I feel discouraged by WordPress (WP) banning my personal site (this) for life from following other WordPress sites. I have written letters of explanation to WP, explaining if I ‘followed’ 30 people’s sites in one day, it may be because I’m not on WP often (I pre-schedule posts) and follow handfuls of people at a time for the purpose of garnering talented writers. WP banned me FOR LIFE from following any further WP sites, and has refused my numerous appeals. It behooves them for people like myself to promote WP authors through publications, I did no harm but am treated like I’m Trump and it’s Twitter. After 7 years on WP it’s disheartening. I cannot leave WP because I’ve built my site and contacts there. The bigger picture discourages me. To work so hard and get slapped down. I feel social media can do this with us writers/editors/publishers when it ignores the hard work we do. I hear this from FB folk all the time whose personal pages are ignored. I wish there were some way to push back. When all we are doing is creative work. How is that in the same ballpark as spamming? Would any of those who I followed really have objected my following? When it gave them a chance to find out about publishing opportunities.
I’m sorry I didn’t tell you
about the real me
she’s not happy with her subtefuge
it cost her heavily
the weight of deception has always
sat like curdled cream in a bowl
waiting to be thrown away
or consumed and in so doing
poison truth from her hiding place
she’d be forthright if
it didn’t cost more
than she had in her purse
in a local artisan’s market
that closed years ago
when creativity waned
and people hoped their kids
would go to Business School.
I have been given a life time ban of ever following any site on WP. This because once I was temporarily stopped from following other authors because I followed 25 WP sites in a day. Then they banned me.
I did that because I schedule posts and am not on WP every day. When I come and see comments from new authors and go to their sites and like their work, I want to follow them.
WP told me I couldn’t possibly read the number of sites I follow (700). But that’s not for them to decide given I read periodically great numbers and SIXTY percent of some books I’ve been part of publishing/editing are people we have met and read on WP!! Maybe higher.
I regularly promote OTHERS. How is this spam behavior? How does my behavior justify a life time ban of following people? It cripples me. I cannot change to another site because I built here and have many friends and colleagues here.
So it is not justifiable. Nor was it respectful. My job here is finding talent for our work. How is that spamming or undermining WP?
In fact, WP should be glad we highlight WP authors. Isn’t that the point of platforms like WP?
I’m not Trump. I shouldn’t be banned for life. I asked them what is a number I can follow without being barred from following? Instead of giving me that option they just banned me for life.
People may follow me and wonder why I don’t, when I want to. I won’t see their posts because I’m not able to follow them. I understand rules. But this isn’t right because it was wrong of them to assume I followed a writer for likes. I’ve never cared about likes that much, as anyone who knows me can attest. This is about doing my job. And highlighting work including a book of my own, I have coming out. How can I promote anything if I cannot freely follow anyone ever again?
I’m dealing with a very serious issue right now so I haven’t been able to act on this yet but I do intend to protest this legally when I can. Rules are great but they must also make sense and be intelligent.
Am sorry if you follow me as I cannot anymore follow you. I will fight to be treated fairly.
death is a transition
just as life is a bird
who interupted, will startle
leaving a smudge of indigo
against stark whitewashed sky
the shush-shush of neighors raking leaves
whose auburn crepe bows in protest
for they wish to lay still with the grass
turn seasons over in their golden hours
this artificial need
to tidy, put away, is but one method
of seizing a control far from reach
I fold in your arms, light gloaming through shutters
out of the corner of my eye I see marks on my skin
the furlough of time and suffering, chaffs against endurance
your eyes look oriental as you age
their downturn makes you smile even in pain
lends you a kindness strangers respond to
quiet is infused with our collected breathing
in this moment we live
sheltering from portent
I see the neighbor’s son helping his mother
he’s grown thin and reaching like the trees
not yet aware of diminishment
or why his mother holds back tears
when the sun paints day dark and shadows roam
casting their memories, as we did once with a torch and our hands
your shape lasts in my mind, a totem
I’ve carried an ache so deep in me for so long
it seems to exist independently
a Golem of my own creation
perhaps he will bend and lift me up, when next I fall
weighted by emptiness and disappointment
maybe he will spin me around in browning leaves
escapees of the neighbors rake
flung in unfettered defiance
a string of thoughts
When has been more necessary than 2020 and early 2021 that we have needed beauty?
Stuck in sterile homes, we do the best we can. Nonetheless we stagnate a little, because we are meant to be alive, breathing, feeling creatures of the wind.
For most of us, we’ve never been indoors so much. For some, who reside in the unparalleled beauty points throughout the globe, they have been our divination to the lost world.
As well as an accomplished photographer in her own right, Caribou is founder of Raw Earth Ink, an indie micro publishing house based in Alaska, publishing some of the hottest talent out there.
Consequently you would not be wrong to assume Caribou has little time to devote to her own abilities as a poetess, but there you would be wrong. With incredible self-control and discipline, Caribou has been blogging, building a reputation for her young dynamic company and writing exquisitely, all while running another business and producing some of the best poetry and art books I’ve seen in recent years.
Because I know this, I cannot be surprised at what Caribou achieves, she is a very quiet powerhouse of determining and mastery. She never does anything half-measure, she is a true old-school perfectionist and she happens to have the one thing few of us possess. Really good taste. From her logo to the choices she makes about whom to publish, and what project to embark on.
Why this matters so much, is related to the initial success of her second poetry volume. If you are going to publish something about the four seasons, life, the outdoors, you want it to be in some way, reflective of the indescribable beauty of the outdoors. At the same time you have the safe space to write your heart out and not apologize for doing so;
“a hundred crumpled pages / glimpses of who I really am / for I am / alone.” (Filaments of Ink)
Using her own artwork, photography and uncanny design skills, Caribou has accomplished her goal. I’m inclined to leave it at that, but it’s really worth mentioning this is no easy feat, for the greater percentage of books I read are middling in design, occasionally very disappointing and never possess that wow factor.
From the moment I received my excitedly purchased copy of Four (4) I saw what Caribou had accomplished. She’s brought the outside inside for us all;
“Without Pain I’d find no ultimate balance / for this my jaded soul.” (Lessons in Pain)
Four (4) is like a beautiful day and a sonorous night. The book possesses everything almost effortlessly. Her cover is thick and gleaming, the artwork sumptuous and dreamy. The colors vivid and reflective of a perfect day. This is both a classic design and modern enough to be appreciated by all and cherished for the loveliness of her wrappings.
Inside we find even more delight. Four (4) is so well thought through, again no surprise there, as I know Caribou’s prodigious work ethic, but the care and attention to every little thing really sets Four (4) apart from other small press books. I think this little wonder, is perhaps the best calling card Caribou’s company can have, because if you wanted your book to be as gorgeous as this, you’d need look no further for a publisher.
Tara Caribou is one of my most enjoyed poets. She writes a lot, she works hard at her craft, but she doesn’t hide her emotions behind theory and method, she’s very much in the real world. It is this bravery to reveal and knowledge of the value of deep observation and consideration in writing, that makes it so easy to revel in Caribou’s written work. At the same time, she is not convoluted, she is not pretentious, she is a writers writer, she writes about what we all at some time or another, consider and want to understand better;
“Who am I really? / Can somebody tell me? / It’s dark in here / Smoke and screams / Is that me?” (No Escape)
If you are familiar with Caribou’s work you will also know her for her passion. Generally I run a mile from writers who ‘write out sex’ because invariably they leave me embarrassed or disgusted with their renderings. But there are those whose sheer voracity of unsated passion, lends them the quill for writing on intimacy and doing it well, usually because they know what to reveal and what not to and how. Those writers? I definitely read;
“I’m trying to hide all my inside parts / the real parts / the something found beneath ribs and sinew / for it’s deep inside I hide all the truth.”
The four sections of seasons are reflected in mouthwatering chapters, with the really lovely (and original) idea of creating ‘considerations’ for each season. In Spring, we have time and light and dark, echoed through Dawn, Midday, Dusk and Night. Within that section, the poems speak of these themes. Summer possesses variations on the theme of love, Autumn speaks to the elements, Winter of the moon. I don’t want to say too much, because that’s the delight of unwrapping this gem, but you get the drift, and can appreciate alongside me, the tremendous thought gone into this collection.
“I made my own / powerful lines spoken with weak knuckles / or perhaps just a weakness for love / well, weakness is weakness / but I never claimed to be strong.” (What I Meant to Say Was)
Even without her prodigious talent and drive, Caribou’s eye for beauty is unparalleled and it is this, her opus magnus, she lends us, in our darkest times. Four (4) couldn’t be more timely, it couldn’t be more relevant, and it honestly, truly, could not be a lovelier book of poetry and art. I am so impressed, it only makes me prouder of Caribou’s achievement as an artist in the world of publishing, where we all think we can never be surprised again … how wrong we are.
If you love the beauty of our world, I recommend Four (4) to you as the best of what you may currently be missing. If you are a romantic at heart and have no outlet, Four (4) is your new friend. Caribou’s willingness to plunge into the truth of what makes us human and the best things about it, are uncanny and she’s not one to shy away on paper from exposing realities we all can benefit from.
“And I’m lying here / Wondering / About space and time / And where I fit.” (Space Between)
Ironically, it is Caribou with her vision, that helps US understand where we fit in this world. Her pure rendering of what possesses our core, is hard to reject. I believe she actually has known her place in this universe a very long time and that is why she is so wise and aware. But even sages should have their doubts, that’s what makes them relatable and ultimately, human;
“Hold my hand / let’s move together forever / always forward / into the light.” (Echoes)
People say the quieter people are the ones we have to watch for, and they’re not wrong. While the rest of the world bleats loudly, Caribou is hard at work, producing and conceptualizing publications that will stand the test of time and give us something truly worthy to sink our teeth into. That’s no easy endeavor and she and Raw Earth Ink are among the most impressive creatives I have met.
“I pluck a few motes without effort / they weigh heavily in my palm so / I relax my fingers and blow them out / little galaxies all their own.” (Far-Flung Galaxies)
Purchase Four (4) here.
Candice Louisa Daquin.
In the afterlife There is always something to do pick up the leaning umbrella before it hits the window, leaving a tell tale smudge clutter. Le désordre le bruit, le fatras, a manic for the mind seeking calm in Upton’s Jungle where only heat bakes rocks inedible cushions flattened by visitations, last nights vestige reminds […]Immutabilité – Candice Louisa Daquin — FREE VERSE REVOLUTION
If you purchased a copy of Indie Blu(e)’s SMITTEN and you want a gorgeous gold sticker to recognize that SMITTEN won Finalist position in the National Indie Excellence Awards, please PM Candice Louisa Daquin or email her at (firstname.lastname@example.org) letting her know how many stickers you require and your physical address & she will send them out as soon as possible.
If you already sent your address, expect your sticker in the mail any day unless you live abroad, in which case probably 2 weeks time. If you can kindly take a photo of you with your new FANCY SMITTEN with her sticker – !!! That would be so appreciated! We want to keep the enthusiasm for this amazing, now award winning publication going!
*** If you have not yet purchased a copy of SMITTEN, consider buying a copy of this award winning beautiful Anthology of female poets talking about love between women, it’s available nationwide & internationally & all new copies automatically come with the award sticker on the front cover. A perfect gift. An ideal companion on your shelf. ***
Thank you to everyone who supported this successful & meaningful project. I hope to work with you again very soon. #supportindieauthors #supportpoetry #supportequality
Recently I had the great fortune to interview one of my all-time favorite modern poets Kristiana Reed and here, alongside her interview, is a short of her reading one of her poems from her second collection of poetry, Flowers on the Wall. This collection came out yesterday and can be purchased here.
Candice: You have a background in Classics and you write a lot of very high-quality poetry that pays homage to your learning. Do you feel that helps you as a writer? And if so, how?
Kristiana: Thank you. The fact my degree is in Classics has afforded me a knowledge of mythology, of empire, of how history repeats itself, of the beginnings of poetry in the oral tradition, and of some of our earliest poets (Sappho, Theognis and Hesiod). Consequently, I find myself alluding to the past, our legacy and ideas which perhaps enrich the poetry I write. I think I’m very influenced by Homer’s descriptions of nature, Ovid’s darkness in Metamorphosis and Virgil’s idyllic landscapes in his Eclogues and The Georgics. This said, the study of Classics is very Westernised and Eurocentric and is therefore limited in this sense; I would love to learn more about the ancient empires in the East such as the Abyssinian and Persian empires and explore the literary tradition which was born there.
Candice: What inspired you to write poetry over say, prose or some other art form? Was there a specific genesis or was it almost an outpouring that became something more formal?
Kristiana: I still write lots of prose but I am more confident with poetry. I have a love for the brevity in poetic storytelling and I am insecure in regards to prose and the development of plot, characters and action. Poetry was my way to write about my Nanny’s (Grandmother’s) garden (which I still refer to as a fairy garden) and my way to express moments of fear, indecision and love as a teenager. I was told I was good at writing poetry from a young age so I guess I stuck with it and I remember my A-Level English Literature teacher telling me even my essay writing was poetic. It was never a conscious decision but I’m happy with my choice.
Candice: Who influences you as a writer/poet and why? This can include any type of artist or non-artist – explain what about their output influences you.
Kristiana: Again, I have no specifics here as such. I am an avid reader and I absorb storytelling. I remember images or phrases for years so sometimes these become a starting point for me when writing. Musicians are an influence – I have vivid memories of sitting cross-legged in my bedroom, aged twelve, reading the lyric book inside the CD case for Avril Lavigne and Evanescence. Even now, I often judge a song based on lyrics because for me they are just like poetry. Lyrical poetry was poetry set to a lyre; nothing much has changed apart from whether we pair our words with music or not.
Kristiana Reed reads one of her incredible poems “Tattoos for the Living” from her collection Flowers on the Wall
Candice: Your work is very pastoral in some respects, something I deeply appreciate as modern poets often stay in the navel-gazing pews and you are unafraid to really stretch outward into any genre. But your appreciation of the pastoral stays with me because you really know how to bring to life your surroundings. Do you feel where you live has influenced how you write?
Kristiana: I have always got lost in my surroundings and this stems from childhood. Already I have mentioned my Nanny’s garden which was a constant and burgeoning with blooms (I could easily watch the seasons from my slide on the lawn). My favourite memories are often associated with places and so I felt such freedom when I moved to where I live now which is an area between the town and country. There is a wheat-field at the end of my garden, woods a short walk away and the quay. To me, the natural world is magical. I always thought I was magical in these places and I guess I still hope to harness this feeling of hope, space and joy. I would also argue the cycle of nature is the best metaphor for life.
Candice: I noticed how prodigious you have been since Covid 19 and your wonderful movement of writing a poem in response to a poem that inspired you – almost daily. Do you find moods change your writing or are you able to work through any mood and produce solid work despite how you feel? Was it always this way? Is discipline in writing something you learn or something you are born with?
Kristiana: As a teacher, from the moment lockdown occurred in the UK, I was secure in my job. This meant I could work from home safely and found I had more time in my day. No longer standing in a classroom for 4 – 5 hours a day, I began to write more often and then the ‘on Reading’ prompts were created. The process of sourcing these poems and then sharing my responses with people and reading their pieces has been wonderful. I’ve had to teach myself the discipline of writing every day or every few days and I am aware that come September, this discipline will give way to full-time teaching again. So, in short, discipline is taught. I do not believe any one is born disciplined. In regards to different moods, I’ll often try to harness it where I can and let it fuel the work. If not, I’ll cheat and post a poem from my first collection and unashamedly plug it that way…
Candice: Do you see a future for poetry once we get over our immediate love affair with online memes? What does poetry bring to 2020 and going forward that prose does not?
Kristiana: I think the argument ‘online poetry is nothing but memes’ has been raging for so long I’m not sure it is even valid anymore… It is a very cynical view of a community which thrives. Through my use of social media platforms, I have met talented, fascinating and brilliant people. I’ve had the pleasure of reading collections I would never have discovered if I had stuck exclusively to my local bookshop. I think we are too quick to belittle online communities for what they are, communities.
Mainstream media will tell you the boom has come from Kaur’s Instagram poetry and for some reason we should be ashamed of this. In fact, whether you agree with the accounts boasting thousands of followers for two-line statements, who are we to judge what is art for some people? The fact an audience exists suggests people enjoy it and I’m not prepared to sit on a high horse and extoll what we should and shouldn’t be seeing from poetry. Poetry is an artform and thus subjective. It is a different entity to prose and so again, I do not think it will be anything more than prose will. I often read several books at one time – novels, poetry collections and non-fiction. All genres have their merits and reasons for why we should get lost in them. Life is far too short to get caught up being critical about how others consume art.
“I have learned so much about editing, designing and formatting through the process of creating and releasing two collections. It means I am perhaps prouder of them because I know how much of myself I have put into them beyond the written words.”
Candice: Bravo. well said. I completely agree with you! How has teaching influenced your writing if at all and what would you eventually like to do with your writing if you had the chance?
Kristiana: Directly, some of my poems are inspired by interactions in the classroom and what I endeavour to achieve as an educator. Teaching English also exposes me to a lot of poetry from the poets we may consider the ‘greats’ which has helped me construct the ‘On Reading’ prompts each month since June. Eventually, I’d love to have a series of collections which very much chart the passing of time and how I will no doubt change and, hopefully, publish the novel I’ve had in the works for almost two years now…
Candice: What is the most important thing you have been told about your writing that stayed with you and helped engender your next step in being a writer of poetry?
Kristiana: Nothing necessarily springs to mind here… when I wrote poetry as a teenager I shared it with very few people. The moment I realised I wanted to be a writer of poetry and to share my work with others was in the early hours of a morning in 2016. I couldn’t sleep so I wrote. Then suddenly I had an urge to let what I wrote out into the aether, if you will. Thus, my blog My Screaming Twenties was born. I wanted to document my twenties (kicking and screaming). And actually, I’m glad it was an inner voice which drove me to take this step because I haven’t regretted it once.
Candice: How does building a community of writers versus FVR and other mediums, help you personally as a writer and what are your goals in doing so?
Kristiana: Taking over FVR from the wonderful Nicholas Gagnier has been so incredibly rewarding and that certainly translates into building up a community around myself. I know we often look at creating a platform and audience in the frame of ‘How can I market myself?’ when FVR and spending the last few months working hard to establish and maintain the platforms I have, has taught me the value of genuine connections with like-minded people. Sharing the work of others not only makes you feel good but it draws connections between yourself and others. I’ve found through putting the work of others forward, I’ve benefitted in a way which feels organic and true. In regards to this community, I may or may not be considering an FVR anthology on the suggestion of a regular contributor.
Candice: What inspires you the most in this life and why? Do you find more in darker emotions or lighter or is there some other force that lights your pen?
Kristiana: Inspiration definitely tumbles, falls and surges like waves. Sometimes darker emotions fuel my words and sometimes it’s a love for my partner or simply the slow movement of the Earth. It truly varies. I very much tap into myself as a source whenever I sit down to write. I think this is why I struggle with set metre and form. My work is more often than not an outpouring of a feeling or a moment or memory and thus I write freely rather than write to a pre-defined structure. I suppose in this sense I lack a certain discipline. Poetry is something I seek in order to not feel tied down.
Candice: I agree and feel similarly about meter and form for exactly the same reason(s) although I think it’s good to understand how to do it, then you have a choice, much like Picasso did when he decided to do less realistic (cubist) work, he knew all the forms and chose what worked for him. Would you consider Flowers on the Wall similar to your first collection, Between the Trees, or would you consider it a departure? Why?
Kristiana: The treatment of nature in Flowers on the Wall definitely echoes pieces in Between the Trees. Certain images reappear like a wheat field, meadows, the sky and the ocean. Yet, I would consider Flowers on the Wall a departure too. Between the Trees was the documentation of a journey from depression to acceptance. Although, I still very much experience bouts of depression and healing, Flowers on the Wall is what I would consider a poetry collection. This collection says more about me as a poet rather than a person. It has a maturity I was only just beginning to grasp with Between the Trees.
Candice: Both of your collections are self-published, can you describe this experience and share any advice you might have with those who are considering the self-publishing route?
Kristiana: Self-publishing can feel like quite a lonely journey. Unless you have the pennies to spare, you’re often your own formatter, cover designer, editor, agent, and, of course, publisher. Not forgetting the marketing which follows. But, this also means it can be incredibly rewarding. I have learned so much about editing, designing and formatting through the process of creating and releasing two collections. It means I am perhaps prouder of them because I know how much of myself I have put into them beyond the written words. My advice would be to research every element of the process, speak to as many people as you can who have experience, map out exactly what you wish to achieve and steps one and two should help you achieve this. Stay open-minded and be realistic; you will be constrained by how well you are able to do something so plans will change.
For the foreword written by Candice Daquin for this gorgeous book please go to Kristiana’s brilliant page on WordPress My Screaming Twenties
Today I got some very good news I wanted to share with all the SMITTEN crew who made the anthology of women who love women poetry – – SMITTEN so incredible. SMITTEN was a finalist in the National Indie Excellence Awards! For an LGBTQ anthology of poetry this is a huge achievement and I wanted to thank everyone who was involved in SMITTEN for their incredible work! Indie Blue & Christabelle Ray & Kindra Austin for publishing SMITTEN & featuring their work in it & Mitch Green for its amazing cover. Well done everyone! BE PROUD! SMITTEN AUTHORS GROUP
It is our great pleasure to inform you that you are a Finalist in the 14th Annual National Indie Excellence® Awards. Your book embodies the standards of excellence that this award was created to celebrate. We salute your talents and our jurors truly respect each of the final works that are honored this year.
The lists of Winners and Finalists are proudly showcased on our website, please visit www.indieexcellence.com and click on the 14th Annual Finalists tab to see your book cover, name, and info highlighted for the world to see (click through to your website if provided). Awards are available for both download and purchase on our website including cover stickers, certificates, and medals. The 14th Annual National Indie Excellence® Awards Press Release is distributed to an array of news and media outlets and it is also on our website as a download for your use. Please share it widely–this honor should be used to promote and garner attention for your amazing product!
The entire team at the National Indie Excellence® Awards sincerely hope your participation in our contest will serve you well in your ongoing success. We thank you for your patience during this challenging year as we all deal with the Covid-19 pandemic. Sending you and yours our deepest congratulations.
Everyone at the National Indie Excellence Awards
WELL DONE to everyone involved in this project! I am ordering stickers of our achievement, if you want one, let me know and you can put it on your copy of SMITTEN and be proud of how well SMITTEN has done. Typically LGBTQ books do not succeed like this and I always knew, with the incredible writers we had in SMITTEN we’d break that glass ceiling.
Thank you to everyone involved in SMITTEN: Christine Ray. (Indie Blu(e)) Kindra Austin. (Indie Blu(e)) Mitch Green. (Designer) Avital Abraham. Didi Artier. Kim D. Bailey. Sonia Beauchamp. Henri Bensussen. Sarah Bigham. Susi Bocks. Elmear Catherine Bourke. Dani Bowes. Ruth Bowley. Cassandra Bumford. Lynne Burnett. Amie Campbell. Tara Caribou. Jennifer Carr. Laura Elizabeth Casey. Olivia Chachinsky. Teresa Chappell. Clementine. Kai Coggin. Carrie Lee Connel. Susan Conway. Selene Crosier. Emily Alica DeCicco. Katherine DeGillo. Liz DeGregorio. Grace Desmarais. Rachel M. McCayhey. Sean Heather K. McGraw. Lindz McLeod. Cristina DeSouza. Hoda Abdulqadir Essa. Melissa Fadul. Kirsten Fedorowicz. Rachel Finch. Susie Fought. Renee Furlow. Nadia G. Wandeka Gayle. Milena M. Gil. Rebecca Ruth Gould. Manda Grathwohl. Maria Gray. Maranda Greenwood. Carrie Groebner. V. Hamilton. Kim Harvey. Sophia Healy. HOKIS. Kelsey Hontz. P. M. Houghton Harjo. Tia M. Hudson. Hallelujuah R. Huston. Rachael Iikins. M. Duckett Ireland. Sarah Ito. Jessica Jacobs. Paula Jellis. Carol Jewel. Kelly Girl Johnson. Emily R. Jones. Sarah Kacala. Sarah Karowski. Nick Kay. Destiny Killan. Erin King. Crystal Kinistino. A. Lawler. Jill Lee. Aviva Lilith. Tre. L. Loadholt. Katherine Love. Carolyn Martin. Jennifer Mathews. Alexandria Moore. Charity M. Muse. Skye Myers. Nayana Nair. Jack Neece. Jesica Nordarse. Michelle Paige. Alison Palmer. Marie Prichard. Georgia Park. S. A. Quinox. Talia Rizzo. Samantha Renee. Dr. Sneha Rooh. Rachel Roth. Maranda Russell. Millie Saint James. Rebecca Sanchez. SATU. T. M. Servin. Kay Shamblin. Tan Shivers. Alexandra Short. Izabell Joraas Skoogh. Jamie L. Smith. Janis Sommers. Megha Sood. Alicia Sophia. A. Staley. Wil Staley. Alison Stone. Tekla Taylor. Shraddhanvita Tiwari. Carla Toney. Piper Michelle Townsend. Charlene Trolinder. Erin Van Vuren. Sarah Vermillion. Marvlyn Vincent. Isabel J. Wallace. Angie Waters. Milly Webster. Vanessa Rowan Whitfield. Karissa R. Whitson. C. E. Wing.
Dear WordPressers. Please take note of a worthy and beautiful collection Edited and Created by the very talented Tara Caribou who is an excellent WordPress author and poetess. https://taracaribou.com/
I have known Tara here on WP land for some time and always admired the depth of her thoughts and talent as well as how fiercely hard she works. She produced this without any assistance and it’s a wonderful idea to put poetry to music and vice versa and the people therein are mostly WordPress authors themselves (I am lucky to be included) so if you like the idea of supporting WordPress authors this is the book for you.
Currently The Poets Symphony is available via Amazon at https://www.amazon.com/Poets-Symphony-tara-caribou/dp/1733080856/ref=sr_1_1?dchild=1&keywords=the+poets+symphony+tara+caribou&qid=1587574238&sr=8-1 and if you don’t like supporting Amazing you can also purchase it via Lulu at www.lulu.com/shop/tara-caribou/the-poets-symphony/paperback/product-2447606.html
Tara Caribou is a poet and writer based out of Alaska and her amazing work can also be found on Instagram https://www.instagram.com/tara_caribou/?hl=en and Facebook https://www.facebook.com/raw.earth.ink/