Beneath its rebuke we claim our sex

I am disappointed when
My thighs resemble dough

From lassitude or the dreaming void

I know not

While others jog I find ways to hide, and years bring encroachment
I am disappointed when stretchmarks form and breasts once firm and fine, fall
As if the hour, prescriptive written, perforation, was

all along a trembling, inken fate

Only in your arms
away from dull gaze of waxen youth

yet to taste harsh glare of life
Still blunt in their unlidded perfection

Was I ever so?

Only in you, I find solace to unburden these stored shames
Bidden me by my role as woman
The unkind hand, who beckons us close to fire
That we may touch a moment of glory

Then slow descent to nowhere visible

In my head of aches, I hear the cacophony of iteration

Women over a certain age
Sexless, sagging beasts of burden

We laugh over my fears
Our respective flaws, rubbing each other
Tenderizing that, which believed itself perished
And was alive
Beneath its rebuke

And when you bring me out of my shell
To kneel to the sun god, without need for apology
I see not those things

Or the artificial glide of time

But feel
Feel your fingers

Deep in my belly

Sense your mouth
Folding bliss in her eternal recline
Taste the syrup of us, in the temple
Then
I am disappointed no more
A fire bird loose in my body
Such pleasures, no child can find
We lift together, in our mutual ecstasy
Emboldened by the dream to be free of chains

Two of us
Released from the grip of words
Threshing at the gate, with the symphony of a female’s sex
Greater than anything that can be crushed
Our fever, mighty in her conquer
We cry as one, our voice raw with awakening
For to be pleasure, is to know
The Gods

No you do not own this moment
Bashful world

For we have transcended the hand of man
We
Who are
Woman
Claim
Our

Sex

Entrance by default

Maybe it’s time to stop wearing

a dead woman’s perfume

find my own

smell

be my own

woman

I met her when I was 11

looked up to her in that tinkering way

I have continually become besotted

with older women

those who knew more than I

all the secret clubs they belonged to

giving me entrance by default

knock, knock, admittance, change your coat

alter your mind, don another mask

take a turn at the carousel, the diamond

cut of your eyes as you churn out living

into the willing mouths of babes

go on lap it up …

drink yourself into thinking you’re not you

comfortable with anything but

your own skin

the smell of your life clinging to my escape

like a day old glass of wine

just drinkable, a little bitter

redolent in mid-day sun

as soft as fur

I think I’m old enough

to be myself now

which means

your smell

in that white bottle

that I can only buy in rare perfume shops

because it was long ago discontined

much as it reminds me

of being a young girl

trying to understand why

she had feelings for older women

(that were definitely not about seeking a mother)

those days are over

I’m old enough now to have had

my own children

and while I still

have a thing for older women

I’m not going to smell of you

and the memories

anymore

Not written down in history

The lonely heart

of a girl

who liked her own

kind

is not written down in history

there are few

stories of this

quiet, often eclipsed, furtive, secret

kind of longing

less even spoke aloud or transcribed

for what could be said? Admitted?

Instead, there are, no doubt

trees growing exceptionally redolent

nourished with the grieving, private hearts

of girls throughout history

who buried their flesh

beneath tender roots of a sapling

when it became abundantly clear

their tongues served them no purpose

in speaking of a love

no-one wanted.

These girls … I wonder

about them, sometimes as I tramp

red cheeked and furious

up hill side, when sitting still and

desiring felt like cold bars of a jail cell

seeing above me the wielding kite and her

long expanse, mocking almost with her freedom

for fierce she is, unable to

be anything but predator

time lapses into a series of vignettes

childhood (unknowing/confused) adolescence (odd/ill-fitting)

youth (empty bed/scolded faces of young men who do not understand

why no matter what they do, they endear

not)

older (disappointment/scrolled dating sites, dark bars with groping

strangers, you wouldn’t share a car ride with)

a wish always

for the girl over the moors

her long black hair tumbling like a question mark

the iridescence of her eyes, startling, bold

quit of falseness, a truth enveloping us both

without need of pretense, shyness left in fog

to hold the hand of someone who understands

and wishes to pull you through

where magic still resides in ellipsis and mist.

They do not invite single women of a certain age

to celebrate. When everyone would feel

uneasy, no children to talk about

flourishing career to brag of, she is not anything more than

everything to one person, outside that

sphere, she feels lost, disjointed, unable to fit closely

the pieces of irregularity, between her own wishes

and that of everyone else. They stare at her

over coffee cups, watching as if she were

a different species, something odd and inexplicable

cut at irregular angles, spilling out of bondage

saffron infused thoughts, plastered to her wet head

like a seal exploring depths, her stockings uneven

ragged with snares, mimicking internal

conflict, why she couldn’t pose for the camera

lips pursed in obliging, skirt wrinkle free,

hands hidden beneath cardigan, their

eternal fidget repressed with the incalculable

strength of effort it takes women to remind silent

say nothing, speak not with their roaming eyes

the magnificence of their private entreaty.

Oh to reveal, peal off layers, ransack propriety

and launch, full mast, happy crew, into the ocean

where loving was loving anyone, invited equally

to christenings, thanksgiving, birthday’s

not whispered about; behind fans, fingers, computer

screens, the lascivious imagination of mild mannered

disgust, spread liberally on morning toast.

“What do they DO?” (behind closed doors)

“was she like THAT with you?” (you should be so lucky)

“are they man-haters?” (only if you join in the cacophony)

“her mother must be so disappointed” (eternally).

I’m not disappointed

with you, us, swimming upstream, lily pads, green light

breaking up mosaic thought

bring it on

bring it on

we urge in our confident hour, no longer strange in shadow

by fire, by tokens in dark, wagging their tongues

and then, weary, tired of the fight, we stop

holding hands in public, the glare, a sunburn on

our fragile necks we stay modest, interior

house plants straining for sufficient light

when they don’t invite us, when I remain

alone waiting for you, weeks upon weeks

when stigma is a brand without physical body

it stings as deep, stays as long, heals too slow

it is hard to imagine the words ‘equality’

leaving our lips, and joining the world

in red shoes and jaunty hat, tipped merrily

to the left-hand side, running for a bus

knowing you’ll just make it

if the ground isn’t slippery

if you don’t fall before you’ve got

a firm hold.

The magic fairground

I scratch my head, the mixture of henna and indigo dyeing my

finger nails black

thinking of the red pill and the blue

Alice and her little vial

Drink Me

Pandora’s Box

Athena’s head exploding, a rebuttal to Zeus

yellowing wallpaper closing women’s mouths

Radcliffe shouts in her lesbian manifest

those following her down the well of loneliness

high waisted and limber of spine.

I want to nibble upon you morning, noon and night

but I do what is right and keep my fantasies in check

behind the lines of notepads and in the ink of pens

I suck till my tongue turns blue-black

your lips remind me of a pomegranate even without rouge

they look edible, lush, full like an excuse never to apologize

we are girls of violet, our pin in the concentration camps was

a pink V

last night I watched When Hitler Stole White Rabbit

at the Jewish Film Festival, chewed the inside of my mouth

in frustration at the abhorrence of others

when I was a child I did not have a pink rabbit

you left your hair brush and your rose water and your

tattered lace-edged simple night gown

I don’t think you ever wore one again, in the 1970s

nude was in vogue

women coming and going

from my father’s room

with dimpled bottoms and breasts like Claire Bretécher 

I learned my likings on photography books, under the section

‘erotica’ and other arts, believing archly

pornography an expression, when now, thinking back

they had such sorrowful eyes

like deer who stare into

the lights of an oncoming truck

is it bravery or hypnosis? Perhaps

it is fatalism, the French, myself

moving to countries who do not condone

indolence, expecting different results

when escape has no good set of keys

just jangles from your pocket like a taunt.

It’s not cute when you’re over thirty, to

long for the purple balloon in the supermarket

or lie, cat-like on the carpet and me-ow when your lover

is mad

it is not seemly, to be childish when you have

your first crows-feet, or need a push-up bra

unless you leave your glasses to the side

dive in, deep and thick

the molasses of not giving a fuck

where 80 year olds, excel and laugh

like they did at eight without front teeth

much the same, much the same.

The magic fairground, everyone remembers names,

I recall songs and colors of girls eyes

how they look sleeping, with their hands flung

like emotions above their heads, bent at the wrist

bangles on the floor, hidden beneath cascading sheets

elegance in angles, the way eyebrows furrow

in thought, how that line shapes over time into

a question mark, the parchment of skin, in

darkness, tracing braille, for the day none of us

will see, more than the outline of certainty.

You said: “Maybe you won’t love me when my

breasts sag, when I stop working out and the

lines of years begin to encroach. Don’t you like my

firm arms, they do not hang like bats, my mother’s did

I am mortally afraid of skin that hisses when you look

at it.”

Perhaps men had done this to you, torn down

your childhood gauze, made you feel the need to

apologize for things to come. I have read

Dreams Of Young Girls, I know how the photographer

can project a fantasy upon a real girl, even

when she is young, begin to pick her apart

as she unfurls like a Christmas amaryllis, not

caring the pickpockets of their distain

leave her in rags. Or maybe it was another

woman and her cruelty or her hatred? Tight

in an ill-fitting jar, straining to propagate.

“After all, you are so perfect,” you said,

smiling at my narrow hips (like a boy)

my unmarked skin (sun-screen)

the thickness of my hair (good shampoo)

how taut my calves look in leggings (optical illusion)

girls with girls tend to compare

it is not always favorable

though we find in our mixing bowl of humility

a little easement

the tasty wick of joy

burning low into auburn night

going over

those fears

with soft fingertips

and gentle reproaching …

Oh softening

Motioning

Nightfall

In whisper find blessed felicity

A body untouched, lain emptied of worth

brought to life, my Lazarus, spinning moon beneath our chins

rounding music fluting her velvet want to stay beautiful physically

for you to hold your breath as you touch, yes I understand

and still, beauty retains a deeper chord

dancing on raw feet to Erik Sate, trying to impress.

No, love, no, age is wine

spreading in the roof of your oval mouth

each place it has visited will transport you back, among the

grapes, tanned beneath reliable sun till just ripe, rolling in barrels

aged over centuries, buried with

secrets, the taste of fruit and toil, lustily on its wood

roots reaching deeply into history, for every year lived

another branch uncoils, the leaves, a brilliant green, bearing fruit

then flowers, finally sheltering, those beneath

such is a woman, such as you are

lying in my arms, the sweat of sleep, hot on your neck

cheeks pushed against my shoulder blades

causing you to look like you are pursing your lips

in effort to dream

finding ways always

to hold you closer,

closer

closer

closer.

Feral

Girl with ire, for you are woman, though you are still

a girl

dark skinned girl, like a fruit grown in midnight

richer somehow, distinct in a world of lost focus

something in movement deliniates this, hones in

brands you ageless in ways

only few achieve

it is your saving grace and why

my jaw hurts from grinding

all the passion I have to pieces of

confetti, ready for your marriage to

status of unattainable.

I had a rule once, don’t fall for girls

who cut their fractured eyes at the world

ruled with upturned, defiant chins

don’t succumb to the delights others see

in that girl who brightens the room with her

brown-eyed glare and gnashing smile

she is merciless, she is cruel at times, cutting

in that barbed way of the magnificient, used to

her fawning subjugates

she is unaware of you and the depths you swim

for she exists only in the light, that hot wattage

her skin, her movement, set on high to drive you

to distraction, as you watch her skirt hike

just slightly above her knees as she talks with her hands, unknowing her own unfurling

not to want anything, not you, not solace

where radiant and hot she stands, fuming

diety, showered, sharp teeth licking

what it feels like to carry that long tongued weight of desire

with adulation and never

all those shuttered years with trembling

closed lips

for some secrets cannot be revealed

save they render you victim to the

longing you want to bear, a willing nudist who buried her unspent confessions, aching for release

she is everything you are not

and yet in a hesitant moment you can pretend

you have the right dial and tune in to her song

that will lull her back from her gleeming audience

claim her yours

surely, surely, in all the years spent thinking of her

you found some way to make her your own?

Some method, spell, isn’t there a means to every wish?

Wordless, you know there is not

the unattainable sit just out of reach

lingering in their fancy of being regarded

untouchable.

And she? She is one of those fine

creatures you read of in novels, who make men

mad and women? Women are not mentioned for

our ardor is pressed flat along with the flowers from

the marsh we collect, I would if I could, string them

outside your house until the perfume woke you

from a dream about me, and you ran, barefooted along rail tracks like urchin dancer,

into my waiting arms, and as I think this, I know

you will no more run to me, than I could hypnotize

a snake not to bite, a feral cat not to scratch, a

pain not to hurt and cripple the daydream.

I don’t have mastery over you, nobody does,

you chew on rules for breakfast with black hot coffee and make

scolding and conquest a daily thing, in the brilliance of your

caramel-centered bedroom eyes, I see only an acknowledging

of control. whilst I, think of ways I might

stand out, be different, have something going for me

that could mark me worthy

it is of course, an impossible thing, a poison dart captured in my throat, quietly

hybernating or dying in drips and drabs

as you will never lay in my arms, molded to my shape and I will

not know your taste or how your lips part

with the first of many sighs, I cannot even

imagine touching your hand or pressing myself, small and hungering

close to you and knowing of what you smell, there in the stymen of your flushing bloom

the myriad ways you breathe in and out, the chorus of your existing, I

stand far, even when near, too far for comfort, perpetuate rain, disguising distress, I told myself as a young woman, do not

fall for the Siren’s call, she is merciless, she will

cut you without meaning, your futile search

for the key to her blistering heart

no closer

could last a life time and you’d stand, unpacking your fools errand, as a beautiful gown will

invariably spoil in predicted monsoon

she is ferocious and untame

the elongation of her beauty

a thing you must only weep over

when alone and inconsolate you imagine

a life time of wanting

what you can never, ever

capture.

Never look back

Amidst worry, distraction, hunger, noise,

there is the brand, the scorch of you

sealing me in wax

pressing me to Florentine paper

sending me by leathered mail

with a longing as woven

as pulp that becomes a letter

writing out felted words

my throat cannot swallow.

The world is burning, in once-removed chaos

I find an unsteady peace, imagining us.

Everything is flammable, people smite each other

with little tools and heavy words

we forget our humanity often

we are caught with our pants down

jacking off to lies & hate in little jars

sometimes it seems the world would fair

better without our penchant for harm

but we subsist, in fragments, shards, pieces

of goodness separated and flung apart.

I should be considering the state of the planet

why it’s searing in October, why people

shoot someone for the color of their skin, how

evil can stand in White Houses and other

necessary questions …

but for this cupped moment, I am idle in my desire to save

not a lack of caring, but rather

the need to step outside the fray and

stand in the rain with you .

The rain here is warm, before we met

I did not know rain could be warm

I lived in a concrete trap with sad faced

buildings that many would give their eye

teeth for and I wished passionately, to escape

from

there was no softness in the city of my birth

no reduction of clamor

we spun like dervish on a wheel

forgetful of what mattered in the perpetual lean

to survive

I am here with you now, although

we are often not together, in my etched soul

you hold me every night and the candle

I placed in my window does not go out

for it burns eternal.

A song will reduce me to tears, driving wet

cheeked and aching for your touch, the surround

of your movement against me, a kiss that consumes

my cold center, turns me to the moon

shining and nude.

We are shimmering fish beneath dark water, finding our way

with our mouths, our fingers, the brail of need

containing sea pearls ready to sacrifice their shell

only you can lift me away from

the sorrows of the world and our many

pitted attempts to remedy what seems to be

our nature

only you can run yourself down my stomach

and opening me like a fan, find within, my

raw chorus

only you, with your pitch eyes and raven heart

can cause me to tumble, weightless over white cliffs

into our own private film

playing the days of our lives, for an empty house

the tick of our time, slowing now.

I should clean my teeth, brush my hair, push my

cuticles back and cross my legs in public, but for

the need to wear no hose, and driving 70mph down

empty streets, push you into me, finding

piano keys beneath our lilting surface.

By day I am a plain-faced woman with

ill-fitting bra and the marks of time sponged

on my face like imprints from a wild cat

who walked over me once, twice, forever

as you pull me from the world with your

electricity and I urge you

implore

to not

to never

look back.

Inveterate flatterer

If you let me, if I’d let myself

I’d mention you in every mouthful

Once, at 15, my father said; Stop talking about that girl, I think you’re obsessed!

I was, without yet acknowledging how deeply these things can go

Forget an arrow, your harnessing of me is a tattoo as inked as the one I already have

If you were a sadist you’d say; Good. Now crawl to me

I suspect I would.

Absence is a devour and every hour a little harder

It’s a tortured song locked inside my chest

Awaiting your key.

You, you, you, the bird who flies without feather

You, you, you, the permanent loan against my sanity.

In restless chamber of night, I wake feverish, imagining

Your cruel hands on me, the cull of my longing to lie

Beside you, above you, beneath you, inside you.

The funny thing is, you don’t try, you never have, it comes naturally

Like walking on hands or juggling, neither of which I ever mastered

As you master me with the flint in your eyes and the quiescence of your tongue

Sharp teeth catching against your damson lip, ragged once in a great while

I have become a collector of moments featuring you

The turn of your full cheek set against certain light, eloping into smile

I want to dose you with a spell that you’ll feel

A tenth, a quarter, a handful.

Even as you are a wild thing and I knew it then, as I know it now

A creature who enjoys the pin cushion of being desired

Each gentle intrusion bringing a little fresh blood

Painless for you

A hammer in my heart.

Underwing, in indigo darkness I envelop

My unspoken entreaty and braid it into my hair

With every twist, pulling tighter, for my darling, wishing is

Often pain.

The sum of us

Good Girls don’t write about sex

Overtly

They disguise their want in paralipsis

And allegory

Hoping the one they wrote it for

Reads in between watery lines

Just as we think we know and we don’t know

How to play a violin to life

What specific string to rub dulce, with bow and how?

To produce the exact sound

Of heaven

For we rely on machines purchased

In stores that wrap them in paper and

Blush behind their make-up

To soften the blow of loneliness

They even offer them in pink with ears.

I decided long ago to

Forgo batteries and think of you instead

With my flesh and my bones

Nothing more but those images in my head

Of you lying back unclothed

Ready for feasting

I’m long past apologizing

For my need at midday to think

About sex

Women do it too

Maybe not in the office bathroom with a magazine

Or tiny screen zooming in

But quieter, and softer, lying in the bath

Lights out, candles giving off waxy

Myth

The world is changed outside and we

No longer obey fluorescent lights

I dim ours and the moon in turn

Shies from long curtains

In dusk I see the curves of you

Reminding me, as if I needed reminder

Of why I think of you all the long day

And how and in what ways

For I don’t believe there will be a time

I’ll stop boiling my blood in imagining

And the moment we come together

Is ever more for waiting

It seems at times I wait, more than I actually find

Perhaps the rejoinder of fantasy is

We can inhabit it more, than what lies real

Yet as you undress, I know

Nothing I can conjure up, can compete

With the real feel of your skin against mine

The human touch of our hands enjoined

I may be called creative, but I could never

Describe those pleasured hours well

We are it seems, beyond all living illustration

For beauty when it is actual

Is not the plastic doll on the shelf

Nor her vibrating friend, who promises

To get you off so easily.

Some things are worth waiting for

Some people are necessary, chasing eternal

For even one night with you, would suffice

Against a hundred with someone else

I cannot replace what you do to my heart

Every time I see you turn a corner

And smile that crooked smile of yours

Eyes glinting, a little cocked half walk, half run

We meet in our dreams

We stay together when apart

It is the sum of us

We add up

Even as everything else

Does not

Invisible ink

When they say someone is driven to distraction

can’t stop thinking about …

I imagine

a woman running in the rain

newspaper overhead, painted nails

pursed lips, the crook of a smile despite

her hose getting wet, soaking her clavicle, glistening like

some jewel in a torrent might

suddenly fruit

it reminds me of the first time I heard Suzanne Vega sing

not knowing she was singing for a woman

but something in the detail caught my eye

how she felt the same hot breath, steaming glass

lost bra strap, showing slip, untucked blouse

a stray hair, falling in her eyes, it took all of my

self possession not to reach across and brush it

back into place

although I’d rather press my face

into her neck and lose myself to the sound

of rain and tempests, growing inside me

wordlessly showing her the crocheted waves

with every brush stroke

a painting cannot be completed without

sufficient water and concentration

much like a woman cannot be pleasured without

the breath of sea and infinite patience

it is like learning an instrument

your fingers growing sore in repetition and as they

tire, music is formed, her mouth opening

throat reddened, thighs dampening, heat climbing

you find yourself approaching

a cusp of wonder without worthy language

to describe, its motion

when I am tired, sorrowful, when I feel wan daylight

setting behind me, proffering dusk and your absence keenly

I close my eyes and feel her in every song

that girl beneath the awning, trying to close her

umbrella, her shapely legs and slender ankles

breasts rising against damp silk, in one long sigh

there are passions within us

that have teeth and fire

where hunger is a permanence

just like the silver locket hanging

about your neck and how if you play with it

I find myself needing to be

that silver, that shape, that falling

between you, against your skin, as if we can possess

another which we never can and so we try

again and again

thinking up ways

as coffee grows cold

as people flit in and out

hardly noticing the girl

who sits alone

wrapped in thought of you

a blunt pencil by her side

writing

in invisible ink

the landscape of a

woman

lost in rain