No words

For all our words

We say nothing

In the blue of dusk

My hair catching light

In combed moments

A rise and fall

The thimble of surround heartbeat

Toes pointing

Dancing in stillness

Somewhere there is music

Like cream

Slowly spreading

On cold tile

While those of the house

Lift their skirts

Climb on mattresses
Held aloft

Sinking into softness

Arms over arms

Swaying

Closed eyes

Brief dizziness

The nip of proximity

Your mouth on mine

Furthering

No words

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And how

Hear how the fox festoons dusk

With larkish bark the color of a young girls best pitch

And how

Bathed in sweat I consider mortalities strange lyre

The photos of parts of me transposed and caught in time

Nothing is real and all is magnified by the mind

As she weaves her dream about our smoky heads

Tiptoeing over slate roof tops like ballerina forced to cat burgle

In this sliver of reality I choose

To disguard any mantle of victimhood

In imperfect slices of myself I have survived

Nothing will tear me down, save the last licorice root before tree fall

I have played acquiescences tuneless keys long enough

This is what growing up feels like at any age

The acceptance, not all is well or right yet

If I look, I know my worth

I’ll not give it away to appease those who seek

Through their own brokenness, to strip me of waterproofing

Time is too drunk on her singularity

She is in the bare knotted tree branches

Bowing together in subjugate to winter’s breath

Fat cheeked children licking plum juice from woolen fingers

And though separate, we are in conversation from

The very moment of our meeting

I am talking to you and listening close

As river water hides stoop of cold

Dashing its relentless self across us all

Bound and sheltering

From chill? From ourselves? The secrets behind our eyes or

Those said things unwrapped and steaming on kitchen table

The fire changing light to ghosts

I hear three generations

The reflection of another casting

My own breakage

Gathered with bright leaves in sacks of deposed

Being told fear is a disease we let enter

Turn it out, rent out those rooms you no longer inhabit

Turning as I have, to you

The shining of your throat covered in words

I’ll not let loose

Waiting for you

At hungry waters edge

In any country in the world

In any language

You run ahead

Turning back

The half moon of your face

Drawing light

An infusion

Aching

And the unseen fox

I imagine her as you

Bold wordless vibrance

Full tail, muscular legs

The twitch of beauty

Stark against tarmac

Owning darkness

Anywhere but this

How many times

Have I said

I’m tired

Close the chapter on me

Let me sleep

High up with mistletoe and squirrel moss

I sent away for a facsimile

Perhaps it will come already programmed

Take my place at the side of table

Mannikin hands jointed clicking clacking

Perhaps she’d love that mail order version

Better

Though love is no longer in our lexicon

The broken shoes of children

Destined to run barefooted

Toes stained with rhubarb juice

Tasting sour, tasting tart

Something bitter lingering among sweetness

For so long I waited

Watching

For you to turn at curve of road

And you did not (you did not, you did not, you did not)

The simmering lump in my candle throat

Never swallowed

When pain builds

First callused, then scars

Has anyone inquired what comes next?

I lost my voice

Then my sight

Then my hearing

It was terrifying

And it was peaceful

For I couldn’t hear them fall

Like tiger moths born in ice

Freeze with first breath, pirouette to ground

Nor see them rot and turn to wine

Nor speak of the pain

Through their juicy little mouths sewn quiet

I see now

Why people run

Why people turn to stone

But what if you can’t

And all you knew was love?

Then

What?

Sometimes I want to cut you into tiny pieces

But you’d still exist

Larger than life

In my filing cabinet of expectations

I was told once if you expect nothing

You can’t be disappointed

I found that so sad

Like eggs without salt

I wanted to taste it all

Be genuine, be real

But first the fur was rubbed off

Then the gentle felt

And finally my glass eyes

Scratched

Just like when you cry

The world was blurred

I couldn’t make out who it was

Who ached and who tore

Till I looked inside and saw it was me

Standing there in the sunlit road

Watching for traffic

And maybe your return

Or maybe a fast car

Whether it hits me

Or passes by

Maybe it stops

Maybe I get in and when asked

Reply

I’m going anywhere

Anywhere but this

Behind your eyes

DSJPQ56W0AEq2Dl.jpg largeWhen I stopped dancing full-time and entered delayed puberty

my breasts swelled like a lily in a pond

at first it was kinda cool getting attention from boys

then I hated how they jutted out and called ahead

like car headlights

slowly tracking, flashing, blinding

in those days of Flashdance and Fame

the three L’s; leggings, leg warmers, leotards

loving in the afternoon, running to studio

dancing with the smell of sex on my stomach

other girls ate salad and cardboard

threw up in the bathrooms

bound their breasts with cloth

I admired their long necks and sinewy thighs

the tightness of their waists and flat chests

my own puberty felt like something out of control

foreign and unwanted to me

I wanted the lean girl of childhood back

the one who climbed trees with one hand

hung upside down

eating apples

there was too much

attached to owning breasts and thighs

even his circle of me dimmed

looking at some of my friends

the ones with slimmer hips and shoulders

still in their girl-doll-bodies

I with my woman seeping out

became a thing of disgust, or so I thought

when I carried his child, my breasts grew even more

wetting the front of my nightshirt with wasteful milk

his eyes took in the sum of me and disgusted

he looked away

always preferring me hairless and skinny

like a girl not a woman

no make-up, wearing little thin things

someone he could control

so I had a sickness in myself

of warped images, desire and lost babies

starving myself beyond the pale

it wasn’t hard, I had little to lose

soon I ran for buses on the breath of feathers

circling my waist he’d say

you remind me of Audrey Hepburn

being tiny, I decided it had been a dream

no child, no loss, no lack of desire

he sexed me every night until sate

leaving bruises on my legs and arms like

vampire bites

but always turning his head away

like he was thinking of someone else

when he left me for that girl

who was dark-skinned and voluptuous and healthy

I realized being a little girl didn’t keep me safe at all

after that I never gave myself away

to people with eyes that looked straight through me

or hands that grabbed to own

a piece of me or what I possessed

though I had no idea what

that was

lying by myself in a small room

smoking hashish in the dark listening to

Tunnel of Love on repeat

I tried to turn my heart to glass

only my body wanted to be awoken from her slumber

a virginal boy, with no grace and long hair

filled my nights and my bed for a time

I taught him how

to roll the perfect joint

and study, where time ended and pleasure began

once he asked

why do you bind your breasts every morning?

they are beautiful

I turned from him

my skin burning with secrets

and did not ever reply

for who can disclose the litany of pain?

as it lies

like a sleeping child

behind your eyes?

Want & Ritual

Helmut-SPREAD-6FI grew up fetishizing

the nubile antonyms of beauty

Helmut Newton’s exploitation

penis behind camera stroking

sloe-eyed girls with tired mouths

smoking yellow papered Gauloises

nipples grazing peach crinoline

men’s eyes like dry stones, seeking squeezing

I grew up thinking

contortion and bondage was

an art form not

excuse for masochism

as unsupervised child, I’d look through

graphic design manuals

that inexplicably had vulvas and

perky breasts

to illustrate Pantone

it was after all

the seventies

what did I know? Except

women on beaches without tops

giving me francs for not spilling their dirty martini’s

Mon sucre d’orge, sois gentil, va me chercher mes cigarettes

always gentleman watching

the rise and fall of female throats

nicotine mouths, stained vermillion

long tan legs swept beneath chiffon

men taking them to hotel rooms

children

smoking the leftovers whilst adults

fucked behind closed doors

wondering

when I grow up

how can I lie beneath

a girl whose sweat glistens

like marzipan

and if she should

sip on me I think I’d scream

all my silver bracelets falling off

like metal flowers on hotel carpet

after all

life is a film

where we tie ourselves up

with want and ritual

We Will Not Be Silenced – available now

The Anthology, We Will Not Be Silenced: The Lived Experience of Sexual Harassment and Sexual Assault Told Powerfully Through Poetry, Prose, Essay and Art is now available via Amazon. https://www.amazon.com/Will-Not-Silenced-Experience-Harassment/dp/1732800006/ref=sr_1_1?ie=UTF8&qid=1543429811&sr=8-1&keywords=we+will+not+be+silenced+the+lived+experience+of+sexual+harassment

PLEASE consider purchasing a copy or several as proceeds go toward sexual assault awareness, education and prevention and you will be actually making a difference with your purchase. We worked hard to get this project completed by the holidays so it would be timely given all that has happened this year.

All four editors of this Anthology met on WordPress and many of the contributors to this amazing publication write on WordPress and call it home. I really hope I can count on my WordPress friends and family to show some support of this much needed Anthology. ____________________________________________

We Will Not Be Silenced: The Lived Experience of Sexual Harassment and Sexual Assault Told Powerfully Through Poetry, Prose, Essay, and Art is the brainchild of Kindra M. Austin, Candice Louisa Daquin, Rachel Finch, and Christine E. Ray. The four indie writers and survivors felt compelled to do something after the strongly triggering Kavanaugh Confirmation Hearings. Ultimately, they decided to advocate, educate, and resist through art.

They opened submissions for only two weeks to women and men around the world. The response from writers and artists was overwhelming: the final anthology includes 166 pieces of writing and art from 95 contributors around the globe.

The editors decided early on that this was a project of passion and compassion, not profit. 70% of the royalties raised above the publishing and promotion costs will be donated to organizations that provide services to sexual harassment and sexual assault survivors. The editors have prioritized making the book accessible to as many individuals and organizations that could benefit from it. The retail price is only a few dollars above the publishing cost to keep the 300-page plus Anthology as affordable as possible. They have also created a Wish List so that individuals and organizations such as rape crisis centers, gender studies departments, and public libraries who might not otherwise be able to afford copies might be able to receive one.

The truth matters, our stories matter, and you can help.

We Will Not Be Silenced is available in print and Kindle editions.

 

Special thanks from myself to WordPress’s own fantastic mind Merril D. Smith for her incredible foreword to this publication.

wwnbs-back-cover-11-28-201846678690_155228305437748_4067142774418309120_n

The wounded eyed girl

15Before I knew myself, uttered out loud the words

labeling me a this or a that or a who knows?

I developed feelings for a wounded eye girl

we were kids really, dressing up as Japanese geisha in my room

all festooned in asian print and a little tea set I got for cheap

from china town

we wore chopsticks in our hair and bowed ceremoniously

singing the only song we knew in Japanese

with The Mikado playing in the background

I liked her thin arms and her prominent nose

her knock knee urchin look and bandaged soul

I liked how strong she was even as she looked like she’d fly away

most of all I was attracted to her wounded eyes

for there is something heady and bewitching in

pain

and its infinite manifestations

we’d dress up, I would paint her lips scarlet, we’d put on

funny accents and roll on the floor looking up at glow stars

I still had stuck there with movie posters of vampires

she would fling her arm out across my chest,  tell me of herself

pouring out the suffering of her short life

and it was an awful life before she was

brought to this city we lived in, both from somewhere else

transplants, orphans, ghosts of ourselves with missing DNA

she would tell me of her homeland, how

her father beat her black and blue for

being a girl

why as she got older he took

each of her sisters one by one

and they didn’t come back

whole or even

well repaired

I wanted to lick the pain from her cheeks and hold her to me

until the wound healed

but nothing I could ever do would assuage

the wounds behind her dark brown eyes

so we played as little girls do

building camps and tepees and western saloons

once I played a prostitute and she a cowboy

I cocked my head, snapped a red garter and asked her;

want to have some fun soldier?

she laughed, such a lovely laugh

her black hair and coffee skin, shining with fantasy

she didn’t like being herself anymore than me

we got into our pretend saloon bed

I served her a pretend shot of whiskey

acted ‘saucy’ the way I had learned from TV

she rolled her eyes laboriously like a comedian winking

pulled up my petticoats which were real

and at one point had been my mother’s wedding dress

when she married my father, bare foot and broke

with a velvet ribbon tied around her neck

and our fingers explored each other

as we giggled and changed our voices to all the favorite

TV characters we knew

I think I even tried to be Sue Ellen

I wanted to tell her then, not to stop

to press my mouth to her pomegranate lips

touch her swelling breasts with my own lack of

run myself like a cat across her saffron skin

but even then I knew

damage makes bad bed fellows

we soon changed the game, to cops and robbers

climbing out of the window, swinging from trees

though in every story

there was an element of romance

I thought of the old shows I loved

where the actors were always

dancing around the circumference

of each others heart

how in real life sometimes they married

I told my father; Oh see! Oh see! pretend things can come real!

but some cannot

and she and I grew up

once she told me she had always known I felt like that

I blushed dark red because of course

thinking I’d been subtle when watching her changing clothes

she married a blonde haired man and moved to Australia

had a little boy and hopefully

a ceasing of her alotment of pain

because more than anything I wanted that for her

even more than the beautiful moment

of two girls

laying in sunlight

laughing at imagined things

for the rest and peace and escape

of anything real