SMITTEN Review: For the love of women and reading — When Women Inspire

Recently I was gifted with an advance copy of the poetry anthology SMITTEN. I was intrigued upon hearing that all of the poems had one theme: the exploration of love between women. 46 more words

via SMITTEN Review: For the love of women and reading — When Women Inspire

Thank you so much to Christy Birmingham of http://www.whenwomeninspire.com for this incredible review of SMITTEN due out Fall, 2019. Please read the full review and consider following http://www.whenwomeninspire.com as it’s an incredible site and Christy is a remarkable woman.

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What kind of lesbian would I be if I were born today?

two women kissing while wrapped in rainbow flag
Photo by Karina Irias on Pexels.com

I see your pictures on social media

a part of me is envious

of your freedom

even though women many years before

either of us

had absolutely no freedom and only those

with enough money could consider taking

a woman as their lover

it is hard to imagine

each generation I suspect

forgets the sacrifices of the last

cannot envision a time when

it was illegal to love

my experience was never that awful

I had freedoms many women still do not possess

and I am grateful for that

but sometimes when I see your

youthful face and the grace with which you accept love

how natural and easy it feels

I recall how I began

hiding in dark bars, trying to fit in, failing

never one to play endless games of poker face

I didn’t fit in with my own kind then

but if I’d been you

born in the sun with your turquoise eyes like the Donovan song

I might have had on my arm

a whole host of dreams and not

dabbled in boys for a few futile and unhappy years or

felt I couldn’t have had children and let

my fear and my constraint decide for me

the future

you are the age my daughter might be

and I would like to think I’d have

done all you have done had I been born

in a time of greater acceptance where

women who love women can grow their hair

and not have to cling to stereotypes or subterfuge

carrying knots of shame and confusion

like blankets never stretched out and slept on

I would have gotten a tattoo and maybe

been less shy and apologetic

I remember at 18 that’s all I seemed to do

sorry to my family for not having turned out straight

sorry to my friends for being the odd one out

sorry to the gays on the march who thought

with my dresses and my long tresses I was a weekend

lesbian

if they only knew

what it took and what I sacrificed

maybe they understand now

but we’re all a little older and

you don’t recapture what you felt at 18

you remember it like a language

I spoke the language of trial and error

I suspect you speak the language of love

just a little freer

so forgive me if I envy you as you walk past me

hand in hand, laughing, the edges of your hair

hitting your waist

like a Summer tidal wave.

SMITTEN – This is What Love Looks Like – Poetry by women for women – an anthology of poetry published by Indie Blu(e) will be out OCTOBER 2019 and available through all good book sellers. Please consider following SMITTEN’s FB page at https://www.facebook.com/SMITTENwomen/

If you are interested in supporting this project in any way please contact me @ candicedaquin@gmail.com. All LGBTQ projects are a little more challenging to succeed and we want the 120_+ poets who have work in SMITTEN to be read by many! Indie Blu(e) and their submissions rules can be found at www.indieblu.net69885770_486778818770380_803119555336470528_n

Kristiana Reed’s pre-print review of SMITTEN

Thank you to the incredible Kristiana Reed for this advance review of SMITTEN, Indie Blu(e)’s latest poetry anthology which will be published this Fall. 

Candice Daquin and the editors at Indie Blu(e) Publishing have worked their magic once more in raising a powerful chorus of voices.

Daquin is a woman who has always sought to empower others from the first moment I became acquainted with her work and her nature. I also cannot think of a better person and writer to spearhead a body of work which celebrates love between two women. 

The writers and styles within this collection, which Daquin has woven seamlessly together, are varied – eclectic and powerful yet with the same, strong undercurrent coursing through every piece that this is what love looks like.

It is possible people will read the sub-heading of SMITTEN and assume this is an exclusive collection; only accessible if you are woman who loves or has loved a woman. But, what is truly wonderful is this isn’t true at all. Instead, SMITTEN holds and nurtures love poems to be read and enjoyed by anyone. After all, for centuries, we have consumed and enjoyed love poems written about women, by men. Why should the fact that the poet is a woman cause the response to be any different? 

‘Testimony’ by Carolyn Martin is one of the best examples of this. The nature of love and relationships does not suddenly change if it is not heterosexual; the essence of loving someone beyond belief even on the days they annoy you to distraction, remains. 

However, even though SMITTEN is not exclusive, it must be recognised as an anthology paving a new way for literature. All of the writers are female and all of the subject matter is female, lesbian, bisexual and more. Pieces such as ‘Lesbian’ by Avital Abraham and ‘Pulse’ by Melissa Fadul drive home why Daquin’s decision to create a collection like this is needed and welcomed. 

Too often we sideline LGBTQ+ work as a genre of its own, when it should be mainstream; literary works which are written by people to be enjoyed by people, no matter what their race, sexuality, gender and/or religion. 

Yet, until this happens, I applaud Daquin and Indie Blu(e) Publishing for brazenly making a stand. Until labels are but words and not identifiers, it is important that writers like those in this collection share their voices and stories, ever-lasting love and heartbreak, and their hopes and fears, to remind the literary world they will be heard, no matter what the response may be. 

Kristiana Reed August, 2019.

SMITTEN will be available this Fall via all good book sellers. For bulk orders, ARC copies or more information please contact Candice Daquin or Indie Blu(e) directly or go to the SMITTEN Facebook website

69885770_486778818770380_803119555336470528_n

 

SweptAway

10585_Shadow-iPhone-Photos-26_w1120Here in the quiet room

you can fool yourself for a moment

joy has returned

her skin like oranges left in sun

narrow feet catching dust, turning in their little arc

you want to tell her you notice everything

as if it were your job to record the very sum

using nothing but words and build from alphabet

exact reasons you still

catch your breath

yet for all the music beneath her skin

a familiar yet unfamiliar person within

she has been long gone just as she remains

a shadow against a wall elongated

like places you once lived in

turn strange

taking one more look around

before you leave

key on the mantle

watching tulips breathe

their redolent mystery

as the color of her eyes

was never a word to capture

something free then

flying

out of the window she left ajar

that day she stopped being herself

and you could return in a 100 years

just for the smell clinging to her neck

how she feels beneath her clothes

places you know like a hidden map

joy solved in one tightly held hand

like a sailor lost at sea

when she is far and away

diving for pearls in hope

one will be as black and magical

as her iris caught by car light

watching you, seeing nothing

even the whispers of who she once was

swept away

the room now bare and empty

readying for new people

running your fingers along the memory

heart in throat

seeing her turn

that beautiful smile

before she climbs

the narrow stairs

We cried a long time ago. We don’t cry anymore.

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A warbling, holding, green glass pain

Like joined hands make paper cut

Invisible like girl in crowd, falls

Deep as ink without light

Stinging with clamoring cymbal

Tears almost bare themselves as first night lovers, tremorous

Retreat beyond the naked streets

It is not brutal gnashing strength

But soft lipped resignation

And a little elipsing hope

For bare faced ceasement

Lain like prayers and rushes and thrown flowers wetting paving stones

No ceremony. Only, black cars devoid of dust

A trail without salt. They bent lower to seek. Not yet.

It’s hard to say it. The wind chokes words. Before.

We walk on. Omphalos in fatigued lament

Toward reprieve, illuminate in muted tempest.

Furnish in her own time

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It’s the fantasy

something out of summer, as you’d dream it

bare legs tucked beneath white cotton and trimmed thick lace

laughing clavicle, slipping straps

the long necked wonder of descending evening

that sting on skin from days in sun

I’ve been here before

the last time, I lay beneath a boy with cut glass eyes

who bought me flowers from the night market

before they bombed Bali and innocence was our town

wearing a sarong of blood red and mustard, half grown

walking beaches at night fall, crabs coming up through sand

scuttling into still water, the recede and ebb of thought

knowing he wasn’t the one, still desiring the idea

of love and its myriad faces, the strange places we

take ourselves to feel alive, writhing beneath

his pinion and faith, you’ll stay with me, I’ll

make you like my kind, turn your eyes away

from the obsidian girls who set out sacrifices for Gods

orange petals, I am thinking of her beneath clothes

watching from hibiscus waves, will she learn to

secret away her longing in the deep pockets of

a sarong too wide for any more tucking?

what do we know? We’re just kids building sand castles

on empty beaches and he takes my hand and asks;

let’s keep going until we fall off the world

Please, let yourself, just pretend …

the wild of saying, yes I’ll follow you

travel the globe, searching stones for blood

finding in things that feel wrong, another direction.

Now I have come full circle

we’re not old, but we’re not angular children

thin boned and boundless on their bikes

dream life filling xylophone chests

her eyes are hurt by his stories, I can tell

even as I am the fantasy and the observer

thrown off scent by, my painted toe nails and sunlit hair

the slope of day closing like a picture album

grass like cat fur beneath naked toes

bent wrists spent of expression, limply wait

for electric cumulus as thirst penitent may

befriend dry river bed

I want to say to her; Don’t be trapped any longer

pick up and run away, half flung around the globe

leave the mounting regrets at your door, with the disappointed

find your self again, diving into the gleaming future

sleek as a wet dog will shine beneath and shake off

water weight when back on land

because you can, you know

it’s not written until you write it.

Here … take my hand, I’ll help you

and we jump, weightless

her short nails digging into the soft of my palm

read my future, she whispers into my neck

her breath is cherry, her eyes smudged black

I see the ransack

all the reasons she snarled and bit

for she made it this far, don’t push her

let her furnish in her own time, a place of grace

where light pours pure and undiluted

onto her heavy shoulders, hunched with rage

let it go

you don’t have to be here anymore

we catch the tail wind and it is warm

she murmurs, her eyes wide and seeking

the whole world awaits

Faith

My love

it is so hard to keep

faith

with every day there are changing shades from day to night

sometimes I am comforted by fireflies and evening moth

who dual beyond the porch, betrayed by flicker and swat

I imagine the patterns of her wings, that magic sting of light

so short their lives compared to ours, so rich and meaningful I would infer

sometimes it is the exclusion of pain gives me rest

when I can at last unroll my carpet and forget

carrying the weight all day, a vase of ache absent of flower

to place this nowhere and have it melt away

I lie in the bath and heady steam dissipates reality

in those musings there is only the delight of a girl

seeking her passion in lingered meandered imagining

and you come to me, full of health and unharmed yet

by cruel flint and staunch of your absent conscience

and you lay me down and make of me what you will

a thousand pieces of me broken and rebuilt

which I give with my all, for you were and you remain still

far more than sense can convey

in the hour of day when dreams are gone to sleep

I see the cruelty of your take and take and take

the hunger of your keep and how I was but a thing, in your

cabinet of curiosities to be taken out and squeezed when you

thirsted or when times were hard and you needed the succor of

kindness to tuck you in, nothing of you was sincere or loving

all that I held dear possessed the sound of my own breaking

it was as if I had become pupil to mistreatment

learned many times on illiterate whip of inheritance

children soon become acquiescent to disregard

I didn’t know how to be worthy and you took my pain

pinned it to a velvet card and called me Opodiphthera Eucalypti

my blush and powder, the soft rubbed fur and bleed of color

round and round my pattern and maze, sucking from thistle

the gypsy without, I live in silk and attraction to light

pollinating only the fruit of predators like yourself

as you pinch my wings with your greed and whisper

my lunar, my atlas, spin your silken web across my longing

for I have never learned my worth and you wish to

gobble on my spirit as you may an Autumn apple

the fragrance of your dissection

my love

it is too easy

to stay my life in wait of your call

watching others continue onward and myself find

nothing but the covet and anguish of a prisoner

if I had the strength to

I’d hurl myself against the glass

leaving a smudge of myself in technicolor

for children to press their noses against and wonder

oh what ever life could make such a kaleidoscope

and in these mixings of burning and yearning

parched by want and crushed to nothing

the dancer emerges broken and fragmented

to spirit into night her ether and the longing

she is free of her torment and bound to the wax and wane

of one who has rubbed against and been caught by

a terrible rope, woven with obsidian, the shade of pain

my love

it is too hard to remain

faithful

to your brand of hurt

and live in dying with every pursuit

I have long imagined I am already prepared

for the hour, the moment, pain exceeds its curse

and slipping like oil and water and vinegar bound

we change from solid to infinity and beyond

where only the stain of who we were and what we bore

that burning need to consume, that hunger for

all the poison within your sickening and how

never did you rest until the very perish was wrought

standing still like a girl reaching for

something invisible

my love

it is the fresh unopened rose

and her tightly closed promise

shall see tomorrow and claim

the glory

for I will not be there to witness

this new day and those trespasses for this comforts

me in such a depth as if every kind of anguish

were salved by the knowledge this too shall end

and you will dissolve in time

beyond the fragment of what has been

into the very air like things we cannot yet see

whirling and catching the air in relief

for moths have never lived long enough it seems

to know their beauty and how it is

for us who live sometimes too long

and rise to see another day, alone