Perhaps you dreamed of me

kissingA few people said / write something succinct / shorter than your usual / elaborated rhetoric / don’t you know how to / edit and be precise in your / measurement of words / good writers don’t need / verbal diarrhea / they can mold meaning / certain as bending copper / to light.

She thought it over

Knowing it was possible

After all she’d written some very

Shaved and glutted poems

Once.

 

(It wasn’t her way and if you are not true to your way

then you may as well be another lemming / willing to leap / from cliffs edge

of course this precludes learning which is / a value immeasurable

sometimes you can learn everything and still / go back to drawing unrealistically).

 

Finding something – – – perhaps it’s not a poem or a form but a short story

In the elongation and manipulation of reality and precision. Imprecise then. Deliberately.

 

Long ago she had no words because she couldn’t spell well enough to write. So she drew. For hours. Reels of paper. Stories by picture. Things she needed to say. To no one listening.

When she saw Woman In A Red Armchair hanging in a burgundy room / the silence palpable aside / rain hammering outside / mercilessly / like a hundred mouths clamoring

she tried not to stare at the line that made the woman / female

but was drawn to it as she might have been / a real breathing woman

something exquisite and desirable / she longed to see a live flesh and blood girl

to touch her with her empty hands and run them over her / quivering flesh

until those colors swelled up / and she cried out / for the sheer torment and beauty

but

no girls existed / save those who / liked boys / there were plenty of them

why were they all heterosexual?

why wasn’t she?

In America she heard / there are entire schools / devoted or a byproduct perhaps / lesbians / and only-girls-schools / well don’t start on them …

living in the city / you’d think but you’d be wrong / a few pinches / mostly shorn / forlorn

empty eyed / emulating men / less female than / those who wanted to lie beneath them.

Where existed that / judge not / beauty / with /dark eyes

the missing / beat / savor / prosper / sail

to her / soul.

If she could have / found her all along / not searching years but moments / glimpsed

sight and immediately / both knew / this bond before / words spoken

even at 13

even before she were born

perhaps you dreamed of me

created in the stillness of your loneliness / that which you did not have / filling emptiness with yearning / I am born to be / the wet ink on your skin / a permanence / no longer waiting / arms outstretched / for dreams unnecessary / now we / are.

Never quite together / torn asunder / this year the blackcurrents come later / as if they knew / what wonders and nightmares / store / waiting behind the pitch / to come rushing / we tried / we failed / the frailty of emotion / it bleeds easily / like thin skin / gone a-blackberrying / on a listless day / no clouds nor movement / sky dim / with unspent rain / the longing stored up / causing pain.

Perhaps you dreamed of me.

I stood — uncertain — proud backed —

against the light

where shape can be outlined

most acutely

if then you’d looked — ephemeral — something unstated

in muted expression

what we do not say — what we hold inside — contains the greatest

message.

Return to me. Though you are gone. Through the shroud. Time be gentle. Time be cruel.

Different and the same. Recollecting nothing. There is the proof. Stained on our table. Where you cut yourself. On a sharp knife of desire. And I opened to you. Ballet within music. Rapture closed us together. Forgotten. How do you not remember.

That long night we ran barefoot?

Flowers close their drowsy heads. Against night. Sleep. An eternity. Wakening. We are

strangers. Again.

Loss. A pressed red petal against Italian paper. Seeking its watering. I am so thirsty for your return. My love.

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SMITTEN Review: For the love of women and reading — When Women Inspire

Recently I was gifted with an advance copy of the poetry anthology SMITTEN. I was intrigued upon hearing that all of the poems had one theme: the exploration of love between women. 46 more words

via SMITTEN Review: For the love of women and reading — When Women Inspire

Thank you so much to Christy Birmingham of http://www.whenwomeninspire.com for this incredible review of SMITTEN due out Fall, 2019. Please read the full review and consider following http://www.whenwomeninspire.com as it’s an incredible site and Christy is a remarkable woman.

What kind of lesbian would I be if I were born today?

two women kissing while wrapped in rainbow flag
Photo by Karina Irias on Pexels.com

I see your pictures on social media

a part of me is envious

of your freedom

even though women many years before

either of us

had absolutely no freedom and only those

with enough money could consider taking

a woman as their lover

it is hard to imagine

each generation I suspect

forgets the sacrifices of the last

cannot envision a time when

it was illegal to love

my experience was never that awful

I had freedoms many women still do not possess

and I am grateful for that

but sometimes when I see your

youthful face and the grace with which you accept love

how natural and easy it feels

I recall how I began

hiding in dark bars, trying to fit in, failing

never one to play endless games of poker face

I didn’t fit in with my own kind then

but if I’d been you

born in the sun with your turquoise eyes like the Donovan song

I might have had on my arm

a whole host of dreams and not

dabbled in boys for a few futile and unhappy years or

felt I couldn’t have had children and let

my fear and my constraint decide for me

the future

you are the age my daughter might be

and I would like to think I’d have

done all you have done had I been born

in a time of greater acceptance where

women who love women can grow their hair

and not have to cling to stereotypes or subterfuge

carrying knots of shame and confusion

like blankets never stretched out and slept on

I would have gotten a tattoo and maybe

been less shy and apologetic

I remember at 18 that’s all I seemed to do

sorry to my family for not having turned out straight

sorry to my friends for being the odd one out

sorry to the gays on the march who thought

with my dresses and my long tresses I was a weekend

lesbian

if they only knew

what it took and what I sacrificed

maybe they understand now

but we’re all a little older and

you don’t recapture what you felt at 18

you remember it like a language

I spoke the language of trial and error

I suspect you speak the language of love

just a little freer

so forgive me if I envy you as you walk past me

hand in hand, laughing, the edges of your hair

hitting your waist

like a Summer tidal wave.

SMITTEN – This is What Love Looks Like – Poetry by women for women – an anthology of poetry published by Indie Blu(e) will be out OCTOBER 2019 and available through all good book sellers. Please consider following SMITTEN’s FB page at https://www.facebook.com/SMITTENwomen/

If you are interested in supporting this project in any way please contact me @ candicedaquin@gmail.com. All LGBTQ projects are a little more challenging to succeed and we want the 120_+ poets who have work in SMITTEN to be read by many! Indie Blu(e) and their submissions rules can be found at www.indieblu.net69885770_486778818770380_803119555336470528_n

MAKE ME

war paint

When I’m not telling people

I am the least competitive person you’ll meet

I shouldn’t have moved to America, I am an anathema

I am nevertheless, competing with myself

to survive

the breakage, subtle and merciless of my whole

appears to be my greatest talent

should they look me up in the dictionary

I would stare out bleakly at Consequences in Fetus of Nicotine In-Utero

it began before words were formed, a slow

incompleteness quite unlike the robust energies

of my relatives

a thin, wan girl, slow to learn, I made up for it by being sporty

denying the gnawing, gnarling pain in my stomach

was more than a night terror

swimming for medals was competitive after all but

didn’t feel so when, head under water, the cheers sounded

like waves breaking on distant shores, easy to forget

noxious rinse of chlorine in verruca filled inner-city

swimming pool where small measure of fame could be found

among cast-off plasters.

Beneath water I felt powerful, unmolested, not burdened

by sandwich of pain in my gut or how

no-one for me sitting among keening spectators

when I came up for air.

Since then, fantasy has been my succor, I can’t deny it

perhaps I have lived half in petri-dish and tree house

with ‘here be dragons’ written on its door.

When teachers told me; I wasn’t behaving like a good girl

I said ‘make me‘ and spent the afternoon kicking muddy

kid shoes against linoleum hallways

what do they think we imagine as, willful, disobedient, opinionated

we are shunted from our positions as ‘well behaved’ to the

shrine of sinners lost in plastic corridors?

We learn the company of other Reparates

is oddly comforting, no-one to remind us we cannot

make sense of numbers and still struggle with spelling

soon I gave up trying for A’s

locking lips with strange boys who wanted my best friends

instead of this disinterested girl

briefly kissing felt like swimming underwater

but coming up for air was much harder.

I am teleported now into a body and time I never imagined

surviving this long or sitting at this table, watching birds

battle their pecking order outside in a hostile green world

I rarely visit

it’s not reluctance or shyness, they have grown comfortable with

the shifting skin of me

something that happens when you begin to leach

that essence of youth and vigor

realizing, if you can make it out of bed today

you’re doing better than the day before.

I hear in my head, the scold of my mother

who believed I gave myself this illness

and much as they’ve told me that’s madness

I am often found returning to those words

as if they have some clammy power over me

which of course, they do.

I know I was well and then I was not

just like you can remember the day you lost your virginity

or survived a car accident or inherited a country cottage

it’s a day when colors and sounds change

in this case, terror walked into my throat

sucking on me, whispered; bitch, this is your new normal.

Fight as I may, these years have unfolded like those

paper flowers I used to buy in joke stores

put them in water and watch them bloom

only long enough before turning to ink and

wet tree pulp

it’s a form of flaying when strangers are kinder than

those you expect

angry with yourself for not learning sooner

expectation leads to disappointment.

This could be why I didn’t

enter many races or attempt to claw my way to the top (of what?)

better to stay low and wait it out until

you can have your turn

only sometimes, waiting uses up all the time you have left

then it’s almost too late and you have to change

everything.

Nowadays I compete with myself

can I cure the beast that’s become constant companion?

Will it matter if I do?

What happens afterward?

Fear is mauve and dives and swoops like unmated Mockingbird

I hear the kitchen clock and fast thud of my tired heart

Somewhere, I’m still the girl in the treehouse who says ‘make me’

perhaps one day it won’t be disappointment but

something lovely, I can only hope

though my body likes to punch me in the gut

as I fall asleep and try to dream

thump, thump, thump, my mother’s voice

this was something you did wrong

thump, thump, thump, my own voice

no it wasn’t this was an explosion taking the long way around

even getting half way there would be some kind

of accomplishment

which is why I always said it’s not about winning

but making the effort

to which I was told, that’s pretty negative foreign-born-girl.

Where’s your sense of spunk? I think I lost it somewhere between

throwing up for 4 months on end and the doctors saying

maybe it’s incurable…. ho ho ho …. you see

I’m not from here, I don’t belong

though where I came from I hardly know anymore

so I will forge ahead, outcast or survivor, pick a damn straw

with every passing year I realize

I can’t win, I but I will fight

MAKE ME I whisper to myself

bloody well try to MAKE ME stop.

 

Kristiana Reed’s pre-print review of SMITTEN

Thank you to the incredible Kristiana Reed for this advance review of SMITTEN, Indie Blu(e)’s latest poetry anthology which will be published this Fall. 

Candice Daquin and the editors at Indie Blu(e) Publishing have worked their magic once more in raising a powerful chorus of voices.

Daquin is a woman who has always sought to empower others from the first moment I became acquainted with her work and her nature. I also cannot think of a better person and writer to spearhead a body of work which celebrates love between two women. 

The writers and styles within this collection, which Daquin has woven seamlessly together, are varied – eclectic and powerful yet with the same, strong undercurrent coursing through every piece that this is what love looks like.

It is possible people will read the sub-heading of SMITTEN and assume this is an exclusive collection; only accessible if you are woman who loves or has loved a woman. But, what is truly wonderful is this isn’t true at all. Instead, SMITTEN holds and nurtures love poems to be read and enjoyed by anyone. After all, for centuries, we have consumed and enjoyed love poems written about women, by men. Why should the fact that the poet is a woman cause the response to be any different? 

‘Testimony’ by Carolyn Martin is one of the best examples of this. The nature of love and relationships does not suddenly change if it is not heterosexual; the essence of loving someone beyond belief even on the days they annoy you to distraction, remains. 

However, even though SMITTEN is not exclusive, it must be recognised as an anthology paving a new way for literature. All of the writers are female and all of the subject matter is female, lesbian, bisexual and more. Pieces such as ‘Lesbian’ by Avital Abraham and ‘Pulse’ by Melissa Fadul drive home why Daquin’s decision to create a collection like this is needed and welcomed. 

Too often we sideline LGBTQ+ work as a genre of its own, when it should be mainstream; literary works which are written by people to be enjoyed by people, no matter what their race, sexuality, gender and/or religion. 

Yet, until this happens, I applaud Daquin and Indie Blu(e) Publishing for brazenly making a stand. Until labels are but words and not identifiers, it is important that writers like those in this collection share their voices and stories, ever-lasting love and heartbreak, and their hopes and fears, to remind the literary world they will be heard, no matter what the response may be. 

Kristiana Reed August, 2019.

SMITTEN will be available this Fall via all good book sellers. For bulk orders, ARC copies or more information please contact Candice Daquin or Indie Blu(e) directly or go to the SMITTEN Facebook website

69885770_486778818770380_803119555336470528_n

 

We cried a long time ago. We don’t cry anymore.

AR-180119488

A warbling, holding, green glass pain

Like joined hands make paper cut

Invisible like girl in crowd, falls

Deep as ink without light

Stinging with clamoring cymbal

Tears almost bare themselves as first night lovers, tremorous

Retreat beyond the naked streets

It is not brutal gnashing strength

But soft lipped resignation

And a little elipsing hope

For bare faced ceasement

Lain like prayers and rushes and thrown flowers wetting paving stones

No ceremony. Only, black cars devoid of dust

A trail without salt. They bent lower to seek. Not yet.

It’s hard to say it. The wind chokes words. Before.

We walk on. Omphalos in fatigued lament

Toward reprieve, illuminate in muted tempest.