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SMITTEN Review: For the love of women and reading — When Women Inspire

Recently I was gifted with an advance copy of the poetry anthology SMITTEN. I was intrigued upon hearing that all of the poems had one theme: the exploration of love between women. 46 more words

via SMITTEN Review: For the love of women and reading — When Women Inspire

Thank you so much to Christy Birmingham of http://www.whenwomeninspire.com for this incredible review of SMITTEN due out Fall, 2019. Please read the full review and consider following http://www.whenwomeninspire.com as it’s an incredible site and Christy is a remarkable woman.

What kind of lesbian would I be if I were born today?

two women kissing while wrapped in rainbow flag
Photo by Karina Irias on Pexels.com

I see your pictures on social media

a part of me is envious

of your freedom

even though women many years before

either of us

had absolutely no freedom and only those

with enough money could consider taking

a woman as their lover

it is hard to imagine

each generation I suspect

forgets the sacrifices of the last

cannot envision a time when

it was illegal to love

my experience was never that awful

I had freedoms many women still do not possess

and I am grateful for that

but sometimes when I see your

youthful face and the grace with which you accept love

how natural and easy it feels

I recall how I began

hiding in dark bars, trying to fit in, failing

never one to play endless games of poker face

I didn’t fit in with my own kind then

but if I’d been you

born in the sun with your turquoise eyes like the Donovan song

I might have had on my arm

a whole host of dreams and not

dabbled in boys for a few futile and unhappy years or

felt I couldn’t have had children and let

my fear and my constraint decide for me

the future

you are the age my daughter might be

and I would like to think I’d have

done all you have done had I been born

in a time of greater acceptance where

women who love women can grow their hair

and not have to cling to stereotypes or subterfuge

carrying knots of shame and confusion

like blankets never stretched out and slept on

I would have gotten a tattoo and maybe

been less shy and apologetic

I remember at 18 that’s all I seemed to do

sorry to my family for not having turned out straight

sorry to my friends for being the odd one out

sorry to the gays on the march who thought

with my dresses and my long tresses I was a weekend

lesbian

if they only knew

what it took and what I sacrificed

maybe they understand now

but we’re all a little older and

you don’t recapture what you felt at 18

you remember it like a language

I spoke the language of trial and error

I suspect you speak the language of love

just a little freer

so forgive me if I envy you as you walk past me

hand in hand, laughing, the edges of your hair

hitting your waist

like a Summer tidal wave.

SMITTEN – This is What Love Looks Like – Poetry by women for women – an anthology of poetry published by Indie Blu(e) will be out OCTOBER 2019 and available through all good book sellers. Please consider following SMITTEN’s FB page at https://www.facebook.com/SMITTENwomen/

If you are interested in supporting this project in any way please contact me @ candicedaquin@gmail.com. All LGBTQ projects are a little more challenging to succeed and we want the 120_+ poets who have work in SMITTEN to be read by many! Indie Blu(e) and their submissions rules can be found at www.indieblu.net69885770_486778818770380_803119555336470528_n

Kristiana Reed’s pre-print review of SMITTEN

Thank you to the incredible Kristiana Reed for this advance review of SMITTEN, Indie Blu(e)’s latest poetry anthology which will be published this Fall. 

Candice Daquin and the editors at Indie Blu(e) Publishing have worked their magic once more in raising a powerful chorus of voices.

Daquin is a woman who has always sought to empower others from the first moment I became acquainted with her work and her nature. I also cannot think of a better person and writer to spearhead a body of work which celebrates love between two women. 

The writers and styles within this collection, which Daquin has woven seamlessly together, are varied – eclectic and powerful yet with the same, strong undercurrent coursing through every piece that this is what love looks like.

It is possible people will read the sub-heading of SMITTEN and assume this is an exclusive collection; only accessible if you are woman who loves or has loved a woman. But, what is truly wonderful is this isn’t true at all. Instead, SMITTEN holds and nurtures love poems to be read and enjoyed by anyone. After all, for centuries, we have consumed and enjoyed love poems written about women, by men. Why should the fact that the poet is a woman cause the response to be any different? 

‘Testimony’ by Carolyn Martin is one of the best examples of this. The nature of love and relationships does not suddenly change if it is not heterosexual; the essence of loving someone beyond belief even on the days they annoy you to distraction, remains. 

However, even though SMITTEN is not exclusive, it must be recognised as an anthology paving a new way for literature. All of the writers are female and all of the subject matter is female, lesbian, bisexual and more. Pieces such as ‘Lesbian’ by Avital Abraham and ‘Pulse’ by Melissa Fadul drive home why Daquin’s decision to create a collection like this is needed and welcomed. 

Too often we sideline LGBTQ+ work as a genre of its own, when it should be mainstream; literary works which are written by people to be enjoyed by people, no matter what their race, sexuality, gender and/or religion. 

Yet, until this happens, I applaud Daquin and Indie Blu(e) Publishing for brazenly making a stand. Until labels are but words and not identifiers, it is important that writers like those in this collection share their voices and stories, ever-lasting love and heartbreak, and their hopes and fears, to remind the literary world they will be heard, no matter what the response may be. 

Kristiana Reed August, 2019.

SMITTEN will be available this Fall via all good book sellers. For bulk orders, ARC copies or more information please contact Candice Daquin or Indie Blu(e) directly or go to the SMITTEN Facebook website

69885770_486778818770380_803119555336470528_n

 

Possess no place

ghost_on_stairs_lg-57c74ae55f9b5829f47ec990

a day may show itself

long or near from now

where pain and fear possess no place

their greedy place at your table outstayed

uninvited guests

came into your life, wrecking balls

fathomless of the despair they could put

as wicked times will have us ensnared

forgetful of former peace

hostages to the ease with which

sickness makes strangers of us.

Who inhabits this body of pain?

when did normalcy include such horror?

what lurks behind the shell of our discontent?

masking the urge to cry out with futile restraint

who do we hide our agonies from? Or is it that obscene need to appear

while and strong? While behind public doors we collapse in mock

no succor for the actor of their own wellness

Give me hope we clamoring souls sing in our flung prayer and rage

let me believe

believe again

find the keys, the healer, the drug, the end of

this

or I think I wish

I never existed

a thought I’ve had many times before

though none are without regret

some of us excel at impoverished thought.

I do not remember the me before

mornings of hurt, nights of pain

was she a creature capable of delight and desire?

did I feel alive?

Sometimes it’s hard to know

the fall is long down rabbit hole

make me

myself again

whomever she was

a better dream

than this

slow living just above not existing

hardly realized

quiet in accepted

thirst

for another grasp at hope

for any

recourse

where fear and pain

possess no place

SweptAway

10585_Shadow-iPhone-Photos-26_w1120Here in the quiet room

you can fool yourself for a moment

joy has returned

her skin like oranges left in sun

narrow feet catching dust, turning in their little arc

you want to tell her you notice everything

as if it were your job to record the very sum

using nothing but words and build from alphabet

exact reasons you still

catch your breath

yet for all the music beneath her skin

a familiar yet unfamiliar person within

she has been long gone just as she remains

a shadow against a wall elongated

like places you once lived in

turn strange

taking one more look around

before you leave

key on the mantle

watching tulips breathe

their redolent mystery

as the color of her eyes

was never a word to capture

something free then

flying

out of the window she left ajar

that day she stopped being herself

and you could return in a 100 years

just for the smell clinging to her neck

how she feels beneath her clothes

places you know like a hidden map

joy solved in one tightly held hand

like a sailor lost at sea

when she is far and away

diving for pearls in hope

one will be as black and magical

as her iris caught by car light

watching you, seeing nothing

even the whispers of who she once was

swept away

the room now bare and empty

readying for new people

running your fingers along the memory

heart in throat

seeing her turn

that beautiful smile

before she climbs

the narrow stairs

We cried a long time ago. We don’t cry anymore.

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A warbling, holding, green glass pain

Like joined hands make paper cut

Invisible like girl in crowd, falls

Deep as ink without light

Stinging with clamoring cymbal

Tears almost bare themselves as first night lovers, tremorous

Retreat beyond the naked streets

It is not brutal gnashing strength

But soft lipped resignation

And a little elipsing hope

For bare faced ceasement

Lain like prayers and rushes and thrown flowers wetting paving stones

No ceremony. Only, black cars devoid of dust

A trail without salt. They bent lower to seek. Not yet.

It’s hard to say it. The wind chokes words. Before.

We walk on. Omphalos in fatigued lament

Toward reprieve, illuminate in muted tempest.