been running in diminishing blindfolds

Emptying myself of protest just as, in one glance, you fill me whole

Anything less is biding time before dying

And it’s not good enough! I want to feel FIRE.

I am

I said into darkness

A strange person

I spent my youth

Acting multiple roles

Watching the stage from ceilings

And words? You have none, I have plenty

But they mean nothing

The purity of your act

Holding my chin and neck

As only one who owns my heart

Tells me more than any soliloquy.

I am a writer

Who doesn’t believe in detail

I’ve had the most fantastic actors

And I’ve seen through them all

But your raw silent search

Slams me with its reality

And I open and open and open

Crying out my betrayal and my hurt

Your fingers beneath my arching

The feel of you, deep in my journey.

Like a wild wind

I pull hard on you

Because I cannot have enough

I want you to live inside me

Like a flower touching my soul, blooms in darkness

Our fingers interlaced

Things I’ll never be able to say.

I smell home in your neck

I touch pain against bliss

And collapse on the other side

Where all meaning resides and you …

You are my all

I want to stay here

Gathered into you and afraid

Because when you feel

You always walk the edge of a blade

Sharp and unknown.

I cannot say anything

But the feel of you against me, is my only sense

I am driven

Like sea is drawn magnetically, every morning

Thundering against shore or stone

Grieving its former peace momentarily

Before losing in the din and rage of passion

All ordinary sense, replaced with certainty.

I am unable to exist without

The burn of following

I follow you

As we are shadows separate and together

Watching me watching you, merge and turn like slivers of ink

Until one, until none

Indivisible we begin over

Unweaving what was you from my depths

Incomplete now

Stay

Stay

Stay please

Always.

Only child

pexels-photo-573266

I’m sitting in a linoleum room with ghosts, specters and occasional stranger

a girl with long legs like a foal, is pulling elastic pink lines of gum from her full mouth

and snapping them back, loudly

I wonder if I have ever sat so evenly in a chair, if I ever had peach hair, light on my skin like that

it reminds me of my friend who competed in gymkhanas, we made up our own horses, hers was called Mars and mine, BeTwix and we ran

so fast our hearts thundered up her grandmother’s hill in the La Roque-Gageac

her legs were like those of a foal,  even at eleven, the waiters watched her with wet lips

I think of The Object Of Beauty, how Liv Tyler gleamed, coming out of the oval swimming pool

What men must think when underage girls begin to fruit.

My ghosts routinely tell me, I am without worth, they remind me if I had anything worth having

my mother wouldn’t be absent

a life time of inadequacy, wouldn’t be my legacy

I disappoint myself, not just the ghosts, sometimes I think

I don’t belong in this American world, where women are proud to work sixty hour weeks and go the gym at 9pm

still feeling they haven’t worked hard enough.

I think I am forever running in the Nouvelle-Aquitaine, with my imaginary horse

watching a girl turn into a woman, aware of too much even then, and not enough

the specters mock my lack of confidence, whispering in my detached earlobe

nobody likes a wuss, confidence is the American calling card, haven’t you noticed?

Even silly people and indifferent people get somewhere, if they believe in their

silly people and indifferent selves. And brilliant people, who doubt, will fester

like a ring someone lost in a river, glitters too deeply for marbled birds to

pluck it out and restore to light.

I lost a ring once, you’d given it to me when we were 14 and I didn’t have coltish legs

or peach fuss on my skin, but rather, the strong bones of a kid who drank milk with her cereal and got a stomach ache

reading Asterix at the pine breakfast table, with her stuffed toys.

I can still hear the plastic clock and hum of the washing machine

a warm symphony of my childhood, as I delayed leaving for school

and the inevitable crush of humanity, I had long decided was not for me

in fact, my trajectory was so far from that world of push and pull

competition and attention, fan fare and nose-pick small talk

I inhabited the after school hours like an addict of one

rejoicing in the quiet and empty spaces where

my mind could roam and gallop

sometimes I would sit on the roof tops of outdoor storage buidings

eating my soggy paper bag of sweets, stuck together from being

crunched in my pocket, head stuck in a book about

beautiful places with kind people and fantastic things

wild roses growing like thoughts from arching cracks

in concrete, their soft heads and sharp thorns

not the decapitated baby bird, I buried beneath the acorn tree

its silvered blind eyes, swollen and bulging

wings pressed like cries of regret for having never spread

in flight

something horrifying in everywhere you looked

like the terror you feel when you realize you are truly alone.

That kitchen clock would change day and month

but never really the precision of its emptiness

I learned it is better, to rely upon fantasy and avoidance

than the pinch and grope of society.

Often, a stranger would ask

why are you playing outside so late?

I would run away into the eclipsing shadows

behind the corrugated iron fences that separated

the good neighborhood from the skeletons

those bombed, bleached, bones of former homes

where a kid of twenty years ago had lain

watching paper airplanes cycle

above their head, clutching something with glass eyes

and faux fur, as I still did

funny, to find some comfort in the inanimate manufacture

of nature

my toys looked at me in the darkness and spoke

words of love, I needed to consume

their salty fur held

the cups of my early disenchantment

when teachers commented on my red eyes

I said; hay-fever and they believed me

because I wore a dragon tail

this was surely an adjusted child

with avid imagination

cantering alongside her friend

with the honey colored hair and long bare arms

absorbing sun like a shining fruit

I knew then how different I was

how quiet pain, how loud silence

my mother always looked so beautiful in

floral dresses with her trim ankles and long neck

I, the stranger behind her

admiring and shameful in her artlessness.

it was among the lost in forest, I claimed my place

when first love failed, when promises became

paper envelopes containing no letter

dishing out school diner and homework

leaving my scuffed shoes at the door

I climb

into the ivy

away from the party

a reflection I see of myself

gathering stillness like a blanket

she is fetching her best smile

for the emptiness of years

staring into emulous clouds, watching

for signs and miracles and unspent words

the sound of others laughter

rinsing through tall green shadows

like echoes of

someone else’s life

 

 

This IS What Love Looks Like: Poetry by Women Smitten With Women

SUBMISSIONS NOW OPEN; This IS What Love Looks Like: Poetry by Women Smitten With Women. Latest Indie Blu(e) Anthology is now accepting up to 5 poems/artwork per author.
 
Artwork must be B/W compatible on the subject of the unique love shared between women. Emphasis of Anthology is celebrating same-sex love of women, lesbian or similar deep attachments, in appreciation of this unique and beautiful connection through poetry and art (no prose).
 
All submissions please send to ‘editorial team’ at candicedaquin@gmail.com, likewise with queries. Share this in groups and with those you think may be interested. DEADLINE for all submissions JUNE 16, 2019.