Ecstasy

When labels were collars around necks

ruffled, feathered, leather, yoke

you were either ‘gay‘ or you weren’t

I was. And I fell for a man.

Boy really. Once. Only time.

Hips smaller than mine, delving into my bones

like cream poured through coffee we burned calcium

our former labels damp at the door.

The value of a woman is in her smell

the rustle of her soul, how gentle and tough

merge together into womanhood

he was none of these

acrid, funny tasting (masculine?) Sinewy arms wrapping around

like a lost bear it didn’t feel ‘right‘ it didn’t feel ‘wrong‘

we were very young, his mind on fire trying to figure out the world

popping little tabs like they could pause time

because God, someone had to.

In Winter’s loose ends, we holed up at his brother’s flat

half-Thai eyes and burnt toast skin, along with the tang of marijuana

it’s hard not to fall for genius’s and sexual beings with magnetism in their lips

we lay in the dark, he emulated a girl and then became a boy

shadows on the wall, male, female, something more

I clung to him through torrent, it didn’t feel ‘wrong‘ it didn’t feel ‘right‘

night stretched out in submission, he loved me being a woman

in ways maybe another woman never has

joined we were, hard to separate, laughter, solace, grief, shards of joy

his body sleek like a girls, hard to accept the difference, I looked away

feeling him move inside me like a word

aching for punctuation.

I felt like a woman, a woman, a woman

contrast, a figure of eight in reflection

kinder than any girl I knew, smarter than any other human

a girl will touch your breasts with knowing, then ask you to find her bra

he brought me gypsy guitar and red wine and sucked until I screamed.

Dancers, we, danced in detail, scratching out labels defining

what this was, who, what?

I didn’t love him, no. Love an underdeveloped muscle

in a closed box, only women and their sharpness can pick

he searched my face, my breasts, my thighs, for signs

of relenting, wanting to bury himself within, become one

stay together, two cusps, why not? Be mine. Marriage

some papered form of devotion. Not ownership, just need.

I wanted to give him a child then, birth it

right there on the futon, beneath moon, hollering; “eat me until

I become glutted on your goodness,” We shook together

a ritual, procession into silvered ore earth’s center

letting go, the child came, bidden, quickening, like opening

your mouth and accepting change, drink me down

between my legs, the writhe of us, male/female/female/male

losing edges, the blurred outline of pretense.

We woke when the light came

to an empty room

nothing left of us to consume

just condom wrapper

unused by the bedside

and life in my belly rounding music

he wore my silver ring

I told him, don’t cut your hair

remember nothing

we walked in opposite directions

he took a bus

I, a train

he never knew I took him too

in my belly, quiet and full.

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Not a lot

Some of the forgotten towns

circling big cities, lone wolves

warming fur against bright lights

wear their bleakness like a flag

the emptied streets at night where

no merriment is found, kids have

climbed aboard their bikes and motored

through snow if necessary, to escape

into the cold clutches of wine and euro-pop.

The touring people who do not live in these towns

glamorize by proxy

their little steeples, the preserve of history

how charming graffiti looks in a foreign language

they do not see behind the doors

into a teen world of preparedness

all who will flee when time comes

somehow, make their empty pocketed way

to bigger cities, offering the solace of

24 hour misery

surely it beats

sleeping in your childhood cot

listening to your parents snore

inching closer to a local grave plot

they put their heads in bags of glue

just to feel like they are from somewhere else

finding it a marvelous irony

when their frigid mountain town is named

‘best hidden tourist spot’

by those who are also in their own ways

trying to escape

their stifled lot

How’s it taste?

In the olden days

they mined towns for their ore

like men drank youth from the

neck of local girls

until everything became brittle

time fled ahead

to something unrecognizable and sour

then we looked up from our tasks

seeing a familiar chink of light in day

years falling away, yellowed pages

surprising us with how many

collected at our feet

how could, all this time have gathered, and

dust in our hair, as we sat, hunched over

our endeavors like hungering cats

without respite?

Without children, our marking

of the passages of life, mislaid somewhere

a half mended cardigan

no longer fitting right

we skipped from pursuit to distraction

thinking it possible to always return

to that hour we woke

our heads wet with the burnished zeal

of awareness

now, now we have slept

without knowing our slumbering

the turn of years into decades

our prodigious output, a heavy weight

on the bare necked sap of youth

staring into the mirror seeing lines

that have crept unbidden in afterglow

like thieves, we still believe ourselves

that youth

with shiny hair and bright intentions

where have they found themselves? Lost

among conifer trees, flitting in and out

like an optical illusion, solitary birch

burying fears of

going blind and birthing cancers

instead of placentas beneath the mother tree

stifling truth

for one of ‘maturity’ and ‘reliability’

ironed sleek on fists of thawed rebuke

though every night as indigo infuses sky

there remains a longing with the starlings to scream

fermenting anguish out into the humus

where nobody, save the desolate lost

might respond to entreaty

and return, by pull of thread

tug of color through dark

that vital spirit cherished

when all else went to rot

amidst the berserker of youth

thirsting on its short straw

determined to drink it all

before we, parched and fragile

in garnishment, got to share

a little of life, just a glance

backward to the days spent dancing

lost in sound, the writhe of

bodies about, surging in a sea

of shared rebuke

of this cold world

where water in the morning on your face

scolds

your vast, lovely, unspoken

dreams

Entrance by default

Maybe it’s time to stop wearing

a dead woman’s perfume

find my own

smell

be my own

woman

I met her when I was 11

looked up to her in that tinkering way

I have continually become besotted

with older women

those who knew more than I

all the secret clubs they belonged to

giving me entrance by default

knock, knock, admittance, change your coat

alter your mind, don another mask

take a turn at the carousel, the diamond

cut of your eyes as you churn out living

into the willing mouths of babes

go on lap it up …

drink yourself into thinking you’re not you

comfortable with anything but

your own skin

the smell of your life clinging to my escape

like a day old glass of wine

just drinkable, a little bitter

redolent in mid-day sun

as soft as fur

I think I’m old enough

to be myself now

which means

your smell

in that white bottle

that I can only buy in rare perfume shops

because it was long ago discontined

much as it reminds me

of being a young girl

trying to understand why

she had feelings for older women

(that were definitely not about seeking a mother)

those days are over

I’m old enough now to have had

my own children

and while I still

have a thing for older women

I’m not going to smell of you

and the memories

anymore

Bulletproof

(Inspired by reading Cordelia Feldman’s novel In Bloom, reviewed after this poem).

When the rush comes

questions like: Why are you doing drugs? Are you an

unhappy child?

Do you realize how inappropriate it is?

Bad choices lead to worse choices. Slippery slopes. Killed brain cells.

Those questions seem irrelevant

for, that which you have searched

seemingly before awareness, birth, first flickering

is surrounding you and the fucking magic of it

is holding sorrow so far away

you can’t recall the last time you felt its fingers

closing around your throat in possession.

Yes sorrow

misery, self-hatred, dysfunctional thinking, dysthymia

depression, malaise, disorder, horror, they

have long sat at your scarred table

munching on your best intentions

not to throw yourself from a bridge

just because every day is so painful.

Parents show the whites of their eyes

like distrusting horses being inspected

for cavities and you are the hole

they observe without looking

wondering how they birthed

someone so strange, unexpectedly unwell

did we not take enough pregnancy vitamins?

Was it more like my ‘funny’ uncle and how he never

seemed quite right?

Blessed, tainted blood

that’s not it

anymore than sexual abuse or

quiet pinch of undiagnosed learning disorder

when there are cheery-faced celebrities proclaiming

their cured malaise, even as they grew up

in fire

therefore, it is not

the firing, how deeply you set, how many cracks

it is more the knife of life

cutting you open

silence surrounding before

you knew you were alone

a haunting long before words like

‘intrenched’ and ‘affliction’ were commonly nailed

like scarlet blooms on thirsty cacti.

Sorrow, you were flowing in my blood stream

like an unbidden life, wishing to suck mine out

marrow and all.

There’s only apologies

for not being able to be what you want me to be

grieving for the perfect mess made when I was doing my very best

not to cut myself to ribbons

and as self-hate dances with a wish to

pull hard on the string attached to light bulb

and just blink out ….

music and its phantasmagoric wonder

infiltrates darkness with a tender mercy

potent keys of a piano played on an empty stage

seem to possess a furtherment.

You, who sup at the high seat for well-adjusted

cannot really fathom, aside in dusty theory

the every day battle with spirits resembling

skewed reflection and how when joy arrives

soft and cloudy, she is split savagely

by the very strength of your inner tenency

to plunge headlong, when you want to do

the opposite.

Fate lifted me out of the car gently

like I meant more to him than a one-night-fuck

and maybe thinking back, I was

precious

in that turkish delight moment

softened at the edges by

little blue pills.

If I die in ten years from some malady

will you point your frozen heart at me

and say; “Her bloody drug use killed her”

without recalling

without it

I’d already be nourishing trees

with my life blood.

Will you state: “She was weak because she

couldn’t cope without them”

forgetting, we do what it takes

to stand upright, pulled from the inside

skins flayed on electric lines of penance.

For our generation, for some of us

those who didn’t yet know how to

put words to how we felt

the holes in our fabric

those diminishments

only worsening with perpetual self-reproach

(after all, didn’t we have a roof over our heads?

How the hell could we be so ungrateful?

Do they say that to people with cancer?

Only the smokers I think, we are banished

to the smokers ward if we suffer from

depression, they put us down as incurable

and slightly pathetic and faces turn away

like cliffs beckon our swift feet forward).

I danced beneath strobe lights, proud of reaching

19 and not having taken anything stronger

than weed, my iron will a contrast to

my crumbling will to live, sometimes

it fascinates me. He whispered in my studded

ear; “I know you disapprove of hard drugs but …“

and like a violin played accutely until

you find yourself crying on the other side

of intensity, I saw the futility of holding back

how ‘good behavior’ didn’t work with the model

of suffering experienced daily, another way of

saying it was

fuck it

the pill was bitter like

poison

and returned me someone

I had not met in many years

happiness flooded my bloodstream

I didn’t care it was artificially induced

all moods are, all behavior dictated by

the flow and ebb of chemicals surging

in our amygdala.

Why do some of us fall so far?

When others seem oblivious of

sorrow like it’s a thing to bring out

at funerals and nothing more? Can we really

reduce it to ‘failure‘ and ‘success‘ and affix the

ugly admonishment forever, like kicking

someone all the harder once they are down?

The self-loathing and condemnation

invariably accompanying perpetual sadness

lifted like a shroud and music entered

my blood stream with an invoking joy.

Many years later I read about ‘self medication‘

and thought as a professional

trying to help people who felt

like I did / alone / worthless

how trite labels and ‘understanding‘ in general

was.

I’d write you a book of my foray with drugs

if it didn’t cause you to condemn me

then again

you already have

so why not?

Don’t throw stones

at glass

houses

unless

you’re bulletproof.

Cordelia Feldman writes on WP and has published her first book of fiction In Bloom. She’s a magnificent person and a genuinely beautiful human being. I urge you to purchase a copy.

In Bloom

I didn’t know what to expect when I purchased In Bloom. That can be exciting. I purchased it because I have followed the author Cordelia Feldman on her blog for many years. As a publisher/editor I tend to get high burn out for acquaintance reads but this was not at her behest, I wanted to read In Bloom, because the quality of Cordelia’s writing and humor over the years has often left me astounded.

In Bloom is semi-biographical set-in mid teen hood. Which might seem odd at a time when the adult author is struggling with metastasized cancer since her mid thirties and this has taken such a chunk out of her valuable life. One might not be blamed for thinking she’d write about a later time in her life. However, if the reader has ever had a prolonged battle with their health, they will intimately appreciate the difficulty of ‘going there’ and the positive impact of focusing on other things. In addition, the challenges a writer has to accurately reflect her past self, something few do realistically and Feldman excels at.

Cordelia has in her blog, done a monumental job of focusing elsewhere, she’s ‘bloomed’ in the years since her cancer diagnosis despite all obstacles. Her infectious optimism, her attitude of caring for others even as she suffers, the way she brings humor out of the darkness, and her undefeatable intelligence hook you from the start. With each blog post she refers sardonically to a book title, often obscure, and that quick mind of hers is as agile now as those who have never experienced a days sickness.

Likewise, with In Bloom, a little gem, a veritable Pandoras’s box replete with humor, nitty-gritty mindful observations, completely lacking in self-pity and with so much to evoke and fascinate. Why fascinate you may ask? Many of us can directly relate to being a teen and going through much of what Feldman has gone through, but many cannot. This is both a warning and a true invoking of a time in history and a type of lifestyle for the young that Gen X’ers and perhaps many others, can appreciate.

Just as we can put an album on and suddenly go back in time, In Bloom takes us to the tawdry experiment called youth and provokes some intense feelings about why we do what we do when we do it. For some, drugs are a clear cut no, no path to hell. For others, they’re a rite of passage. My personal take on it is; drugs are a gateway, to growing up and moving on, but for some, a gateway we don’t regret, nor judge.

The club scene of the 90s in the UK was spectacular and for many young things, going out and dancing all night on Ecstasy was the most fun they’ve ever had. If that makes them sound sad twenty years later, well you weren’t there. The clubs had such atmosphere and comradery that it was impossible not to see them as Magic Faraway Trees of their time. It might be like trying to explain to a non-drinker why a drink can feel so good at the end of the day. Or try telling your parents the Sixties weren’t a revolution.

All the proselytizing in the world and nary a judgment cannot convict those hearts who bloomed in that era and recall it with fondness and a little embarrassment. If you imagine ecstasy earned its name through hard graft, and lived up to it, there’s nothing shabby about those Turkish delight infused experiences anymore than throwing rocks at the Beats Poets for their dabbling with the illicit.

Feldman writes hypnotically and with great alacrity, understanding the mind set of the teen to an uncanny degree. Her intelligence as a writer is evident, but so is her sage wit. Feldman conjures a time that has passed but we can all to some extent, look back on. However, this is not all she does. In Bloom isn’t merely a celebration of taking drugs at raves, that really wouldn’t begin to give it its dues. In Bloom is an evocation of a young woman’s experience with mental illness.

Do drugs cause mental illness? We know they can but more often they exacerbate or draw out, what is already there, for chemical and hereditary reasons. We don’t truly know the myriad ways mental illness occurs, just that it does, and for so long, it was judged and condemned without trying to be understood. Feldman attempts understanding through description and succeeds admirably, in her gentle nudging toward insight through the stumbling’s of the newly initiated.

The main character of In Bloom is clearly a composite of the younger Feldman, but she’s also a character in her own right. Her experiences are not mere autobiography, she and her cast of bandits are all fully fleshed out people existing within In Bloom and they make you care about them, despise them, cheer for them. Do not forget 17 is the age mental illness will begin to rear its head irrespective of whether you are downing E or lemonade, although of course, the reaction with the former will be more dramatic and so it is.

I rarely want to stay up reading all night as I used to because I read for a living. But In Bloom was that notable exception, as I feel it will be for many of us. Before being tempted to cast stones and accuse Feldman of glamorizing drug-taking or blaming her cancer on her previous actions, consider the truth. We don’t get sick because we dabble with drugs as kids. We don’t start doing drugs because we read about them in a book. Pain has its outlets and kids know that well. There are deeper issues here, ones that In Bloom cannot speak to, but we all know they exist and we all know life is far, far more complicated than what we see on the surface.

The ultimate value of In Bloom lies in my knowledge that I would have enjoyed this book immensely whether I knew Cordelia as a writer beforehand, or not. Her skill as a writer has never been under question, she has proven her worth time and again with her tapping into the amygdala of her readership. Her intelligence as a thinker on this planet, is beyond refute. I only wish deeply that she were given time to write more, as I suspect, in Cordelia Feldman we have a voice of our generation.

The night I went out without shoes on

Wasn’t it a miracle?

Neither of us died trying to get to the meeting place

all the lights in the world seemed out that night

I had only known how to drive a few months

you were an old hat who routinely broke laws

with bottles wedged between your legs, a

cigarette burning ash down your fingers

there had always been a desire in me

for brokenness, as if I recognized in those

souls, something in myself

or a freedom in people who abandoned ettiquette

and discarding it, became suddenly free

I liked the wild, I liked women with untamed eyes

and dirty minds

the moon was full that night and we watched owls

gather themselves in flight and swoop

cloudy restaurant lights flickering in and out on the side

of the empty high way

I had watched films about a life like this

I said to you, films like Gas Food Lodgings or Paris Texas

where the greatest landscape was the tarmac

and the wide abundant merciless sky

where people sheltered in shadow and night creatures

crawled unseen and women met by closed restaurants

the flicker of their 24 hour advertising, sizzling against blackness

you were strange looking as if you had

deliberately tried to destroy yourself and I

forgot to wear shoes, my feet hot against still baked

soil, biting fiends flying in humid air, thick with ‘unspoken

entreaties

I wanted you to slam me there and then against

the unresisting brake of my car

leaving a bruise the size of texas clouds

I wanted to break apart like rocks with gem stones

inside, find something in both of us

bigger than the sky, deeper than weary darkness

but I was too young then and fear wrapped herself

like a blanket of stars and pulled me back

into the world, into doing what is right, into being careful

and sitting up straight when you eat at the table

all these years later, I still think

if we had set the car on automatic and just ridden

away

down that empty highway, into hushed, blooming night

we might have found the part of us

still lacking

every day we wake up

wash our face, comb our hair

and look too long in the mirror

searching for the lost parts

of our dark dreams

Pleasure dome

I’m 24

Funny shaped tap drips without end,
birds no longer sing in this city

I tell myself, I cannot survive much longer

If my view is a saffron robed Pakistani man, hawking up phlegm at 8am, into his dying rhododendron

Despair like me, at these four walls and dirty pipes protruding from beneath singleton sink

Who ever made sinks this size? Sometimes you throw up in them. Other nights you heft your hiney and pee long and shameful

The golden shower of malcontent. I don’t like to share bathrooms with strangers or friends

Poverty and her gifts, laying each day another absence, a reminder, you are in the meat grinder of the city, she waxes her legs on your sharp disappointment

As a kid you thought you’d wrangle diamonds from street corners, the fizz and pop of bright lights luring you to the center, like a Christmas nectarine

Is always spoilt.

In the petting evening, wet lipped men come to the spindly girl upstairs

She has thin shoulders and jagged hips, her eyes are always transparent and high on pyramid crystals

These men grind their dirt into her pretend cries of ecstasy and she gets crisp and filthy notes left on her childhood dresser afterward

I fantasize about asking her, if it has to be men she admits into her sanctum

But I’ve never paid for it and I don’t want to step in their cooling semen

If she knocked on my door and offered a damson breast I may

Break that rule and risk, even in the AIDS era, even as a feminist, even if I can’t afford the powder, her hungry nostrils crave

Just to feel the rub of her emaciated hips and hard thighs against my parched skin

I’d fucking inject it if I could, to take away the feeling of savage loneliness in the big city

That sick feeling, you’re stuck, among landlords and low paying jobs, even at 24

Massaging an ancient electric meter with dirty coins, for a little light showing more dirt

The temptation to let it fade out and lie, door open, legs open, coins in your mouth until blood freezes in your veins.

Come in and pay for me then, what am I worth? What can you fill me with, I haven’t already drunk?

Strange people’s scarfs on universal banisters, the smudge of sex in screwed up foil and old bus tickets

Lift up my hips, ram it in, pay your due, switch poison for love and love for death, welcome to the pleasure dome.

The man in 4b puts his hands down his granddaughters dress but the abuse hotline just rings and rings and rings

There’s a gypsy in 5a, cries for his lost lover til dawn. There’s a 13 year old boy who turns tricks in the street, who asks for bus money and new socks

The flashing lights of the strip club opposite are flamenco pink and penetrate through my squalid curtains, wailing their synthetic dreams

How far will you travel to see the sky again? To touch sand and sea and gulp with fevered breath, the pollen of forgotten worlds, lost in your lust for noise

I think of the Pakistani man and his phlegm, growing flowers from spit

As the Eastern eyed girl sells her small fruit for a ransom and a cry

Breasts like pinches, thin ribs beneath wool, taut ride of her skirt showing little pursed mouths of bruises

Her feet are always bare andlacquered, mine are unwashed and leave imprints of desire outside her door in ring-a-rosies

She wears her tips without a bra, nipples hurting in their push, smoking cheap cigarettes before light, smell of burnt coffee and sex on her chewed neon fingernails

They pay her to keep them hard, I beg her to stay soft

The city is a searching arbor of need and want and ingratitude

At 3am people wander the street for drugs and pain and death in little sealed packets

She leans in the doorway, exhaustion a shroud, touching her bottom lip with a haloed question

I open my mouth and let her in.

To her, and all the men she brings, to 24 years and not a minute more, to the nialism and thready vibrant flowers growing from scorn

Her body is a violated temple, a bingo hall, an arcade game, with multiple slots for change

Her mouth tastes like ashtrays and night clubs and old men, skinny throat a pin cushion of bite marks

I make her sing

As light wakes the rest of the world, all the lost birds hear her call

The Pakistani man admires his flowers and thinks

How beautiful this little piece of color is, here in this metropolis where all are brushed beneath concrete

I brush my hands across her small deflated breasts

Seeing sunlight find its way in between crowded houses filled with sore tenants

Touch her violet tinged skin in patterns, warming her before she awakes.

I’m 24 and she’s 22 and an entire life time, of fag butts and misery, washed down on lines of coke and old men groping for their last fuck

Later on I’ll take her to the coffee shop with the little bell above the door, and we’ll clasp hands beneath the sticky table cloth

Blue rinse ladies in the adjacent seat will remark, on our bright eyes and shining hair

As if we too were born

From the cracks of despair

Moonshine

(inspired by finding an old photograph of a fancy-dress party I attended at University that I hadn’t seen in years)

One of them is me

but which holds the key? Later perhaps we

shall know our fruiting journey through

maze of youth

and slow pull of stocking

for kind of touch best found

in satiny afternoon glow

outside I hear my dim-eyed neighbor

mowing lawns until he aches silver

because his wife has turned away

nobody touches him anymore with

the dreams of yesteryear

so we sprint toward each

invisible finish line

with emptiness in our hearts

filled with busy distraction

nothing lasting, nothing to

endure or sate cold claim

of climbing into bed

unwanted or alone

the feel of darkness, our shroud

from terrible disappointment

and then

then I had it all and didn’t know

standing on the precipice

we laughed at our indomitable

facility to thrive

not yet diseased

not yet rawboned with stretch marks

nipping their silver lines like unwanted lace

or sagging pieces shaking to no

good beat

not yet diminished on shallow waxen wheel

of male adoration

though for me this was never

a piece I wished to carve for myself

it was the love of a woman I craved

like first drink from fountain

on a hot day with no clouds in sight

languorously we exult

in

crocheted certainty, time will stand still

make for ourselves exceptions and grand entrance

the labor of hope so easy and lubricated

then

we’ll never be shaken off

like a dull wet thing

nor left to gather dust

as something once favored

we are surely, gleaming warm heads

of our own personal state

if I could have heard the warning

should I have been able

to listen?

likely not for

day is long and hour far

we take lovers for bread and jam

hate yet a curiosity

our parents live robust

we can yet still, the freedom to

go home

there are structures protecting

the hollow timber of our hearts

from these days what we can we learn?

as growing up and away

truth becomes stretched and gray

friends falling away

the bounty of never-never coming to claim

her inevitable duality

delight in youth, for contrast is cruel

all should have its value

but we are flippant with our boon

and when the cold night comes

we usher ourselves to greater darkness

in the strangeness of change

not able to see what is portent

nor later

the freedom

released from expectation

to unfold our wings

take flight

no more a shining thing

but something effervescent

and filled with

light

casting its thrall

as long ago, diving for pearls

we claimed the moon

1995 was

long sweaters, color of grey clouds

wet wool beneath leggings and Docs

the way rain stayed in your hair and rinsed it of color

how you kept every love letter ever written

by all the little freckled girls who chased your dragon

we lay in your narrow bed

too small but small was what we were

breaking every splinter

in our roar and our mocking

you implanted a life

the telephone gave the news

my grandmother had given up pretending

perhaps the devil helped her

take that final breath

I couldn’t get a train

the rain the rain

you felt the despair of a boy who liked

the fur of drama

not the feel of fatherhood

her funeral was for two

the woman who had held me and said

what a pretty baby

when the rest backed away

like spectators unwilling to touch

and then there was the fetus

dry like a winter flower

red like a sore lover’s thighs

white like virgin snow covering

a crime

and the smell of damp

invading every corner of your room

ransacking hope

leaving in its wake

Smashing Pumpkins on low

sheets frayed and stained with youth

I did not return

you did not ask

it was accepted like an envelope is sealed

and black birds begin their fight

long after night has cast

her dark

A gilded age

The giant cicada makes a sound

my neighbor thought was a whistle

or a strange faceless bird

we imagined a long white beak

and thick black feathers

but it was the hidden molten cicada

and he is quite verbal

pursing a haunting music

as my cat refuses to eat his food again

unsure, is it his teeth? Or his desire

to slow down and curl up

once and for all?

I don’t guess their motivation

why the cicada sings

why I find the sound mournful

echoing my own inner feelings

as if I were writing out on clouds

exactly what was inside me

why the cat persists in refusing

my best efforts to keep him alive

whether it is right to let something you love

die even as

you think you can keep it

if the right time ever

exists to say goodbye

and why I don’t tend the greenhouse more often

as I put so much effort into

growing the little seedlings

do I prefer the solidity of well lived things

over youth?

thinking back to my own empty glass

and sallow bedsheets and

neglectful lovers

the wan asp of being twenty

like heirogliphs on walls

staring for eternity

not ageing, nor real

a gilded age

passing to creped hands in sunlight

and furrows from thinking too much

whether this skirt is a little tight

these shoes too high

the longing to be running barefoot

through high grass again, mindless

of any consideration

nothing around my neck

but wilted perfumed summer flowers

not the strain of trying to make

a life out of dry earth

with tears of disappointment

when all around seem so

tucked into their gentle cycles

and you are rogue

wanting to be among the branches

with the murmured cicada

listen to the call

much like the imploring whistle of a train

as it would steam slowly into town

every night at midnight

you would reach for me

and nothing else would hurt