SMITTEN Review: For the love of women and reading — When Women Inspire

Recently I was gifted with an advance copy of the poetry anthology SMITTEN. I was intrigued upon hearing that all of the poems had one theme: the exploration of love between women. 46 more words

via SMITTEN Review: For the love of women and reading — When Women Inspire

Thank you so much to Christy Birmingham of http://www.whenwomeninspire.com for this incredible review of SMITTEN due out Fall, 2019. Please read the full review and consider following http://www.whenwomeninspire.com as it’s an incredible site and Christy is a remarkable woman.

What kind of lesbian would I be if I were born today?

two women kissing while wrapped in rainbow flag
Photo by Karina Irias on Pexels.com

I see your pictures on social media

a part of me is envious

of your freedom

even though women many years before

either of us

had absolutely no freedom and only those

with enough money could consider taking

a woman as their lover

it is hard to imagine

each generation I suspect

forgets the sacrifices of the last

cannot envision a time when

it was illegal to love

my experience was never that awful

I had freedoms many women still do not possess

and I am grateful for that

but sometimes when I see your

youthful face and the grace with which you accept love

how natural and easy it feels

I recall how I began

hiding in dark bars, trying to fit in, failing

never one to play endless games of poker face

I didn’t fit in with my own kind then

but if I’d been you

born in the sun with your turquoise eyes like the Donovan song

I might have had on my arm

a whole host of dreams and not

dabbled in boys for a few futile and unhappy years or

felt I couldn’t have had children and let

my fear and my constraint decide for me

the future

you are the age my daughter might be

and I would like to think I’d have

done all you have done had I been born

in a time of greater acceptance where

women who love women can grow their hair

and not have to cling to stereotypes or subterfuge

carrying knots of shame and confusion

like blankets never stretched out and slept on

I would have gotten a tattoo and maybe

been less shy and apologetic

I remember at 18 that’s all I seemed to do

sorry to my family for not having turned out straight

sorry to my friends for being the odd one out

sorry to the gays on the march who thought

with my dresses and my long tresses I was a weekend

lesbian

if they only knew

what it took and what I sacrificed

maybe they understand now

but we’re all a little older and

you don’t recapture what you felt at 18

you remember it like a language

I spoke the language of trial and error

I suspect you speak the language of love

just a little freer

so forgive me if I envy you as you walk past me

hand in hand, laughing, the edges of your hair

hitting your waist

like a Summer tidal wave.

SMITTEN – This is What Love Looks Like – Poetry by women for women – an anthology of poetry published by Indie Blu(e) will be out OCTOBER 2019 and available through all good book sellers. Please consider following SMITTEN’s FB page at https://www.facebook.com/SMITTENwomen/

If you are interested in supporting this project in any way please contact me @ candicedaquin@gmail.com. All LGBTQ projects are a little more challenging to succeed and we want the 120_+ poets who have work in SMITTEN to be read by many! Indie Blu(e) and their submissions rules can be found at www.indieblu.net69885770_486778818770380_803119555336470528_n

Kristiana Reed’s pre-print review of SMITTEN

Thank you to the incredible Kristiana Reed for this advance review of SMITTEN, Indie Blu(e)’s latest poetry anthology which will be published this Fall. 

Candice Daquin and the editors at Indie Blu(e) Publishing have worked their magic once more in raising a powerful chorus of voices.

Daquin is a woman who has always sought to empower others from the first moment I became acquainted with her work and her nature. I also cannot think of a better person and writer to spearhead a body of work which celebrates love between two women. 

The writers and styles within this collection, which Daquin has woven seamlessly together, are varied – eclectic and powerful yet with the same, strong undercurrent coursing through every piece that this is what love looks like.

It is possible people will read the sub-heading of SMITTEN and assume this is an exclusive collection; only accessible if you are woman who loves or has loved a woman. But, what is truly wonderful is this isn’t true at all. Instead, SMITTEN holds and nurtures love poems to be read and enjoyed by anyone. After all, for centuries, we have consumed and enjoyed love poems written about women, by men. Why should the fact that the poet is a woman cause the response to be any different? 

‘Testimony’ by Carolyn Martin is one of the best examples of this. The nature of love and relationships does not suddenly change if it is not heterosexual; the essence of loving someone beyond belief even on the days they annoy you to distraction, remains. 

However, even though SMITTEN is not exclusive, it must be recognised as an anthology paving a new way for literature. All of the writers are female and all of the subject matter is female, lesbian, bisexual and more. Pieces such as ‘Lesbian’ by Avital Abraham and ‘Pulse’ by Melissa Fadul drive home why Daquin’s decision to create a collection like this is needed and welcomed. 

Too often we sideline LGBTQ+ work as a genre of its own, when it should be mainstream; literary works which are written by people to be enjoyed by people, no matter what their race, sexuality, gender and/or religion. 

Yet, until this happens, I applaud Daquin and Indie Blu(e) Publishing for brazenly making a stand. Until labels are but words and not identifiers, it is important that writers like those in this collection share their voices and stories, ever-lasting love and heartbreak, and their hopes and fears, to remind the literary world they will be heard, no matter what the response may be. 

Kristiana Reed August, 2019.

SMITTEN will be available this Fall via all good book sellers. For bulk orders, ARC copies or more information please contact Candice Daquin or Indie Blu(e) directly or go to the SMITTEN Facebook website

69885770_486778818770380_803119555336470528_n

 

SweptAway

10585_Shadow-iPhone-Photos-26_w1120Here in the quiet room

you can fool yourself for a moment

joy has returned

her skin like oranges left in sun

narrow feet catching dust, turning in their little arc

you want to tell her you notice everything

as if it were your job to record the very sum

using nothing but words and build from alphabet

exact reasons you still

catch your breath

yet for all the music beneath her skin

a familiar yet unfamiliar person within

she has been long gone just as she remains

a shadow against a wall elongated

like places you once lived in

turn strange

taking one more look around

before you leave

key on the mantle

watching tulips breathe

their redolent mystery

as the color of her eyes

was never a word to capture

something free then

flying

out of the window she left ajar

that day she stopped being herself

and you could return in a 100 years

just for the smell clinging to her neck

how she feels beneath her clothes

places you know like a hidden map

joy solved in one tightly held hand

like a sailor lost at sea

when she is far and away

diving for pearls in hope

one will be as black and magical

as her iris caught by car light

watching you, seeing nothing

even the whispers of who she once was

swept away

the room now bare and empty

readying for new people

running your fingers along the memory

heart in throat

seeing her turn

that beautiful smile

before she climbs

the narrow stairs

Faith

My love

it is so hard to keep

faith

with every day there are changing shades from day to night

sometimes I am comforted by fireflies and evening moth

who dual beyond the porch, betrayed by flicker and swat

I imagine the patterns of her wings, that magic sting of light

so short their lives compared to ours, so rich and meaningful I would infer

sometimes it is the exclusion of pain gives me rest

when I can at last unroll my carpet and forget

carrying the weight all day, a vase of ache absent of flower

to place this nowhere and have it melt away

I lie in the bath and heady steam dissipates reality

in those musings there is only the delight of a girl

seeking her passion in lingered meandered imagining

and you come to me, full of health and unharmed yet

by cruel flint and staunch of your absent conscience

and you lay me down and make of me what you will

a thousand pieces of me broken and rebuilt

which I give with my all, for you were and you remain still

far more than sense can convey

in the hour of day when dreams are gone to sleep

I see the cruelty of your take and take and take

the hunger of your keep and how I was but a thing, in your

cabinet of curiosities to be taken out and squeezed when you

thirsted or when times were hard and you needed the succor of

kindness to tuck you in, nothing of you was sincere or loving

all that I held dear possessed the sound of my own breaking

it was as if I had become pupil to mistreatment

learned many times on illiterate whip of inheritance

children soon become acquiescent to disregard

I didn’t know how to be worthy and you took my pain

pinned it to a velvet card and called me Opodiphthera Eucalypti

my blush and powder, the soft rubbed fur and bleed of color

round and round my pattern and maze, sucking from thistle

the gypsy without, I live in silk and attraction to light

pollinating only the fruit of predators like yourself

as you pinch my wings with your greed and whisper

my lunar, my atlas, spin your silken web across my longing

for I have never learned my worth and you wish to

gobble on my spirit as you may an Autumn apple

the fragrance of your dissection

my love

it is too easy

to stay my life in wait of your call

watching others continue onward and myself find

nothing but the covet and anguish of a prisoner

if I had the strength to

I’d hurl myself against the glass

leaving a smudge of myself in technicolor

for children to press their noses against and wonder

oh what ever life could make such a kaleidoscope

and in these mixings of burning and yearning

parched by want and crushed to nothing

the dancer emerges broken and fragmented

to spirit into night her ether and the longing

she is free of her torment and bound to the wax and wane

of one who has rubbed against and been caught by

a terrible rope, woven with obsidian, the shade of pain

my love

it is too hard to remain

faithful

to your brand of hurt

and live in dying with every pursuit

I have long imagined I am already prepared

for the hour, the moment, pain exceeds its curse

and slipping like oil and water and vinegar bound

we change from solid to infinity and beyond

where only the stain of who we were and what we bore

that burning need to consume, that hunger for

all the poison within your sickening and how

never did you rest until the very perish was wrought

standing still like a girl reaching for

something invisible

my love

it is the fresh unopened rose

and her tightly closed promise

shall see tomorrow and claim

the glory

for I will not be there to witness

this new day and those trespasses for this comforts

me in such a depth as if every kind of anguish

were salved by the knowledge this too shall end

and you will dissolve in time

beyond the fragment of what has been

into the very air like things we cannot yet see

whirling and catching the air in relief

for moths have never lived long enough it seems

to know their beauty and how it is

for us who live sometimes too long

and rise to see another day, alone

The affiliate of memory

bb

Die is cast

thrown and tumbled

woman is born a girl

girl is born a woman

when she is young, learning to tie bows in sensible brown shoes

spit and shine, tighten pigtail, don’t get your bobby socks dirty

what does she know of her future?

when then, what hour marks, her turning, her awareness?

the tempora fragility of her succulent heart

will she be like her grandmother, a blubbering mess?

able to condone slithered evil in the hands of her husband?

look the other way, for her choices are meager

will she be like her mother, a loyal lover?

seeking a man willing to hold her closer to the sun

melt Icarus, melt, till you can stand the radiance no longer

but what of your child? The one you think is poison and deadly nightshade

what will she be like? In that wicked knowing?

when after-birth is dried and shell chewed to starlight

and she stands tall and unversed like a question mark

when she wants to scream out;

whydontyoufeellikeido?

whydontyouwanttoscreamwheneveryoneelseislaughing?

she’s the burnt slice of toast grown cold on countertop

everyone else is easy in the sun like white wheat and blackcurrant

they shine in their shingled merge

children thread their way through oboe chair-backs like grass snakes

the meadow flowers droop in her sweaty palm

she’d gift her indigo heart if it were taken or sensical

learning many years ago

don’t lend, what you can’t live without

she has enough air to fake it for fifteen minutes, then she’s out

caught in the idling headlamps of smoky cars

no destination

just drive

far

to escape those pitch eyes, drained of regard

the ease with which you are

the ease with which you are

in the loosening of your need

an affiliate of memory

put in glass jars along with sugar

watching you lean now, so evenly

toward tomorrow’s sun

By one who feels

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for indifference is the sharpest

knife of the set

worse than anger which requires some care

and love that turns on her heel constantly

like a feathered Cuban girl in 1930s Havana

smiling, til her cheeks ache with sheer

marvelous spectacle

it’s been some years since I danced for you

from shadows to light and back again

fooling myself into beauty, rendering

moments stamped in both our minds

for the joy of the unbound

my feet hennaed like an Indian wedding bride

your fingers possessed of music and silver rings

we wove our limbs together as plaited bread

baked in the glory of that unbroken hour

before ochre sun’s urgent assent and chime

of other people began lowing in impatient light

there is something about darkness I have always

felt contained magic and even if others do not see

I taste it on my tongue

I run my hands along

its quiet shining surface

much like a lake swallowing

a stone when thrown

with all the violence known

by one who feels

everything