The night I went out without shoes on

Wasn’t it a miracle?

Neither of us died trying to get to the meeting place

all the lights in the world seemed out that night

I had only known how to drive a few months

you were an old hat who routinely broke laws

with bottles wedged between your legs, a

cigarette burning ash down your fingers

there had always been a desire in me

for brokenness, as if I recognized in those

souls, something in myself

or a freedom in people who abandoned ettiquette

and discarding it, became suddenly free

I liked the wild, I liked women with untamed eyes

and dirty minds

the moon was full that night and we watched owls

gather themselves in flight and swoop

cloudy restaurant lights flickering in and out on the side

of the empty high way

I had watched films about a life like this

I said to you, films like Gas Food Lodgings or Paris Texas

where the greatest landscape was the tarmac

and the wide abundant merciless sky

where people sheltered in shadow and night creatures

crawled unseen and women met by closed restaurants

the flicker of their 24 hour advertising, sizzling against blackness

you were strange looking as if you had

deliberately tried to destroy yourself and I

forgot to wear shoes, my feet hot against still baked

soil, biting fiends flying in humid air, thick with ‘unspoken

entreaties

I wanted you to slam me there and then against

the unresisting brake of my car

leaving a bruise the size of texas clouds

I wanted to break apart like rocks with gem stones

inside, find something in both of us

bigger than the sky, deeper than weary darkness

but I was too young then and fear wrapped herself

like a blanket of stars and pulled me back

into the world, into doing what is right, into being careful

and sitting up straight when you eat at the table

all these years later, I still think

if we had set the car on automatic and just ridden

away

down that empty highway, into hushed, blooming night

we might have found the part of us

still lacking

every day we wake up

wash our face, comb our hair

and look too long in the mirror

searching for the lost parts

of our dark dreams

Not quite natural enough

frida-review-dance2~21044987047..jpg

I would like to be

a bit more toward normal, ordinary, unnoticed

because when we hold hands

people stare

bubbles appear above their heads

they say without moving their mouths

she’s a lesbian?

what a shame.

a terrible loss

I bet her father sexually abused her

surely some man really mistreated her

don’t you remember how strange she was as a kid?

Do you think she watched me closely when we went swimming as teenagers? Gross!

I always thought she looked at me in a weird way. didn’t you?

I feel uncomfortable around her, (she’s not like us).

And so I do not

book double rooms in some hotels

for the stares of receptionists cleave my good intention into bitter twine

I do not cup your hand in mine on every street

sometimes I let go, when I see a certain type of glance

I see their flickering of disgust

read like braille, the unsaid words

Unnatural!

Filthy minded!

Disgusting waste of a female!

Around their pursed ashen mouths

as they talk about their dishonest children

as they talk about their cheating boyfriend’s and husband’s

the new grandchild, the latest form of contraception you

don’t even have to take it every day.

Even Plath and Sexton might have

raised an eyebrow and shuddered it was

so deeply entrenched to be judging even among

fine minds. When I read about you Radcliffe

I clutched the paper so tightly I thought I tore

your very sentiments out of print into my

aching lonesome chest.

I wear my hair long as a justifying act

I don’t use communal changing rooms

in case you think I’m looking at you, or worse, why

aren’t you looking? Why didn’t you desire me? IS

a woman who loves another woman supposed to

be the poster child? I don’t want my photo published

next to your intolerance and dissatisfaction in

your moldy marital beds just leave me well alone

I’m doing my thing, it’s not part of yours

don’t flatter yourself, just don’t flatter yourself

you’re not my type.

I know what you think, when I say I’m a feminist

you think; well those types usually are

I want to buy you flowers and bring them to your office

I want to propose a wedding no-one would attend

because people don’t think we’re the same as they are

we’re just girls who haven’t met the right guy

wounded, unnatural birds with confused identity

our parents lament us like Thalidomide babies born

without limbs, bespoken to no-one

if they could, they wouldn’t talk about us at all.

I couldn’t go to some countries, with you on my arms

they’d stone us for who we are

and I’d carry the stones in my mouth and walk into a lake

before I expressed my shame

my shame at being natural

for me

and not quite

natural enough for

everyone else.

Natural state of being

f638fa9342017a5f22886b01331dceb1

They don’t want to hear about you

you’re not their kind

color, height, smell and gait

sets you apart, making you unpalatable

cast out from something you never belonged to

your back is curved before you hit the ground

sans parachute

cowing in utero to the inevitability of rejection

this is you, yellow girl, jaundiced before birth

you enter the world with a cigarette in one gnarled hand

the other high in protest

Gloria Steinem. could learn a thing or two about

your resolve

while she grew up in affluence and chose her metal

you were given nothing but inherited disease and

a penchant for purposing

all this in the time when women were

supposed to cross their legs in polite company

and open them for their husbands every whim

it disgusted you, the hypocrisy of hate

people at your Baptist church crowing gospel

calling you sinner when they caused more harm

than any so-called pervert

sent to camp to straighten out, you

fell for your coach and she for you

making out behind the outdoor toilets

confirmation of bias in the unhooking

of her clumsy sixties bra

feeling the first areola and you were lost

to any other kind of conversion

I wish I’d known you then, when eyes bright

despite the infernal din, you struck out against

the norm, trying daily not to let that

milk of magnesia asking that you straighten out

cause shame

it’s hard isn’t it? When even those pretending to

‘understand’ leave you out of invitations and the like

because you’re different, you’re not looking for a penis

not putting up posters of James Dean but Farrah Fawcett was okay, nor

waxing your legs for Friday nights

you didn’t like what every other girl in the changing rooms

coveted and so, they turned their tanned backs to you

and left you alone

to think of why you had more in common with

Billie Jean King and Radcliffe Hall

than cheerleaders with pom poms of scorn

and football players who would rape you to show

what you were missing

was it really such a sin to want to love

another woman? What was it about how you felt

scared them into loathing? And why when they knew

did it seem such a sport to exclude you?

Until you wrote pain on the insides of your wrists

a dowry of teenage repudiation

ending up in a mental hospital where the nurses

were all secret dykes and you fingered each other

at midnight, hiding your disappointment behind

seventies lino

this wasn’t love either, anymore than lying beneath

a grunting boy, at 14, hoping to fuck out the

feelings people said were evil, though

his use of you, seemed far more abhorrent

than the dreams you had of girls

not just any girl either, not just a writhing

creche of women parts, but one startling woman

you hoped to meet, among the girls who would be boys

and the girls who would be bi on dark and cheap drink weekends

gay bars were undoubtedly

some of the saddest places in the entire world

you neither excelled at pool or darts, you couldn’t

join in anymore there with cunnilingus against bathroom stalls

graffiti the tired penitent of fallen souls

with strangers who reminded you of boys in make up

you didn’t want to be with a girl who hated being a woman

dressing more like a man than your father

you wanted to love another woman with all

her madness and her fluxes, the rise of her lace covered breasts

how her thighs were not muscled but soft and her lips

pillows for your fevered whispers

no such woman seemed to exist back then

when gay venues were often raided by bored

knee-jerk religious police seeking to molest a girl in

baggy trousers and flattened chest on Friday night

shame after all, is a universal weapon and you

had tasted its liquored lash many times by then

watching your friends beaten with sticks by

heady boys in pick-ups waiting outside bars, high on local beer

and blood lust

you were too small to protect anyone, but witnessed

with grief so sharp it left marks in your eyes to think

of how the strongest girls rushed to defend the weakest

struck down by weapons wielded by the ‘righteous’ oh! Texas!

You were such a loathing state and things haven’t really

changed so very much

they still close their doors

they still tell their daughters

“don’t play with her, she’s queer that one”

and as grown up as you are, the pain is twice folded

for you wished by now things would be different

with laws and blood spilled surely paving a way forward

you forgot, for every step, there is one backwards

still just as you resolved to go without

you found me and still I found you

among the carnage, and our own wrecked self-destruction

still we laid in darkness sharing our stories

I tracing the scars on your arms and thighs

like Sanskrit of former muzzled lives

when I looked in your tired eyes I saw

how long you had been watching

this cruel world destroy her rainbow

heavy children

sometimes the greatest love comes

from broken people

too late in their August lives

to kick up chipped heals

they find solace in the depths

of their much labored, chambered heart

for as much as they punish us for existing

we keep returning, generation after generation

unbidden, unwanted, labeled abominations

or just silent dismay

carrying our quelled pain in beseechment

the whole world unsure of how to treat us

often resorting to ignoring

for who knows what to do

with something different? I still

don’t hold your ink stained hand in public very often

fearing I suppose our heads being bashed in

or someone cutting silence with ugly laughter

I think I could handle my own

abasing but never yours

you’ve worn the brand long enough my love

I now aim to remove it, defend you

as you saw the bloodshed longer than most

young men mowed down by AIDS sucking

their last breath through second-hand

straws, emaciated by the squander of

their worth, by a society intent on

blaming someone., anyone, in their aimless pointing

Reagan in the office doing nothing

beneath his hollow cross

even Obama had to ‘evolve’ his

opinion of gay-marriage like it was a

right that should be earned rather than

possessed naturally

but after all we are not

considered very natural

are we? Funny really …

as being with you

is the only natural

state of being I have ever

felt.

Why stay out so long?

You hear the complaint quite frequently; Why do you have to talk about being gay all the time? Can’t you just leave it be?  You can see the point in theory: Who would need to announce to virtual strangers that they were any kind of ‘minority.’ Isn’t that just inflating a point and shoving it into people’s faces, which can increase existing or potential resentment?

We could argue that even needing to ‘be out’ and admit to being gay isn’t necessary and causes negative-attention, but if this is your observation think on this: Everyday people get out so that others can, causing a chain-reaction, until eventually, what was once considered unnatural, is considered natural. That’s because exposure to things that are unfamiliar, resolves underlying anxieties more than any academic discourse achieves.

I am often asked: When you can’t physically hide being a ‘minority’ you have no choice,  and if you do have a choice, what’s wrong with taking it? I lived in the closet on-and-off for a variety of reasons for several years and got so used to not being harassed and tormented that it became a false comfort. It resolves nothing and the shame when you understand the absence of honesty, runs deep. Change comes from a desire to engender change, in the words of Eckhart Tolle: “To love is to recognize yourself in another.” Gays need to exist openly to give non-gays opportunity to see we’re no different.

When we look at racism, studies show racism actually reduces when African-American’s moved into previously exclusively white neighborhoods. But it didn’t happen immediately. The immediate response was one of resentment, anger and prejudice, and white Americans resented the influx of African-American’s initially. But in time, that resentment gave way to acceptance and even integration. It took the courage of those black families deciding to move into neighborhoods that didn’t warmly welcome them, it took the courage of their staying put and not letting prejudice run them off, to effect change.

Much of this is about gays being able to hide, whilst other minority groups like African-American’s cannot. There is a reason why gays should not hide, because in hiding we are one less face fighting the good fight. Why a fight you may ask? Because if a gay person were to really ask for equality they still would not get it, if gays were to ask to be accepted for who they are, some would, and some would not. And as long as that inequality exists, our voice must protest its existence or nothing changes.

As gays we may not run the risk being led-away in chains in the US today, but go to another country and there’s no guarantee. It doesn’t mean as gays we can walk the streets proudly without fear of reprisal, and that would include any city in America. Sounds a lot like Benjamin Franklin’s famous perspective: “They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety.” In other words, we should ask: Is it brave to hide and weak to protest? And if so, when did that become normalized?

As long as any type of inequality exists, all gay people remain a minority who have somehow to justify ourselves. People roll their eyes, espouse that we should shut up and stop talking about it and things will surely get better, but as history tells us, this rarely happens. For example, every time women make this choice, they take a step backward, same with any minority. Exhibit a; the increase and normalizing of pole-dancing to keep husbands content. Would the original Women’s Movement of the 1970’s have approved or thought this progressive?

If you are not convinced, look as the relative silence of Hispanics in the US as a good example of why they do not have the voice of African-American’s despite being in greater numbers. If you don’t speak for yourself, who will? If you don’t believe in equality for yourself, who will? And most of all, if nobody will defend you, who is left but yourself? I think of the quote by Jiddu Krisnamurti: “It is no measure of health to be well—adjusted to a profoundly sick society.” Better by far, to change what ails, surely?

Ask any Hispanic in America and they will relate stories of equal eye-rolling when they talk about a necessity for equality, ask any Jewish person in America and they will relate stories of equal eye-rolling when they talk about the Holocaust. When did our society become so intolerant to historical truths? Perhaps it’s the old adage, those who do not remember history are doomed to repeat it? Our lack of patience for realities, past and present, says more about our lack of compassion. Is it because until we experience things for ourselves we cannot see the value of anyone else’s perspectives?

In an increasingly selfish society, change comes best when people see it and are forced to live with it. Parents of gay children, people with gay friends, tend to become slowly more habituated and tolerant of gays even if formerly anti-gay. But ask yourself, is it enough to be ‘tolerant?’ True change is where we stop seeing differences as potentially negative.

During the years, like many others, I’ve been told I’m a pervert, I’m psychologically ill, I’m a man-hater, I’m afraid of true relationships, I’m just reacting to childhood abuse, I’m in a phase, I’m disgusting, I’m obviously a child-molester, and many other things. I’ve had female friends who are afraid of me, thinking I will molest them, and male friends who want to “sex me up” to help me learn the value of heterosexuality. I’ve done things I never thought I would do just to be, who I am. So if we talk about having to explain who we are, it’s really the gay person who is pushed to justify why they are gay, especially as it’s still considered by many to be a choice.

Being gay has always existed. Penguins can be gay. It is one of those things you wouldn’t wish on anybody in the way it’s currently handled in societies throughout the world, but you can’t really say you would wish it away, because it’s like saying you wish you weren’t who you are. Even in this so-called-world of liberated values, gays are killed every week, in certain countries I would be put to death, in others I would be set upon, in others I’d be spat at, in others I’d be jailed.

Just think about that for a moment. When it was illegal for blacks and whites to marry those that did get together, had children who were shunned by both groups. How is it very different for gays who continue to lie to families who would otherwise cut them out of their lives, or lie to their employer so they would not be squeezed out? Or are unable, despite the length and value of their relationships to marry, whilst heterosexuals who have just met, can marry at the altar of Vegas.

Being gay isn’t all hunky-dory just because there are some laws that protect us. In fact often after the passing of a law, anti-gay sentiment rises up, out of frustration. See France as a recent example of this and the anti-gay under-current that exists in relatively liberal Canada. For every step forward, there are many steps back. Think how it would feel to know mass protests occur because people hate you and think you are unnatural? In many countries and states, gays cannot legally adopt, we are treated as inferior, unequal, unnatural and still can’t be the normal we know we are.

Even those who profess to be comfortable and accepting, often aren’t quite so and this makes it very hard to trust people and know how much you can share with them. I didn’t sexually desire my female friends, and most gays aren’t more lascivious than anyone else but if you watch the news, most anti-gay rhetoric labors the point that gays can’t be Boy Scout Leaders because they are sexual deviants and other stereotypes that are so wide-spread as to be commonly accepted by the majority. Usually gays suffer higher rates of depression due to these subtle undercurrents that undermine personal value and security.

Ask yourself; if you were gay would you feel comfortable walking hand-in-hand or kissing in public as you would if you were heterosexual? Let’s not forget when everyone’s relaxed, how funny jokes are that involve gay-themes, but imagine how those jokes would be received if they were racist? Why is one widely accepted and the other not? What is difference in the root of prejudice of both? Not having equal rights under law, is like the law saying you are not worthy of equality, and as the Supreme Court when reviewing gay-issues recently questioned, maybe it’s too soon for equality for you! Since when is equality ever too soon?

It is just as hard being a person of color, being a woman, being disabled and a plethora of other things, but few would feel it were justified to say a black person had no right to bemoan his or her inequality, and if they did say that, there are laws to protect that person and labels to explain their prejudice. Few would be proud to admit to being racist, but many would think nothing of being labeled a homophobe, it’s almost a badge of honor.

That said, many inequalities exist, and that does not justify the existence of any inequality. I am often told, well there is still inequality for people of color and women, as if somehow that justifies inequality of any type. Surely like any chain-reaction, equality should come from every sector and merge together to create a strong river of change. That’s one reason all minorities should see the value of others.

Let’s not forget people who worry, equality for gays will open the door to equality for polygamists, pedophiles and other deviations. They argue that such predilections could be eventually sanctioned on the same basis as gay equality. I disagree on the grounds that being gay does not harm anyone and multiple marriages can.

We could argue this forever, but ultimately it comes down to the validity of a harmless relationship versus one of unequal power. Yes all relationships are subject to abuse and we’re going to see negative portrayals of gays, things we’d never sanction, but that’s no different to the negative portrayals of heterosexuals and speaks more of human fallibility.

Currently there are no laws to protect gays. We can be fired for being gay, we can be imprisoned in certain countries for being gay, we can be thrown out of our house and lose everything including the right to make medical decisions and attend the funeral of our partner. This happens, it happens far more than anyone realizes.

When the family of one gay person is anti-gay and that person gets sick and needs constant care, the family can remove that person and deny access to their partner, no matter how many years they have been together, this isn’t protected in those places where gays are not able to marry or have a civil union. Should we really be grateful for some equality when the only equality that truly matters is full equality?

I ask that if you can’t see why equality doesn’t yet exist and should exist including all forms of equality (such as being able to marry in a church regardless just as blacks have demanded the same rights in marrying in formerly racist churches or ones who would not permit interracial marriages) adopt and many other things, you consider now.

Initially I saw no reason to ‘force’ churches to accept gay marriages because I felt they had the right to choose whom they wanted to marry. I realized that if I were a black man wishing to marry a white woman it would be wrong for a church to turn us away, and validate the negativity of prejudice, and that’s why the law protects such racism. Surely this must equally apply to gays or we’re saying our right to avoid prejudice isn’t as necessary.

We can’t stop with just the first step of equality; it has to exist as much as for you, and you, and you. For all of us. For all those who will come after us, so one day a child is born into a world that hopefully doesn’t know what inequality is. Yes at times that will be repetitive, even boring, but it’s necessary in every struggle for equality, and if we make it fashionable to keep our mouths shut and just hope for the day things change, we will be waiting a very long time.

SMITTEN

For the sake of SMITTEN, a project I believe in more than anything I have ever done before, I have asked close friends to take over my social media rather than close it down, so that SMITTEN can continue to flourish and succeed.

In my absence, due to my severe eye-sight-issues, my friends will be running the SMITTEN Facebook page and all SMITTEN related materials. Our goal is to ensure SMITTEN is successful in all ways. Sales are one way of legitimizing a project and ensuring its authors are HEARD.

Obviously LGBTQ projects are harder to sell than others, but it is my hope SMITTEN can continue its success through the rousing support of all those who believe in LGBTQ equality and the rights a woman has to love another woman. Please consider supporting SMITTEN – each sale helps raise visibility and gives SMITTEN authors another opportunity to share their unique and beautiful voices.

SMITTEN news and updates can be found here

SMITTEN is for sale at Amazon and Barnes and Noble. If you support local bookstores please ask them to stock SMITTEN using Ingram. If you cannot afford a Kindle copy or hard copy please ask your local library to get a copy of SMITTEN via Ingram. It doesn’t take much and it means everything to the 120 authors and poets of SMITTEN. Indie publishing doesn’t flourish without our support as a community!

Poets of SMITTEN Interviews: Erin King

Erin King lives in southeastern Pennsylvania. Interests include creating fiber art, jewelry making, and the outdoors.  She lives with her partner of eight years.

What made you interested in submitting for SMITTEN?

It was a incident of timing, really.  Like once a decade I’ll go on a poetry writing binge.  There’s this feeling that something is under my skin, that something needs to be expressed.  That’s when I write.  This coincided nicely with SMITTEN, and it’s such an amazing project.  I feel so fortunate to be included.
Since SMITTEN’s launch what’s your response been from others?
  Feedback has all been positive.  One of my male friends said my work was hot.  I’m not one to say hooray about the male gaze on lesbian objects but I didn’t mind; that’s what I was going for in these two poems.  
When writing were you thinking about the political implications of your work?
  When writing these I wasn’t thinking politically or even socially.  I was a woman lusting after another woman.  It was definitely a micro level thing.  No lofty aspirations here.
Why do you find it important to express yourself through poetry? How does it differ from other mediums? 
When I’m working on designing a piece of jewelry or layering an art journal page, things come a lot more naturally.  It flows more.  Poetry is more deliberate.  My ultimate goal is to introduce poetry to visual media like painting and art. 
Do you think there are many steroetypes of LGBTQ people and if so, do you think as a writer you can dispel them? 
I think there’s a lot of biphobia coming from all sides.  We’re fickle, we can’t pick a side, blah blah blah.  It’s all bullshit.  I’m not sure if I can dispel them, though I am happy to say I’ve been with my Margaret for nine years.
How did you get into writing and what do you get from writing? 
   I started writing when I was 12.  It was pure escapism, a reprieve from an abusive environment.  I would come home from school every day and write.  When my parents started barging into my room, I’d sit with my back against the door, physically creating a boundary when there were none.    It’s not so different when I’m 47.  It’s escapism in a different sense.  It’s sublimation, a channeling of energy.  
Consider purchasing a copy of SMITTEN and supporting this collection of 120 poets who are helping to increase visibility for women who love women. By your support we can do more projects like this and help bring awareness to neglected groups of people who need to be heard.
SMITTEN is for sale on Amazon and Barnes & Noble and you can order SMITTEN as a hard copy or Kindle or if you are unable to support in this way, consider contacting your local library and requesting they carry SMITTEN by letting them know SMITTEN is available through INGRAM.

Poets of SMITTEN Interview Series: Wil Staley

I am a writer, painter, and more. I received my BA in Psychology, MA in Education, and 50 graduate credits in Counseling before coming out; as being queer was grounds for dismissal. I am now seeking my MSW, so I can help those marginalized by society and be a voice for the LGBTQ community. When I met my wife, I knew I had found myself and I’m learning to love the human I have become. Wil Staley

Do you find any stereotypes in lesbian/bi work that you would personally remove?

Absolutely! Most books for same-sex attraction focus on sex and erotica. Very little exists for same-sex love and companionship. Not only that, but I haven’t seen many books that have lesbian or bi characters who are just people; it almost always focuses on their sexuality. I think it’s important to remember we’re all just human and we are not our sexuality though that is an amazing part of us. Being a lesbian or bi is a normal part of life and I hope this anthology is able to portray that truth.

What does it mean to you to be part of something like SMITTEN and have your work alongside other women who love women?

This is such an honor to me. I’m being published alongside those like me who want to speak their truth for others. Not only that, but I can’t believe I’m in a book with so many amazing artists! I appreciate knowing so many other writers hope to make a change in the way our community is viewed.

Did you ever want to be a voice for the lesbian/bi community? If so, why?

-Being a voice for anyone is incredibly important to me but being a voice for the lesbian/bi community is even more precious to me. I know what it’s like to be hated for something you can’t control and to lose many people close to you because you want to love another human who happens to be the same sex. I come from a religious community who turned their backs on me when I came out. I still had a few people who stuck around and taught me what unconditional love was really like and I am so thankful for them. I hope I can help give others a voice and let them know they’re not alone.

Do you feel your voice is heard? Do you believe anthologies like this can help you be heard?

-Writing is really the only thing that has ever helped me feel my voice is heard and has made a difference. Being in this anthology will help my voice expand. I think anthologies like these are amazing because it caters to all types of people and offers many different styles of writing for our readers so they undoubtedly will find something that speaks to them and helps them feel heard.

Your poem in SMITTEN was excellent, why did you choose this particular poem and what did you hope it would convey to readers?

-I had three accepted pieces and the poem “Nakedness” really speaks volumes. I wrote this to show others how beautiful love can be; how healing it is to be able to give your all to someone leaving nothing uncovered; even the painful or ugly pieces of life. My wife and her love took away the shame I felt in being out and open and the pain I felt growing up in trauma. I am forever grateful for her gentleness.

SMITTEN is now LIVE and can be purchased in Kindle and Print format!

Please support this worthy and important project by purchasing a copy or more. Your support goes a long way to helping the visibility of LGBTQ authors, poets and artists. For up to date information please go to www.indieblu.net

SMITTEN is LIVE!!!

SMITTEN is now available via Kindle @ https://www.amazon.com/SMITTEN-This-What-Love-Looks-ebook/dp/B07ZMG4HW1

And SMITTEN in print is available @ https://www.amazon.com/SMITTEN-This-What-Love-Looks/dp/1951724003

Please support this worthy cause by purchasing one or more copies.

As many of you know, LGBTQ literature and poetry is a small section of the marketplace. SMITTEN is meant to be read by anyone. Lovers of poetry. People who appreciate love. Avid readers. Indie book fans. Those who like anthologies and collections and appreciate diversity and a wonderful group of talented authors.

In order to continue projects like this, we must generate sales to justify and pay for their existence. I took a chance on SMITTEN and so have the publishers of Indie Blu(e). We hope you’ll support us by one or more purchases and by this you’ll support the visibility of over 120 poets and artists.

Whether heterosexual, bisexual, lesbian or none of the above, I hope you’ll really vote by buying a copy and letting us know you value indie publishing, small press publishing, micro publishers and individuals who try to give voices to the UN mainstream.

If all my friends and acquaintances bought one copy we’d have a success. I give back a great deal to our little poet, writers community with reviews and purchases and I’m hoping I can ask you to do the same for SMITTEN.

SMITTEN will be available via Walmart, Target, and Barnes and Noble in the coming weeks. Small book stores can request SMITTEN through Ingram. For bulk purchase please contact me @ candicelouisa@rocketmail.com

Thank you to everyone who helped make SMITTEN a reality. We’re all very proud of the superb poetry and authors who joined SMITTEN to make it the premier anthology of love.

(PS: If you like to keep both a print and a Kindle version of some books, Amazon is offering a matchbook price on the Kindle version of Smitten for anyone who buys the print version.

The kindle matchbook program is going away as of November 1, so if anyone wants to take advantage of this offer, do this in the next couple of days.)

SMITTEN Poets READ: The Girl Who Always Cries – Crystal Kinistino

 

SMITTEN is coming out late October, 2019 via all good book stores. Published by Indie Blu(e) www.indieblu.net 

Please consider supporting this project of over 120+ talented poets and authors by purchasing a copy of SMITTEN for someone who appreciates beautiful poetry. https://www.facebook.com/SMITTENwomen/

SMITTEN Poets Interview: Talia Rizzo

Talia Rizzo is a lesbian poet studying creative writing at the University of Denver. Her work focuses on her experiences as a queer woman, the complexities of family separation, and the power of images. Talia’s work can also be found in Levee Magazine, Foothills, and Prometheus Dreaming. When she’s not writing, Talia can be spotted among the Colorado mountains, taking in the sun with the wildflowers or skiing until her legs are sore.

1.How does poetry and identifying as lesbian/bi come together for you? 

I don’t want to say my poetry would be nothing without my experiences as a lesbian, but I’m going to say it. In some way, when I read old poems from five or six years ago and when I read the collection I am working on now while living in Spain for a few short months, I see different reflections of one another. Sexuality is everywhere and for that reason, each of my poems has some type of image that can be traced back to a specific experience, thought, memory, fear of being a lesbian in the United States. When I began writing poetry, it became a catalyst for me to understanding my identity and my past relationships with women and how they have felt in relation to the men I have been with. It gave me a chance to create, to sit and think for hours over cups of coffee about the intensity, the vivid colors I felt when I was with women, even if it was just their leg grazing mine under the table. Over time, my poetry has shifted and taken on different forms, some I don’t even understand yet, but one thing has remained the same—my life as a lesbian is at the core of all my work; it is the way my world is shaped, the lens on which everything is always seen.

2. Whom are your favorite lesbian writers and why?

Alicia Mountain and Pamela Sneed. They are my two biggest icons in every way and I aspire to be half the writers they are. They have each, in their own very different rights, mastered the art of image, of storytelling. If the man drinking a beer at the table beside me reached into my backpack, all he would find is their two very different and sensational stories—Sweet Dreamsby Sneed and High Ground Coward by Mountain. Mountain’s collection of poetry has come to me in every moment of need, over and over again, and still each time I am able to get something new from it, something I didn’t see before. Sneed taught me things beyond myself and gave me the chance to reflect on and be thankful for all the privilege I have been given in my life. Their images are relentless in the best way, so specific and subjective to each individual woman, yet so universal to the community.

7. What does it mean to you to be part of something like SMITTEN and have your work along side other women who love women? 

It is absolutely thrilling. I am so excited to see all of their work. In countless ways, all lesbians, all bisexual women, all queer people are connected through a similar experience of identity, while simultaneously having so many individual differences. Love is both an individual and collective experience, especially when it comes to being a lesbian. I remember being eighteen in a restaurant with an old girlfriend and having to move tables because of a couple older, heterosexual couples next to us talking very loudly about how disgusting they found us. All we were doing was holding hands. I remember the way it felt when the waiters carried our plates full of food across the restaurant to a new table and every head turned to watch us get up and move. I remember my girlfriend’s eyes filling with tears and the excessive apologies of the employees. In some ways that night, a love I had never experienced before presented itself, as well as an experience I know is universal. As a community, we have been spit on, degraded, beaten, and killed for our sexual preference. While simultaneously, finding other people, other women, who love us, who accept us, who become a part of us. Being featured in SMITTEN alongside so many women from all over the world is an absolute honor for me, as all these words and stories bring us together—even when we are miles and miles apart.

SMITTEN is due out any day now. Please consider supporting this project by purchasing a book when it comes on sale. Even one purchase helps support the endeavors and hard work of these 120 authors and highlights the value of LGBTQ subjects. SMITTEN will be available via all good book stores please check the Facebook SMITTEN page for up to date information.