Beneath its rebuke we claim our sex

I am disappointed when
My thighs resemble dough

From lassitude or the dreaming void

I know not

While others jog I find ways to hide, and years bring encroachment
I am disappointed when stretchmarks form and breasts once firm and fine, fall
As if the hour, prescriptive written, perforation, was

all along a trembling, inken fate

Only in your arms
away from dull gaze of waxen youth

yet to taste harsh glare of life
Still blunt in their unlidded perfection

Was I ever so?

Only in you, I find solace to unburden these stored shames
Bidden me by my role as woman
The unkind hand, who beckons us close to fire
That we may touch a moment of glory

Then slow descent to nowhere visible

In my head of aches, I hear the cacophony of iteration

Women over a certain age
Sexless, sagging beasts of burden

We laugh over my fears
Our respective flaws, rubbing each other
Tenderizing that, which believed itself perished
And was alive
Beneath its rebuke

And when you bring me out of my shell
To kneel to the sun god, without need for apology
I see not those things

Or the artificial glide of time

But feel
Feel your fingers

Deep in my belly

Sense your mouth
Folding bliss in her eternal recline
Taste the syrup of us, in the temple
Then
I am disappointed no more
A fire bird loose in my body
Such pleasures, no child can find
We lift together, in our mutual ecstasy
Emboldened by the dream to be free of chains

Two of us
Released from the grip of words
Threshing at the gate, with the symphony of a female’s sex
Greater than anything that can be crushed
Our fever, mighty in her conquer
We cry as one, our voice raw with awakening
For to be pleasure, is to know
The Gods

No you do not own this moment
Bashful world

For we have transcended the hand of man
We
Who are
Woman
Claim
Our

Sex

Not written down in history

The lonely heart

of a girl

who liked her own

kind

is not written down in history

there are few

stories of this

quiet, often eclipsed, furtive, secret

kind of longing

less even spoke aloud or transcribed

for what could be said? Admitted?

Instead, there are, no doubt

trees growing exceptionally redolent

nourished with the grieving, private hearts

of girls throughout history

who buried their flesh

beneath tender roots of a sapling

when it became abundantly clear

their tongues served them no purpose

in speaking of a love

no-one wanted.

These girls … I wonder

about them, sometimes as I tramp

red cheeked and furious

up hill side, when sitting still and

desiring felt like cold bars of a jail cell

seeing above me the wielding kite and her

long expanse, mocking almost with her freedom

for fierce she is, unable to

be anything but predator

time lapses into a series of vignettes

childhood (unknowing/confused) adolescence (odd/ill-fitting)

youth (empty bed/scolded faces of young men who do not understand

why no matter what they do, they endear

not)

older (disappointment/scrolled dating sites, dark bars with groping

strangers, you wouldn’t share a car ride with)

a wish always

for the girl over the moors

her long black hair tumbling like a question mark

the iridescence of her eyes, startling, bold

quit of falseness, a truth enveloping us both

without need of pretense, shyness left in fog

to hold the hand of someone who understands

and wishes to pull you through

where magic still resides in ellipsis and mist.

They do not invite single women of a certain age

to celebrate. When everyone would feel

uneasy, no children to talk about

flourishing career to brag of, she is not anything more than

everything to one person, outside that

sphere, she feels lost, disjointed, unable to fit closely

the pieces of irregularity, between her own wishes

and that of everyone else. They stare at her

over coffee cups, watching as if she were

a different species, something odd and inexplicable

cut at irregular angles, spilling out of bondage

saffron infused thoughts, plastered to her wet head

like a seal exploring depths, her stockings uneven

ragged with snares, mimicking internal

conflict, why she couldn’t pose for the camera

lips pursed in obliging, skirt wrinkle free,

hands hidden beneath cardigan, their

eternal fidget repressed with the incalculable

strength of effort it takes women to remind silent

say nothing, speak not with their roaming eyes

the magnificence of their private entreaty.

Oh to reveal, peal off layers, ransack propriety

and launch, full mast, happy crew, into the ocean

where loving was loving anyone, invited equally

to christenings, thanksgiving, birthday’s

not whispered about; behind fans, fingers, computer

screens, the lascivious imagination of mild mannered

disgust, spread liberally on morning toast.

“What do they DO?” (behind closed doors)

“was she like THAT with you?” (you should be so lucky)

“are they man-haters?” (only if you join in the cacophony)

“her mother must be so disappointed” (eternally).

I’m not disappointed

with you, us, swimming upstream, lily pads, green light

breaking up mosaic thought

bring it on

bring it on

we urge in our confident hour, no longer strange in shadow

by fire, by tokens in dark, wagging their tongues

and then, weary, tired of the fight, we stop

holding hands in public, the glare, a sunburn on

our fragile necks we stay modest, interior

house plants straining for sufficient light

when they don’t invite us, when I remain

alone waiting for you, weeks upon weeks

when stigma is a brand without physical body

it stings as deep, stays as long, heals too slow

it is hard to imagine the words ‘equality’

leaving our lips, and joining the world

in red shoes and jaunty hat, tipped merrily

to the left-hand side, running for a bus

knowing you’ll just make it

if the ground isn’t slippery

if you don’t fall before you’ve got

a firm hold.

Natural state of being

They don’t want to hear about you

you’re not their kind

color, height, smell and gait

sets you apart, making you unpalatable

cast out from something you never belonged to

your back is curved before you hit the ground

sans parachute

cowing in utero to the inevitability of rejection

this is you, yellow girl, jaundiced before birth

you enter the world with a cigarette in one gnarled hand

the other high in protest

Gloria Steinem. could learn a thing or two about

your resolve

while she grew up in affluence and chose her metal

you were given nothing but inherited disease and

a penchant for purposing

all this in the time when women were

supposed to cross their legs in polite company

and open them for their husbands every whim

it disgusted you, the hypocrisy of hate

people at your Baptist church crowing gospel

calling you sinner when they caused more harm

than any so-called pervert

sent to camp to straighten out, you

fell for your coach and she for you

making out behind the outdoor toilets

confirmation of bias in the unhooking

of her clumsy sixties bra

feeling the first areola and you were lost

to any other kind of conversion

I wish I’d known you then, when eyes bright

despite the infernal din, you struck out against

the norm, trying daily not to let that

milk of magnesia asking that you straighten out

cause shame

it’s hard isn’t it? When even those pretending to

‘understand’ leave you out of invitations and the like

because you’re different, you’re not looking for a penis

not putting up posters of James Dean but Farrah Fawcett was okay, nor

waxing your legs for Friday nights

you didn’t like what every other girl in the changing rooms

coveted and so, they turned their tanned backs to you

and left you alone

to think of why you had more in common with

Billie Jean King and Radcliffe Hall

than cheerleaders with pom poms of scorn

and football players who would rape you to show

what you were missing

was it really such a sin to want to love

another woman? What was it about how you felt

scared them into loathing? And why when they knew

did it seem such a sport to exclude you?

Until you wrote pain on the insides of your wrists

a dowry of teenage repudiation

ending up in a mental hospital where the nurses

were all secret dykes and you fingered each other

at midnight, hiding your disappointment behind

seventies lino

this wasn’t love either, anymore than lying beneath

a grunting boy, at 14, hoping to fuck out the

feelings people said were evil, though

his use of you, seemed far more abhorrent

than the dreams you had of girls

not just any girl either, not just a writhing

creche of women parts, but one startling woman

you hoped to meet, among the girls who would be boys

and the girls who would be bi on dark and cheap drink weekends

gay bars were undoubtedly

some of the saddest places in the entire world

you neither excelled at pool or darts, you couldn’t

join in anymore there with cunnilingus against bathroom stalls

graffiti the tired penitent of fallen souls

with strangers who reminded you of boys in make up

you didn’t want to be with a girl who hated being a woman

dressing more like a man than your father

you wanted to love another woman with all

her madness and her fluxes, the rise of her lace covered breasts

how her thighs were not muscled but soft and her lips

pillows for your fevered whispers

no such woman seemed to exist back then

when gay venues were often raided by bored

knee-jerk religious police seeking to molest a girl in

baggy trousers and flattened chest on Friday night

shame after all, is a universal weapon and you

had tasted its liquored lash many times by then

watching your friends beaten with sticks by

heady boys in pick-ups waiting outside bars, high on local beer

and blood lust

you were too small to protect anyone, but witnessed

with grief so sharp it left marks in your eyes to think

of how the strongest girls rushed to defend the weakest

struck down by weapons wielded by the ‘righteous’ oh! Texas!

You were such a loathing state and things haven’t really

changed so very much

they still close their doors

they still tell their daughters

“don’t play with her, she’s queer that one”

and as grown up as you are, the pain is twice folded

for you wished by now things would be different

with laws and blood spilled surely paving a way forward

you forgot, for every step, there is one backwards

still just as you resolved to go without

you found me and still I found you

among the carnage, and our own wrecked self-destruction

still we laid in darkness sharing our stories

I tracing the scars on your arms and thighs

like Sanskrit of former muzzled lives

when I looked in your tired eyes I saw

how long you had been watching

this cruel world destroy her rainbow

heavy children

sometimes the greatest love comes

from broken people

too late in their August lives

to kick up chipped heals

they find solace in the depths

of their much labored, chambered heart

for as much as they punish us for existing

we keep returning, generation after generation

unbidden, unwanted, labeled abominations

or just silent dismay

carrying our quelled pain in beseechment

the whole world unsure of how to treat us

often resorting to ignoring

for who knows what to do

with something different? I still

don’t hold your ink stained hand in public very often

fearing I suppose our heads being bashed in

or someone cutting silence with ugly laughter

I think I could handle my own

abasing but never yours

you’ve worn the brand long enough my love

I now aim to remove it, defend you

as you saw the bloodshed longer than most

young men mowed down by AIDS sucking

their last breath through second-hand

straws, emaciated by the squander of

their worth, by a society intent on

blaming someone., anyone, in their aimless pointing

Reagan in the office doing nothing

beneath his hollow cross

even Obama had to ‘evolve’ his

opinion of gay-marriage like it was a

right that should be earned rather than

possessed naturally

but after all we are not

considered very natural

are we? Funny really …

as being with you

is the only natural

state of being I have ever

felt.

Perhaps you dreamed of me

A few people said / write something succinct / shorter than your usual / elaborated rhetoric / don’t you know how to / edit and be precise in your / measurement of words / good writers don’t need / verbal diarrhea / they can mold meaning / certain as bending copper / to light.

She thought it over

Knowing it was possible

After all she’d written some very

Shaved and glutted poems

Once.

 

(It wasn’t her way and if you are not true to your way

then you may as well be another lemming / willing to leap / from cliffs edge

of course this precludes learning which is / a value immeasurable

sometimes you can learn everything and still / go back to drawing unrealistically).

 

Finding something – – – perhaps it’s not a poem or a form but a short story

In the elongation and manipulation of reality and precision. Imprecise then. Deliberately.

 

Long ago she had no words because she couldn’t spell well enough to write. So she drew. For hours. Reels of paper. Stories by picture. Things she needed to say. To no one listening.

When she saw Woman In A Red Armchair hanging in a burgundy room / the silence palpable aside / rain hammering outside / mercilessly / like a hundred mouths clamoring

she tried not to stare at the line that made the woman / female

but was drawn to it as she might have been / a real breathing woman

something exquisite and desirable / she longed to see a live flesh and blood girl

to touch her with her empty hands and run them over her / quivering flesh

until those colors swelled up / and she cried out / for the sheer torment and beauty

but

no girls existed / save those who / liked boys / there were plenty of them

why were they all heterosexual?

why wasn’t she?

In America she heard / there are entire schools / devoted or a byproduct perhaps / lesbians / and only-girls-schools / well don’t start on them …

living in the city / you’d think but you’d be wrong / a few pinches / mostly shorn / forlorn

empty eyed / emulating men / less female than / those who wanted to lie beneath them.

Where existed that / judge not / beauty / with /dark eyes

the missing / beat / savor / prosper / sail

to her / soul.

If she could have / found her all along / not searching years but moments / glimpsed

sight and immediately / both knew / this bond before / words spoken

even at 13

even before she were born

perhaps you dreamed of me

created in the stillness of your loneliness / that which you did not have / filling emptiness with yearning / I am born to be / the wet ink on your skin / a permanence / no longer waiting / arms outstretched / for dreams unnecessary / now we / are.

Never quite together / torn asunder / this year the blackcurrents come later / as if they knew / what wonders and nightmares / store / waiting behind the pitch / to come rushing / we tried / we failed / the frailty of emotion / it bleeds easily / like thin skin / gone a-blackberrying / on a listless day / no clouds nor movement / sky dim / with unspent rain / the longing stored up / causing pain.

Perhaps you dreamed of me.

I stood — uncertain — proud backed —

against the light

where shape can be outlined

most acutely

if then you’d looked — ephemeral — something unstated

in muted expression

what we do not say — what we hold inside — contains the greatest

message.

Return to me. Though you are gone. Through the shroud. Time be gentle. Time be cruel.

Different and the same. Recollecting nothing. There is the proof. Stained on our table. Where you cut yourself. On a sharp knife of desire. And I opened to you. Ballet within music. Rapture closed us together. Forgotten. How do you not remember.

That long night we ran barefoot?

Flowers close their drowsy heads. Against night. Sleep. An eternity. Wakening. We are

strangers. Again.

Loss. A pressed red petal against Italian paper. Seeking its watering. I am so thirsty for your return. My love.

Poets of SMITTEN Interviews: Erin King

Erin King lives in southeastern Pennsylvania. Interests include creating fiber art, jewelry making, and the outdoors.  She lives with her partner of eight years.

What made you interested in submitting for SMITTEN?

It was a incident of timing, really.  Like once a decade I’ll go on a poetry writing binge.  There’s this feeling that something is under my skin, that something needs to be expressed.  That’s when I write.  This coincided nicely with SMITTEN, and it’s such an amazing project.  I feel so fortunate to be included.

Since SMITTEN’s launch what’s your response been from others?

  Feedback has all been positive.  One of my male friends said my work was hot.  I’m not one to say hooray about the male gaze on lesbian objects but I didn’t mind; that’s what I was going for in these two poems.  

When writing were you thinking about the political implications of your work?

  When writing these I wasn’t thinking politically or even socially.  I was a woman lusting after another woman.  It was definitely a micro level thing.  No lofty aspirations here.

Why do you find it important to express yourself through poetry? How does it differ from other mediums? 

When I’m working on designing a piece of jewelry or layering an art journal page, things come a lot more naturally.  It flows more.  Poetry is more deliberate.  My ultimate goal is to introduce poetry to visual media like painting and art. 

Do you think there are many steroetypes of LGBTQ people and if so, do you think as a writer you can dispel them? 

I think there’s a lot of biphobia coming from all sides.  We’re fickle, we can’t pick a side, blah blah blah.  It’s all bullshit.  I’m not sure if I can dispel them, though I am happy to say I’ve been with my Margaret for nine years.

How did you get into writing and what do you get from writing? 

   I started writing when I was 12.  It was pure escapism, a reprieve from an abusive environment.  I would come home from school every day and write.  When my parents started barging into my room, I’d sit with my back against the door, physically creating a boundary when there were none.    It’s not so different when I’m 47.  It’s escapism in a different sense.  It’s sublimation, a channeling of energy.  

Consider purchasing a copy of SMITTEN and supporting this collection of 120 poets who are helping to increase visibility for women who love women. By your support we can do more projects like this and help bring awareness to neglected groups of people who need to be heard.

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SMITTEN Poets READ: The Girl Who Always Cries – Crystal Kinistino

 

SMITTEN is coming out late October, 2019 via all good book stores. Published by Indie Blu(e) www.indieblu.net 

Please consider supporting this project of over 120+ talented poets and authors by purchasing a copy of SMITTEN for someone who appreciates beautiful poetry. https://www.facebook.com/SMITTENwomen/

SMITTEN Poets READ: Walking By Hot Topic While Announcing Queerness, or So I Hoped by Kelsey Hontz

 

SMITTEN is coming out late October, 2019 via all good book stores. Published by Indie Blu(e) www.indieblu.net 

Please consider supporting this project of over 120+ talented poets and authors by purchasing a copy of SMITTEN for someone who appreciates beautiful poetry. https://www.facebook.com/SMITTENwomen/

SMITTEN Poets READ: Ephemeris | Morning Senses by Cristina DeSouza

 

SMITTEN is coming out late October, 2019 via all good book stores. Published by Indie Blu(e) www.indieblu.net 

Please consider supporting this project of over 120+ talented poets and authors by purchasing a copy of SMITTEN for someone who appreciates beautiful poetry. https://www.facebook.com/SMITTENwomen/

SMITTEN Poets READ: Friday Karaoke by Kindra M. Austin

 

SMITTEN is coming out late October, 2019 via all good book stores. Published by Indie Blu(e) www.indieblu.net 

Please consider supporting this project of over 120+ talented poets and authors by purchasing a copy of SMITTEN for someone who appreciates beautiful poetry. https://www.facebook.com/SMITTENwomen/

SMITTEN Poets READ: After the Fire – by Kim Harvey

 

SMITTEN is coming out late October, 2019 via all good book stores. Published by Indie Blu(e) www.indieblu.net 

Please consider supporting this project of over 120+ talented poets and authors by purchasing a copy of SMITTEN for someone who appreciates beautiful poetry. https://www.facebook.com/SMITTENwomen/